Chapters/Timestamps (aren't showing up for some reason): 00:00 Introduction 01:22 Opening 02:38 Identity 03:35 Blue pt. 1 03:56 Objectification of Adèle 04:14 The Life of Marianne 06:15 Food pt. 1 07:37 The Encounter 08:36 Blue pt. 2 09:28 The Passage of Time 10:09 Protest 10:54 Antigone 11:58 The Meeting 12:34 Picasso 14:00 Sketch and Sartre 15:38 Francis Ponge 16:22 Art Museum 18:21 Food pt. 2 18:55 Party pt. 1 19:52 The Breakdown of a Relationship 22:12 Party pt. 2 22:50 Cheating 23:58 Breakup 24:51 Beach 25:13 Restaurant 25:52 Student becomes Teacher 26:11 Art Exhibition 30:49 Blue pt. 3 32:59 Controversy 35:27 The Male Gaze 37:41 Exploitation of Actresses Sources: Blue Desire: Narrative Structure, Desire, and Intertextuality in Abdellatif Kechiche’s Blue is the Warmest Colour by Kathryn Chaffee. Pablo Picasso’s Blue Period on pablopicasso.org. The Timeline of Blue on Timeline on blueisthewarmestcolormovie.wordpress.com Why Adele Cheats on blueisthewarmestcolormovie.wordpress.com Pablo Picasso Rose Period on masterworksfineart.com Léa Seydoux on Fake News, Complex Female Characters and the Importance of Speaking Out by Harriet Sim. The Problems with the Problems with ‘Blue is the Warmest Color’ by Melissa Weller. Should Actors Really have to Suffer for their Art? by Amy Gray. Blue is the Warmest Color: Feeling Blue by B. Ruby Rich. The Male Gaze in Modern Cinema: Blue is the Warmest Colour by Alyssa Morterud. The Blue Analysis on blueisthewarmestcolormovie.wordpress.com Blue is the Warmest Colour on E. Chandler Negotiated Major Photograph Project, by LIZYR3SALFORD. Blue is the Warmest Colour (2013) O***sms and Spaghetti Bolognese by Jonathan McCalmont. A Brief History of All the Drama Surrounding ‘Blue is the Warmest Colour’ by Anna Silman. Léa Seydoux says Intimacy Coordinator Wouldn’t have Helped Conditions on ‘Insane’ ‘Blue’ Set by Benjamin VanHoose. Blue is the Warmest Colour: Exploring the Intertextual Layers of Meaning by Reagan Ross. Kiss Me in Blue (An Analysis of Abdellatif Kechiche’s “Blue is the Warmest Colour”) by Stephanie Osuji. “Blue is the Warmest Color”: Food is Where the Heart is by Molly on Last Print Issue. The Lady’s Not for Turning: Cinematic Portrayals of Lesbians Need to Get Real by Ruby Lott-Lavigna. Email: yilyauenquiries@gmail.com If there is a credit issue, if you would like me to @ your social media, or for any other enquiries, please reach out to this email.
I still get the chills when I remember the long lesbian scene close to my mom and my sister. Our silence is still recorded in my mind. My sister didn't stand any more and set off for the kitchen. We never spoke about this movie.
the biggest reason as to why i love this film is because of how true to life it is. As if the camera is following a real persons life and not like a polished and over dramatic movie
I understand how some could relate the age of Emma with the lesbian “on the hunt” trope but I also think how normal unfortunately a teenager with identity issues might try to date someone older. I also see her hyper sexuality supporting her identity crisis especially with how quickly the movie portrays her whims. But then again I have BPD 😂 I feel it gave it a more realistic feel to her emotional inconsistencies and need for acceptance. From her friends it seemed like they were adding some pressure on her for sexual experiences. Even her eating habits in the beginning of the movie I think showed her insatiable appetite the need for something more
Despite the severe exploitation Lea & Adèle(especially) suffered they managed to give brilliant performances & it's only owing to them the film will stand the test of time l feel. This story has one of the most realistic portrayals of mourning the loss of love. I love your essay full of insights. 🩵 You pick up on colours as a tangible character in a film itself. I like that. 😘🩷 Please do one one 'Ghost world' if you like, the colour red defines that film & it's one of my favourites too.❤
Thanks for the suggestion, Ananya! I have a bit of a list, so it’ll probably be a while before I get to looking into it. 🤍 As for the performances, I think you’re right about them helping this film stand the test of time.
Just started the video but i want to say i actually really enjoyed ehat this film whats attempting to do but i was one of the people who were totally taken aback and out of the film's world during the long, long, explicit sex scene. Edit:: great video essay, I never truly reflected on the plot and character development because of the before mentioned scene taking priority in all my thoughts and discussions about this film. Earned a subscriber! Love how you are able to get into a deep analysis without "losing the plot," literally.
despite all the controverse about this movie, still remains one of my life favorites. The way literature, philosophy, art, food and music are used on the composition of the characters is sublime. i watched it, for the first time, in 2015, and since then i do it every year. it's like be with some part of myself that is gone away.
I also think that the voraciousness of Adele's eating may be meant to say something about her sexual appetite (not such as stretch, obviously). She even eats at night in bed.
Do you have any perspectives on the recent film Priscilla? There’s a lot of interesting ways in which the cinematography, set design, and actor placement center’s Priscilla Presley’s (and typical heterosexual feminine) emotional experience and how her perspective changes throughout the film. Also super interested in your perspective on Eileen which also came out in 2023.
Coming off of the 2023 oscars, it blows my mind that the MPAA screwed this movie over with an NC-17 rating, but let Poor Things get away with an R. Great film, it deserved better.
So. I dated this girl who was 7 years older than me She was my first girlfriend Had an obsession with "youre either gay or straight" Made me watch this movie with her like it was the best movie ever. I remember being a little bothered by it, but i was pretty not into gay culture and had a pretty baseline (but convicted) idea of feminism so i was like. I just dont get this. Oh nope she was a predator too 😂
I love it because I relate to her identity issues (not her sexuality). As a woman (now 40). I remember being 16-20 and my feelings and love was soooo intense and fluctual in this period of finding my identity. I felt everything so intense, and thought I was the only one. Maybe this is normal as Young come of age. I still dont know, but relate deeply to her in this film
There's a song by Joni Mitchell that comes to mind that's always haunted me. "The Gallery." I think the parallels to this film complement the story. I would very much like to both read the comic and watch this film (though I'm sad to hear about the experience of the actors :( )
38:20 - "Both actresses seemingly agreed that they never wanted to work with Kechiche again." Do you have sources about that ? I know Léa Seydoux did say something like that, but I'm pretty sure Adèle Exarchopoulos said the exact opposite.
‘Did a Director Push Too Far?’ in ‘The New Yorker’ by Emily Greenhouse. Article writes: ‘Then, later in summer, Seydoux and Exarchopoulos said that the shooting had been unbearable and they would never again work with Kechiche.’ This was back in 2013 though, she may have changed her mind since. I didn’t mention her current views though, just Seydoux. It seems like the exact quotes comes from an interview with Marlow Stern: Stern: Would you ever work with Kechiche again? Léa: Never. Adèle: I don’t think so. I don’t know if Adèle has spoken about Kechiche again, but I think what she’s mainly defending is the other criticisms of ‘Blue…’ In 2023, according to the LA Times, it appears she’s more defending if she had a right to tell a lesbian story: ‘I was young - I was 18 when I went to Cannes. [Lesbians] were saying, “We don’t have s*x like this.” But this is a movie about first desire - a first love story. I think, in my small experience, there [is] one language that is unique - how you have s*x with someone. So, for me, it was really stupid. I didn’t really see the [argument].’
@@yilyau at 6:45 in the following video : ruclips.net/video/c0Hitwd059g/видео.html Q. Would you like to work with Abdellatif Kechiche the director of the life of Adele ? A. Frankly, I wouldn't be able to refuse because I rarely felt as free on set (with him) I don't doubt your sincerity, you have an actually balanced point of view on the matter and your video is well researched, but I think you're wrong on this, even in the interview you mentioned, she (supposedly) said "I don't think so". Taking that phrase to conclude that "Both actresses seemingly agreed that they never wanted to work with Kechiche again" is a bit too much of a jump for me, Adèle's answer was more nuanced. Regardless, it's a great video.
The scenes were probably "male gaze" but I really think this is truly female gaze. Female demographic reads raunchy/romance books and the sex scene defenitely finally seems to give the description many girls have read from a book in the back of the library heterosexual or lesbian.
Chapters/Timestamps (aren't showing up for some reason):
00:00 Introduction
01:22 Opening
02:38 Identity
03:35 Blue pt. 1
03:56 Objectification of Adèle
04:14 The Life of Marianne
06:15 Food pt. 1
07:37 The Encounter
08:36 Blue pt. 2
09:28 The Passage of Time
10:09 Protest
10:54 Antigone
11:58 The Meeting
12:34 Picasso
14:00 Sketch and Sartre
15:38 Francis Ponge
16:22 Art Museum
18:21 Food pt. 2
18:55 Party pt. 1
19:52 The Breakdown of a Relationship
22:12 Party pt. 2
22:50 Cheating
23:58 Breakup
24:51 Beach
25:13 Restaurant
25:52 Student becomes Teacher
26:11 Art Exhibition
30:49 Blue pt. 3
32:59 Controversy
35:27 The Male Gaze
37:41 Exploitation of Actresses
Sources:
Blue Desire: Narrative Structure, Desire, and Intertextuality in Abdellatif Kechiche’s Blue is the Warmest Colour by Kathryn Chaffee.
Pablo Picasso’s Blue Period on pablopicasso.org.
The Timeline of Blue on Timeline on blueisthewarmestcolormovie.wordpress.com
Why Adele Cheats on blueisthewarmestcolormovie.wordpress.com
Pablo Picasso Rose Period on masterworksfineart.com
Léa Seydoux on Fake News, Complex Female Characters and the Importance of Speaking Out by Harriet Sim.
The Problems with the Problems with ‘Blue is the Warmest Color’ by Melissa Weller.
Should Actors Really have to Suffer for their Art? by Amy Gray.
Blue is the Warmest Color: Feeling Blue by B. Ruby Rich.
The Male Gaze in Modern Cinema: Blue is the Warmest Colour by Alyssa Morterud.
The Blue Analysis on blueisthewarmestcolormovie.wordpress.com
Blue is the Warmest Colour on E. Chandler Negotiated Major Photograph Project, by LIZYR3SALFORD.
Blue is the Warmest Colour (2013) O***sms and Spaghetti Bolognese by Jonathan McCalmont.
A Brief History of All the Drama Surrounding ‘Blue is the Warmest Colour’ by Anna Silman.
Léa Seydoux says Intimacy Coordinator Wouldn’t have Helped Conditions on ‘Insane’ ‘Blue’ Set by Benjamin VanHoose.
Blue is the Warmest Colour: Exploring the Intertextual Layers of Meaning by Reagan Ross.
Kiss Me in Blue (An Analysis of Abdellatif Kechiche’s “Blue is the Warmest Colour”) by Stephanie Osuji.
“Blue is the Warmest Color”: Food is Where the Heart is by Molly on Last Print Issue.
The Lady’s Not for Turning: Cinematic Portrayals of Lesbians Need to Get Real by Ruby Lott-Lavigna.
Email: yilyauenquiries@gmail.com
If there is a credit issue, if you would like me to @ your social media, or for any other enquiries, please reach out to this email.
I still get the chills when I remember the long lesbian scene close to my mom and my sister. Our silence is still recorded in my mind. My sister didn't stand any more and set off for the kitchen. We never spoke about this movie.
How old were you ahah ?
the biggest reason as to why i love this film is because of how true to life it is. As if the camera is following a real persons life and not like a polished and over dramatic movie
For that reason, and the amazing acting, it is one of my all-time favorite movies.
I understand how some could relate the age of Emma with the lesbian “on the hunt” trope but I also think how normal unfortunately a teenager with identity issues might try to date someone older. I also see her hyper sexuality supporting her identity crisis especially with how quickly the movie portrays her whims. But then again I have BPD 😂 I feel it gave it a more realistic feel to her emotional inconsistencies and need for acceptance. From her friends it seemed like they were adding some pressure on her for sexual experiences. Even her eating habits in the beginning of the movie I think showed her insatiable appetite the need for something more
Something more than her and something that she can’t channel from a relationship with herself. She relies on stimuli like smoking eating and sex etc
Despite the severe exploitation Lea & Adèle(especially) suffered they managed to give brilliant performances & it's only owing to them the film will stand the test of time l feel.
This story has one of the most realistic portrayals of mourning the loss of love.
I love your essay full of insights. 🩵
You pick up on colours as a tangible character in a film itself. I like that. 😘🩷
Please do one one 'Ghost world' if you like, the colour red defines that film & it's one of my favourites too.❤
Thanks for the suggestion, Ananya! I have a bit of a list, so it’ll probably be a while before I get to looking into it. 🤍 As for the performances, I think you’re right about them helping this film stand the test of time.
@@yilyau You have a list!🤩
Oh that's so exciting!! I look forward to your uploads!🩷
Thank you, Ananya! I appreciate your support. ☺️❤️
Just started the video but i want to say i actually really enjoyed ehat this film whats attempting to do but i was one of the people who were totally taken aback and out of the film's world during the long, long, explicit sex scene.
Edit:: great video essay, I never truly reflected on the plot and character development because of the before mentioned scene taking priority in all my thoughts and discussions about this film. Earned a subscriber! Love how you are able to get into a deep analysis without "losing the plot," literally.
despite all the controverse about this movie, still remains one of my life favorites. The way literature, philosophy, art, food and music are used on the composition of the characters is sublime. i watched it, for the first time, in 2015, and since then i do it every year. it's like be with some part of myself that is gone away.
i was literally just watching your love witch video and then i was blessed with this one. must be my lucky day 💙💙💙
Thanks Eyeromnium! That’s so sweet of you. 🩵💙🩵
I also think that the voraciousness of Adele's eating may be meant to say something about her sexual appetite (not such as stretch, obviously). She even eats at night in bed.
ive been looking for video essays on this movie for years, thank u for this
even if I dont agree with everything, I still love and appreciate all the effort and research you put into your videos💓💓
Do you have any perspectives on the recent film Priscilla? There’s a lot of interesting ways in which the cinematography, set design, and actor placement center’s Priscilla Presley’s (and typical heterosexual feminine) emotional experience and how her perspective changes throughout the film. Also super interested in your perspective on Eileen which also came out in 2023.
the film is timeless and will endure
Coming off of the 2023 oscars, it blows my mind that the MPAA screwed this movie over with an NC-17 rating, but let Poor Things get away with an R. Great film, it deserved better.
I used sympathize with emma as well but then I got older 😂
So.
I dated this girl who was 7 years older than me
She was my first girlfriend
Had an obsession with "youre either gay or straight"
Made me watch this movie with her like it was the best movie ever.
I remember being a little bothered by it, but i was pretty not into gay culture and had a pretty baseline (but convicted) idea of feminism so i was like. I just dont get this.
Oh nope she was a predator too 😂
i love what you do with every video you make, thank you
Np! Thanks for watching, Candle. 🕯️ I appreciate the support. 🙌🏻
I love it because I relate to her identity issues (not her sexuality). As a woman (now 40). I remember being 16-20 and my feelings and love was soooo intense and fluctual in this period of finding my identity. I felt everything so intense, and thought I was the only one. Maybe this is normal as Young come of age. I still dont know, but relate deeply to her in this film
There's a song by Joni Mitchell that comes to mind that's always haunted me. "The Gallery." I think the parallels to this film complement the story. I would very much like to both read the comic and watch this film (though I'm sad to hear about the experience of the actors :( )
i love your Kasane profile picture, it’s def one of the best illustrations from the manga. great video as well :)
Thank you, glad someone recognised the manga.
Your channel has grown so much
Thanks for the comment, Sephoramandondo. ☺️🌸 I guess it has grown if you’ve been here for a while.
Adele Exarchopoulos is so beautiful. also reminds me of Millie Bobbie Brown
WOW excellent analysis
Thanks
Thanks again, Ananya 🩵
when i found out the movie was directed and produced by a man, i got angry tbh
i loved this movie!!! even if people see it as flawed. i did not find the intimacy scenes bad or extreme... but people are weird.
38:20 - "Both actresses seemingly agreed that they never wanted to work with Kechiche again."
Do you have sources about that ?
I know Léa Seydoux did say something like that, but I'm pretty sure Adèle Exarchopoulos said the exact opposite.
‘Did a Director Push Too Far?’ in ‘The New Yorker’ by Emily Greenhouse.
Article writes:
‘Then, later in summer, Seydoux and Exarchopoulos said that the shooting had been unbearable and they would never again work with Kechiche.’
This was back in 2013 though, she may have changed her mind since. I didn’t mention her current views though, just Seydoux.
It seems like the exact quotes comes from an interview with Marlow Stern:
Stern: Would you ever work with Kechiche again?
Léa: Never.
Adèle: I don’t think so.
I don’t know if Adèle has spoken about Kechiche again, but I think what she’s mainly defending is the other criticisms of ‘Blue…’
In 2023, according to the LA Times, it appears she’s more defending if she had a right to tell a lesbian story: ‘I was young - I was 18 when I went to Cannes. [Lesbians] were saying, “We don’t have s*x like this.” But this is a movie about first desire - a first love story. I think, in my small experience, there [is] one language that is unique - how you have s*x with someone. So, for me, it was really stupid. I didn’t really see the [argument].’
@@yilyau at 6:45 in the following video :
ruclips.net/video/c0Hitwd059g/видео.html
Q. Would you like to work with Abdellatif Kechiche the director of the life of Adele ?
A. Frankly, I wouldn't be able to refuse because I rarely felt as free on set (with him)
I don't doubt your sincerity, you have an actually balanced point of view on the matter and your video is well researched, but I think you're wrong on this, even in the interview you mentioned, she (supposedly) said "I don't think so".
Taking that phrase to conclude that "Both actresses seemingly agreed that they never wanted to work with Kechiche again" is a bit too much of a jump for me, Adèle's answer was more nuanced.
Regardless, it's a great video.
Thanks for the correction. Sorry about that! I'm still pretty new to this RUclips thing.
@@yilyau No problem, as I said, you're video is excellent.
I hope to see more soon :)
@@benjamindeharo314 Thank you for the kind words, Benjamin!
The scenes were probably "male gaze" but I really think this is truly female gaze. Female demographic reads raunchy/romance books and the sex scene defenitely finally seems to give the description many girls have read from a book in the back of the library heterosexual or lesbian.
I think the other girl in the film was better than Lea. The film is about her not Lea
Is this over analyzed? it’s kind of are we looking for something that actually wasn’t intended?