VFX Artists React 96: Dredd, World War Z
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- Опубликовано: 9 июн 2024
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Sam, Niko, and Jordan break down some of the best (and worst) visual effects in some of your favorite Hollywood films!
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CHAPTERS ►
00:00 In This Episode...
00:42 Grammarly
02:09 Intro
02:54 Dredd
05:18 The Incredible Shrinking Man
09:08 Bride of Frankenstein
12:11 World War Z
15:11 The Magic of VFX
16:42 CorridorDigital.com 
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Could you please react to First Man. It’s about Neil Armstrong from an X-15 pilot to landing on the moon (very cinematic)
Please do one more vfx reaction on Bollywood movie like 2.0 , pathaan , upcoming like project k 🥺🥺 please
This video reminds me of the little people in the Borrowers movie.
Can you guys react to the scene in “The Wolverine” where he throws silver samurai out of the hole in the wall and you can see Wolverine pull out his claws but in the next shot you can see his hand in the bottom right corner without the claws and then 2 shots after that when the camera pans up to Wolvy he has both hands clawed out.
Do a VFX reaction on the 1995 gushers ad. I want to see how it works!
5:06
Fun fact about that.
Gavin actually worked on Dredd as a slow-motion camera operator which means that he filmed both of those shots.
They should try to reach out to him for a future episode for a follow up
@@McCorck29 they did for one episode a while back, think it was for Sherlock Holmes?
The team at Milk did a lot of the VFX in Dredd when they were just starting out after spinning out of the The Mill, i'd also like to think a lot of the crowd simulation stuff at MPC is derived from the work done at The Mill also. Disclaimer, when I worked there it wasn't on the creative side.
dope
Gavin who?
Its an eternal shame that there has not been a sequel to Dredd!
Karl Urban would be down for it too...
There was a news of Dredd 2 in development back in November of last year so, fingers crossed
I don't think Karl Urban ever says no to a role.
@@funktimusrhyme it was canned
OMG YES!!! I’d like a sequel so much!
@@meeponinthbit3466 I dont care, as long as he doesnt say no to reprising Dredd. He is perfect for the role, much like he is the perfect Billy Butcher.
Dredd is one of the movies that make you think „Why aren’t more people talking about how amazing this is?“
Then they only show one scene
probably because it was a remake of a Stallone film?
@@HesmiyuMC it is in no way or sense a remake of that film
@@HesmiyuMC It's not a remake, both films are just adapted from the same comic book. Just like Christopher Nolan's Batman films aren't remakes of Tim Burton's Batman films.
But I do see the point in that when Dredd was in cinemas (and flopped), people probably saw the posters and remembered how bad the Stallone film is. I know I did, thinking it can't possibly be good, only to stream it much later and be amazed.
@@puppyenemy tbh, I liked Stallone's one.
Okay that ballerina shot in Bride of Frankenstein is mind blowing. There is almost always some part of older VFX which your mind picks out as unnatural so even if you can't explain it you can tell something is off, like the dark and light fringing Niko was talking about in the Shrinking Man shots. The ballerina shot is flawless and it is doing my head in a little bit!
Oh also Jordan is a great addition to the couch!
You can still see some compositing lines on the ballerina, so I wouldn't call it truly flawless. But it's still incredible how good they got that shot to look.
@@tbotalpha8133 yeah it looks like a slight bit on the right side near the bottom of the dress? Still incredible regardless
Oh my god yes, her shadow on the floor yet his profile through the glass it's mindblowing!
I can’t believe they are almost reaching 100 episodes of VFX Artists React
Oh damn yeah it’s been like 3 years now wow time flew by
Edit: forgot it’s 2023 now so 4 years wowzahs
i cant believe they cut episodes to sub 20 mins unless you sub to their website.
the video player is garbage, and the site is laid out like a free godaddy template
I can believe it since they release episodes every weekend
I can't believe how low all your thresholds are for can't believing
The EEAAO silence is deafening
As you said In the 1930s, compositing objects in films was typically done through a process called "double exposure." This process involved exposing a piece of film twice, with the first exposure capturing one element of the scene, and the second exposure capturing the other element of the scene. The two elements would then be combined in the final image.
To achieve the semi-transparent effect, a semi-transparent object (such as a piece of glass in this case or a sheer curtain) would be placed in front of the camera during the first exposure. The object would be removed for the second exposure, allowing the second element of the scene to be captured without interference from the semi-transparent object. When the two exposures were combined, the semi-transparent object would appear to be partially transparent, allowing the second element of the scene to be partially visible through the object.
This technique required a high level of skill and precision, as the two exposures had to be perfectly aligned in order to create a seamless composite image. It also required careful control of lighting and exposure times to ensure that the two elements of the scene were captured with the appropriate levels of brightness and contrast.
This is such awesome information, & still doesn't explain why I can tell how they did what they did with "The Incredible Shrinking Man," yet remain confounded by the process of "The Bride of Frankenstein."
@@guspewe that is the beauty of it, even tho we understand some of the underlying technics there still some magic in there
Thank you so much for this explanation, cuz I was racking my brain trying to figure out what they did. 🙌🙌🙌
I like to think the creators of these classic special effects scenes and sequences would be really proud and happy to see that so far in the future despite all of the tools and abilities we have now that people still look at their work with awe and respect for what they achieved.
This is the most beautiful phenomena I have ever known.
John P Fulton was the guy in charge of the ballerina, head of special effects for Universal (where he worked on the iconic Frankenstein), then for Paramount (where he worked with Hitchcock on Rear Window and Vertigo), nominated for 8 Oscars, won 3, his final for parting the Red Sea in The Ten Commandments.
FINALLY they talk about Dredd. It was SOOO awesome.
They compared it to the The Slow mo Guys without realizing that Gavin shot the high speed for that movie.
Deserves its own episode though, really.
@@f0ksie really? I didn't know that.
@@GregoryHyde with current woke era, it will be about woke agenda
@@f0ksie dredd was fun to watch😊
The ballerina's plate also includes the base of the bottle, so you get her shadows in there too. I think that especially sells it. They're also using multi-directional lighting on her to emulate the reflection of the light off the inside of the glass, which makes the shadow even more realistic.
The entire Homunculi scene in Bride of Frankenstein is ingenuity and artwork on a level DECADES ahead of its time. Still incredibly impressive to this day.
The fact they were able to replicate the scale and "river of bodies" feeling of the WWZ zombie swarms in the WWZ game so well is just so impressive and insane
You guys need to do more from Dredd. That film has so many great moments to break down.
Yes, but they wont because all the moments are blood & gore which leads to demonetization on RUclips. In that scene they only showed two shots of, there would be a lot more to unpack, but it involves bullets penetrating faces etc. 😅 Or Mama falling down and hitting the floor towards the end - they could only show that on their own site.
Dredd has no right to be as good as it is
Fr. People were lukewarm or hated it when it came out, but it’s one of the few reboots that hold up to the original.
@@conaldeugenepeterson2147 I kinda think it's better even. Obviously no shade to Sly, but he has better movies out. The original kinda bogs along at its own pace and feels like an off-brand Robocop. The remake is miles above.
I agree it's great. I don't understand why "it has no right?"
@@conaldeugenepeterson2147 79% tomatometer. It was pretty well received.
im still hoping for a sequel
Häxan from 1922. There are a lot of different special effects. Post-production took a year and was the most expensive Scandinavian film in history. It's pretty amazing.
Yes yes please yes
YES, Häxan is absolutely wonderful
It was me that suggested The Bride of Frankenstein clip! I recommended it last October after seeing it at a Halloween Film Festival. So I can attest, they really do read through the comments and make our suggestions! I'm glad I didn't miss something obvious. Love reading through everyone's theories in the comments too.
There is a 1933 version of Alice in Wonderland that you guys should check out. It has some really bizarre effects especially for the shrinking and growing
Agreed
Where can you find it?
Agreed saw that on RUclips 😊
Look at these combined shots. RUclips deletes the link, type it.
Танец «Яблочко». Научно-исследовательская работа по «оптической перекладке», 1946 год
(Dance "Apple". Research work on "optical translation", 1946)
Gavin from slow mo guys actually worked on judge dredd. He was their guy doing all the slow mo, both as an adviser and running the rig
I was watching the bride of Frankenstein for the first time some days ago and my jaw dropped when this scene played. And you guys pointed out even more stuff than I thought there were that make the effect unbelievably smooth
The ballerina in the jar has a replaced floor as well. Look at her feet when she spins and you can tell they used the real floor around her in the final shot. All the pedestal shots are cut outs with forced perspective to match pov. They recognized mating feet to the floor was a problem with compositing and animation so they used set floors as the pedestals in frame. The forced perspective also means the vanishing points on both elements will match, making the composite image much easier to produce.
Dredd is one of two movies i've watched, where I thought 3D added something that you couldn't get anywhere else (the other being avatar). And it's honestly better than avatar's in a lot of ways, because who ever did the shot composition for Dredd actively thought about how the 3d was going to be used, and tried to do interesting things with it. All the slomo scenes in particular are just stunning in 3D. I went through a ton of stupidity finding a 3d copy of the film just so I could watch it again on my PSVR (PS5 doesn't support 3d films, only the PS4 does, be aware) again. It was totally worth it.
"Fury Road" was good, too.
I really hope that someone soon discovers books and films from the best video effect people from the early days of movies. That tells all their secrets of exactly how they did these incredible effects. It is such a great thing that a lot of the current people are starting to document their processes. So, hopefully, in another hundred years of filmmaking, they will be able to look back and see exactly how they did it.
I love when there are guests on the show, definitely expanded my knowledge, but also love the episodes with just a couple members of corridor, it's just a different type of geek out session and I love it
The guests ruin it because it becomes a 20 minute lovefest of what movies they worked on and suddenly everything is flawless and there are no negative reactions.
@@jun6174 the insider knowledge and seeing how the industry actually works is great insight though, there's a lot of good to take from those videos
Cant believe after relentlessly asking them to do a VFX breakdown on Dredd they did. Much love
Jordan channeling All Might: “I AM HERE!”
Love the look at old school visual effects techniques. Fascinating stuff
I was thinkign Momotoros ORE SANJOU (i have arrived)
Does anyone know what movie/react episode it was where an old woman's face changes color instantly like all in camera? It was an old black and white movie and I think she was a witch or something. I've searched many times but can't find it again.
@@tylarjackson7928 Sounds like "Sh! The Octopus" from episode #5.
@@icdal. That's it, thank you! I've spent many hours searching and re-watching looking for it, not that I'm complaining about having to re-watch these.
Im surprised they didnt mention that Gavin Free actually did the slow mo for Dredd. Could have called him and asked him how it was done.
I think I've figured out how the shadows were added in that shot featuring the king character, it's a little complex. For the scene where the king runs across the table, it could be that he was a filmed on a grey background and two high contrast prints were made from the negative of this shot. One would cut out all but the highlights of his coat and the other all but the shadows. These two mattes could be used to expose the shadows from the shot of the king onto a negative of the "plate" and a the highlights seperately onto a resulting print struck from this negative.
Long time listener, first time caller! Love your work, and I'm sitting here rewatching Sky Captain and the World of Tomorrow with the family and wondering how this wonderful movie has been overlooked! It has some great VFX storytelling and think it would be worthy of your time and attention. The worst that could happen is you're introduced to a movie you and your family can enjoy! Thanks again for everything you all do for our entertainment!
For bride of Frankenstein that shot with the dancer, could it be a real set with a giant glass jar and a projection like with the cat in the other movie? I can’t fathom how they could have gotten the distortion of the background and have her outline be so clean. I can’t believe they cut her out because her outline is flawless.
No. There are visible black outlines on the dancer dress and the jar label. So the label and the dancer are on different reels.
The front of the jar is probably just a static drawing, either on the stencil (cutouts) reels or just drawn on transparent glass placed in front of the camera that films the dancer.
I thought that at first but there are visible black outlines.
Film the life size with a desk and empty jars. Project that behind a life size matching desk set. Mask and composite parts of the new shot into the original that has the empty jars with extreme care.
@@user-jp7tw3sd3x but the front of the jar is affected by Dr. Frankensteins' movements, so what gives?
This was my theory!!! That way the compositing would have to be of just the jar and not each individual person!
"But maybe it's real" 😂😂😂 the timing and delivery was perfect
glad you're looking at INCREDIBLE SHRINKING MAN. one of my all-time favorite movies. no other film so completely delivers on its premise. tremendous effects all the way through
it's not a crusty forgotten b-movie, it's in the criterion collection
Dredd is too damn good. The opening scene with that badass music! Goosebumps.
The small person stuff just reminded me! I would LOVE to see you guys react to the VFX of Thomas and the Magic Railroad. I’ve always wondered how they get the people to look small so they’d fit to scale in the Island of Sodor. Basically, before the transition to 3D animation, they used Gauge 1 (1:32 scale) model trains and filmed them using a 35mm camera with a periscope lens and I have always wanted to know how they married the live-action people into an environment that small
As an adult Thomas fan, I agree. I love the show (the good seasons: 1-5) and I am a sucker for magic railroad, but the effects aren't that good, even for a film from 2000.
I'd never seen it, but just checked it out on YT... They're just composited in. Nothing fancy about it, they just put special effort into matching the lighting, and occasionally using full size sets that look like the 1:32 scale models. They also occasionally just use blurred scale photography as the background - the DoF effect makes it look small. All the shots where trains and people are depicted together are locked off, and there's no interactions between the models and people, like climbing in etc. The shots of them inside the train cabs are scaled up sets.
They do cast shadows when composited in though, which is pretty neat. Maybe it was early digital compositing?
What I think is happening on Bride Of Frankenstein: the jars are definitely there on set with the background actor, but notice the background is mostly black, so the actors playing the tiny characters could be positioned on a dark set with their props and filmed, then lined up with the jars later and just double exposed over the top of the background one by one. A travelling matte will only be needed if the tiny people go over anything light behind them but the dark edge that leaves will rarely show up because of the dark background, plus the bright highlights on the jars will stay ‘over’ the tiny people (because they won’t darken in this process of double exposure). Finally, the dark vertical lines in front of the tiny people look like they were drawn on glass, either as they were being filmed or as they were being added in via double exposure, to give more of a sense of them being inside jars, but they also kinda work as foreground ‘reflections’ (notice they don’t darken the actor behind).
In close ups of the little ballerina it’s also possible some rear projection was used.
There was a means to generate extremely precise travelling mattes via a yellow phosphorous lighting technique back then, as in not hand drawn, but auto created, that would work very well here. How it’s all so stable for this era, though, I don’t know.
Close. ;)
It's amazing to see that corridor crew are only 6 episodes away from 100 on VFX!! I'd like to say THANK YOU for all the amazing work you all do!!
I begged for this Dredd scene for at least 3 years glad to see it!
Wasn’t Gavin the one doing slow mo for the Dredd? Could’ve asked for how it was done.
This, I'm amazed they didn't mention it
Seriously. they even used slow mo guys footage in the ep!
The World War Z are possibly the scariest zombies in a film since they were athletic enough to climb on top of each other to get over a wall, they are incredibly fast & strong enough to take out armed soldiers, & are able to bring down a helicopter.
The Last of Us and the 28 Days/Weeks Later series' zombies would have a small bone to pick with that
@@W4TH3JE5U5 The 28 Weeks Later zombies gave me nightmares for a damn long time.
@@W4TH3JE5U5 28 days later/TLOU infected don't require headshots like WWZ zombies do.
@@SoulBeam12 Fair, but the crazy mutations in TLOU fully make up for that weakness
Army of the dead
I loooved the World War Z video game. Implementing the huge crowds of zombies and them using each other to climb up surfaces IN A GAME was insane and it was so much hectic because YOU have to stop them. So upset it wasn’t that popular.
Love love LOVE when you cover older effects!
Need a whole Dredd episode.
Jordan has great charisma wth these guys, and has a really good sense of humor for the show.
I love the episodes where it is just the Corridor Crew talking about fun films instead of industry people joining the couch and sharing insights.
Jordan had really refreshing energy. Good to see him on the panel.
One of my favourite movies ever - Dredd. I was a massive collected of 2000ad comics since the early 80s. Through to the late 90s.
I’d love to see a stunt men react to “Yes, Madam,” one of Michelle Yeoh’s first movies. Produced by Sammy Hung. It’s so cheesy but the action rocks😊
I love the slow mo guys mention. I'm guessing that the reference during the Dredd segment was intentional given SMG's Gav being the slow motion cinematographer on the film. Would love to see a collab between your channels
They did! Just search for the “Jack built a guillotine” episode.
Omg you guys actually reacted to Dredd!!! I have been waiting for this for soo long it's such a good film and the effects are amazing!
The "small ballerina in a flask" scene, I don't know how they did it, but the simplest way, IMHO, would be to have her dancing inside a "big flask", with a screen in the back projecting the scientist. That way, when you film the whole scene it looks like we saw, right? :D
You'd be able to tell if it was back-projected wouldn't you?
I wish I scrolled down. I just had a similar thought and typed it out. I think, like you do, that rear projection was used behind the ballerina standing behind some "Flask" shaped glass, but I believe they still used some Matting. Basically they only had to matte in the outline of the Human sized jar full of ballerina with the rear projection onto the original scene, which would be a consistent shape making it very easy to matte in. I think the outline of the jar has the tell tell signs of it being matted in.
The thing that makes me think this isn't the case is the scientist casts a shadow on the jar, which means the jar is most likely in his plate
Pretty sure Gavin Free did the slow mo for Dredd. Funny they used a Slow Mo Guys video for reference 😊
I am so pleased to see more of the Universal monster movies represented here. There really is something magical about those movies.
FINALLY a Dredd look. Been wanting this for years.
I love this kind of episodes, where you guys breakdown groundbreaking stuff. honestly it blows my mind
I would love to see a video where you guys attempt to recreate some of these 100 year old effects using the best approximation of the methods they used at the time but with modern equipment
I think that would be great trying to recreate it before they found out the actual technique.
I was so excited you were going to react to Dredd and then it's just like one single shot :( Moar! There's so many great VFX-shots in that movie!
7:01 Whoa, so the dollhouse curtain (and I guess the entire dollhouse set) are being projected on the background screen? I had thought that the dollhouse set might've been a practical foreground set and that only the window part was the screen projection.
Speaking of Dredd, you guys should check out the scene where the guy catches on fire in Dredd (2012) on stuntmen/stuntwomen react. One of my favourite fire stunts in film.
Dredd was such an awesome movie
I love when they start nerding out on old Hollywood techniques.
I could watch a whole episode dedicated to old retired Hollywood effects.
My favorite crusty old effect is the opening of the door in the end of The Birds. There is no door there, theyre just moving the shadow, but its so effective
DREDD needs a damn sequel or whole line of movies!
If you're looking for old movies with fun visual effects, The Thief of Baghdad is a childhood fav for me
In terms of old films with great effects, check out the plane crash scene from Hitchcock's Foreign Correspondent. Pretty damn impressive. I believe there are actually some explainer videos available of how it was done too.
Just watched the original Mad Max and y’all have got to do it for your next stunt person episode! There’s a particularly gnarly motorcycle hit at the beginning of Max’s rampage, and a lot of other great guerrilla-style stunt work.
The motorcycle hit where a guy goes off a bridge and looks like a stiff mannequin? gnarly really is the right word for that one 😬
@@maybeyourbaby6486 Actually no! That was good but right before that there’s another who was on the ground when a bike comes sliding in and clocks his helmet.
@@madjangler oh yeah right! I've gotta rewatch those movies one of these days 😅
Dredd is such a good movie. I've watched it loads of times. Now I've seen this I may have to watch it again!
My favorite part is when judge dredd says "Judgement time" and judges everybody in the room (commits war crimes)
I love that yous put a timer on the sponsered segment, makes it easier to fast forward through.
1937 “Witch” movie has an amazing transformation visual effect scene - definitely worth taking a look at 👍
So glad Dredd got some love!
Gavin free from slow mo guys / rooster teeth is the one who made those dreed slow mo shots, u guys could bring him in the future!
A lot of distance between LA and Austin.
My theory is that for the bride of Frankenstein scene, they had a life size window and for the shadows they use a cutout... And the reflections are clever painted on details 🤔
I think the bride of Frankenstein clip was done like this: They filmed the tiny subject with a glass like structure in front of it then they cut out the people and put the black behind them. they cut out the details but didn't put a mat behind them to keep them slightly transparent.
Awesome episode, guys! You should take a look at the Robin Williams film, “What Dreams May Come!” Crazy gorgeous painterly visual effects for 1998. Very unique!
You should react to the goblin creatures from the film 'Unwelcome'. I thought they were really excellently done and genuinely couldn't tell a lot of the time whether it was CG or practical or a mix.
Every time I watch these I am simply floored by Niko's knowledge of film production. He's a genius.
Dredd... One of my favorite comic book adaptation movies, why it bombed at the box office is beyond me. But it still became a classic after that, they so SO need to make a sequel.
Dredd is a gem of a movie!
I would love to see y’all update some of the old school FX using modern tools. Like cleaning up the matte shot in “The Incredible Shrinking Man” to make it look perfect.
Or adding in the shadows so he doesn't look like he's just floating in so many shots.
Ballerina shot idea: A giant glass sculpture with the base of the vase to film her on, however there's no back. So basically it's cut in half. And then a small vase in front of the mans hand is also cut in half to get the shot without the front of the little lady.
I'd never seen that clip of Bride of Frankenstein before, that was so amazing. I want to watch the rest now. Thanks!
I always thought the practical effects for dragonslayer (1982?) were really good. Haven't rewatched it in a while but growing up I thought the dragon looked awesome.
If you’re interested in more older examples of practical effects, I’d highly recommend checking out the 4th Doctor’s intro from Doctor Who. It used a technique called slit-screen which I would highly recommend doing a little research on.
Thank you guys for moving the ad reads to the beginning of the videos.
Your videos will always be great irrespective of the topics because of the camaraderie among the members of Corridor Crew👍🏽
Dredd is criminally underrated
You should check Small Soldiers. Amazing cgi for such old movie
A '80s/'90s kids movie episode comparing Small Soldiers, Honey I Shrunk The Kids!, and something a little more modern like Night at the Museum would be a lot of fun.
@@hazelbaumgartner9706 you are missing out on _the indian in the cupboard_
I love how some of the clips from old movies always throw them for a loop
I work close to those steps. Always an issue avoiding the zombie rush hour.
YES! Dredd was a movie I stumbled upon last year browsing around on one of these name brand streaming services,
It is definitely an under-rated action film. If you enjoy FPS games, or gritty war films, it might blow you away.
Love the content guys!
With 96 episodes forgive me if I’ve missed it but the intro to the movie stranger than fiction with Will Ferrell is interesting and also the teeth brushing scene right after!
Literally rewatched Dredd 2 weeks ago!
I love it when they do old movies! There are some hidden gems there man..
The original Dredd wasn't bad. It just wasn't a Dredd movie. It was a Stallone movie.
If he'd kept the helmet on until he was arrested and put it back on after he infiltrated the Grand Hall of Justice, I would have liked the film more.
Dredd is one of my favorite action movies I'm so glad they're looking at it. I really hope they do another one because holy shit Urban was perfect
The king running across the table is crazy. Maybe he ran across an oversized set and they used the set without a holdout matte for his shadows then rematted him in on top?
Ballerina in the jar, the distorted movement and shadows from the background plate only affect the highlights on the jar, so the smudges infront of the ballerina are all another matte on top of her matte (she is ontop of all the jars highlights, but the shadows in the foreground are another comp on her without a holdout matte for transparency or projected onto a dirty screen and reshot)
Also, please check out the will reading scene in Knives out, Daniel Craig is replaced with a 3d tracked PNG.
The old 1954 Godzilla movie has a lot of really clever, really sneaky composite shots. A bunch of just regular shots of people standing around talking and then you look at it a second time and you're like "wait a minute, there's a giant footprint in the background!"
You should look at The Lost World from 1925. It's the predecessor to King Kong. It also had one of the first viral marketing campaigns where they showed footage of it to a group of magicians and they had no idea if it was special effects or actual dinosaurs.
I would love to see you guys react to the train crash scene from Super 8
Dredd is awesome, and Gavin’s company worked on the slow motion for it! He did Dredd and the dope ass Sherlock sequence where they’re being shot at in the woods.
Thank you so much for finally watching DREDD!!