To me, this film belongs to the site in the movie where the mother killer mentioned about a dump truck driving job: 3 hours of boring experience watching this movie from the beginning to the end......much worse than watching any Marvel Universe craps from Disney. This 𝟯 𝗵𝗼𝘂𝗿𝘀 film failed to show me the love between the couple of the play writer and director. Well, if showing butts is equivalent to showing love, I have nothing to say. In comparison, a competent story teller was able to convey the deep idea of love through words no more than 𝟭𝟱 𝗺𝗶𝗻𝘂𝘁𝗲𝘀 of reading like the classic short story The Gift of the Magi (1905). Moreover, the idea to let go or to move on at the end of the movie is so artificial which makes it so natural to move on and forget about this movie. Oh by the way, if someone said that the red SaaB represented blood, I could say that the ending in Korea simply told the audience: Korean plastic surgery was not perfect because the scar on the mother killer's face was not 100% removed.
車子並沒有送給他，女主在韓國開的那輛跟家福在日本開的是兩輛車
我是因為朋友是這個品牌車子的狂熱粉才一起去看的，一邊看朋友一邊跟我科普薩博的知識（他自己也有一輛薩博900，前後曾經擁有過幾輛）
原著用的黃色，其實原廠色就只有幾輛（所謂原廠色就是出廠時就用那個顏色，沒有透過後期噴塗修改顏色）所以實際拍攝時找不到黃色也是很正常。而在大眾印象中最深刻的黃色900是開蓬（convertible), 劇中的硬頂（coupè)只有幾輛黃色。
其實戲中光是出動都過的薩博900就至少有3輛了，只是不是粉絲根本看不出來😹
我看电影不是注重情节，而是看那个角色的人物关系和心理活动，甚至电影背景中出现的路人或是景物我都反复看了几遍，才接着往下看，因为有些导演喜欢把附笔埋在那些不轻易发现的系列中。
从家福人物个性和他的各种反应来看，我感觉他让情敌饰演万尼亚并不是在报复
應該是想讓他體會家福內心世界裡的糾結。
@@chengkary6397 有道理
@@chengkary6397 😅😮😮
拜托講解一下王家衛的2046🙏🏻看過你對阿飛正傳的各種分析，急不及待想看看你對2046的分析
影片讚
家福的伤口看似得到了慰藉。
其实是还在修复的阶段。
渡力则是和家福相反的。
伤口早已修复，但是却想借此协助家福一把。
所以家福才把车给了渡力。
让渡力带着“自己”去更远的地方疗伤。
红色的车也可以解读为鲜血。
从东京开始流到广岛。
到了广岛已心死。
很多作品都想展现这种欲说还休的尴尬。像曾经的《夜上海》，本木和女友最后就成了这种两难的境地，分吧谁都不好意思说，不分吧又好像也没啥意思了，于是这种半死不拉活的关系就吊在空中，弄得上上不去下下不来、俩人都难受。为何世上总有太多人宁愿选择互相折磨、彼此缄默却唯独没勇气开口打破壁垒去好好谈一谈呢？人心总有太多理由甚至是借口，把事情弄成乱麻，完后就差捅破窗户纸却迟迟不解决，非等出了事儿才知道为时已晚，给自己剩下抱憾终生。《夜上海》的结尾，本木通过出差工作的机会，与林夕一整宿的各种奇遇发现憋着不是办法，扫帚不到灰尘不会自己跑掉，有些事还是说清楚比较好，他终于鼓起勇气，给了女友和自己一个痛快，那一刻，彼此都长舒一口气，从那以后，还是回到单纯的工作关系，他再拜托人家给自己改行程、两人也都轻松多了。于是他趁多要出来的这一天给林夕细心装扮，也鼓励她去参加暗恋的东东的婚礼。林夕不也是只暗恋不表白错失了缘分，最后他俩站在镜子前，自说自话，林夕学着用日语说：“你爱我吗？”本木用汉语说着：“你真漂亮！”有些话该说别吝啬，错过了追不回，何必呢？只能烧给对方了，啥也没用了。西岛和妻子只差一次谈话却天人永隔，还得把心里话借由角色说出来，多可悲呀😂
有一種王家衛的感覺，重覆再重覆
I do prefer straightforward conversations # can’t handle euphemism when it comes to people touching me
車子送給了她？？ 你確定她最後駕駛的是同一輛車？
不是嗎？
报复？不至于吧？难道第二次偷拍者是家福安排的？
To me, this film belongs to the site in the movie where the mother killer mentioned about a dump truck driving job:
3 hours of boring experience watching this movie from the beginning to the end......much worse than watching any Marvel Universe craps from Disney.
This 𝟯 𝗵𝗼𝘂𝗿𝘀 film failed to show me the love between the couple of the play writer and director. Well, if showing butts is equivalent to showing love, I have nothing to say. In comparison, a competent story teller was able to convey the deep idea of love through words no more than 𝟭𝟱 𝗺𝗶𝗻𝘂𝘁𝗲𝘀 of reading like the classic short story The Gift of the Magi (1905).
Moreover, the idea to let go or to move on at the end of the movie is so artificial which makes it so natural to move on and forget about this movie.
Oh by the way, if someone said that the red SaaB represented blood, I could say that the ending in Korea simply told the audience: Korean plastic surgery was not perfect because the scar on the mother killer's face was not 100% removed.