Hmm my original comment didn't stick. What a great delicate piece by Liszt who is not known for music like this. You've done a wonderful job showcasing a different side of Liszt. I'm guessing this composition has to come from later in his life.
Thanks! :) Well, this piece is on the "2e année de pelerinage" and comes just before the Dante I shared earlier. They were both on my last program. Delicate piece, yes, but what a contrast when the Divine comedy starts just after!
@tomomiconcertiste Oh wow then the contrast must feel even more powerful! By the way remember we talked about the "old mysterious" metronome they used back in the early romantic period? There are 1800s texts of commentary from students of Beethoven and Liszt who criticize pianists in later romantic period for playing Beethoven Sonatas and Liszt La Campanella too fast, stating that their teachers played slower, more expressively, with rubato and took more liberties. The bottom line is that it all comes down in interpretation of metronome markinhs. What today is counted as "1 2 3 4" was actually "1 and 2 and 3 and 4 and" back then with the "and" getting a count.
綺麗な音色🤩キラキラですね😊
そう言っていただけるなんて嬉しいです❤️❤️❤️ ありがとうございます!!!!!
Tomomiさん、素晴らしい演奏をありがとうございます❤
繊細な音色の出し方、ペダリング、勉強になります。
とても美しい響きに魅力されました🥰
Mikke さ〜ん😍💖💖ありがとうございます！！！！🤗🤗🤗🤗
もっとピアノペダルビデオしてください❤️❤️
次回もペダル画像出します😊
どんな曲のペダヴィデオお探しか参考までに教えてください💗
tomomiさんの、しなやかな指の動きに釘付けになりました(@_@)✨
本当にいつも素晴らしい演奏を聴かせていただき、ありがとうございます❤︎✨❤︎✨❤︎✨❤︎✨❤︎✨
しなやかでしょうか?💕💕💕 ありがとうございます🙏🙏🙏😍😍😍
Tomomi Concertisteさん、こんにちは。🐶💐
すばらしい演奏ですね～。
最後まで聞かせて頂きました。💞
ありがとうございました~💓
またお伺いしますね。👍🥰🔔
これからも宜しくお願いします。🥰👍
ご視聴しに来ていただいてありがとうございます！！！💖💖💖😍😍😍
@@tomomiconcertiste これからも宜しくお願いします。🥰
Hmm my original comment didn't stick. What a great delicate piece by Liszt who is not known for music like this. You've done a wonderful job showcasing a different side of Liszt. I'm guessing this composition has to come from later in his life.
Thanks! :) Well, this piece is on the "2e année de pelerinage" and comes just before the Dante I shared earlier. They were both on my last program. Delicate piece, yes, but what a contrast when the Divine comedy starts just after!
@tomomiconcertiste Oh wow then the contrast must feel even more powerful! By the way remember we talked about the "old mysterious" metronome they used back in the early romantic period? There are 1800s texts of commentary from students of Beethoven and Liszt who criticize pianists in later romantic period for playing Beethoven Sonatas and Liszt La Campanella too fast, stating that their teachers played slower, more expressively, with rubato and took more liberties. The bottom line is that it all comes down in interpretation of metronome markinhs. What today is counted as "1 2 3 4" was actually "1 and 2 and 3 and 4 and" back then with the "and" getting a count.