Thanks man. I'm loving Pr's new color managment, but I noticed AE was changing the exposure. Thanks for putting your passion into this video to help guys like me.
This is _exactly_ what I needed. I'm not super familiar with LUTS so the last part sort of went over my head, but will check out the article you mentioned. Thanks!
Thx for the explanation. Adobe has been in the game for so long and here we are in 2024 and the exchange is just so easy between After Effects and Premiere... no doubt that the subscription plan has been the best solution for users, your money is well spent here! Who said I was being sarcastic? I wonder about their snail speed, don't they talk to each other there?
Thank you for explaining this color workflow, but I have an additional issue. I'm doing VFX work on a music video and a lot of the shots I'm working on are 8K R3Ds. In order for me to be able to work with these shots in AE (and you know, not set my computer on fire), I need transcode these to 4K. I tried rendering out as ProRes4444, but there is a noticeable color shift. Is there any codec I can use that won't result in this shift?
I have a Sony FX6. When I work in Premiere I change the BT709 and I put Slog3Cine to work, but when I send the image to After Effects the input to Slog3Cine is different color, its like the BT709 in After Effects is different than in Premiere. Do u know how to solve this?
quick question: if I really only care about viewing the log footage colour managed in premiere (dynamic linked from after effects, and then render and replaced with prores 422) can I just set it to manual colourspace override? is this going to affect my footage badly in any way?
I have a blank composition in after effect when imported nested video from premiere pro project and drag it into new composition. And stuck in here. The both is the latest bulid from creative cloud. I'm just wondering, why I paying 'powerfull' software editing to experience difficulties?
Adobe has lost their minds. Been using AE and Premiere since 1998 and I'm totally confused today suddenly when I imported into AE from Premiere...nothing seems to be working for color interpretation.
This is really handy, thanks. Utterly maddening that they introduce a great thing and make it not work properly - at the very least the workflow should have been, replace with After Effects Comp and then go into Interpret footage and set the correct color space, however, they haven't added the tone mapping so it is blown out and unusable like as it really should be that simple. Nuts.
Karl, can you tell me how to save a Lumetri preset in After Effects 24.1.0 build? In the past simply right clicking on Lumetri in Pr would offer a save preset option. This is not the case in AE.
Yeah I am sending video over using Lutz and it looks strange in after effects then back in premiere it looks even worse... I'm having to render in after effects with my lut applied
why not turning on auto detect on lumetri effect on after effects then send it to premiere? because in this setup, you're running 2 instances of lumetri, one in after effects and one in premiere and it will just slow down rendering time unneccesarily
In 24.0, there’s a new “viewer gamma” setting in the new Lumetri Settings tab. This will adjust what you see in Premiere Pro’s Program monitor, so you can make accurate adjustments for your output destination. I cover this in my September 2023 color update video.
Hello. I need your advice. how to make the playhead not stop when moving to another place? this setting could be enabled in early versions. I can't find it in 2023. cmd+f12. please help
@@vznryio No. In davinci, when the video is playing, I can move the playhead to another place in the timeline and the playback does not stop. stops in the premiere. previously this property could be enabled in cmd+f12 console. I cannot find this function in new versions of the program.
Thank you for staying committed and providing technical assistant to one of the biggest biggest hurdles in content creation. Thankful for you sir.
Wonderful explanation sir! Consistently on topic, good pace, and beyond knowledge! 10/10 You've gained a new subscriber!
Wow! I've searched all over and couldn't find a solution until your video!! Not even the Adobe Forum had a solution. SUPER BIG Thanks!!!🔥🔥🔥
it is so helpful I can't tell you. I have been using adobe for years and still learning. lol
Thanks man. I'm loving Pr's new color managment, but I noticed AE was changing the exposure. Thanks for putting your passion into this video to help guys like me.
This is _exactly_ what I needed. I'm not super familiar with LUTS so the last part sort of went over my head, but will check out the article you mentioned. Thanks!
Thx for the explanation. Adobe has been in the game for so long and here we are in 2024 and the exchange is just so easy between After Effects and Premiere... no doubt that the subscription plan has been the best solution for users, your money is well spent here! Who said I was being sarcastic? I wonder about their snail speed, don't they talk to each other there?
this is exactly the video i was looking for, thankyou!
Thank you for this! So frustrating having to figure out why Adobes color workflow doesn't just work but this was a perfect explanation.
holy moly this is so helpful. can't believe how long i've been doing this exchange wrong!
Great help my friend!
Ty so much!
Very interesting. And helpful!
Thank you for explaining this color workflow, but I have an additional issue. I'm doing VFX work on a music video and a lot of the shots I'm working on are 8K R3Ds. In order for me to be able to work with these shots in AE (and you know, not set my computer on fire), I need transcode these to 4K. I tried rendering out as ProRes4444, but there is a noticeable color shift. Is there any codec I can use that won't result in this shift?
Thank you!!!!
when i import and make a new composition, the comp is empty. There is no video playback and there is not video layer in the comp
I have a Sony FX6. When I work in Premiere I change the BT709 and I put Slog3Cine to work, but when I send the image to After Effects the input to Slog3Cine is different color, its like the BT709 in After Effects is different than in Premiere. Do u know how to solve this?
quick question: if I really only care about viewing the log footage colour managed in premiere (dynamic linked from after effects, and then render and replaced with prores 422) can I just set it to manual colourspace override? is this going to affect my footage badly in any way?
I have a blank composition in after effect when imported nested video from premiere pro project and drag it into new composition. And stuck in here. The both is the latest bulid from creative cloud. I'm just wondering, why I paying 'powerfull' software editing to experience difficulties?
Big thanks!!
Adobe has lost their minds. Been using AE and Premiere since 1998 and I'm totally confused today suddenly when I imported into AE from Premiere...nothing seems to be working for color interpretation.
This is really handy, thanks. Utterly maddening that they introduce a great thing and make it not work properly - at the very least the workflow should have been, replace with After Effects Comp and then go into Interpret footage and set the correct color space, however, they haven't added the tone mapping so it is blown out and unusable like as it really should be that simple. Nuts.
Karl, can you tell me how to save a Lumetri preset in After Effects 24.1.0 build? In the past simply right clicking on Lumetri in Pr would offer a save preset option. This is not the case in AE.
Yeah I am sending video over using Lutz and it looks strange in after effects then back in premiere it looks even worse... I'm having to render in after effects with my lut applied
this lumetri color settings is not appear to me '-'
What version of Premiere Pro are you using?
@@KarlSoule 2023
@@Misaplay update to 24.2 or higher.
why not turning on auto detect on lumetri effect on after effects then send it to premiere? because in this setup, you're running 2 instances of lumetri, one in after effects and one in premiere and it will just slow down rendering time unneccesarily
Thanks!
Hello, do you have a fix for the "washed colors in export in PR", outside of using the QT Gamma LUT and the checked "Display color" in preferences?
In 24.0, there’s a new “viewer gamma” setting in the new Lumetri Settings tab. This will adjust what you see in Premiere Pro’s Program monitor, so you can make accurate adjustments for your output destination. I cover this in my September 2023 color update video.
@@KarlSoule Thank, I'm gonna check out that video
Hello. I need your advice. how to make the playhead not stop when moving to another place? this setting could be enabled in early versions. I can't find it in 2023. cmd+f12. please help
Smooth scroll in Premiere Pro?
Settings --- Timeline ---- Timeline Playback Auto Scrolling (Hit drop down and click smooth scroll)
@@vznryio No. In davinci, when the video is playing, I can move the playhead to another place in the timeline and the playback does not stop. stops in the premiere. previously this property could be enabled in cmd+f12 console. I cannot find this function in new versions of the program.
why doesn't this work correctly in the software we are PAYING for!
I think this problem needs to be fixed by Adobe. It makes the workflow too difficult and time-consuming.
why are there ALWAYS "WORKAROUNDS"? Why can't this fvcking app just WORK?
Damn right, this is insane
Thank you!!!