In Jack's biography it's stated that Jack and Gary had plans of doing something with Gary Husband on drums, when he eventually couldn't make it Jack suggested Ginger. Gary wasn't to sure about it given the story with Cream. Interesting to hear Ginger's view of this! Here's what Gary More had to say about it in the biography: "We started laying down the tracks and it was very easy recording-wise, no problem at all, really fun. I got a real insight into the chemistry between those two, but it wasn't what I thought it would be. They weren't at each others throats; I think Jack really looks up to Ginger, and Ginger knows it. So he will never tell Jack he's any good. It's like two brothers; Ginger really likes to wind Jack up. One day I said to Jack, 'can you ask Ginger to play a hi-hat pattern like 'born under a bad sign?' 'No way, you fuckin' ask him.' So I did and he said 'sure man.' Jack looked at me, speechless."
PS-It's rather humorous that Moore's band mates complained about Gary playing so loud, when he was in fact doing so to be heard over Bruce's over amplified live roar! Unfortunate the studio chemistry didn’t entirely make the transition to live performance until the point where the band was nearly over. But then, Cream was a star that shot across the sky brightly and burned out too soon as well. At least we have the albums to enjoy and keep the music alive. Great chat, thanks for giving some love to an underapreciated classic!
Again great Coffee chat. Really enjoyed it. 👍🏽👌🏽 Can't fool the blues. 😉 BBM & Blind Faith. So sad it only lasted for one album. Looking forward to the Greeny video.
Yes! Great video again Ramon! Gary could play so many styles and all these styles perfectly: heavy rock, slow blues, fast blues. He was really special. It is hard to believe that the person played the Picture of the moon, Out in the fields, Empty Rooms, etc... Cheers.
I saw them in Glasgow . Ginger disappeared half way through for a “ comfort break “ as Gary and Jack were about to launch into a song . Great gig and sadly now all gone .
Great feature on a superb band and album! 👍 Totally agree about “Where In The World” - my favourite track from BBM. Pure class - it hints at what they could have gone on to do if they had been able to hold it all together. I love Gary Moore’s acoustic playing and the way Jack Bruce takes on the vocal when things get heavy. Talk about ‘light and shade’! And I’d say Gary’s lead lines are the most restrained he ever played. The song is just perfect 🤩
Clapton, Hendrix, Gary Moore, Peter Green and Michael Bloomfield were my biggest influences. But for Hendrix, who would obviously have had a hard time playing a right-handed LP down the fretboard, they all had Bursts ! After Hours was a great Album and I particularly like "Cost Of Love" in BBM. Reminds a lot of Cream :) You get a pretty nice tone out of that Magneto in the style of Clapton/Moore \m/. The late Michael Casswell did a very nice workout in their style on Guitar Interactive. What a loss ! Henrik Freischlader also does a good job in a 2017 album called "Blues for Gary". Cheers Rene
Great that you covered this! Been a Gary fan for 35+ years. The solo on Why Does Love Have To Go Wrong on BBM might just be his best in a career of many high points. Ginger's playing throughout the album is astonishing; Jack glues it together. Maybe consider 'A History of Frank Zappa's Guitars'?
Great work here !! GM fan since TL's Black Rose. Saw him for Wild Frontiers. Actually bought Still Got The Blues when new and traded it. Came to my senses a few years later and bought it again. Blues For Greeney and After Hours, too. Also a RI of BBM. was told of this album in the late 90s but didn't buy it. Expanded has RAH material which is great. Bought an Epi LP Std Les Paul plus around then,,,,jammed on all this stuff for hours. Fave BBM, "Why Does Love Have To Go Wrong". sort of an answer to Disraeli Gears 'We're Going Wrong'. Love both and loved the neck/br pup parts. Those were the days.
Hi Ramon, I just got done watching an old video of these guys playing outside live somewhere in the UK. Gary Moore and Baker and Jack Bruce were just bloody incredible. I was born the same exact date as Gary Moore. I remember when I first heard Gary was back in the late 80's when was doing a solo act. I was absolutely blown away by Gary. I'm always saddened when I think of all my guitar heroes are all dead now. My wife is Irish and she died from drinking as well. Gary was too much into the booze and pills. What a shame. He was a huge influence on me with guitar. There's nobody that has 5he fire that Gary had. Same thing when I heard of another huge influence on my playing was Michael Casswell. I just couldn't believe it when I read the news about Michael. I used watch all of his videos. Always reminded me of a pirate in pirates of the Caribbean. Baker always struck me as being extremely strange. I could see people having a conflict with him. I always loved Clapton playing a Gibson. He was great with the Strat, but that early Clapton tone was just sublime. It's a bloody shame that everybody has to get old. I will always miss the music. In the early 90's, Gary was unreal and live with BB King, Albert King, and Albert Collins. But it really was the British that brought the American blues to the forefront of the music world. Long live the blues. I also remember being 16 when I first heard Clapton tearing it up on guitar back in the mid 60's. The music then just floored me. Another bluesman that you should cover is Michael Bloomfield. Bloomfield was huge. A monster on guitar. Born in Chicago. Paul Butterfield, absolutely incredible. Take care keep playing those blues.
Not to be confused with BBA?... With ginormas chunks of music slipping under my drug addled radar, I only discovered Gary Moore a few years ago having always associated that name w/ 50's/60's long gone TV host of the same name... So it's largely news to me now, Thanx for another cool bit of guitar plunking history and... cheers
You're right when you say Ginger was a real character, he said it like it was, and I wanna watch the documentary they made, where Ginger sparked the producer breaking his nose lol
@@greghenderson4582 He did use a Firebird early in Cream. Used a Les Paul while with John Mayall and the Bluesbreakers. Used a Tel with Blind Faith.....
@@spqr701The LP was featured early, on the Beanie album and in Fresh Cream. Then it was stolen. The SG came on with the Disraeli Gears album. The Firebird I came later, during the Goodbye Tour.
I look forward to your Rory video. Also, I had no idea this group had existed. If Clapton did have an issue that Gary was in the band instead of him, I see no justification for that. BBM was formed differently with a different direction from The Cream. Anyway, JB and GB were entitled to play with whomever they wanted. Of course, I don't know that Clapton had a problem with it. Imo, if Ginger wanted to play with Clapton, he should have asked EC or pursued him.
At that stage of Claptons career he didn’t want any part of ginger .he wasn’t exactly thrilled he was the drummer for blind faith . Clapton moved on from the excessive jamming blues of Cream to a more country blues style and was enamored with The Band. Totally different direction.
The more consistent "professional" approach of Gary Moore, for me, gave BBM a tighter feel than Cream. It would be unfair to say Moore wasn't creative. Sometimes Cream was too "improvisational" for me. At times they did things that were so loosely structured they became almost musical rambling. While I was never the Cream fan that had all the albums, I do have several live recordings of Cream (one of my favorites is an "unofficial" release) that I really enjoy. With the live sets Cream often stuck with their more well known, more listenable cuts. And they played a little harder. I like that, and I think many listeners do, hence why several of Cream's live selections were so popular for years with Classic Rock radio. What I like so much with BBM is that they managed to capture a live energy, making it sound spontaneous, even if it wasn't. And they play with such power and authority. And between them the members of BBM came up with a whole album of relatively consistent, listenable songs. Perhaps Cream would have done so eventually had they stayed together longer. But as it is, Cream albums were sort of all over the place. You have to pick up an anthology or live recording from Cream to get that. With BBM, it's all there in one well recorded, well produced and mixed album. If they could only do one, at least they recorded their "best of" first. Lol. I love it. "Around the Next Dream" is one of my all time favorite records, not to mention being a favorite blues rock classics. 😅
Jack was playing a warwick thumb around that time. But I saw a live video with the EB0 you mentioned. I think he played both on the album. That warwick has a very Mid scooped sound but on a later video from jack’s later solo material he compensated that with a graphic EQ on the Hartke amps. On some live recordings the bass was surely direct to desk as you can tell that it is that bass he was playing
@@TheGuitarShow Hi , I can't seem to find " BBM Live In Spain " , but have found " Bruce-Baker-Moore (BBM)- Midtfyns Festival, Ringe,Denmark 1994-06-25 " on RUclips
From the very first notes and beats I got the picking up where Cream left off when I bought the album on first release. Unique and won't be done as well again.
I still remember when I popped one of my ears in the 70's and it wuz quite a few years with 15% loss in one side... (and that only took a little Fender 12 watt/15" JBL) I'm prolly quite lucky to not be be totally deaf as a tree stump now...
I thought that a couple songs on that album were deliberate digs at Clapton, with Gary doing his mimicry thing for a verse, then taking off and showing what a successful act Cream could have been with a better guitarist.
Ginger was very dismissive of this band and Gary Moore; he said in his autobiography that Gary Moore's solos were basically all the same. It's a pity Moore didn't absorb more of his his mentor Peter Green's influence; Less really is more! He really overplayed his hand,
@@kitano0 He wasn't dismissive of jazz musicians he respected, such as Max Roach, Elvin Jones, Art Blakey, Phil Seaman, Charlie Haden, Bill Frisell, James Carter, Ron Miles, Fela Kuti, Pee Wee Ellis, Alec Dankworth, Dick Heckstall-Smith, and Abass Dodoo.
@@timcharles5476 Ginger Baker thankfully wasn’t the master arbiter of who made quality music. He certainly accepted paying gigs with plenty of musicians he deemed “beneath” him b/c from the mid 1970s onward, his own career commercially flatlined. Besides Gary, Baker gratuitously and repeatedly trashed amazing musicians like Keith Moon and John Bonham when they were no longer around to defend themselves. GB was a stupefyingly bitter, spiteful, belligerent misanthrope, childishly jealous of Jack Bruce’s songwriting acumen which rightfully accrued to JB the lion’s share of Cream songwriting royalties. In a more just world, Moon, Bonham and Gary would’ve lived into their 80s & Baker would’ve expired early like so many other smack addicts.
Gary Moore, Stevie Ray Vaughan, and Rory Gallagher were all way better than Eric Clapton. So tired of hearing about Clapton he was sooooo boring in concert, total snoozefest.
I'm not being funny but I prefer your Gary Moore style playing way more than his playing. His vibrato was horrible and his tone was overcooked and monotonous. His phrasing was pretty tedious and predictable too. Would much rather listen to you
In Jack's biography it's stated that Jack and Gary had plans of doing something with Gary Husband on drums, when he eventually couldn't make it Jack suggested Ginger. Gary wasn't to sure about it given the story with Cream. Interesting to hear Ginger's view of this! Here's what Gary More had to say about it in the biography: "We started laying down the tracks and it was very easy recording-wise, no problem at all, really fun. I got a real insight into the chemistry between those two, but it wasn't what I thought it would be. They weren't at each others throats; I think Jack really looks up to Ginger, and Ginger knows it. So he will never tell Jack he's any good. It's like two brothers; Ginger really likes to wind Jack up. One day I said to Jack, 'can you ask Ginger to play a hi-hat pattern like 'born under a bad sign?' 'No way, you fuckin' ask him.' So I did and he said 'sure man.' Jack looked at me, speechless."
Can’t wait for the Greeny Les Paul show !
PS-It's rather humorous that Moore's band mates complained about Gary playing so loud, when he was in fact doing so to be heard over Bruce's over amplified live roar! Unfortunate the studio chemistry didn’t entirely make the transition to live performance until the point where the band was nearly over. But then, Cream was a star that shot across the sky brightly and burned out too soon as well. At least we have the albums to enjoy and keep the music alive.
Great chat, thanks for giving some love to an underapreciated classic!
I recently acquired the extended vinyl version of the album from Jack Bruce’s personal family collection - great album
Love Gary Moore cool video! I’m looking forward to a Rory Ghallager video
Pleasure David - that will be a history of guitars video
When you said Coffee chat tonight ,I wasn't expecting 3am lol Looking forward to a history of Greenies guitars 👌
Pleasure lol - I better sleep!!
Awesome video
Thanks Andrew
Again great Coffee chat.
Really enjoyed it. 👍🏽👌🏽
Can't fool the blues. 😉
BBM & Blind Faith. So sad it only lasted for one album.
Looking forward to the Greeny video.
Pleasure Will
Yes! Great video again Ramon! Gary could play so many styles and all these styles perfectly: heavy rock, slow blues, fast blues. He was really special. It is hard to believe that the person played the Picture of the moon, Out in the fields, Empty Rooms, etc... Cheers.
Very well put I agree whole heartedly
I saw them in Glasgow . Ginger disappeared half way through for a “ comfort break “ as Gary and Jack were about to launch into a song . Great gig and sadly now all gone .
Great feature on a superb band and album! 👍 Totally agree about “Where In The World” - my favourite track from BBM. Pure class - it hints at what they could have gone on to do if they had been able to hold it all together. I love Gary Moore’s acoustic playing and the way Jack Bruce takes on the vocal when things get heavy. Talk about ‘light and shade’! And I’d say Gary’s lead lines are the most restrained he ever played. The song is just perfect 🤩
Great Ramon, takes me back this does - fantastic album.
Clapton, Hendrix, Gary Moore, Peter Green and Michael Bloomfield were my biggest influences. But for Hendrix, who would obviously have had a hard time playing a right-handed LP down the fretboard, they all had Bursts ! After Hours was a great Album and I particularly like "Cost Of Love" in BBM. Reminds a lot of Cream :) You get a pretty nice tone out of that Magneto in the style of Clapton/Moore \m/. The late Michael Casswell did a very nice workout in their style on Guitar Interactive. What a loss ! Henrik Freischlader also does a good job in a 2017 album called "Blues for Gary". Cheers Rene
Thanks Rene Im doing a festival in Germany this month which Henrick is playing at so ill definitely check him out thanks
The Guitar Show Hey: that’s great ! Cheers
Great that you covered this! Been a Gary fan for 35+ years. The solo on Why Does Love Have To Go Wrong on BBM might just be his best in a career of many high points. Ginger's playing throughout the album is astonishing; Jack glues it together. Maybe consider 'A History of Frank Zappa's Guitars'?
Great work here !!
GM fan since TL's Black Rose. Saw him for Wild Frontiers.
Actually bought Still Got The Blues when new and traded it. Came to my senses a few years later and bought it again. Blues For Greeney and After Hours, too. Also a RI of BBM. was told of this album in the late 90s but didn't buy it.
Expanded has RAH material which is great.
Bought an Epi LP Std Les Paul plus around then,,,,jammed on all this stuff for hours.
Fave BBM, "Why Does Love Have To Go Wrong". sort of an answer to Disraeli Gears 'We're Going Wrong'.
Love both and loved the neck/br pup parts.
Those were the days.
Fantastic! Great to know you got those albums - I loved them!
Saw BBM at Brixton Academy - they were absolutely brilliant. A real shame that they only did one album and a handful of gigs
Yes I saw them there too. Great show. Interesting Ginger didn't do a solo.
Try to think halftime in City of gold / crossroads..a nice approach it get more in the pocket..really enjoyed this post , Thank you
Interesting as usual !! Thank you....♥️♥️
Pleasure
It’s a great album. I love all of the songs.
Hey, Ramon! Good to see this video being acknowledged by biographer Martin Power in, “White Knuckles: The Life and Music of Gary Moore” p454. 👍
Hi Ramon, I just got done watching an old video of these guys playing outside live somewhere in the UK. Gary Moore and Baker and Jack Bruce were just bloody incredible. I was born the same exact date as Gary Moore. I remember when I first heard Gary was back in the late 80's when was doing a solo act. I was absolutely blown away by Gary. I'm always saddened when I think of all my guitar heroes are all dead now. My wife is Irish and she died from drinking as well. Gary was too much into the booze and pills. What a shame. He was a huge influence on me with guitar. There's nobody that has 5he fire that Gary had. Same thing when I heard of another huge influence on my playing was Michael Casswell. I just couldn't believe it when I read the news about Michael. I used watch all of his videos. Always reminded me of a pirate in pirates of the Caribbean. Baker always struck me as being extremely strange. I could see people having a conflict with him. I always loved Clapton playing a Gibson. He was great with the Strat, but that early Clapton tone was just sublime. It's a bloody shame that everybody has to get old. I will always miss the music. In the early 90's, Gary was unreal and live with BB King, Albert King, and Albert Collins. But it really was the British that brought the American blues to the forefront of the music world. Long live the blues. I also remember being 16 when I first heard Clapton tearing it up on guitar back in the mid 60's. The music then just floored me. Another bluesman that you should cover is Michael Bloomfield. Bloomfield was huge. A monster on guitar. Born in Chicago. Paul Butterfield, absolutely incredible. Take care keep playing those blues.
Not to be confused with BBA?...
With ginormas chunks of music slipping under my drug addled radar, I only discovered Gary Moore a few years ago having always associated that name w/ 50's/60's long gone TV host of the same name... So it's largely news to me now, Thanx for another cool bit of guitar plunking history and... cheers
Pleasure Jonny!
Another great video. Thanks for your insight again.
Pleasure Paul
You're right when you say Ginger was a real character, he said it like it was, and I wanna watch the documentary they made, where Ginger sparked the producer breaking his nose lol
Its a great doc one of my favourites even better than eric s life in 12 bars
Correction: Clapton did not play a Stratocaster during his Cream years. During those years, Eric played a Gibson SG and a Gibson ES 335
And a Firebird and a Les Paul .....
There are also pics of him and Cream with the Blind Faith Tele ...
@@greghenderson4582 He did use a Firebird early in Cream. Used a Les Paul while with John Mayall and the Bluesbreakers. Used a Tel with Blind Faith.....
@@spqr701 I saw a picture of him with Jack and Ginger and the Blind Faith Tele ..
@@spqr701The LP was featured early, on the Beanie album and in Fresh Cream. Then it was stolen. The SG came on with the Disraeli Gears album. The Firebird I came later, during the Goodbye Tour.
Really good album! Dont forget about "The End of the World" on Victims... with Jack!
Thanks for reminding me Greg
Gray Moore was AWESOME a guitarist.
I look forward to your Rory video. Also, I had no idea this group had existed.
If Clapton did have an issue that Gary was in the band instead of him, I see no justification for that. BBM was formed differently with a different direction from The Cream. Anyway, JB and GB were entitled to play with whomever they wanted. Of course, I don't know that Clapton had a problem with it. Imo, if Ginger wanted to play with Clapton, he should have asked EC or pursued him.
Great comment thanks
At that stage of Claptons career he didn’t want any part of ginger .he wasn’t exactly thrilled he was the drummer for blind faith . Clapton moved on from the excessive jamming blues of Cream to a more country blues style and was enamored with The Band. Totally different direction.
Another very good and interesting video, really looking forward to the stripe and green les paul 👍👍 top stuff!!!
Great Channel, thanks 😊
Many thanks bro!
The more consistent "professional" approach of Gary Moore, for me, gave BBM a tighter feel than Cream. It would be unfair to say Moore wasn't creative. Sometimes Cream was too "improvisational" for me. At times they did things that were so loosely structured they became almost musical rambling. While I was never the Cream fan that had all the albums, I do have several live recordings of Cream (one of my favorites is an "unofficial" release) that I really enjoy. With the live sets Cream often stuck with their more well known, more listenable cuts. And they played a little harder. I like that, and I think many listeners do, hence why several of Cream's live selections were so popular for years with Classic Rock radio.
What I like so much with BBM is that they managed to capture a live energy, making it sound spontaneous, even if it wasn't. And they play with such power and authority. And between them the members of BBM came up with a whole album of relatively consistent, listenable songs. Perhaps Cream would have done so eventually had they stayed together longer. But as it is, Cream albums were sort of all over the place. You have to pick up an anthology or live recording from Cream to get that. With BBM, it's all there in one well recorded, well produced and mixed album. If they could only do one, at least they recorded their "best of" first. Lol.
I love it. "Around the Next Dream" is one of my all time favorite records, not to mention being a favorite blues rock classics. 😅
I saw BBM at Brixton academy and they were brilliant. Garys playing was superb but yeah it may have been the same each night
The band was called Baker Bruce Moore
Great album. I love it. Rory Gallagher was awesome too.
Nice playing from you as well
Jack was playing a warwick thumb around that time. But I saw a live video with the EB0 you mentioned. I think he played both on the album. That warwick has a very Mid scooped sound but on a later video from jack’s later solo material he compensated that with a graphic EQ on the Hartke amps. On some live recordings the bass was surely direct to desk as you can tell that it is that bass he was playing
Thanks for listening - I really loved the BBM band and album.
Amazing thanks for your input!
Hi , you mention " BBM Live In Spain " on RUclips, did you mean the " Live In Germany Concert " ?
Hi, I made this a while back however, I remember that concert in Spain and there is some footage on RUclips of said concert. Thanks bro 🙏
@@TheGuitarShow Hi , I can't seem to find " BBM Live In Spain " , but have found " Bruce-Baker-Moore (BBM)- Midtfyns Festival, Ringe,Denmark 1994-06-25 " on RUclips
From the very first notes and beats I got the picking up where Cream left off when I bought the album on first release. Unique and won't be done as well again.
Make a history video of Duane allmans guitars
It's on the list!
Duane is my all time favorite guitar player and the Allman Brothers are my favorite band I have to second this suggestion
@@danielhorsley2259 ok Ill do it real soon
@@danielhorsley2259 I will 3rd and fourth it!! DUANE RULES!!
@@TheGuitarShow And show us how to play Duane style.. slide and regular style..Dickey Betts too!
Yes Sir. Best blues rockers since Cream. And.. they did Cream tunes extremely well.
I still remember when I popped one of my ears in the 70's and it wuz quite a few years with 15% loss in one side... (and that only took a little Fender 12 watt/15" JBL) I'm prolly quite lucky to not be be totally deaf as a tree stump now...
Thats crazy was it in a small room?
@@TheGuitarShow Maybe
Can you show us how to play some Gary style, licks, riffs, solos, etc..
Of course - will be a pleasure - Ill do a video after the weekend
Clapton was not playing strats in Cream
Have you heard Gary playing Jazz? He seemed like a well-rounded player to me.
Who is the maker of your LP style guitar? It is VERY VERY nice
Thanks Dan its an ESP Navigator
ginger baker rabbit hole today for me thx to u lol
Lol pleasure
City of gold sounded a lot like crossroads. Funny that.
Yes it was definitely a nod to Cream
Ginger Baker R.I.P.
A friend once told me after seeing them perform Cream tunes that Gary Moore "out-Claptoned" Eric Clapton..........
Gary Moore's whole style was based on that of Clapton on the Bluesbreakers' album.
@@timcharles5476 Somewhat true but I think Moore took tat style to a different level
Ginger Baker can't even stand Ginger Baker. He was so full of hate he ended up ruining every band he played with.
Any updates on Ginger?
Not yet but Ill keep you posted
BBM
Big Bowel Movement
I find myself in agreement with Ginger on the subject of GM.
Cool😎
If Clapton had rejoined Baker and Bruce instead of Gary Moore, the band would have been called BBC.
Lol
And I heard that Clapton only met Gary Moore once
I love this channel but boy you really got a mic that up a little bit better you sound very hollow lots of echo
I promise to sort that out soon - thanks!
I thought that a couple songs on that album were deliberate digs at Clapton, with Gary doing his mimicry thing for a verse, then taking off and showing what a successful act Cream could have been with a better guitarist.
Ginger was very dismissive of this band and Gary Moore; he said in his autobiography that Gary Moore's solos were basically all the same. It's a pity Moore didn't absorb more of his his mentor Peter Green's influence; Less really is more! He really overplayed his hand,
You got a point there
Wasn't Baker dismissive about everybody?
@@kitano0 He wasn't dismissive of jazz musicians he respected, such as Max Roach, Elvin Jones, Art Blakey, Phil Seaman, Charlie Haden, Bill Frisell, James Carter, Ron Miles, Fela Kuti, Pee Wee Ellis, Alec Dankworth, Dick Heckstall-Smith, and Abass Dodoo.
@@timcharles5476 Ginger Baker thankfully wasn’t the master arbiter of who made quality music. He certainly accepted paying gigs with plenty of musicians he deemed “beneath” him b/c from the mid 1970s onward, his own career commercially flatlined.
Besides Gary, Baker gratuitously and repeatedly trashed amazing musicians like Keith Moon and John Bonham when they were no longer around to defend themselves. GB was a stupefyingly bitter, spiteful, belligerent misanthrope, childishly jealous of Jack Bruce’s songwriting acumen which rightfully accrued to JB the lion’s share of Cream songwriting royalties. In a more just world, Moon, Bonham and Gary would’ve lived into their 80s & Baker would’ve expired early like so many other smack addicts.
Moore had only one successful album.
Thank you Oprah
Utterly untrue.
Gary Moore, Stevie Ray Vaughan, and Rory Gallagher were all way better than Eric Clapton. So tired of hearing about Clapton he was sooooo boring in concert, total snoozefest.
I loved Garys and Rorys playing
It's all subjective! What does it matter whether one guitarist is better than other? Everyone has his own preferences.
Gary and Stevie may be technically a bit better than Clapton but Rory wasn't
@@jbawn 😂😂 the G man was probably better than them all
I'm not being funny but I prefer your Gary Moore style playing way more than his playing. His vibrato was horrible and his tone was overcooked and monotonous. His phrasing was pretty tedious and predictable too. Would much rather listen to you