You are right not close to Holland dozier Holland or Norman Whitfield or smokey Robinson. But great In their own rights. Do the research and stop being bias
@@amcra1 Probably not: As great as G&H ( the music of whom I positively *love* ) were, their output doesn't quite match that of H-D-H's: For one thing, H-D-H had monster, international pop-smashes with male, *and* female acts, whereas, aside from The Three Degrees' "When Will I See You Again", I really don't recall G&H having a top-10 pop hit with a female act, when HDH had the Supremes' *FIVE pop number ones IN A ROW;* in addition to monster pop smashes by Smokey Robinson, Marvin Gaye, the Isley Brothers, the Temptations, and of course, the Four Tops. *After leaving Motown due to a royalty dispute,* HDH went on to found their own labels, Invictus, and Hot Wax, where they almost immediately had *huge* pop hits by male (Chairman of the Board, 100 Proof), and female (Freda Payne, Honey Cone) acts; because of the ongoing litigation, these hit productions were credited to various other people.
Love you guys!! My heroes!
You are right not close to Holland dozier Holland or Norman Whitfield or smokey Robinson. But great In their own rights. Do the research and stop being bias
George Hughes gtfoh. They’re right there with those guys. Stfu
@@amcra1 Exactly
@@amcra1
Probably not: As great as G&H ( the music of whom I positively *love* ) were, their output doesn't quite match that of H-D-H's:
For one thing, H-D-H had monster, international pop-smashes with male, *and* female acts, whereas, aside from The Three Degrees' "When Will I See You Again", I really don't recall G&H having a top-10 pop hit with a female act, when HDH had the Supremes' *FIVE pop number ones IN A ROW;* in addition to monster pop smashes by Smokey Robinson, Marvin Gaye, the Isley Brothers, the Temptations, and of course, the Four Tops.
*After leaving Motown due to a royalty dispute,* HDH went on to found their own labels, Invictus, and Hot Wax, where they almost immediately had *huge* pop hits by male (Chairman of the Board, 100 Proof), and female (Freda Payne, Honey Cone) acts; because of the ongoing litigation, these hit productions were credited to various other people.