ON THE REAL SIDE with Guest Eddie Daniels

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  • Опубликовано: 6 сен 2024
  • In this episode, host Bob Mover interviews clarinet and saxophone Jazz legend, Eddie Daniels. Together they share great stories about the professional world of Jazz and music back in the day, many great memories, lots of laughs, and so much more.
    Tune in to watch and listen.
    Hosted by Bob Mover
    Guest: Eddie Daniels
    Soundtrack: “On The Real Side” by Walther Davis Jr.
    Casting by Bob Mover
    Scripted by Bob Mover
    Produced by Jessy Kaiser
    Graphics by Jessy Kaiser
    Edited by Jessy Kaiser
    Do share this video with others & thanks for giving us a thumbs up, if you enjoyed it.
    COME VISIT:
    www.bobmoverjazzability.com
    EDDIE DANIELS
    www.eddiedanielsclarinet.net
    #podcast #jazzpodcast #bobmoverjazzabilitypodcast
    #bobmoverjazzability
    #ontherealsidepodcast #eddiedaniels
    #eddiedanielsclarinet
    #podcastsonyoutube
    #youtubelive
    #youtubelivepodcast

Комментарии • 4

  • @vincentherring414
    @vincentherring414 7 месяцев назад +4

    Bob Mover and Eddie Daniels! Two giants!!!!!

    • @bobmoverjazzability
      @bobmoverjazzability  7 месяцев назад

      Thanks, Vince! Would love to have you as a guest. I'll give you a call, and we can set something up if you like.

  • @leanmchungry4735
    @leanmchungry4735 11 месяцев назад +1

    Great interview, interesting to hear that Eddie played a W.T Link, but as regards the money from The girl from Ipanema session:
    'The extent of the financial injustice is made clear in Ruy Castro’s 2003 book Bossa Nova: The Story of the Brazilian Music That Seduced the World. Castro details that João Gilberto received $23,000 for his work on the album. Getz got the lion’s share of money for the album, estimated by some to be nearly a million dollars. Getz earned so much from its success that he immediately bought a 23-room “Gone With the Wind-style mansion” in Irvington, New York.
    As for poor Astrud Gilberto, she was paid a relative pittance for turning millions of people on to jazz and the rhythms of Brazil. The woman “responsible for the record’s international success” (in Castro’s words) earned only what the American musicians’ syndicate paid for a night of session work: $120.'

    • @bobmoverjazzability
      @bobmoverjazzability  11 месяцев назад

      Bob thanks you, @leanmchungry for his continuing interest . Bob said to tell you that "I knew that Stan had made the lion’s share of the money but I had not known how little poor Astrid was paid." Best wishes. - Jessy Kaiser