The thing that puzzles me with this is that, while I do understand it is simpler to study chords in isolation first, what I feel when listening to a given chord alone is often very different to what I feel when I hear it in context within a progression, even if that chord is held for quite a long time. Especially when that progression uses borrowed chords. Eg. regular minor chords can go from plain sad (when by themselves) to just "mellow" or even "soothing", major chords can go from happy to "jarring", sustained chords can go either way and go from "tranquil" to either "uplifting" or "brooding" (e.g. how Csus2 sounds in "C -> Csus2" vs. "Cm -> Csus2" is completely different to me), etc. So when I try to stick an emotional label to a chord, that label usually doesn't survive in a progression... At least for me.
That's where traditional western harmony falls apart for me to, but at the end of the day chords are just a group of notes so if it sounds good it is good. I don't hear harmony like most people, so I had to learn that the hard way. These are more rules of thumb and starting points in my opinion rather than rules or furmula. Edit: Also look at how inversions make the same chord sound like a completely different at least to me, context for the harmony is what gives it its specific emotional qualities I don't know what a C sounds like but I do know what emotions feel like and when a sound makes me feel that.
I agree. It's harder in context, especially when a chord is from another key or tonal center. But if you can't recognize the chords in isolation, it's much harder in context. It helps to be able to recognize shifts in tonal center. Like your borrowed harmony example: If you're in a minor key and you hear a major IV chord, you'll probably notice a dramatic shift in mood. For example, Luke Skywalker's theme goes from F minor to Bb major, then F minor to Db major. Bb major and Db major are both major chords but the Bb major chord sounds much brighter because it's from a brighter key (F major or Bb major) I have another trick using the circle of fifths that I want to eventually make a video about and that may help with this.
It is due to the nature of music being a language as @EricBowman elegantly pointed out. Think of chords as morphemes, i.e. the smallest unit of a language that contains meaning. They can be further divided in phonemes, which would be notes, but they do not contain meaning by themselves. So a chord by itself may have a meaning just like the word 'break' has a meaning by itself. However, even if you know the meaning of 'break' and can recognize it in isolation, you may not recognize it when it is put in different contexts, like in a sentence 'Take a break' or even when it is bound to other morphemes like 'unbreakable'; they become something else. The same works for chords, when they are put together with other chords to create harmonies or phrases, they become something else.
@@fluencyinmusic Everyone has their own Aesthetics where as, "meaning" is a bull's eye the size of 2 cents,... in the middle of a target made of a thousand BitCoins worth of pennies.😊😊😊😊
Out of context chord recognition is destructive, it always leads to the wrong attribution when listening in context, and certainly when voiced on a variety of instruments. I've found it easier to name the emotion of specific chord transitions. It's been more robust in actual use.
Great! I’ve been searching for a long time for this. When you compose, you want to create a certain emotion. Therefore you need to know the emotion any kind of harmony creates. Thank you! Please do more of this kind!
Wasn't convinced I would be able to do this at first but I got all of them right. Obviously it's a bit easier given only a couple of choices but it's a good demonstration of the technique. It makes sense that when you use music to communicate emotion, you should use emotion to identify the music you hear or write. BTW. I like the new format / content.
Great video! I've only recently started trying to make chords on my Eurorack. Cycling through a bunch of different chords really made me appreciate what you explained in this video. Associating emotions with chords is a very helpful tool.
Hi, thanks for the great video! It would be helpful to mention that recognizing chords and melodies "instantly" can take 5-10 years of practice. Setting this expectation could really encourage long-term dedication. Thanks again!
This wisdom is priceless! All the ear training grind don't worth it if you can't associate an emotion with a sound. I should remind it to myself everyday.
I personally think that it is more confusing and a lot more to remember. In Yoda's theme is much easier to identify the C/D because it is the lydian sound cause by the combination of C and F# which is the 3rd of the D chord. You also have the detective chord whic is a minor chord with major7. I personally found it more useful to give the chords some names rather than make a weird face but that's me...
New subscriber here. Love the insight and it was presented in a very digestible way. More of this type of content would be awesome and I’d especially enjoy it if you did a video building off of this one exploring more of how the feeling of chords are influenced by movements. As in how the preceding chord or total key/harmonic context effects the way that we emotionally perceive the movement. (I have no answers for this, but I’d love to hear your thoughts on it!) Keep it up!
Wow, Eric! That's really impressive. I really love the way you talk about harmony and music theory. Wish more videos on the music theory / harmony topic from you!
Great video! I think this was recommended to me because I just uploaded a video on ear training. I have been thinking to do a video about chords just like you are doing here, but after seeing this I kinda feel I don't need to, because you pretty much completely cover it here! haha, thank you! you got a new subscriber
This was excellent! Don't stop the sound design vids, but if you can do these too, that would be awesome!! I like that it wasn't just straight theory, but a way of using it.
For me, melody, rhythm and the sheer tone of the instrument, or the human voice, are the epicenter of the emotions in music. Chords & harmony, for me, are important, of course, but secondary in the way I hear music.
Keep at it! You may hear these chords a little differently than me. It might help to try associating your own emotions or associations with each chord.
I honestly didn't understand what half of this meant. What should be my course of action to understand what choices I'm wanting to make when I want to evocate those impressions??
Emotion from harmony not only with changes with voicing etc but more so with instrument (pianos are stretch tuned after all, not equal temperament) , timbre (a giant major chord stack on a synth in the blade runner film has a completely different emotion to the same on piano), rhythm, and engineering, and arrangement too though unfortunately. So although your principle is sound (pun intended) this lesson is only really teaching emotional reaction to piano harmony. Also chords in isolation mean very little unless there is no movement as per a minimal piece, much of the emotion comes from the functional harmony of progression over time (again why rhythm is so powerful).
It IS subjective, so I recommend coming up with your own emotions/associations to help recognize chords. And though it is subjective, there are some commonalities in how people react to certain chords. For example, as Stefon Harris demonstrates in that documentary, a flat nine sounds more anxious than a natural nine. I highly doubt anybody would disagree after hearing them back-to-back.
disagree with your second paragraph since it circles back again to how things like these are all opinions (subjective), which means it is not factual@@EricBowman
@@fuqwytes6458 I absolutely agree with you. If anything, the video should have come with a disclaimer about its subjectivity. I would love to have been able to perceive these sounds as "described" in the video. It would have been much easier to learn the way he does. But unfortunately, I don't see/feel the "quality" of the sound anything other than the obvious major, minor and diminished chords.
yep. also, we all mostly grew up hearing and associating those sounds with those certain emotions from things like TV, movies, etc, which already ingrain those feelings into our subconscious mind since youth. I bet if we grew up in a world where minor was used for happy times and major scales used for sad times, we would think in those terms as well@@uravghuman
@@EricBowman I don’t remember that, but I could have been. I do remember playing for him one time with the Gradus Quartet and talking to Marc Cary afterwards and he convinced me to move to NYC.
I have perfect pitch and even I’m kinda stumped with some of these examples, I can detected them slightly tho so I can generally tell when they’re either dominant seventh, sus or extended. I guess it all comes down to training
Very good video. I don't really recognize complex chords by the emotion, just by the sound. I remember the sound not the emotion. The emotion comes afterwards. I think a Dmajor over a C has no Cadd9 quality, it has a dominant D7 quality. But you're right, a little of that uplifting feeling is there.
this video is amazing this is much better video on harmony or theory than all the videos i saw. always wondered how composer or producer make something beautiful how do they make that sound they must have some kind of basic ingredients that they use and i know that they use this stuff i dont how to use them
Huh that's interesting! I came to the idea that chords's emotions are tied based on the progression and context, and even the specific extension choice instead of the chord itself in isolation. But that's coming from a self taught pianist with 0 theory knowledge. Also I never thought of studying and recognizing intervals.... I just tried and it's much easier to recognize triads and whole chords with multiple extensions rather than intervals. Well that's one more thing to practice
Fun fact: the Major Sevent sharp Nine (e.g. C7#9) is a blues chord. There is rare footage of Jimi Hendrix in a pub playing blues with only that chord. ruclips.net/video/64JOjelb9CY/видео.html
Liking your videos! I have a question though... How is the right way to practice to create a unique or replicate a sound? Of course is by practicing, but since I'm new to all things about Synths, I have no clue. Like always, nice video!
To me this makes absolutely no sense. All these chords (the first three) sound distressed and awkward to me (I do hear a difference but not on an emotional level). I'm assuming I am the problem and that this technique is just not meant for me, which is a shame because I had no trouble learning intervals but am currently struggling to achieve a useful level of chord recognition (both in context or when played by themselves) One day I'll find a way to do it tho I hope (and preferably not one that involves memorizing every single possible chord relation because that feels overly complicated but who knows)
this makes me feel like there's something actually wrong with me. How am i supposed to feel an emotion from piano notes? They are just sounds. None of them sound "happy" or sad or whatever. I literally got every single question wrong in the video. The b5 b9 chord sounded the most "happy" but still all of them sounded super dissonant to me. They didn't make me "feel" anything. A chord doesn't sound like it's "lifting" or sound like it's "smiling". It sounds like someone is playing the piano.
Don't be hard on yourself. It's very subtle. Sometimes spending more time with these chords will allow you to notice the subtleties a bit more. I don't know how many times somebody's had to explain how to tell poison ivy from regular ivy but I forget every time, because I spend so little time around it. I feel like this is similar. I tried teaching this to my wife, who's not a musician and at first she literally couldn't tell the difference between a 9 and flat 9. After spending time with it, she was able to distinguish between complicated chords. There's a moment where it just kind of clicked for her. I'll upload that video soon.
I think I just gotta give up on ear training because I have no idea what anyone is talking about 😭😭. I try a few times a year for years now but I still can't even recognise major/minor 3rd intervals better than just guessing
You can still make good music without knowing much about harmony. I've seen videos where Robin Thicke and Disclosure confused major and minor so you're at least in good company.
Lots of interesting stuff with great production value! I love hearing John Williams' beautiful harmonies demonstrated to my untrained ears. However, I still feel like this technique is quite subjective. One specific chord in one specific song will cause me to feel all kinds of emotion at the same time. The one in the yoda theme evokes both a soaring mysterious feeling, but also a happy and melancholic/nostalgic one. So I couldn't differentiate between the two chords you demonstrated. On the other hand, when you first demonstrated the "tense" chord, I immediately thought of the New Hope example that you later used. So I definitely recognized the chord, but I don't know if I recognized the feeling or just remembered the sound from the film. I guess my point is that this method can be great, but isn't it too subjective to consistently rely on?
I agree. Context definitely plays a role in how harmony makes us feel. The voicing, the timbre, and the chord progression all have an influence. But to me, a major 7 always contributes the same emotional quality to a major triad, even if that chord hits differently in different contexts.
I am going to respectfully disagree with the approach here! The master class has one very important prerequisite- ALL OF YOU ARE BUDDING PROFESSIONAL MUSICIANS WITH YEARS OF EXPERIENCE. While I was able to get the chords correct - I instantly said that’s a Dom with a sharp 5 etc, I was only able to that after hours and hours of practice with ear training software. I use EAR MASTER 7 (No they did not pay me however it has been the best thing since sliced bread for developing my ear). Back to the point, while I think associating emotions to a chord helps, nothing beats listening to chords again and again and again and playing them back in some sort of test form till you ace the test! As you know music is a language that must be learned. It is only by continuous repetition we will master the language.
For sure. I'm not arguing that practice isn't necessary to solidify this. But nobody could identify the chords in the beginning of the masterclass, so the fact that we were "budding professional musicians with years of experience" didn't matter. I also have a video on my Patreon where I teach the approach to my non-musician wife and by the end she's able to distinguish between chords in a musical context.
Is there a chord that expresses the feeling you get after three days of intense constipation and the face you make trying to push a big ball of shit out of your ass ? Cause that's the way I feel about this kind of "music lessons", like a deuce that won't come out, no matter how hard you push. Music as an art form, is facing extinction.
Sure, but to name a few recent hits that do: SZA - Kill Bill: minor & major 9 chords Doja Cat - Say So: minor & major 7 chords Playboi Carti - 2014 Impala: minor 9 & dominant 7 #5 chords
![[#2024MAMA] BIGBANG (빅뱅) - 뱅뱅뱅 (BANG BANG BANG) + FANTASTIC BABY | Mnet 241123 방송](http://i.ytimg.com/vi/EQsYfiPR9uM/mqdefault.jpg)
The thing that puzzles me with this is that, while I do understand it is simpler to study chords in isolation first, what I feel when listening to a given chord alone is often very different to what I feel when I hear it in context within a progression, even if that chord is held for quite a long time. Especially when that progression uses borrowed chords. Eg. regular minor chords can go from plain sad (when by themselves) to just "mellow" or even "soothing", major chords can go from happy to "jarring", sustained chords can go either way and go from "tranquil" to either "uplifting" or "brooding" (e.g. how Csus2 sounds in "C -> Csus2" vs. "Cm -> Csus2" is completely different to me), etc.
So when I try to stick an emotional label to a chord, that label usually doesn't survive in a progression... At least for me.
That's where traditional western harmony falls apart for me to, but at the end of the day chords are just a group of notes so if it sounds good it is good. I don't hear harmony like most people, so I had to learn that the hard way. These are more rules of thumb and starting points in my opinion rather than rules or furmula.
Edit: Also look at how inversions make the same chord sound like a completely different at least to me, context for the harmony is what gives it its specific emotional qualities I don't know what a C sounds like but I do know what emotions feel like and when a sound makes me feel that.
I agree. It's harder in context, especially when a chord is from another key or tonal center. But if you can't recognize the chords in isolation, it's much harder in context.
It helps to be able to recognize shifts in tonal center. Like your borrowed harmony example: If you're in a minor key and you hear a major IV chord, you'll probably notice a dramatic shift in mood. For example, Luke Skywalker's theme goes from F minor to Bb major, then F minor to Db major. Bb major and Db major are both major chords but the Bb major chord sounds much brighter because it's from a brighter key (F major or Bb major)
I have another trick using the circle of fifths that I want to eventually make a video about and that may help with this.
It is due to the nature of music being a language as @EricBowman elegantly pointed out. Think of chords as morphemes, i.e. the smallest unit of a language that contains meaning. They can be further divided in phonemes, which would be notes, but they do not contain meaning by themselves. So a chord by itself may have a meaning just like the word 'break' has a meaning by itself. However, even if you know the meaning of 'break' and can recognize it in isolation, you may not recognize it when it is put in different contexts, like in a sentence 'Take a break' or even when it is bound to other morphemes like 'unbreakable'; they become something else. The same works for chords, when they are put together with other chords to create harmonies or phrases, they become something else.
@@fluencyinmusic
Everyone has their own Aesthetics where as, "meaning" is a bull's eye the size of 2 cents,...
in the middle of a target made of a thousand BitCoins worth of pennies.😊😊😊😊
@@incognitiveincognitoTraditional Western? As opposed to what?
Out of context chord recognition is destructive, it always leads to the wrong attribution when listening in context, and certainly when voiced on a variety of instruments. I've found it easier to name the emotion of specific chord transitions. It's been more robust in actual use.
how would you recommend someone practicing chords and harmony overall?
Great! I’ve been searching for a long time for this. When you compose, you want to create a certain emotion. Therefore you need to know the emotion any kind of harmony creates. Thank you! Please do more of this kind!
Wasn't convinced I would be able to do this at first but I got all of them right. Obviously it's a bit easier given only a couple of choices but it's a good demonstration of the technique. It makes sense that when you use music to communicate emotion, you should use emotion to identify the music you hear or write.
BTW. I like the new format / content.
Lots more of this please.
love the instant Guitar Graph. Super great stuff!
7#9 chords are also known as "Hendrix chords" and once I found that out they became instantly recognisable without any effort.
This has completely changed how I listen to music...Thank you!
Great video! I've only recently started trying to make chords on my Eurorack. Cycling through a bunch of different chords really made me appreciate what you explained in this video. Associating emotions with chords is a very helpful tool.
excellent presentation - thank you
Awesome concept, and the songs you chose to convey the chord feelings were spot on.
Hi, thanks for the great video! It would be helpful to mention that recognizing chords and melodies "instantly" can take 5-10 years of practice. Setting this expectation could really encourage long-term dedication. Thanks again!
Thanks so much for this! I've been struggling with recognizing chords for my whole career now; your explanation is so simple yet effective!
EACH ONE OF YOUR VIDEOS IS JUST GOLD!!!!
edit: pls do more theory videos like this
This wisdom is priceless! All the ear training grind don't worth it if you can't associate an emotion with a sound. I should remind it to myself everyday.
Best music related channel on youtube, thank you so much
I personally think that it is more confusing and a lot more to remember. In Yoda's theme is much easier to identify the C/D because it is the lydian sound cause by the combination of C and F# which is the 3rd of the D chord. You also have the detective chord whic is a minor chord with major7. I personally found it more useful to give the chords some names rather than make a weird face but that's me...
From this terminal amateur's ear, very well done. Reminds me of how Joni Mitchell described her chords.
Great video, Eric!!
The most counter-intuitive and informative video about chord to me so far. Great work! Thanks.
Quite a content here, many thanks.
Great video man, helped alot
This page is awesome. Thank you Eric!
Best tutorial I have listened on ear training. Thanks! :)
Very helpful. Thank you!
Great! Thanks for the video!
When you hit the starwars example.. my reaction was a style shift.. loony toon flavour..😊
Loved this video! Gonn have to sit down and figure these out out with Minor and other chords too!
New subscriber here. Love the insight and it was presented in a very digestible way. More of this type of content would be awesome and I’d especially enjoy it if you did a video building off of this one exploring more of how the feeling of chords are influenced by movements. As in how the preceding chord or total key/harmonic context effects the way that we emotionally perceive the movement. (I have no answers for this, but I’d love to hear your thoughts on it!)
Keep it up!
well done - good pacing good examples - - I'm just a rank amateur but this was inspiring.
Wow, Eric! That's really impressive. I really love the way you talk about harmony and music theory. Wish more videos on the music theory / harmony topic from you!
Great video! I think this was recommended to me because I just uploaded a video on ear training. I have been thinking to do a video about chords just like you are doing here, but after seeing this I kinda feel I don't need to, because you pretty much completely cover it here! haha, thank you! you got a new subscriber
This is awesome man!
This was excellent! Don't stop the sound design vids, but if you can do these too, that would be awesome!! I like that it wasn't just straight theory, but a way of using it.
For me, melody, rhythm and the sheer tone of the instrument, or the human voice, are the epicenter of the emotions in music. Chords & harmony, for me, are important, of course, but secondary in the way I hear music.
Very helpful way of conceptualizing chords! What software are you using to display guitar chords? Thank!
So cool, thank you !
This is fantastic, please do more
Yes, more of this please!
Good stuff. Keep them coming :)
this was interesting, i wasnt very good at it though, but im also painfully self taught
Keep at it! You may hear these chords a little differently than me. It might help to try associating your own emotions or associations with each chord.
You need EARMASTER 7! It has been a god send for me
Amazing and helpful lesson for someone like trying to learn music. Please create more videos exploring musical sensitivity and composition.
Thx for the video!
I loved this video, and I hope you’ll do more on this topic!
2:52 screenshot is crazy😂I love this channel...
I honestly didn't understand what half of this meant. What should be my course of action to understand what choices I'm wanting to make when I want to evocate those impressions??
Fantastic video. I love the focus on feel over theory, but what if i cant identify the emotions?
Is it possible to do a longer tutorial on this?
Great, I really loved this video and there isn't so much about harmony
Thanks for this. I'll try it out. Where did you get that shirt btw? It's super cool
Thanks!
Wow amazing content keep this up
good lesson
Emotion from harmony not only with changes with voicing etc but more so with instrument (pianos are stretch tuned after all, not equal temperament) , timbre (a giant major chord stack on a synth in the blade runner film has a completely different emotion to the same on piano), rhythm, and engineering, and arrangement too though unfortunately.
So although your principle is sound (pun intended) this lesson is only really teaching emotional reaction to piano harmony.
Also chords in isolation mean very little unless there is no movement as per a minimal piece, much of the emotion comes from the functional harmony of progression over time (again why rhythm is so powerful).
i get what you're saying but this entire thing is SUBJECTIVE and varies from person to person and culture to culture
It IS subjective, so I recommend coming up with your own emotions/associations to help recognize chords.
And though it is subjective, there are some commonalities in how people react to certain chords. For example, as Stefon Harris demonstrates in that documentary, a flat nine sounds more anxious than a natural nine. I highly doubt anybody would disagree after hearing them back-to-back.
disagree with your second paragraph since it circles back again to how things like these are all opinions (subjective), which means it is not factual@@EricBowman
@@fuqwytes6458 I absolutely agree with you. If anything, the video should have come with a disclaimer about its subjectivity.
I would love to have been able to perceive these sounds as "described" in the video. It would have been much easier to learn the way he does. But unfortunately, I don't see/feel the "quality" of the sound anything other than the obvious major, minor and diminished chords.
yep. also, we all mostly grew up hearing and associating those sounds with those certain emotions from things like TV, movies, etc, which already ingrain those feelings into our subconscious mind since youth. I bet if we grew up in a world where minor was used for happy times and major scales used for sad times, we would think in those terms as well@@uravghuman
It’s very easy to sterilize ear training. Thank you for the reminder to listen with your heart as well as your head
Eric!! I didn’t know you had a channel as well. It’s been a long time. Hope you’re doing well.
Hey Adam! Good to hear from you! Funny that you found this-You were probably at the Stefon Harris masterclass from the video.
@@EricBowman I don’t remember that, but I could have been. I do remember playing for him one time with the Gradus Quartet and talking to Marc Cary afterwards and he convinced me to move to NYC.
I have perfect pitch and even I’m kinda stumped with some of these examples, I can detected them slightly tho so I can generally tell when they’re either dominant seventh, sus or extended. I guess it all comes down to training
Very good video. I don't really recognize complex chords by the emotion, just by the sound. I remember the sound not the emotion. The emotion comes afterwards.
I think a Dmajor over a C has no Cadd9 quality, it has a dominant D7 quality. But you're right, a little of that uplifting feeling is there.
"WAKE THE FUCK UP" 1:40
this video is amazing this is much better video on harmony or theory than all the videos i saw.
always wondered how composer or producer make something beautiful how do they make that sound they must have some kind of basic ingredients that they use and i know that they use this stuff i dont how to use them
Eric, can you create a zurna sound for the Vital synthesizer?
What is the name of the last music in the end with the harp? Who composed it? Quite interesting
That's an original I wrote for a video game and repurposed for the video.
Where can I find that stephon's video?
Huh that's interesting!
I came to the idea that chords's emotions are tied based on the progression and context, and even the specific extension choice instead of the chord itself in isolation.
But that's coming from a self taught pianist with 0 theory knowledge.
Also I never thought of studying and recognizing intervals.... I just tried and it's much easier to recognize triads and whole chords with multiple extensions rather than intervals. Well that's one more thing to practice
can u do a sound design tutorial on Time - Arca where the instrument plays those chords
Fun fact: the Major Sevent sharp Nine (e.g. C7#9) is a blues chord. There is rare footage of Jimi Hendrix in a pub playing blues with only that chord. ruclips.net/video/64JOjelb9CY/видео.html
After the melodic intro of Purple Haze, E7(#9) is the first chord: E7(#9) - G- A…love that song. Jimi Hendrix was awesome
It’s sometimes referred to as the Hendrix chord
How does this chord make you feel? *hits us with that D/C7* and daamn it makes me feels jazzy haha
Liking your videos! I have a question though...
How is the right way to practice to create a unique or replicate a sound?
Of course is by practicing, but since I'm new to all things about Synths, I have no clue.
Like always, nice video!
If you're new to it, I would check out this playlist that starts from the beginning: ruclips.net/p/PL6BtxJkWmp-2J4MAUNFybfUbPxWqisKVn
You forgot the James Bond chord 😂😂
Thanks for a very informative vid 😀🎹🎵
The first chord sounds like a dominant chord with a 13 and #11 in there
To me this makes absolutely no sense. All these chords (the first three) sound distressed and awkward to me (I do hear a difference but not on an emotional level). I'm assuming I am the problem and that this technique is just not meant for me, which is a shame because I had no trouble learning intervals but am currently struggling to achieve a useful level of chord recognition (both in context or when played by themselves)
One day I'll find a way to do it tho I hope (and preferably not one that involves memorizing every single possible chord relation because that feels overly complicated but who knows)
this makes me feel like there's something actually wrong with me. How am i supposed to feel an emotion from piano notes? They are just sounds. None of them sound "happy" or sad or whatever. I literally got every single question wrong in the video. The b5 b9 chord sounded the most "happy" but still all of them sounded super dissonant to me. They didn't make me "feel" anything. A chord doesn't sound like it's "lifting" or sound like it's "smiling". It sounds like someone is playing the piano.
Don't be hard on yourself. It's very subtle. Sometimes spending more time with these chords will allow you to notice the subtleties a bit more.
I don't know how many times somebody's had to explain how to tell poison ivy from regular ivy but I forget every time, because I spend so little time around it. I feel like this is similar.
I tried teaching this to my wife, who's not a musician and at first she literally couldn't tell the difference between a 9 and flat 9. After spending time with it, she was able to distinguish between complicated chords. There's a moment where it just kind of clicked for her. I'll upload that video soon.
@@EricBowman okay thank you. this makes me feel better
I think I just gotta give up on ear training because I have no idea what anyone is talking about 😭😭. I try a few times a year for years now but I still can't even recognise major/minor 3rd intervals better than just guessing
You can still make good music without knowing much about harmony. I've seen videos where Robin Thicke and Disclosure confused major and minor so you're at least in good company.
It's easier to identify a chord if you know it's one of 3 specific ones rather than one of hundreds of six-note chords, who knew
Epic shirt..
Didn’t work for me
Lots of interesting stuff with great production value! I love hearing John Williams' beautiful harmonies demonstrated to my untrained ears. However, I still feel like this technique is quite subjective. One specific chord in one specific song will cause me to feel all kinds of emotion at the same time. The one in the yoda theme evokes both a soaring mysterious feeling, but also a happy and melancholic/nostalgic one. So I couldn't differentiate between the two chords you demonstrated. On the other hand, when you first demonstrated the "tense" chord, I immediately thought of the New Hope example that you later used. So I definitely recognized the chord, but I don't know if I recognized the feeling or just remembered the sound from the film.
I guess my point is that this method can be great, but isn't it too subjective to consistently rely on?
I agree. Context definitely plays a role in how harmony makes us feel. The voicing, the timbre, and the chord progression all have an influence. But to me, a major 7 always contributes the same emotional quality to a major triad, even if that chord hits differently in different contexts.
🙏🏻👏👏👏😊
I am going to respectfully disagree with the approach here! The master class has one very important prerequisite- ALL OF YOU ARE BUDDING PROFESSIONAL MUSICIANS WITH YEARS OF EXPERIENCE. While I was able to get the chords correct - I instantly said that’s a Dom with a sharp 5 etc, I was only able to that after hours and hours of practice with ear training software. I use EAR MASTER 7 (No they did not pay me however it has been the best thing since sliced bread for developing my ear). Back to the point, while I think associating emotions to a chord helps, nothing beats listening to chords again and again and again and playing them back in some sort of test form till you ace the test! As you know music is a language that must be learned. It is only by continuous repetition we will master the language.
For sure. I'm not arguing that practice isn't necessary to solidify this. But nobody could identify the chords in the beginning of the masterclass, so the fact that we were "budding professional musicians with years of experience" didn't matter.
I also have a video on my Patreon where I teach the approach to my non-musician wife and by the end she's able to distinguish between chords in a musical context.
@@EricBowman That's Valid.
7(#9) is the penultimate stank face chord
Is there a chord that expresses the feeling you get after three days of intense constipation and the face you make trying to push a big ball of shit out of your ass ? Cause that's the way I feel about this kind of "music lessons", like a deuce that won't come out, no matter how hard you push. Music as an art form, is facing extinction.
Clickbait title - says “instantly recognize” not true.
It’s how I instantly recognize.
Nope, bullshit clickbait. Emotions won't make you "instantly recognize any chord or melody". Plz. Years of training will. Nothing else.
Yes but most modern songs don''t use these chords
Sure, but to name a few recent hits that do:
SZA - Kill Bill: minor & major 9 chords
Doja Cat - Say So: minor & major 7 chords
Playboi Carti - 2014 Impala: minor 9 & dominant 7 #5 chords
This is dumb