Just discovered your channel Gary. Purchased your course and thoroughly enjoyed it. Your continued emphasis on personal creativity, experimentation and working towards individual preferences really resonates with me. I'm a huge fan of your approach and your talent as an artist. Thanks for sharing your artistic journey with us. Dave
Great one again, Gary. Firstly, Loved the main intro images, just gorgeous. The ICM’s, a couple in the beginning did not grab me but the rest I would have been proud to have taken them. Thanks again and looking forward to your Skye images when you get back, enjoy and thanks again.
Thanks for another video! Looking forward to reading your article! 😊 I'm planning a trip to the Isle of Skye this autumn, so looking forward to some inspiration in your next video!
I didn't see your comment before I wrote mine!! Ahh yes, a kindred soul! I have a couple of photos of an evening dirt bike ride I did late in August several years ago. I was at around 12,000 feet in elevation and it was close to 7:00 pm with the sun just about ready to drop behind the distant mountains. The light was a beautiful golden hue which amplified the colors and the long shadows provided a beautiful contrast. I show it to people and tell them 'this is why I ride!' They all are moved at the depth,colors and richness of the scenery. As a wonderful bonus, I was able to watch two different moose on my return to the truck! Life sure can be amazing most times!
Quite liked even the images you considered "not working". It's all a matter of personal taste and what you are seeking in your images. Great images Gary and has inspired me to do more of this. Would love to visit Scotland where my Grandfather came from.
Hello. So, the final image shown was the absolute standout - For Me. And that's the point (well, one of them), isn't it? There were images in your 'disparaged' pile that i really liked a lot, and some in the second series that i found easier to pass-on-by.... I can only guess that you and i have similarities but, in the final analysis, we are not the same! Nice that you shared the exploratory nature of that project with us - the working up of the material to something that suited your vision. Right... i'm orf to read your article. Likd&Subd (w. gusto!). All the best from a cabin in a swamp in a rainforest in New Zealand.
I have not done this for a long time but I did like the result. Set the camera up for a 3 to 5 second exposure focus on your subject and step back. Then hit the shutter and walk forward trying to stop where you set focus plus giving enough time to hold the shot steady to capture your subject in or slightly in focus. Your recent videos have inspired me to give it another go ty.
Very interesting results. It is clear that details work relatively well. I was just wondering wether more comparable images to Pointillism would work. I have seen images in the Netherlands were it works in less wild and broad landscapes. Looking forward to see how you continue your learnings!!
I have been doing multiple exposure photography using flowers and have figured out a how to sequence. First step. No more than three exposures. Step two, when taking each exposure check your light meter, exposure one correct exposure, second one under expose around the 4 stops mark, third exactly the opposite. Look at your subject and decide what is your main object within the picture as this should be your first exposure. Multiple exposure is not an exact experience and one can never take the same shot twice. With some subjects, for example the tree canopy of narrow country lanes, I hands free, result multiple exposure and icm combination. As I said earlier not an exact way doing things but works for me.
Gary, your "good images" are beautiful, but I also thought that some of the "bad" ones were quite good! I am not clear as to wether these are true in-camera double exposures or if they are "intentional camera movement". Can you please clarify? Thank you for your tutorials!
Wow....I love Glencoe....maybe someday I will get there.....Anytime I try ME Its difficult to know which ones are good and which are bad because its a personal choice...for your images with the wee hut, it may have worked better if you had masked out the hut and kept it as a relatively sharp subject and leave the rest of the image as it was.....Is there a certain number of images you would normally use for an ME or do you just stop when you think the image looks good?
Just discovered your channel Gary. Purchased your course and thoroughly enjoyed it. Your continued emphasis on personal creativity, experimentation and working towards individual preferences really resonates with me. I'm a huge fan of your approach and your talent as an artist. Thanks for sharing your artistic journey with us. Dave
From the series the 3rd and the last are absolutely stunning.
Many thanks and thanks for watching 😁👍
Stunning! What a wonderfull, abstract technique.
Thanks for watching, it's fun to try 😁👍
I think this is what Monet would have created if he was using a camera.
Well done Sir!
Glad you enjoyed the images, thanks for watching 😁👍
Some fantastic images there Gary. Well done. Dreamy abstracts, like paintings.
Really appreciated, thanks for watching 😁👍
Great one again, Gary. Firstly, Loved the main intro images, just gorgeous. The ICM’s, a couple in the beginning did not grab me but the rest I would have been proud to have taken them. Thanks again and looking forward to your Skye images when you get back, enjoy and thanks again.
Thanks again for watching Victor, glad you enjoyed the video. 😁👍
Beautiful, original concepts and execution. And wonderful music.
Thanks for another video! Looking forward to reading your article! 😊 I'm planning a trip to the Isle of Skye this autumn, so looking forward to some inspiration in your next video!
Thanks again for watching, glad you liked it. I hope you get some stunning images from your autumn trip 😁👍
Awesome images Gary.I would be happy with most of the last series of images especially 1-3-5-6-11-12-13 which were beautiful shots
Really appreciated and thanks for watching😁👍
Poetic and with a touch of Monet :)
Thanks for watching 😁👍
I didn't see your comment before I wrote mine!! Ahh yes, a kindred soul!
I have a couple of photos of an evening dirt bike ride I did late in August several years ago. I was at around 12,000 feet in elevation and it was close to 7:00 pm with the sun just about ready to drop behind the distant mountains. The light was a beautiful golden hue which amplified the colors and the long shadows provided a beautiful contrast.
I show it to people and tell them 'this is why I ride!' They all are moved at the depth,colors and richness of the scenery.
As a wonderful bonus, I was able to watch two different moose on my return to the truck! Life sure can be amazing most times!
Quite liked even the images you considered "not working". It's all a matter of personal taste and what you are seeking in your images. Great images Gary and has inspired me to do more of this. Would love to visit Scotland where my Grandfather came from.
¡Sorprendente.!, unas imágenes fantásticas. Quedé con la boca abierta...!!👏
¡Muchas gracias por compartir tanta experiencia..!🙏
Me alegro de que le hayan gustado el vídeo y las imágenes. Gracias por visitarnos.😀👍
Great images, very creative and mystic.
Hello. So, the final image shown was the absolute standout - For Me. And that's the point (well, one of them), isn't it? There were images in your 'disparaged' pile that i really liked a lot, and some in the second series that i found easier to pass-on-by.... I can only guess that you and i have similarities but, in the final analysis, we are not the same! Nice that you shared the exploratory nature of that project with us - the working up of the material to something that suited your vision. Right... i'm orf to read your article. Likd&Subd (w. gusto!). All the best from a cabin in a swamp in a rainforest in New Zealand.
Thank you for sharing your work. The music was very fitting. Might I recommend an album by Checkfield? The title is, wait for it …
Through the Lens
I have not done this for a long time but I did like the result. Set the camera up for a 3 to 5 second exposure focus on your subject and step back. Then hit the shutter and walk forward trying to stop where you set focus plus giving enough time to hold the shot steady to capture your subject in or slightly in focus. Your recent videos have inspired me to give it another go ty.
Hope you get some great images. Thanks for watching 😁👍
Very interesting results. It is clear that details work relatively well. I was just wondering wether more comparable images to Pointillism would work. I have seen images in the Netherlands were it works in less wild and broad landscapes. Looking forward to see how you continue your learnings!!
I have been doing multiple exposure photography using flowers and have figured out a how to sequence. First step. No more than three exposures. Step two, when taking each exposure check your light meter, exposure one correct exposure, second one under expose around the 4 stops mark, third exactly the opposite.
Look at your subject and decide what is your main object within the picture as this should be your first exposure.
Multiple exposure is not an exact experience and one can never take the same shot twice.
With some subjects, for example the tree canopy of narrow country lanes, I hands free, result multiple exposure and icm combination.
As I said earlier not an exact way doing things but works for me.
Were these created in camera or individual shots re-composed in Photoshop? I loved almost all the shots! Wonderfully inspiring video
Thanks for watching Rob, all the images were created in camera in this case as I like the unknown nature of what you will get😀👍
Gary, your "good images" are beautiful, but I also thought that some of the "bad" ones were quite good! I am not clear as to wether these are true in-camera double exposures or if they are "intentional camera movement". Can you please clarify? Thank you for your tutorials!
Wow....I love Glencoe....maybe someday I will get there.....Anytime I try ME Its difficult to know which ones are good and which are bad because its a personal choice...for your images with the wee hut, it may have worked better if you had masked out the hut and kept it as a relatively sharp subject and leave the rest of the image as it was.....Is there a certain number of images you would normally use for an ME or do you just stop when you think the image looks good?
It's a beautiful place, definitely worth the visit👍. Thanks for watching😁👍
You might like those that "didn't work" if you imagine someone else made them.
Translate to English please
Gary rightly recommends switching on the subtitles for those not accustomed to the accent.
It is English just a Scottish accent
@@chipsrafferty8362 I rightly say mind your own business