Young Bleed: (How you do dat there) on Master P, Baton Rouge Rap History, Not being on No Limit Tour
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- Опубликовано: 21 май 2024
- Young Bleed opens up about his relationship with Master P, the Baton Rouge rap scene, and why he wasn't on the No Limit tour. Hear from the artist himself about his experiences and insights into the rap industry.
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"Who dat, say they wanna do that" ✊🏾💯 K-Rino always have the real.
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💎The Day They Made Me Boss💎
THANK YOU K RINO!!!!!! YOU ARE EVERYTHING
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My favorite. Young bleed the one.
The strange music album dope also.
The pimp c production would have put you where you deserve.
Odell Vickers was an mentor of mine
I love the 90's class of rappers. Bone thugs, fat joe, nas, AZ, UGK, K-rino, Ice cube, 8ball & mjg, master p, notorious BIG, trick daddy, etc....because they were actually active in the late 80's when the crack era first hit. Teenagers were the primary ones hustling on the streets in the late 80's or at least it was the norm. So these teenagers grew into their 20's when the 90's hit...because they were born between 1970-1975 so they were either 18 in 1988 or 14 or something. So they were basically telling first-hand accounts of life during the 80's crack era, and a lot of them were doing it in a story-telling way.
1980's influenced 1990's rappers to the point where every 90's rapper had a Scarface skit on their record or they had Italian mafia nicknames (by the late 80s, John Gotti became popular in the news media and the mafia had reached its pinnacle in popularity. It was the last great era for their kind)....and hiphop from the 90's totally embodies that...the 80's.
Too Short had tapes out in 1984 actually talking about the crack era and the pimp game, which is interesting because pimping was at its pinnacle in the 80's in Oakland. He was about 28 in 1995. So these guys in their 20's in the 1990's were primarily influenced by the 80's street life.
The rappers who were popular in the 80's were moreso continuing the disco era energy of partying/having fun, even though they witnessed the heroin era of the 70's and the crack era themselves, but their blueprint for a rapper was non-existent and they were looking towards artists like Prince, MJ, Isley Brothers, Parliament Funkadelic, James Brown, etc...they wanted to be the James Brown of rap. Or they just wanted to be the most creative rapper who could put clever rhymes together. The rhymes were just rhymes..They didn't have to be complex.
They were trained to be real artists and a lot of them refused to rap about the streets. That's why guys like Big Daddy Kane couldn't even find a record label to sign him after 1991. Rakim had a hard time getting signed too because all the labels in the 90's wanted him to rap gangster-style.
The rappers who were popular in the 80's basically were 60's babies who grew up in a party era where black excellence was on full display like the Temptations, Isleys, Marvin Gaye, etc. Crime definitely existed, but they didn't feel a need to rap about it because they were in the music business trying to be creative artists. But by the 90's, crime became the #1 influence in rap. Brothers were simply telling the world how hard it was in the ghetto through lyrics, but it's interesting how the 80's generation of rappers were drastically different from the 90's era of rappers in terms of the content they were willing to write about.
BOI I WAS JUST TALKING BT HOLMES
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Facts
K-Rino 💯
Yessir 🔥🔥🔥
Thanks for this interview! Been a long time coming. Salute 🫡
Steady mobbing calm as Clyde w/ that thing right by my side suggestion y'all put down y'all pride cause only player haters die. Ain't no love for the other side so ain't no way imma let it ride ohhh ohh I.... That beat is my ish
I gotta do it. The love K!!! Thank you for my life!!!
What u think about Trump??