+Nasher188 I disagree. For me at least, the thorough explanation of what he is doing is extremely helpful and makes it so someone like me who is not so well versed in music theory can follow along!
OK. But, it can be done in less than 14 mins. and he didn't really explain WHY those scales work. I know he'd have to charge a fee for that information though.
+Nasher188 It's because the dominant seven already is very dissonant sounding. Adding these scales work in the context of the dom7 because of it. Simple.
My personal favorite lesson to make so far - in this video I demonstrate 4 exotic scales that can be played over the V chord in any ii-V-I, creating a sophisticated sounding melody or solo. As always - if you enjoy this video I'd really appreciate a thumbs up. And if you'd like to be notified when I upload new videos, you can join my emailing list at the link in the description box. Thanks for watching!
BIG HUG,thank you very much,Jullian,your videos has got me so hooked up like someone on drugs.my playing is taking a turn,it is improving gradually,God Bless you.
A big thank you for this video Mr. Julian, i was stuck in what & how to improve my improvisation & this video felt like i can finally add sth more to my way of improvising :) best regards & GBU, chris.
I studied music a long time ago and modes were part of the subject. What I was never taught was how to use them effectively and that's what I have been trying to learn. This is the first video I find that gives me a clear way on how to improvise using the modes. I am eager to begin experimenting with this new tools. Thank you very much.
Thanks so much Nat, that means a lot to me, I'm really pleased you enjoyed this one. You might also like my '4 types of minor scale' video which is very similar.
This is YEARS worth of jazz in a single lesson. It takes so many years to learn that the "flavor" is on the V7. THIS IS HUGE. Took me years to understand. Thank you!!!!!!!!!!!!!!!!!
If only I had found you earlier...! 90% of music (and maths) teachers lack the ability of speech. They simply cannot put concepts in words. You are a fantastic exception....once and for all!!!!
Bradley thanks thanks thanks, you are a wonderful teacher, your lessons have been a tremendous blessing to me, i am so grateful, as a saxophonist your lessons has hitherto open my eyes to what use to be so obscured to me most especially in Jazz improvisation over the years, in few days i have known more than i have learned and spend money on for years. thanks and God bless you.
It's great to come home from a road trip to some Jazz tutorials! In my opinion, the whole tone scale over the dominant chord sounds best when it ascends! Thanks, Julian!
The Realistic Nihilist I'll check this out ..no piano at the house. but I practice on a table and never miss a note. but believe it or not it helps tremendously.
Lydian dom is the same scale as the altered or diminished whole tone starting from a different degree. Just connecting important dots here. Lydian dominant takes a dom7+11, the alt scale takes a dom7+9 or dom altered chord which means you alter every note possible without effecting the function. So b9,+9,+11,b13.
Your videos have been amazing! There aren't a lot of good jazz guitar lessons on RUclips so I resulted to looking at piano lessons but they really get the point across. Thanks!
Its great that you explain how to use scales over changes because the real test that shows if yiu know your scales is practicing ithem in context until it becomes automatic. Learning the scales in an isolated way is just an intro to really learn them with ii-v-i's. Its not easy at first because you have to have them ready for the the bar or few bars then move on using the next scales. Good job.
There is some great material from good piano players in other channels ( of which I am grateful ) but you, you make it very easy to understand so thanks a lot!
Thanks for this, Julian. Things are beginning to become a little clearer. I can see how you get that jazzy sound from the right hand improvisation now.
I think I spotted "the lick" at least four times. As a blues guitarist I'm finally getting my head around these concepts to get a more sophisticated sound in my playing. I haven't got my fingers around it yet though.
This is hands down the best "tutorial" I've seen for Jazz. I've been trying to comprehend more Jazz, and have not been successful until this Video. Something about your explanation just made it click for me! Great Job and thank you!
Man, i love you! Unfortunately, i dont find that much time to practice. But when i come back to the keys i would always go to watch one of your lessons. This one is definitely one of the best. It's like magic!! ... Please, don't you stop it... Thanks a MILLION! Greetings from Germany!
really, really, really good lesson here, probably one of the most understandable easy tutorials Ive ever watched, had instant impact on my playing too, wasn't baffled at all. thank you
I'm a guitar player who finds your site the most informative of the multiple sites purporting to clarify theories thereby demystifying the hard stuff. I don't aspire to be a jazz man but I've got a good grip on harmony and watching you explain and demonstrate, particularly on a keyboard, allows me to see the relationship of single notes, played as a scale - major, minor, pentatonic, diminished or whole tone - more clearly that I can on a guitar. I've subscribed so keep up the good work!
Brent Pulford Brent I play guitar a diminished is two stacked minor thirds. years ago my jazz teacher taught me a nice little run that you may or not know .. two hits per string base string e on g to bflat next sting down dflat to e.. just keep on moving a fret higher each time .. the piano is horizontal instrument and the guitar is a vertical one. notice this gives you flatted fifths also .. if you play this you are simply just playing one flat3 flat five six .. just a bunch of minor thirds each one and a half steps up you continue this pattern untill you are on the little e and run off the fret board. I learned a lot from this
Julian,Your Jazz Theory Explained Book is excellent. Anyone with a basic background in music who want to pursue jazz will love this book. I waited a solid year studying to finally understand how jazz works. Now I can work at using my God given potential to create beautiful music for myself and other. Thank you so much for your genius and dedication.
Perhaps the best lesson I've seen in improvising over a ii-V-I chord progression. Been trying to learn jazz guitar improvisation and have had a hard time understanding the reasoning behind the use of different scales over each chord, but this video is the first one I've seen that explains it all. It helps to know a little music theory though. Just bought his book, Jazz Theory - Explained. A great book to learn the theory, scales, etc. A must read and easy to understand, with direct RUclips links on the lessons. Well Done, Julian!
kulahit50 Hal Leonard put out a book I think it was orange cover and 50 jazz licks.. some really nice licks in there I don't know if it ref. modes but it may have had chords.. you can probably call Hal Leonard themselves.
Thanks Julian, You deliver lots of useful content. I wish I had these videos 20 years ago. What I find most helpful is the way you get right to the point and fast track working solutions for example playing the first 5 notes of the minor scale 1/2 step above the Dominant chord in the left hand. I have always tried to find pattern solutions/polychords when playing and hope you continue on this path.
Thanks so much - glad the shortcuts help. I think I'll talk more about these in future, since there's nearly always a simple way to think about any complicated concept. Really appreciate your kind words - thank you :)
I really love all of your lessons and I will use them it is opening my eye to the possibilities of the combination of theory that jazz temper void I am a theorist I love complication but I like simplicity as well and you teach both
Thank you for all your videos and specially for this one! It helped me a lot, like how or where to lead my solos. Altered and diminished scales are quite hard to master and use with no reference, but watching you play and using them gave me a complete idea on how to use them. Thank you again and I hope to see more from you!
Thanks so much. This is gold. Extremely useful content. Extremely well demonstrated and explained. I understand that pretty much anything goes with dominant chords as long as it has some sort of organized patterned idea (and as long as it's got that swing). So there are quite a few more mode options you can pick, and you can even derive pentatonic scales or triad pairs off any mode you pick to refine your phrases. However, your video highlights the particular moods invoked by a particular mode. It made me realize that I should make sure that I can verbally describe precisely those moods and feelings as I practice any scale or mode in order to use it intentionally and emotionally when I improvise.
You make these videos so easy...thank you...can you please do a video on how to improvise music for smooth jazz kinda in a lounge. I have always wanted to play that kind but always end up playing something else
A very helpful video indeed. I am a classical musician but love jazz music and being able to apply the various scales over the chords makes playing so much more exciting. Just a few thoughts to make the scales easier : the 'altered scale' can be thought of the major scale notes which is a semi-tone below the note provided. In other words the C altered scale has all of the notes of B major (a semi-tone below C) but not actually playing the B but playing the C instead. Therefore, the G altered scale will contain all the notes of F#major scale but not playing F# but G instead. The 'diminished scale' is just like the Lydian dominant but adding the flatted 2nd and 3rd. The Lydian dominant interestingly contains the dominant pentatonic notes too which means when solo ing over the ii-V-i using the dominant pentatonic, it can easily be adjusted to use the Lydian dominant. I love how closely related the scales are. :-)
Adrian Du Toit another way to look at altered scales that will never let you down but gets a little messy I some scales.. just think of the root note. now flat all the notes of the scale c. bf af gflat gflat eflat dflat we the altered scale and it works ever time. this the super locrian scale and is not related to the dflat scale.. any questions I will respond asap
I may have a mistake in these post and as a musician I must be precise especially when trying to clarify something. and I am double-checking all my facts there are several types of altered scales... the main one I think is the super locrian. it is not the same as the locrian which is based on the dflat scale..
Thanks for this! starting a new music course in the autumn and 1 or 2 of the units are based around jazz and improv in jazz styles and this has really helped me!
Jeez! I've been trying to make sense of it all, in two videos you've cleared up so many questions. I'm not a piano guy, but the concepts are so clear it was easy to transfer it to my instrument. (Chromatic Harmonica) Thanks!!!!
[03:36] Lydian dominant scale
[05:51] Whole tone scale
[08:34] Diminished scale
[10:22] Altered scale
+蕭文沛 Thanks a lot. This dude is a bit too chatty.
+Nasher188 I disagree. For me at least, the thorough explanation of what he is doing is extremely helpful and makes it so someone like me who is not so well versed in music theory can follow along!
OK. But, it can be done in less than 14 mins. and he didn't really explain WHY those scales work. I know he'd have to charge a fee for that information though.
+Nasher188
It's because the dominant seven already is very dissonant sounding. Adding these scales work in the context of the dom7 because of it. Simple.
That answer is basically incorrect. There's more to it. I was making a rhetorical statement, which didn't require a response.
This is exactly what I needed to unravel the mystery in my mind of how Jazz musicians play those exotic sounding solos.
Great stuff man thanks 😎🎷👍
Omg that minor chord hack on alt scale blew me away!!🎉
My personal favorite lesson to make so far - in this video I demonstrate 4 exotic scales that can be played over the V chord in any ii-V-I, creating a sophisticated sounding melody or solo.
As always - if you enjoy this video I'd really appreciate a thumbs up. And if you'd like to be notified when I upload new videos, you can join my emailing list at the link in the description box.
Thanks for watching!
BIG HUG,thank you very much,Jullian,your videos has got me so hooked up like
someone on drugs.my playing is taking a turn,it is improving gradually,God Bless you.
Hey Jules!!!
caesar khanyile Thanks so much Caesar! So pleased to hear you're addicted - that's the ultimate compliment!
A big thank you for this video Mr. Julian, i was stuck in what & how to improve my improvisation & this video felt like i can finally add sth more to my way of improvising :) best regards & GBU, chris.
So pleased to hear this Chris! Really glad this one helped you!
i get chills when i hear those diminished licks.
They are ancient.
I studied music a long time ago and modes were part of the subject. What I was never taught was how to use them effectively and that's what I have been trying to learn. This is the first video I find that gives me a clear way on how to improvise using the modes. I am eager to begin experimenting with this new tools. Thank you very much.
Clear, cool jazz instruction. Immediate results. Did I mention clear! Easy to comprehend and assimilate.
this is the best explanation I have ever heard. thank you very much.
Anderson Badari Thank you so much Anderson!
Me too!
Dude you're such a great teacher! Enjoying your lessons even as a guitarist! Thanks so much
Thanks so much Nat, that means a lot to me, I'm really pleased you enjoyed this one. You might also like my '4 types of minor scale' video which is very similar.
Oooh I will be sure to check that out too! Bless you man!
NatPicking if your interested I can send you a cool l walking base line on guitar that starts with e7 then a 7 then d 7 then then c7.
jazztutorial I am going to check it out
Yeah. Love your teaching style and pace. It's always a pleasure. Thank you!
This is YEARS worth of jazz in a single lesson. It takes so many years to learn that the "flavor" is on the V7. THIS IS HUGE. Took me years to understand. Thank you!!!!!!!!!!!!!!!!!
If only I had found you earlier...! 90% of music (and maths) teachers lack the ability of speech. They simply cannot put concepts in words.
You are a fantastic exception....once and for all!!!!
With this video I finally understand what happen in what I ve heard till now! Thanks
Bradley thanks thanks thanks, you are a wonderful teacher, your lessons have been a tremendous blessing to me, i am so grateful, as a saxophonist your lessons has hitherto open my eyes to what use to be so obscured to me most especially in Jazz improvisation over the years, in few days i have known more than i have learned and spend money on for years. thanks and God bless you.
thanks for the great video. As a bass player trying to get to grips with jazz, seeing how the scales work over the chords on a piano is very helpful.
Julian you are a great musician. There is so much to learn from you. THANK YOU
How can I double-like this video? Outstanding work!!
Thanks for making jazz less complicated! What a relief!!
You're welcome Anedra! Glad this one helped!
This finally explains how one of my early jazz workbooks made "hip" sounding licks. Good lesson, even for a trumpet player!
simple,clear,direct,I appreciate
It's great to come home from a road trip to some Jazz tutorials! In my opinion, the whole tone scale over the dominant chord sounds best when it ascends! Thanks, Julian!
Thanks so much Joshua - love hearing this! I know what you mean about the whole-tone scale ascending, always sounds good.
The Realistic Nihilist I'll check this out ..no piano at the house. but I practice on a table and never miss a note. but believe it or not it helps tremendously.
I am a music teacher and this is by far the best tutorial I have watched onYT thank you and keep it up!!!
Thank you so much Diego - this means a lot to me coming from you, really pleased you enjoyed this one!
Excellent lesson. Broken down so everyone can understand. Thumbs up!
Thank you Wesley!
As a new learner to jazz piano, this helps a lot!
I'm showing this to my jazz band teacher because this video improved my improve skills greatly! Subscribed
Lydian dom is the same scale as the altered or diminished whole tone starting from a different degree. Just connecting important dots here. Lydian dominant takes a dom7+11, the alt scale takes a dom7+9 or dom altered chord which means you alter every note possible without effecting the function. So b9,+9,+11,b13.
Great vid. I have found Ionian b3 (major scale with a flat 3) to be a useful way of thinking about the altered scale.
Your videos have been amazing! There aren't a lot of good jazz guitar lessons on RUclips so I resulted to looking at piano lessons but they really get the point across. Thanks!
You are a wonderful person for sharing your talent,knowledge and love of music.
Its great that you explain how to use scales over changes because the real test that shows if yiu know your scales is practicing ithem in context until it becomes automatic. Learning the scales in an isolated way is just an intro to really learn them with ii-v-i's. Its not easy at first because you have to have them ready for the the bar or few bars then move on using the next scales.
Good job.
There is some great material from good piano players in other channels ( of which I am grateful ) but you, you make it very easy to understand so thanks a lot!
Another way to remember the altered scale is to play the first 4 notes of the half whole scale. C Db D# E, then just whole steps to C. Great video.
You deserve a million subscribers. The best RUclips channel for Jazz
All my good thoughts for you and your team! With respect, Mariana!
Thanks for this, Julian. Things are beginning to become a little clearer. I can see how you get that jazzy sound from the right hand improvisation now.
my brother taught me this, and i cant apply the step on my play, thx to u, i get what this means by now. thx
Much respect to you Julian. I've been watching your channel for the past five years. Great job Sir🙏🏽👍🏽
I think I spotted "the lick" at least four times. As a blues guitarist I'm finally getting my head around these concepts to get a more sophisticated sound in my playing. I haven't got my fingers around it yet though.
This is hands down the best "tutorial" I've seen for Jazz. I've been trying to comprehend more Jazz, and have not been successful until this Video. Something about your explanation just made it click for me! Great Job and thank you!
Man, i love you! Unfortunately, i dont find that much time to practice. But when i come back to the keys i would always go to watch one of your lessons. This one is definitely one of the best. It's like magic!! ... Please, don't you stop it... Thanks a MILLION! Greetings from Germany!
Thanks so much Fabian! This is my personal favorite too, so far. Stay tuned and I'll keep posting!
Julian
really, really, really good lesson here, probably one of the most understandable easy tutorials Ive ever watched, had instant impact on my playing too, wasn't baffled at all.
thank you
one of the most helpful and wonderful lessons on youtube so far. Thanks.
So grateful for this lesson, Julian. Clear explanation. Some simple ways to take our improvisation in more interesting directions. Keep 'em coming!
clear, consise,with no BS,luv it.
Nice! Thanks so much Ca!!
Thank You Sir. Im a guitarist and you made perfect sense to me for a beginner in jazz. Thank you for teaching this. Thank you.
azmer azhar a guitarist also I put some guitar post somewhere in these post.. I like to read them .
Very clear, very helpful. Will start practicing those scales in ii V I progressions in all keys to cement in my memory!
I’m a guitarist but this helps out alot! Very clear and organized lessons. thank you!
Julian, thank you for for that wonderful powerful lesson....
I'm a guitar player who finds your site the most informative of the multiple sites purporting to clarify theories thereby demystifying the hard stuff. I don't aspire to be a jazz man but I've got a good grip on harmony and watching you explain and demonstrate, particularly on a keyboard, allows me to see the relationship of single notes, played as a scale - major, minor, pentatonic, diminished or whole tone - more clearly that I can on a guitar. I've subscribed so keep up the good work!
Brent Pulford Brent I play guitar a diminished is two stacked minor thirds. years ago my jazz teacher taught me a nice little run that you may or not know .. two hits per string base string e on g to bflat next sting down dflat to e.. just keep on moving a fret higher each time .. the piano is horizontal instrument and the guitar is a vertical one. notice this gives you flatted fifths also .. if you play this you are simply just playing one flat3 flat five six .. just a bunch of minor thirds each one and a half steps up you continue this pattern untill you are on the little e and run off the fret board. I learned a lot from this
I am a bass player and find this lesson one of the best ones and which I can I also apply to my instrument
Julian,Your Jazz Theory Explained Book is excellent. Anyone with a basic background in music who want to pursue jazz will love this book. I waited a solid year studying to finally understand how jazz works. Now I can work at using my God given potential to create beautiful music for myself and other. Thank you so much for your genius and dedication.
Thank you so much for these videos! I've played classical piano for years, but have never been introduced properly to jazz - this is excellent!
You wont believe how much youve helped me! Keep up the great work!
Thanks so much Mawered, really happy this one helped :)
i'm new to jazz but you make it seem easy and simple. you're a great teacher! looking forward to check out all your videos
Perhaps the best lesson I've seen in improvising over a ii-V-I chord progression. Been trying to learn jazz guitar improvisation and have had a hard time understanding the reasoning behind the use of different scales over each chord, but this video is the first one I've seen that explains it all. It helps to know a little music theory though. Just bought his book, Jazz Theory - Explained. A great book to learn the theory, scales, etc. A must read and easy to understand, with direct RUclips links on the lessons. Well Done, Julian!
kulahit50 Hal Leonard put out a book I think it was orange cover and 50 jazz licks.. some really nice licks in there I don't know if it ref. modes but it may have had chords.. you can probably call Hal Leonard themselves.
PIANOSTYLE100 you are great I have subscribed!!
This video is so good for beginner of soloing.. I'm guitar player but learn very lots of things
I am a bass player and this has helped me so much!
Philip Sebestyen base guitar also.. contact me have a good walking jazz bass line.
These lessons have taken my playing on to a whole new level, thanks a lot!
Great explaination, this lesson is a pure gem thank you very much
this is a very useful and important lesson! thank you for your patience and your effort to create this video!
Thanks you - your instructtions are clear and easy to learn.
Very nicely and simply explained....I appreciate your approach to demystifying jazz harmony. It adds serious creativity to my toolbox. Thanks!
Very good and very well explained 😊
Thanks Julian, You deliver lots of useful content. I wish I had these videos 20 years ago. What I find most helpful is the way you get right to the point and fast track working solutions for example playing the first 5 notes of the minor scale 1/2 step above the Dominant chord in the left hand. I have always tried to find pattern solutions/polychords when playing and hope you continue on this path.
Thanks so much - glad the shortcuts help. I think I'll talk more about these in future, since there's nearly always a simple way to think about any complicated concept. Really appreciate your kind words - thank you :)
Thank you for the excellent information! I have been waiting decades for this type of instruction. Thank You, again!
Fantastic video! Great explanations and demonstrations! Also, it was cool that you tagged many of your lines with part of "the lick"!
you are really a very good music teacher !
i play many instruments and it´s a pleasure to watch your videos.
hereiamhere75 I agree he is very though.
Fabulous! This is a huge help, I'm loving it! Thank you.
Ashwin Acharya Thanks so much Ashwin!
You're such a great teacher, thank you!
Thanks so much. I love the pace, the clarity and the ideas.
It helps so much. Thanks
You've managed to show me what is inside the black box of jazz theory in a way i did not think was possible.. Thank you so so much sir :)
I really love all of your lessons and I will use them it is opening my eye to the possibilities of the combination of theory that jazz temper void I am a theorist I love complication but I like simplicity as well and you teach both
Great lesson!
I love your lessons. This helped me a lot on my soloing in standards. Thanks for sharing.
Thank you sooo much ! That's perfect to start learning jazzy basics !
Thanks for this well organized explanation of theory I have had pieces of since college music theory classes.
Thank you for all your videos and specially for this one! It helped me a lot, like how or where to lead my solos. Altered and diminished scales are quite hard to master and use with no reference, but watching you play and using them gave me a complete idea on how to use them. Thank you again and I hope to see more from you!
Very helpful clarity here. Once again, many thanks!
The Diminished scale you teach is really the 8th dominath scale the diminished scale begins with whole tone then semitone etc
Thanks so much. This is gold. Extremely useful content. Extremely well demonstrated and explained. I understand that pretty much anything goes with dominant chords as long as it has some sort of organized patterned idea (and as long as it's got that swing). So there are quite a few more mode options you can pick, and you can even derive pentatonic scales or triad pairs off any mode you pick to refine your phrases. However, your video highlights the particular moods invoked by a particular mode. It made me realize that I should make sure that I can verbally describe precisely those moods and feelings as I practice any scale or mode in order to use it intentionally and emotionally when I improvise.
You make these videos so easy...thank you...can you please do a video on how to improvise music for smooth jazz kinda in a lounge. I have always wanted to play that kind but always end up playing something else
Thumbs up for this great and humble man! Thank you so much for the video and generally for your channel, i love it!
Thumbs UP for U, man... I've been learning a lot with your tutorials.. Thanks and God bless you! Greetings from Brazil!
Thank you Flavio - really appreciate the comment. Hope you continue to enjoy the videos!
Thanks Buddy. Your videos are a treasure for every musician, God bless you :)
Thank God you're free
Thank you David!
Thanks a lot for this tuto that’s really helpful for my jazz understanding 🙏🙏🙏
A very helpful video indeed. I am a classical musician but love jazz music and being able to apply the various scales over the chords makes playing so much more exciting.
Just a few thoughts to make the scales easier : the 'altered scale' can be thought of the major scale notes which is a semi-tone below the note provided. In other words the C altered scale has all of the notes of B major (a semi-tone below C) but not actually playing the B but playing the C instead. Therefore, the G altered scale will contain all the notes of F#major scale but not playing F# but G instead.
The 'diminished scale' is just like the Lydian dominant but adding the flatted 2nd and 3rd.
The Lydian dominant interestingly contains the dominant pentatonic notes too which means when solo ing over the ii-V-i using the dominant pentatonic, it can easily be adjusted to use the Lydian dominant.
I love how closely related the scales are. :-)
Adrian Du Toit another way to look at altered scales that will never let you down but gets a little messy I some scales.. just think of the root note. now flat all the notes of the scale c. bf af gflat gflat eflat dflat we the altered scale and it works ever time. this the super locrian scale and is not related to the dflat scale.. any questions I will respond asap
I may have a mistake in these post and as a musician I must be precise especially when trying to clarify something. and I am double-checking all my facts there are several types of altered scales... the main one I think is the super locrian. it is not the same as the locrian which is based on the dflat scale..
Thanks for this! starting a new music course in the autumn and 1 or 2 of the units are based around jazz and improv in jazz styles and this has really helped me!
Jeez! I've been trying to make sense of it all, in two videos you've cleared up so many questions. I'm not a piano guy, but the concepts are so clear it was easy to transfer it to my instrument. (Chromatic Harmonica) Thanks!!!!
Great lesson as usual. Thanks so much for your help. I wish you the best.
Thanks Delafugue - really appreciate your great comment!
This is terrific, Julian. Thank you!
Also to note that C altered (parent scale being Db Melodic minor) can also be read as B major but with B being played a semi tone higher to C
so useful! big thanks from Argentina!!
best jazz lesson ever! thank you!
As usual perfect exxplanation, your book in combination with the vidoe's is priceless
Thanks so much Roland - I really appreciate your kind words and encouragement every time, it really means a lot.
jazztutorial Is there a book? I didn't know. Where can I get one please?
Jazzherobooks.com
Always searched for a video like this. Great work.
Excellent! Exactly what I was looking for!
Everything is so clear and easy to understand!!!
Thank you!
Awesome lesson and really well explained. Have some great things to work with now.
Thanks
Your best tutorial so far