I've been watching your tutorials for a month or two now and its helped me out massively. I've been having a blast learning how to make piano house melodies and learning chords among other things. I really appreciate these tutorials and they've been a HUGE help, thank you from the bottom of my heart.
I klick on a random video of yours every day and no matter wich video it is I get away with something useful and get hyped to go into the DAW again only to mess up and repeat it the next day. Hopefully until it gets good one day
That's good! Remember we learn faster from failure than we do success! Each time you try something is another bit of knowledge banked! Just keep trying stuff
You guessed right on the point about my falling asleep while watching this. 😀 Therefore I couldn't listen and comprehend fully. In the previous video I watched it was 164 system. But in minors 2 wasn't working and in majors 7 wasn't working. In this video you use 165 instead of 4. (I assume that's a preference) So in this case would 1 6 4 system would also work with this vocal, or is this something included in 1% which is not working? 😀
You're right, it's just preference. 1 6 4 would probably work. This video is not teaching what chords to use , it's just teaching why they are numbered as such. The chords used are entirely arbitrary. They could be 413657 does not matter. The 164 trick is a 'trick ' or 'hack' to get beginners on the way to making tracks faster that will sound less dissonant/unsettled. These are not absolute rules of any kind. It's true the chord 5 tends to be harder to implement but if you know the notes of the vocal/lead you can use chord 5 where a lead/ vocal plays notes of that chord. (see my other video into how to chord a vocal)
@@Bthelick I had an idea for future live streams. You should consider allowing for the advanced submission of questions before the live stream that you will answer in the live stream. Then collect them and respond in the live stream. For example, one question I have is about low cuts. I have been low cutting everything except bass and kick. Although, won''t that cause phasing issues or other issues? For example, I cut all non-low instruments at around 175hz. Of course, the typical RUclips advice is that if you don't low cut everything the frequencies build up in the low end that ultimately affect the kick and bass making them sound muddy.
it's only out as a 2min Instrumental edit right now, open.spotify.com/track/3DE5WC87V9vHqW6SGzm1fk?si=8316c9a780184ef6 the vocal mix and longer mixes will follow soon 🙏
Great video thank you! Its helped my understand further. And that trick for moving chords is magical, Using the A minor scale to move the chords to other minor scales by changing the root note, and using C for major scales is a game changer for me! Makes it simpler for me to understand since they are all white notes.
How should I think about famous progressions such as vi - IV - I - V? should I imagine it as major or minor? Since I watch your videos, I mainly think about the minor scale and then I see: i - VI - III - VII. I don't know the theory very well and I'm confused and there is no answer to this question anywhere. Many people give chord numbers in relation to the major scale, and some of them simply start with the 6th degree. I never know if it's still a minor or major scale.
That particular progression, (now known as the axis progression after the viral RUclips audition) can be seen/ heard as both major or minor. That's kind of its strength, and why it's so universal in pop music. It spends equal time in the common areas of both tonalities so it can either be both simultaneously or either. Regardless of start position if it sounds more at home as minor then it's minor. The vocal / lead is usually the giveaway. Because lead melodies for major will rarely land on a 6.
@@Bthelick From a minor scale perspective, how to correctly look at the progressions from the song Daft Punk Get Lucky, is it "i III v IV" or "iv VI i VII"? As far as I know, it's probably the Doric scale. But I try to think about everything the way you teach. So I transpose to A and look at everything in the simplest and logical way possible, but I don't fully understand how to deal with this type of progression.
It's up to you , you can think of it how ever it best makes sense to you, I couldn't call things in music 'correct' or otherwise! I hear it as 4 6 1 7 in minor (F#) as the melody keeps landing on that 1 and that feels resolved to me.
@@Bthelick Thank you for your answer. I really appreciate that. I learned a lot from your materials. Previously, I spent much more time learning the technical aspects of production, but since I have a better understanding of theory, everything I do sounds better without any "magic" tricks.
Still miffed that I didn't have such an incredible teacher of music theory, beat deconstruction, and groove analyst back in my late teens, early twenties Hell, had your genius teaching method been around in the late 80s, early 90s, I WOULD have now been living the life of the producer/DJ I always KNEW I so richly deserved. Hmmmm, wonder if I can sue someone for loss of earnings, missed sexual encounters with groupie club chicks, and lost life experience? 🤔
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
You are a legend for making these video. Learning so much from them
Thank you for the compliments. Much appreciated👊❤️🙌
I've been watching your tutorials for a month or two now and its helped me out massively. I've been having a blast learning how to make piano house melodies and learning chords among other things. I really appreciate these tutorials and they've been a HUGE help, thank you from the bottom of my heart.
Thanks so much, this is the best explanation I have ever seen!
100% legend 👏👏👏
Pure genius - I love you
Thanks so much, im studying !!!
Insightful information! Thank you!
Very clear and nice tutorial! thx!
Love this guy
I klick on a random video of yours every day and no matter wich video it is I get away with something useful and get hyped to go into the DAW again only to mess up and repeat it the next day. Hopefully until it gets good one day
That's good! Remember we learn faster from failure than we do success! Each time you try something is another bit of knowledge banked! Just keep trying stuff
thank you! your videos have helped me a lot man
EPIC!
Man your videos are amazing! great and simple explanation yet you teach a lot , thank you for your efforts :)
mind is blown !
Very helpful
Super!!! As always!!! 😉👍🤗
Thankyou Mark
Loving your work dude! Thank you 🙏
Thankyou 🙌🙏👊
You guessed right on the point about my falling asleep while watching this. 😀 Therefore I couldn't listen and comprehend fully. In the previous video I watched it was 164 system. But in minors 2 wasn't working and in majors 7 wasn't working. In this video you use 165 instead of 4. (I assume that's a preference) So in this case would 1 6 4 system would also work with this vocal, or is this something included in 1% which is not working? 😀
You're right, it's just preference. 1 6 4 would probably work.
This video is not teaching what chords to use , it's just teaching why they are numbered as such.
The chords used are entirely arbitrary. They could be 413657 does not matter.
The 164 trick is a 'trick ' or 'hack' to get beginners on the way to making tracks faster that will sound less dissonant/unsettled. These are not absolute rules of any kind.
It's true the chord 5 tends to be harder to implement but if you know the notes of the vocal/lead you can use chord 5 where a lead/ vocal plays notes of that chord. (see my other video into how to chord a vocal)
Great information.
Thankyou ❤️👊
@@Bthelick you not create yet discord chat?
@@forse.music96 Working on it as we speak!
Very helpful. Thank you. What time is the live show tomorrow?
6pm GMT
@@Bthelick I had an idea for future live streams. You should consider allowing for the advanced submission of questions before the live stream that you will answer in the live stream. Then collect them and respond in the live stream. For example, one question I have is about low cuts. I have been low cutting everything except bass and kick. Although, won''t that cause phasing issues or other issues? For example, I cut all non-low instruments at around 175hz. Of course, the typical RUclips advice is that if you don't low cut everything the frequencies build up in the low end that ultimately affect the kick and bass making them sound muddy.
Thank u for a great lesson! 🎉 where can i check out the full track? 🙌
it's only out as a 2min Instrumental edit right now,
open.spotify.com/track/3DE5WC87V9vHqW6SGzm1fk?si=8316c9a780184ef6
the vocal mix and longer mixes will follow soon 🙏
Fire
Great video thank you! Its helped my understand further. And that trick for moving chords is magical, Using the A minor scale to move the chords to other minor scales by changing the root note, and using C for major scales is a game changer for me! Makes it simpler for me to understand since they are all white notes.
Glad I could Help Myon, Thanks for the compliments ❤️
Gem gem gem
nice sharing 💖✨💯💯🔥
Thanks Takii ❤️👊🙏
how did you make that bass in the intro i love it
how I got that bass sound
what are the commands for when you wanna copy notes like you did in the video? Thank you for your content, it has been massively helpful!
I hold ctrl to drag & copy, or select/highlight ctrl+c then ctrl+v is copy then paste
How should I think about famous progressions such as vi - IV - I - V? should I imagine it as major or minor? Since I watch your videos, I mainly think about the minor scale and then I see: i - VI - III - VII. I don't know the theory very well and I'm confused and there is no answer to this question anywhere. Many people give chord numbers in relation to the major scale, and some of them simply start with the 6th degree. I never know if it's still a minor or major scale.
That particular progression, (now known as the axis progression after the viral RUclips audition) can be seen/ heard as both major or minor. That's kind of its strength, and why it's so universal in pop music. It spends equal time in the common areas of both tonalities so it can either be both simultaneously or either. Regardless of start position if it sounds more at home as minor then it's minor. The vocal / lead is usually the giveaway. Because lead melodies for major will rarely land on a 6.
@@Bthelick Thank you! You have already replied to several of my comments and each time you have solved my problem. The best teacher!
@@Bthelick From a minor scale perspective, how to correctly look at the progressions from the song Daft Punk Get Lucky, is it "i III v IV" or "iv VI i VII"? As far as I know, it's probably the Doric scale. But I try to think about everything the way you teach. So I transpose to A and look at everything in the simplest and logical way possible, but I don't fully understand how to deal with this type of progression.
It's up to you , you can think of it how ever it best makes sense to you, I couldn't call things in music 'correct' or otherwise! I hear it as 4 6 1 7 in minor (F#) as the melody keeps landing on that 1 and that feels resolved to me.
@@Bthelick Thank you for your answer. I really appreciate that. I learned a lot from your materials. Previously, I spent much more time learning the technical aspects of production, but since I have a better understanding of theory, everything I do sounds better without any "magic" tricks.
Melancholic chord progressions
909 sub after clicking on the Crystal waters video 🥳
For the pizza example it would be taking 1 slice of the 12 pieces of pizza and dividing that piece by 7 pieces 😀
So you're a micro tonal enjoyer Huh
Still miffed that I didn't have such an incredible teacher of music theory, beat deconstruction, and groove analyst back in my late teens, early twenties
Hell, had your genius teaching method been around in the late 80s, early 90s, I WOULD have now been living the life of the producer/DJ I always KNEW I so richly deserved.
Hmmmm, wonder if I can sue someone for loss of earnings, missed sexual encounters with groupie club chicks, and lost life experience? 🤔
scales don't start in A it start in C
They start wherever the tonal center of the key is.
The scale of A minor starts on A.
C major starts on C.
2 different scales.