The "Carmina Carolingiana" are poetic works from the 9th and 10th centuries, most of them written in Latin and located outside the liturgical domain. In the choices of this program, they evoke and stage events related to the Carolingian empire: the lamentation over the death of Charlemagne, the battle of Fontenay en Puisaye, the fire of the abbey of Saint Florent as well as the passion of the emperor for the poets of ancient Rome There remain only a few precious traces of this repertoire which attests to the taste of the imperial courts for poetry and the arts. The works chosen for this concert are among the rare ones having preserved their notation, simple neumes traced above the words.
Les "Carmina Carolingiana" sont des œuvres poétiques des IXe et Xe siècles, la plupart sont rédigées en latin et se situent hors du domaine liturgique. Dans les choix de ce programme, ils évoquent et mettent en scène des événements se rattachant à l'empire carolingien : la lamentation sur la mort de Charlemagne, la bataille de Fontenay en Puisaye, l'incendie de l'abbaye de Saint Florent ainsi que la passion de l'empereur pour les poètes de l'antiquité romaine Il ne reste que quelques précieuses traces de ce répertoire qui atteste du goût des cours impériales pour la poésie et les arts. Les œuvres choisies pour ce concert se situent parmi les rares ayant conservés leur notation, de simples neumes tracés au-dessus des mots.
Yep. And this are really ancient songs. Its from an age who some scientists call the dark ages. A time with only a bit more developed than the ancient iron age. Big woods and practically no stone buildings. The frontier line between pagan lands and christianized/syncretic areas was somewhere in north germany.north of that began the wings lands. Their golden age.
The video in the background is the Utrecht Psalter, Utrecht is the city where I currently live. I have seen the manuscript on an excursion with school when we were allowed to see some manuscript/books from the archives here (they have them at the university library). I study history and medieval history is my favorite. I keep comming back to this one in particular because its so calming.
So SUBLIME... Greetings from Los Angeles ! ...do you know the 'name' / text / subject of "Chorus'" spoken passages ~ 10 minutes in ON THIS 1 hr: 10 min recording?..?
@@MusicaMedievale well worth the read. It demonstrates the significant continuity in Roman though and culture from the Empire into what he terms the Romano-Germanic states which follows. It goes all the way to 1000 AD!
@@qboxer I am of the idea, and obviously I am not the only one to think so, that we should try to study history not for historical periods but as a continuous flow. And I would not even speak of evolution but of constant change.
It may be rather surprising how we, modern composers, find piece in those old compositions. I'm personally fascinated by Medieval and Renaissance music. Moreover, these cantūs are the best to practice my Latin.
Peace or piece? I don't really see why that should be surprising. And unrelated I am always ready to direct any musical composers to shape note music for inspiration if they aren't familiar with it. Is you want to make something different you can do a lot worse than looking to those old composers for ideas.
Its not really a holy language, it was the main language of the Roman empire who left a power gap in the region. They just wanted to honor the power that gave them culture, and improved their societies.
00:00:00 01. Chant 1: Versus De Bella Que Fuit Acta Fontaneto 10:21:00 02. Chant 2: Versus Paulini De Herico Duce 24:56:00 03. Chant 3: Versiculi De Eversione Monasterii S. Florentii 36:39:00 04. Chant 4: Planctus Ugoni Abbatis 43:11:00 05. Chant 5: Incipit Planctus Karoli 53:14:00 06. Chant 6: Versus Godiscalchi 57:50:00 07. Chant 7: O Stelliferi Conditor Orbis
00:00:00 01. Chant 1 : Versus De Bella Que Fuit Acta Fontaneto 10:21:00 02. Chant 2 : Contre Paulini De Herico Duce 24:56:00 03. Chant 3 : Versets sur le renversement du monastère de Sainte-Florence 36:39:00 04. Chant 4 : Lamentation d'Hugues l'Abbé 43:11:00 05. Chant 5 : Les pleurs de Karoli commencent 53:14:00 06. Chant 6 : Contre Godiscalchi 57:50:00 07. Chant 7 : Ô Stellaire Fondateur du Monde
00:00:00 01. Chant 1: Versus De Bella Que Fuit Acta Fontaneto 10:21:00 02. Chant 2: Versus Paulini De Herico Duce 24:56:00 03. Chant 3: Verses About the Overthrow of the Monastery of St. Florence 36:39:00 04. Chant 4: Lamentation of Hugh the Abbot 43:11:00 05. Chant 5: Karoli's Weeping Begins 53:14:00 06. Chant 6: Versus Godiscalchi 57:50:00 07. Chant 7: O Stellar Founder of the World
These drawings are just amazing - 9th century!!! And recurve bows =-----> Mega wow =----> and of course, such lovely, inspirational music. all from lives lived so very long ago, still touch tu today. TY for combining this ( and so many moer) for us all to share =---->
Hands down, this is one of the best channels to get things done! I listen to the music on this channel, when I make wooden handles (wood self collected from the woods) for old rusty carbon steel knives, which need an overall makeover, which includes grinding metal and sharpening it afterwards, all manually by hand. Also when I carve wood and deer antler, this music is very inspiring, but I'm still focused on my hobby. The sometimes exhausting, yet satisfying craft gets that certain feeling when I listen to music like that and related music. Imagine what the world would be like, if this was in the charts only and everywhere. I wonder which effect it will have on people and their behaviour. Anyway, thanks for sharing this fine music, Musica Medievale! Always appreciated, mate! ♥
I am happy to read this, it is a pleasure to me create the soundtracks of such important moments. Your work is really interesting, is it possible to see something?
@@MusicaMedievale I don't know what's outthere, but I hope you keep digging it up for us. But the music that is already online, is enough to keep listening without getting tired of it. I already took some notes what to get for my collection. About crafting, unfortunately I haven't shared it online. Currently I rather remove content than upload content. But I thought I mention this to see if someone feels the same and to show my appreciation for your influencing uploads. It also seems you got a great community with you, so overall pretty chill in here. :^) Cheers!
@@eadghe My goal is to create a refuge in which to talk and listen only to medieval music in peace, whatever happens in the world. A community similar to the forums of the "first" internet, without stupid photos or chatter from social networks.
Son d'accordo con te , loro soffrivano tantissimo e x cose che nemmeno ci immaginiamo , eppure che serenita' di fondo !!! Non penso fosse solo la fede , vorrei scoprire un po' del loro segreto .. Ne abbiamo tutti davvero disperatamente bisogno !!!!
This video is so beautiful! The pairing of the music and images works spectacularly well to create a powerful unified experience. It’s my go-to escape from the 21st century.
Thank you very much, it was difficult to match all the images in the way I liked best, plus it took six hours to export and three to upload, but I'm very happy with the result! 🌹
Siempre sorprende de las músicas medievales que con una estructura de la complejidad del mecanismo de un chupete y con voces ni siquiera polifónicas y en el mejor de los casos con un tambor y un pinfano consiguieran ser tan efectivas y tan hermosas. Lo que de verdad es alucinante de aquella época es la música para arpa. Que siempre es interesante oírla, en realidad era el piano de aquellos tiempos y vaya piano.
This superb music hasn't got much to do with church, Advent, or Christmas, but in this time of pandemic, listening to it during Advent penetrates the soul. Its serenity and peace prepares me for the coming and returning of Christ, here on earth and later as it is in heaven. Advent contemplations -- the beginning of the year for us Jesus followers -- prepare us for the year of again commemorating the reason for the season.
Great music, wonderful illustration. The drawings make me think of William Blake, but this must be way older. Another something to explore ! Thank you so much for sharing
There's actually a lot of debate amongst scholars on how Latin from the 8th or 9th century should sound. The choice in this recording is to ignore that debate and just go for established modern pronunciation. Marcel Peres and his ensemble use a more "French"-sounding Latin. (For the record, I don't mind either way, as long as it's musically well done.)
@@martijnspruit Well, it goes for *an* established modern pronunciation, namely the Polish one (edit: actually it doesn't), which is hardly avoiding making a choice. Weirdly, it has random classical dipthongal /ae/ thrown in, which in endings sometimes sounds like /ei/, but mostly like /e/, for good measure. Oh, and QV has a /w/, while Polish has /f/; Polish TIO is /tjo~tsjo/, but /tsio/ here; Polish OE /ø/, /e/ here. So it's one weird pronuncation all right, characteristic of absolutely no Latin church. It might have been plausible as an intended reconstructed Carolingian pronunciation, but this is made impossible by CE, GE sounding as /tse, ge/, which is basically Polish. Authentic options would be /ke, ge/ or /tse, dže/ or like they sound in modern Greek (Alcuin's Anglo-Saxon).
Muchas gracias a toda la gente de "Música Medieval" por este muy valioso, casi inestimable rescate de partituras del tiempo Carolingio, cuya perspectiva y Valores siguen vigentes en todos los planos. Que nos muevan los Valores. Muchas gracias otra vez.
@@MusicaMedievale Yo afirmo, testimonio y aseguro que he visto crecer y permanecer, plantas de Girasoles en flor, de más de dos metros de altura en el más duro asfalto para adornar mi paso. Contra toda posibilidad, en los cabezales de los puentes, esas semillas florecieron, dieron fruto, permanecieron. Yo he visto al final de Primavera entrar mariposas blancas en mi boca y luego de aletear allí, salir como si nada hacia el campo y al cielo... yo, que he visto a los picaflores reparar sus alas entre mis manos y luego al liberarlos recobrar el vuelo... Yo, que exhorté y despedí lluvias y vientos que obedecieron ... Yo, que oré en Latín para sanar enfermos... yo, que defendí a los indefensos asumiendo el riesgo y mas que eso... yo, que por Gracia pude dar hasta que duele y más allá de lo que duele... Cómo no tener Fe y Esperanza en lo Humano, en todo lo bueno que hemos sembrado, protegido, sanado, restaurado, creado y defendido !?!...yo, que apenas ser humano y ser con otros puedo...
@@carlosenriquediazbertozzi4447 Che bel messaggio questa canzone , bella gente davvero , spirito positivo ... Vedo un parallelismo coi popoli giovani africani ancora ricchi di spiritualita pur nelle differenze antropologiche
Traduction Google Les pièces sélectionnées pour cet enregistrement rappellent et dramatisent des événements liés à l'Empire carolingien: la lamentation sur la mort de Charlemagne, la bataille de Fontenay-en-Puisaye, le pillage de l'abbaye de Saint-Florent, la passion de l'empereur pour les poètes de Antiquité romaine: Boèce, Horace, Virgile ... Les pièces enregistrées dans cette anthologie sont parmi les très rares à avoir conservé leur notation musicale, un simple ensemble de neumes écrits au-dessus du mot. La vidéo a été réalisée avec des dessins du psautier d'Utrecht du IXe siècle, l'un des nombreux manuscrits carolingiens. •
Nonostante raccontino avvenimenti drammatici trasmettono grande serenita' e forza spirituale , davvero meravigliosi ! Cari medievali dateci un po' della vostra serenita' interiore x affrontare il Covid e i suoi colpi di coda !
This is a precious musical gem and the images themselves are amazing! Grazie mille for uploading this here and for the explanations as well! Saluti dal Brasile.
Beautifully done... But those barbarian Franks wished they could have sung as beautifully as Musica Medievale does it today... Perhaps an expedition back in time is needed to teach them the finer points of singing and music-making! Well done with this project, Musica Medievale!
Carolingian art is wonderful; denotes great love for musical, pictorial and scientific research. Unfortunately, no one knows for sure how they sang in the ninth century and, although beautiful, we have to be content with these barbarous copies of the original...
hey I recognized the Utrecht Psalter because we were studying it in my uni. course! that's so nice. weird to think about that it has been in my surrounding 5km for the last few hundred years. although i believe it was made in France but not sure.
This is a collection of poetic works from the IX and the X cent. and they recall events connected with the Carolingian Empire: the lamentation upon the death of the King, the battle of Fontenay-en-Puisaye, the ransacking of the abbey of Saint Florent and the Emperor's passion for the poets of Roman antiquity, Boetius, Horace, Virgil... There are precious few traces left on this repertoire which testifies to the taste of imperial courts for poetry and the arts. The pieces recorded in this anthology are among the very few that have kept their musical notation, a mere set of neumes written above the words.
00:10:21 02. Chant 2 : Versus Paulini De Herico Duce Mecum Timavi saxa novem flumina flete per novem fontes redundantia, quę salsa gluttit unda ponti Ionici, Istris, Sausque, Tissa, Culpa, Marua, Natissa, Corca, gurgites Isoncii. Herico michi dulce nomen plangite, Sirmium, Polla, tellus Aquilegiae, Iulii Forus, Cormonis ruralia, rupes Osopi, iuga Cetenensium, Hastensis humus ploret et Albenganus. Nec tu cessare, de cuius confinio est oriundus, urbs dives Argentae, lugere multo gravique cum gemitu, civem famosam predidisti nobili, germine natum claroque de sanguine. Barbara lingua Stratiburgus diceris: olim quod nomen ammisisti celebre, hoc ego tibi reddidi mellisonum, amice dulcis ab amorem, qui fuit lacte nutritus iuxta flumen Quirnea. Ecclesiarum largus in donariis, pauperum pater, miseris subsidium, hic viduarum summa consolatio erat: quam mittis, carus sacerdotibus, potens in armis, subtilis ingenio. Barbaras gentes domuit sevissimas, cingit quas Drawa, recludit Danubius, celat quas iunco paludes Meotides, ponti quo artat quas unda salsiflui, Dalmaciarum quibus obstat terminus. Turres Stratonis, limitis principium, Scithie metas, Stratie qui cardinem a se sequestrat utraque confinia hec Austro reddit, hec refundit Boreę, tendit ad portas, quę dicuntur Caspię. Libicum litus, quo redundant maria, mons inimice, Laurentus qui diceris, vos super unquam imber, ros, nec pluvia descendant, flores nec tellus purpureas germinet, humus nec fructus triticeos. Ulmus nec vitem gemmato cum pampino sustentet, uvas nec in ramis pendeat, frondeat ficus sicco semper stipite, fera nec rubus mala granis Punica, promat irsutus nec globus castaneas. Ubi cecidit vir fortis in proelio clipeo fracto, cruentata romphea, lancae summo retunsona iaculo sagittis fossum fundis saxa fortia corpus ingesta contrivisse dicitur. Heu, quam durum quamque triste nuntium illa sub die deflenda percrepuit, nam clamor ante orrendus per plateas lacrimis dignus sonuitque tristia eius per verba mors esset exposita. Matres, mariti, pueri, iuvencule, domini, servi, sexus omnis, tenera aetas pervalde, sacerdotum inclita caterva, pugnis sauciata pectora crinibus vulsis ululabant pariter. Deus aeterne, limi qui de pulvere plasmasti tuam primos ad imaginem parentes nostros, per quos omnes morimur, misisti tuum sed dilectum filium, vivimus omnes per quem mirabiliter. Sanguine cuius redempti purpureo sumus, sacrata cuius carne sumimur, Herico tuo servulo mellifluo, concede, quęso, paradisi gaudia et nunc et ultra per immensa secula.
00:00:00 01. Chant 1 : Versus De Bella Que Fuit Acta Fontaneto Aurora cum primo mane tetram noctem dividit, Sabbatum non illud fuit, sed Saturni dolium, de fraterna rupta pace gaudet demon impius. Bella clamat, hinc et inde pugna gravis oritur, frater fratri mortem parat, nepoti avunculus; filius nec patri suo exhibet quod meruit. Caedes nulla peior fuit campo nec in Marcio; fracta est lex christianorum sanguinis proluvio, unde manus inferorum, gaudet gula Cerberi. Dextera prepotens dei protexit Hlotharium, victor ille manu sua pugnavitque fortiter: ceteri si sic pugnassent, mox foret concordia. Ecce olim velut Iudas salvatorem tradidit, sic te, rex, tuique duces tradiderunt gladio; esto cautus, ne frauderis agnus lupo previo. Fontaneto fontem dicunt, villam quoque rustici, ubi strages et ruina Francorum de sanguine; orrent campi, orrent silvae, orrent ipse paludes. Gramen illud ros et ymber nec humectat pluvia, in quo fortes ceciderunt, proelio doctissimi, pater, mater, soror, frater, quos amici fleverant. Hoc autem scelus peractum, quod descripsi ritmice, Angilbertus, ego vidi pugnansque cum aliis, solus de multis remansi prima frontis acie. Ima vallis retrospexi, verticemque iugeri ubi suos inimicos rex fortis Hlotharius expugnabat fugientes usque forum rivuli. Karoli de parte vero, Hludovici pariter albent campi vestimentis mortuorum lineis, velut solent in autumno albescere avibus. Laude pugna non est digna, nec canatur melode, Oriens, meridianus, Occidens et Aquilo, plangant illos qui fuerunt illic casu mortui. Maledicta dies illa, nec in anni circulo numeretur, sed radatur ab omni memoria, iubar solis illi desit, aurora crepusculo. Noxque illa, nox amara, noxque dura nimium, in qua fortes ceciderunt, proelio doctissimi, pater, mater, soror, frater, quos amici fleverant. O luctum atque lamentum! Nudati sunt mortui. Horum carnes vultur, corvus, lupus vorant acriter; orrent, carent sepulturis, vanum jacet cadaver. Ploratum et ululatum nec describo amplius: unusquisque quantum potest restringatque lacrimae: pro illorum animabus deprecemur dominum.
Dear Musica Medievale, I am grateful for your excellent posts on youtube! Tell me what software do you use to animate still pictures to make video such as this one?
9th century Utrecht Psalter: Please all note the 'roman-style' furniture and houses. Means: there still were loads of 500 year old buildings and even tables, chairs and lampstands around in monasteries abd churches. The religious drawer in the 9th century still lived in the perception to be a cultural roman.
Hello Musica Medievale, I'm just curious: Are these pieces from the time of the Carolingian Empire or later pieces about the time of the Carolingian Empire? Best wishes, Alex
They are approximate reconstructions. Staff notation had not yet been invented. These texts were accompanied only by pneumae, that is, mere indications about the relative pitch of some syllables. They were used as a reminder for the singers that already knew the melody.
Pst! Orff's Carmina Burana is based on the poems from the medieval manuscript Carmina Burana - if you enjoy this music, you may want to look up the medieval version of Carmina Burana as well. There are a few recordings, including one by the Clemencic Consort.
@@kashakroger1692 I’ve listen. I knew that, of the manuscript of course, but listening to the original gives a full understanding of the work of Orff, and the original is brut and much more simple. The Orff view is an illuminated perspective of Middle Ages, and of course, is briliant, much more dramatic.
¿El dibujo de qué época es? O de que autor. ¿Hay traducción de la letra? ¿Qué hay en relación con los Carmina que recitaban los romanos? ¿También hay manuscrito de la letra?
I have never before heard this. I always thought music began with Gregorian chant. Then progressed to a ground with a limited vocal line, tonics and dominants. Nonetheless, i really like this very early music.
The "Carmina Carolingiana" are poetic works from the 9th and 10th centuries, most of them written in Latin and located outside the liturgical domain.
In the choices of this program, they evoke and stage events related to the Carolingian empire: the lamentation over the death of Charlemagne, the battle of Fontenay en Puisaye, the fire of the abbey of Saint Florent as well as the passion of the emperor for the poets of ancient Rome
There remain only a few precious traces of this repertoire which attests to the taste of the imperial courts for poetry and the arts. The works chosen for this concert are among the rare ones having preserved their notation, simple neumes traced above the words.
Les "Carmina Carolingiana" sont des œuvres poétiques des IXe et Xe siècles, la plupart sont rédigées en latin et se situent hors du domaine liturgique.
Dans les choix de ce programme, ils évoquent et mettent en scène des événements se rattachant à l'empire carolingien : la lamentation sur la mort de Charlemagne, la bataille de Fontenay en Puisaye, l'incendie de l'abbaye de Saint Florent ainsi que la passion de l'empereur pour les poètes de l'antiquité romaine
Il ne reste que quelques précieuses traces de ce répertoire qui atteste du goût des cours impériales pour la poésie et les arts. Les œuvres choisies pour ce concert se situent parmi les rares ayant conservés leur notation, de simples neumes tracés au-dessus des mots.
The closest thing to a time machine one could possibly get to. The internet is a wonderful place
Yep. And this are really ancient songs. Its from an age who some scientists call the dark ages. A time with only a bit more developed than the ancient iron age. Big woods and practically no stone buildings. The frontier line between pagan lands and christianized/syncretic areas was somewhere in north germany.north of that began the wings lands. Their golden age.
The video in the background is the Utrecht Psalter, Utrecht is the city where I currently live. I have seen the manuscript on an excursion with school when we were allowed to see some manuscript/books from the archives here (they have them at the university library). I study history and medieval history is my favorite. I keep comming back to this one in particular because its so calming.
So SUBLIME...
Greetings from Los Angeles !
...do you know the 'name' / text / subject of "Chorus'" spoken passages ~ 10 minutes in ON THIS 1 hr: 10 min recording?..?
I am reading an excellent book that covers this period called The Inheritance of Rome by Chris Wickham. A great soundtrack for it!
I don’t know it!
@@MusicaMedievale well worth the read. It demonstrates the significant continuity in Roman though and culture from the Empire into what he terms the Romano-Germanic states which follows. It goes all the way to 1000 AD!
@@qboxer I am of the idea, and obviously I am not the only one to think so, that we should try to study history not for historical periods but as a continuous flow. And I would not even speak of evolution but of constant change.
I am about to do the same
Hahahahah I just saw his name in the book I am reading !
It may be rather surprising how we, modern composers, find piece in those old compositions. I'm personally fascinated by Medieval and Renaissance music. Moreover, these cantūs are the best to practice my Latin.
🌹
Peace or piece? I don't really see why that should be surprising. And unrelated I am always ready to direct any musical composers to shape note music for inspiration if they aren't familiar with it. Is you want to make something different you can do a lot worse than looking to those old composers for ideas.
Its not really a holy language, it was the main language of the Roman empire who left a power gap in the region. They just wanted to honor the power that gave them culture, and improved their societies.
00:00:00 01. Chant 1: Versus De Bella Que Fuit Acta Fontaneto
10:21:00 02. Chant 2: Versus Paulini De Herico Duce
24:56:00 03. Chant 3: Versiculi De Eversione Monasterii S. Florentii
36:39:00 04. Chant 4: Planctus Ugoni Abbatis
43:11:00 05. Chant 5: Incipit Planctus Karoli
53:14:00 06. Chant 6: Versus Godiscalchi
57:50:00 07. Chant 7: O Stelliferi Conditor Orbis
Unus Deus, unus imperator, et unum imperium!
Un Dieu, un empereur et un empire !
Ein Gott, ein Kaiser und ein Reich!
00:00:00 01. Chant 1 : Versus De Bella Que Fuit Acta Fontaneto
10:21:00 02. Chant 2 : Contre Paulini De Herico Duce
24:56:00 03. Chant 3 : Versets sur le renversement du monastère de Sainte-Florence
36:39:00 04. Chant 4 : Lamentation d'Hugues l'Abbé
43:11:00 05. Chant 5 : Les pleurs de Karoli commencent
53:14:00 06. Chant 6 : Contre Godiscalchi
57:50:00 07. Chant 7 : Ô Stellaire Fondateur du Monde
This album is wonderful. One of my favourites. I'm glad it's again on RUclips in its entirety.
🌹
00:00:00 01. Chant 1: Versus De Bella Que Fuit Acta Fontaneto
10:21:00 02. Chant 2: Versus Paulini De Herico Duce
24:56:00 03. Chant 3: Verses About the Overthrow of the Monastery of St. Florence
36:39:00 04. Chant 4: Lamentation of Hugh the Abbot
43:11:00 05. Chant 5: Karoli's Weeping Begins
53:14:00 06. Chant 6: Versus Godiscalchi
57:50:00 07. Chant 7: O Stellar Founder of the World
These drawings are just amazing - 9th century!!! And recurve bows =-----> Mega wow =----> and of course, such lovely, inspirational music. all from lives lived so very long ago, still touch tu today. TY for combining this ( and so many moer) for us all to share =---->
Je perds la tête depuis un certain temps mais cette musique onctueuse & ensoleillée, m'aide à flotter, à garder la tête hors de l'eau 💥
Great to hear real music again. Thank you..
🌹
What a masterpiece. I love antiquity and due to that carolingian renesance. This is pure gold, lsitening this while working creates wonderfull time.
Niektore sekvencie zo stredovekej hudby sa zachovali aj hlavne v ludovej hudbe stredneho slovenska.
@@bingzaniGercel Zaujímavé, to som v skutku netušil. Ale možno tie hlbšie pasáže, v tých si viem predstaviť fujaru či niečo iné.
these drawings are especially delicate
quel cadeau ce matin! un grand merci d'Argentine...somptueux!
Grazie, saluti dall'Italia 🌹
C'est merveilleux de découvrir encore et toujours tant de Merveilles
🌹
@@MusicaMedievale Merci à vous de nous permettre de voyager chez nos ancêtres en humanité
@@maguelonneherault8181 Questi sono beni comuni, la storia di noi Europei. È un piacere!
@@MusicaMedievale Hai ragione. Grandissima Europa .
Frog
Hands down, this is one of the best channels to get things done!
I listen to the music on this channel, when I make wooden handles (wood self collected from the woods) for old rusty carbon steel knives, which need an overall makeover, which includes grinding metal and sharpening it afterwards, all manually by hand. Also when I carve wood and deer antler, this music is very inspiring, but I'm still focused on my hobby. The sometimes exhausting, yet satisfying craft gets that certain feeling when I listen to music like that and related music. Imagine what the world would be like, if this was in the charts only and everywhere. I wonder which effect it will have on people and their behaviour. Anyway, thanks for sharing this fine music, Musica Medievale! Always appreciated, mate! ♥
I am happy to read this, it is a pleasure to me create the soundtracks of such important moments. Your work is really interesting, is it possible to see something?
@@MusicaMedievale I don't know what's outthere, but I hope you keep digging it up for us. But the music that is already online, is enough to keep listening without getting tired of it. I already took some notes what to get for my collection. About crafting, unfortunately I haven't shared it online. Currently I rather remove content than upload content. But I thought I mention this to see if someone feels the same and to show my appreciation for your influencing uploads. It also seems you got a great community with you, so overall pretty chill in here. :^) Cheers!
@@eadghe My goal is to create a refuge in which to talk and listen only to medieval music in peace, whatever happens in the world. A community similar to the forums of the "first" internet, without stupid photos or chatter from social networks.
@@MusicaMedievale Those are noble intentions, sir! ♥
@@eadghe 🌻
Tout simplement magnifique, quelle saveur, totalement envoutant. Notre monde d'aujourd'hui me paraît bien pauvre pour ne pas dire désespérant....
🌹
Son d'accordo con te , loro soffrivano tantissimo e x cose che nemmeno ci immaginiamo , eppure che serenita' di fondo !!!
Non penso fosse solo la fede , vorrei scoprire un po' del loro segreto ..
Ne abbiamo tutti davvero disperatamente bisogno !!!!
This video is so beautiful! The pairing of the music and images works spectacularly well to create a powerful unified experience. It’s my go-to escape from the 21st century.
Thank you very much, it was difficult to match all the images in the way I liked best, plus it took six hours to export and three to upload, but I'm very happy with the result! 🌹
thank you for this amazing share , great trip to in the time of Charlemagne
Siempre sorprende de las músicas medievales que con una estructura de la complejidad del mecanismo de un chupete y con voces ni siquiera polifónicas y en el mejor de los casos con un tambor y un pinfano consiguieran ser tan efectivas y tan hermosas.
Lo que de verdad es alucinante de aquella época es la música para arpa. Que siempre es interesante oírla, en realidad era el piano de aquellos tiempos y vaya piano.
🌸
This superb music hasn't got much to do with church, Advent, or Christmas, but in this time of pandemic, listening to it during Advent penetrates the soul. Its serenity and peace prepares me for the coming and returning of Christ, here on earth and later as it is in heaven. Advent contemplations -- the beginning of the year for us Jesus followers -- prepare us for the year of again commemorating the reason for the season.
Fantástica Música de la época Carolingia, exquisita y ensoñadora...Gracias una vez más por compartirla.
Grazie! 🌹
Notification from Musica Medievale, best time of the day, thanks for your work !
Thank you 🌻
The drawings are fantastic. Whimsical strokes, very gestural! Love.
Carolingian art is incredible!
Thank you Musica Medievale for this wonderfull recording. Chant 2 is absolutely beautiful, pure bliss!
🌻
couldn't agree more. been listening to it non stop for hours. sublime
Great music, wonderful illustration. The drawings make me think of William Blake, but this must be way older. Another something to explore ! Thank you so much for sharing
🌷
They do indeed. I've always had the suspicion that WB might have been a "time traveler."
Thanks again for uploading thoses albums on RUclips. Nothing better than listening those musics while working
It's a pleasure 🌹
With the exquisite Church Latin pronunciation :)
🌷
There's actually a lot of debate amongst scholars on how Latin from the 8th or 9th century should sound. The choice in this recording is to ignore that debate and just go for established modern pronunciation. Marcel Peres and his ensemble use a more "French"-sounding Latin. (For the record, I don't mind either way, as long as it's musically well done.)
@@martijnspruit Well, it goes for *an* established modern pronunciation, namely the Polish one (edit: actually it doesn't), which is hardly avoiding making a choice. Weirdly, it has random classical dipthongal /ae/ thrown in, which in endings sometimes sounds like /ei/, but mostly like /e/, for good measure. Oh, and QV has a /w/, while Polish has /f/; Polish TIO is /tjo~tsjo/, but /tsio/ here; Polish OE /ø/, /e/ here.
So it's one weird pronuncation all right, characteristic of absolutely no Latin church. It might have been plausible as an intended reconstructed Carolingian pronunciation, but this is made impossible by CE, GE sounding as /tse, ge/, which is basically Polish. Authentic options would be /ke, ge/ or /tse, dže/ or like they sound in modern Greek (Alcuin's Anglo-Saxon).
Sono sempre stato interessato in questo tipo di musica. Grazie mille. Mi serviva..
🌻
Preciós. Una maravella. Moltes gràcies
Muchas gracias a toda la gente de "Música Medieval" por este muy valioso, casi inestimable rescate de partituras del tiempo Carolingio, cuya perspectiva y Valores siguen vigentes en todos los planos. Que nos muevan los Valores. Muchas gracias otra vez.
Grazie! 🌻
Muchas gracias a Uds., por poner el corazón en todo lo que hacen. Uds. restauran el Mundo.
@@MusicaMedievale Yo afirmo, testimonio y aseguro que he visto crecer y permanecer, plantas de Girasoles en flor, de más de dos metros de altura en el más duro asfalto para adornar mi paso. Contra toda posibilidad, en los cabezales de los puentes, esas semillas florecieron, dieron fruto, permanecieron. Yo he visto al final de Primavera entrar mariposas blancas en mi boca y luego de aletear allí, salir como si nada hacia el campo y al cielo... yo, que he visto a los picaflores reparar sus alas entre mis manos y luego al liberarlos recobrar el vuelo... Yo, que exhorté y despedí lluvias y vientos que obedecieron ... Yo, que oré en Latín para sanar enfermos... yo, que defendí a los indefensos asumiendo el riesgo y mas que eso... yo, que por Gracia pude dar hasta que duele y más allá de lo que duele... Cómo no tener Fe y Esperanza en lo Humano, en todo lo bueno que hemos sembrado, protegido, sanado, restaurado, creado y defendido !?!...yo, que apenas ser humano y ser con otros puedo...
@@carlosenriquediazbertozzi4447 It's absolutely one of my favourite flowers.
@@carlosenriquediazbertozzi4447
Che bel messaggio questa canzone , bella gente davvero , spirito positivo ...
Vedo un parallelismo coi popoli giovani africani ancora ricchi di spiritualita pur nelle differenze antropologiche
Love the music from the Carolingian Time. Thank you for uploading
🌹
The word "music" does not appear until around 1138-
This is so lovely and beautiful. Reaches to the core of the heart.
à partir de 10:22, c'est juste tellement beau. j'en chiale
🌹
Beautiful*Beautiful*Beautiful
🌻
Traduction Google Les pièces sélectionnées pour cet enregistrement rappellent et dramatisent des événements liés à l'Empire carolingien: la lamentation sur la mort de Charlemagne, la bataille de Fontenay-en-Puisaye, le pillage de l'abbaye de Saint-Florent, la passion de l'empereur pour les poètes de Antiquité romaine: Boèce, Horace, Virgile ... Les pièces enregistrées dans cette anthologie sont parmi les très rares à avoir conservé leur notation musicale, un simple ensemble de neumes écrits au-dessus du mot. La vidéo a été réalisée avec des dessins du psautier d'Utrecht du IXe siècle, l'un des nombreux manuscrits carolingiens.
•
🌹
Nonostante raccontino avvenimenti drammatici trasmettono grande serenita' e forza spirituale , davvero meravigliosi !
Cari medievali dateci un po' della vostra serenita' interiore x affrontare il Covid e i suoi colpi di coda !
Beautiful, beautiful, beautiful 💗💗💗
🌹
Merci !
Many many thanks, for this and for all the others.
Thank you 🌹
This is a precious musical gem and the images themselves are amazing!
Grazie mille for uploading this here and for the explanations as well! Saluti dal Brasile.
Grazie, saluti dall'Italia! 🌹
Thank you so much for uploading this. I a huge fan of carolingian era.
Me too, Carolingian Art and music are really interesting.
It's fascinating to see you upload a whole soundtrack from the Medieval Times!
Inconmensurable
Bellissimo, buona giornata! Grazie! 🤗🤗❤️
This is by far one of my favorites from your channel ⚔💘
It took a long time to create the animations and save all the images from the manuscript, but it is one of the videos I am most proud of.
good olden days 🍷
🍷
When the world was young.
Great music and wonderful drawings. I have watched this video several times and can't get enough.
I do the same with the cd. I suggest you to buy it, it's the best way to support this wonderful work!
What amazing sounds! perfect antidote to the craziness inthe world.
You are right. 🌹
A different time with different craziness. It is far more comforting from a safe distance.
@@hisxmark Like they say: distance lends enchantment.
¡¡ SIMPLEMENTE EXCELENTE !! ¡¡ Es un verdadero placer escucharles !!
🌹
Beautiful music, perfect for audible immersion
beatiful!!!
🌻
Beautifully done... But those barbarian Franks wished they could have sung as beautifully as Musica Medievale does it today... Perhaps an expedition back in time is needed to teach them the finer points of singing and music-making! Well done with this project, Musica Medievale!
Carolingian art is wonderful; denotes great love for musical, pictorial and scientific research. Unfortunately, no one knows for sure how they sang in the ninth century and, although beautiful, we have to be content with these barbarous copies of the original...
My god!! what a beautifull art the music is!!!
🌹
Cool! So authentic. Love it much
Full of real spirit
🌹
Vamos todos dança e canto 🌻🌻🌻🌻🌻🌻💐🌻
Sono con te! 🌹
¡Qué precioso material! ¡Y qué calidad de sonido! ¡Gracias!
Grazie! 🌹
Sehr schöne Musik :) wie gerne wäre ich in der Zeit gewesen.
I just subscribed to this channel. An amazing one!
Thank you! 🌹
C'est comme un rêve . . .
🌹
Wonderful!
🌹
Thank you for sharing!
🌹
hey I recognized the Utrecht Psalter because we were studying it in my uni. course! that's so nice.
weird to think about that it has been in my surrounding 5km for the last few hundred years. although i believe it was made in France but not sure.
I don’t go to university, but the psalter was made in France, probably in Reims. 🌷
Gracias❤️😊
🌷
Best channel ever!
São lúgubres, guerreiros e dramáticos esses tambores. Essa música teatral busca o efeito para as duras cenas de batalha e dos mortos.
This is a collection of poetic works from the IX and the X cent. and they recall events connected with the Carolingian Empire: the lamentation upon the death of the King, the battle of Fontenay-en-Puisaye, the ransacking of the abbey of Saint Florent and the Emperor's passion for the poets of Roman antiquity, Boetius, Horace, Virgil... There are precious few traces left on this repertoire which testifies to the taste of imperial courts for poetry and the arts. The pieces recorded in this anthology are among the very few that have kept their musical notation, a mere set of neumes written above the words.
@@MusicaMedievale grato, acertadas referências, situando a obra.🍷
@@marcosPRATA918 🌹
Thank you!
00:10:21 02. Chant 2 : Versus Paulini De Herico Duce
Mecum Timavi saxa novem flumina
flete per novem fontes redundantia,
quę salsa gluttit unda ponti Ionici,
Istris, Sausque, Tissa, Culpa, Marua,
Natissa, Corca, gurgites Isoncii.
Herico michi dulce nomen plangite,
Sirmium, Polla, tellus Aquilegiae,
Iulii Forus, Cormonis ruralia,
rupes Osopi, iuga Cetenensium,
Hastensis humus ploret et Albenganus.
Nec tu cessare, de cuius confinio
est oriundus, urbs dives Argentae,
lugere multo gravique cum gemitu,
civem famosam predidisti nobili,
germine natum claroque de sanguine.
Barbara lingua Stratiburgus diceris:
olim quod nomen ammisisti celebre,
hoc ego tibi reddidi mellisonum,
amice dulcis ab amorem, qui fuit
lacte nutritus iuxta flumen Quirnea.
Ecclesiarum largus in donariis,
pauperum pater, miseris subsidium,
hic viduarum summa consolatio
erat: quam mittis, carus sacerdotibus,
potens in armis, subtilis ingenio.
Barbaras gentes domuit sevissimas,
cingit quas Drawa, recludit Danubius,
celat quas iunco paludes Meotides,
ponti quo artat quas unda salsiflui,
Dalmaciarum quibus obstat terminus.
Turres Stratonis, limitis principium,
Scithie metas, Stratie qui cardinem
a se sequestrat utraque confinia
hec Austro reddit, hec refundit Boreę,
tendit ad portas, quę dicuntur Caspię.
Libicum litus, quo redundant maria,
mons inimice, Laurentus qui diceris,
vos super unquam imber, ros, nec pluvia
descendant, flores nec tellus purpureas
germinet, humus nec fructus triticeos.
Ulmus nec vitem gemmato cum pampino
sustentet, uvas nec in ramis pendeat,
frondeat ficus sicco semper stipite,
fera nec rubus mala granis Punica,
promat irsutus nec globus castaneas.
Ubi cecidit vir fortis in proelio
clipeo fracto, cruentata romphea,
lancae summo retunsona iaculo
sagittis fossum fundis saxa fortia
corpus ingesta contrivisse dicitur.
Heu, quam durum quamque triste nuntium
illa sub die deflenda percrepuit,
nam clamor ante orrendus per plateas
lacrimis dignus sonuitque tristia
eius per verba mors esset exposita.
Matres, mariti, pueri, iuvencule,
domini, servi, sexus omnis, tenera
aetas pervalde, sacerdotum inclita
caterva, pugnis sauciata pectora
crinibus vulsis ululabant pariter.
Deus aeterne, limi qui de pulvere
plasmasti tuam primos ad imaginem
parentes nostros, per quos omnes morimur,
misisti tuum sed dilectum filium,
vivimus omnes per quem mirabiliter.
Sanguine cuius redempti purpureo
sumus, sacrata cuius carne sumimur,
Herico tuo servulo mellifluo,
concede, quęso, paradisi gaudia
et nunc et ultra per immensa secula.
Thanks. Good stuff
🌹
00:00:00 01. Chant 1 : Versus De Bella Que Fuit Acta Fontaneto
Aurora cum primo mane tetram noctem dividit,
Sabbatum non illud fuit, sed Saturni dolium,
de fraterna rupta pace gaudet demon impius.
Bella clamat, hinc et inde pugna gravis oritur,
frater fratri mortem parat, nepoti avunculus;
filius nec patri suo exhibet quod meruit.
Caedes nulla peior fuit campo nec in Marcio;
fracta est lex christianorum sanguinis proluvio,
unde manus inferorum, gaudet gula Cerberi.
Dextera prepotens dei protexit Hlotharium,
victor ille manu sua pugnavitque fortiter:
ceteri si sic pugnassent, mox foret concordia.
Ecce olim velut Iudas salvatorem tradidit,
sic te, rex, tuique duces tradiderunt gladio;
esto cautus, ne frauderis agnus lupo previo.
Fontaneto fontem dicunt, villam quoque rustici,
ubi strages et ruina Francorum de sanguine;
orrent campi, orrent silvae, orrent ipse paludes.
Gramen illud ros et ymber nec humectat pluvia,
in quo fortes ceciderunt, proelio doctissimi,
pater, mater, soror, frater, quos amici fleverant.
Hoc autem scelus peractum, quod descripsi ritmice,
Angilbertus, ego vidi pugnansque cum aliis,
solus de multis remansi prima frontis acie.
Ima vallis retrospexi, verticemque iugeri
ubi suos inimicos rex fortis Hlotharius
expugnabat fugientes usque forum rivuli.
Karoli de parte vero, Hludovici pariter
albent campi vestimentis mortuorum lineis,
velut solent in autumno albescere avibus.
Laude pugna non est digna, nec canatur melode,
Oriens, meridianus, Occidens et Aquilo,
plangant illos qui fuerunt illic casu mortui.
Maledicta dies illa, nec in anni circulo
numeretur, sed radatur ab omni memoria,
iubar solis illi desit, aurora crepusculo.
Noxque illa, nox amara, noxque dura nimium,
in qua fortes ceciderunt, proelio doctissimi,
pater, mater, soror, frater, quos amici fleverant.
O luctum atque lamentum! Nudati sunt mortui.
Horum carnes vultur, corvus, lupus vorant acriter;
orrent, carent sepulturis, vanum jacet cadaver.
Ploratum et ululatum nec describo amplius:
unusquisque quantum potest restringatque lacrimae:
pro illorum animabus deprecemur dominum.
Carlomagno fu uno mio antenato, questo piace molto.
Piace molto in generale?
@@MusicaMedievale Questo video, scusa. :)
@@Tweak54 Posso chiedere informazioni riguardo al fatto che Carlo Magno fosse un tuo antenato?
@@MusicaMedievale Certo. Ma non potrei dichiarare tutti i dettagli. È dal lato dei monarche del nord di Europa, Danimarca, Svezia, Norvegia.
Articulação clara e agradável dos vocais.
🌹
Dear Musica Medievale, I am grateful for your excellent posts on youtube! Tell me what software do you use to animate still pictures to make video such as this one?
Yes comment please, i would like to use this for pictures of my art. Thank you
@@AR-mu4zq I did it once with the iMovie app from apple.
And latin exactly how i imagine sounding. Wow
🌹
Was expecting for the first piece to drop the bass, but I'm not disappointed
I enjoyed these sounds.
Songs, instruments(especially lovely chime ), beautiful picture.
Thanks for sharing.
All of them make me happy,
and I imagine the medieval
people's life.
イラストのセピア色のテイス
トが墨と筆で描かれた日本の
鳥獣戯画のタッチを思い起こ
させました。
🌹
＂Sophie's Life after that＂44
〜未来からの聲 ：
ピアノ遍歴について〜
曲がりなりにも、コンクール
というものに出場して、内輪
の活動だけでなく、世の中に
は同じ部活でもとてつもなく
本格的チームから、自分たち
みたいな小規模チームまで、
さまざまあると知りました。
対外的な活動に参加すること
は、「公」の意識も必要です
パートに穴を開けてはいけな
い、という基本的なことさえ
当時のSophieには意識が薄か
ったかもしれません。
基本、一匹狼的な独りが好き
で、場面場面で強いられる
大丈夫な自分でいられるかど
うか、がいつも自分の中の
最大の課題でしたから。
新人だから、かなりちやほや
されてたのに甘んじていた面
もあります。
常に意識は自己に向いており
部活参加は、結果的に何とか
なってきただけで、いかにも
頼りない部員でした。
コンクールの本番で音が出な
いというのも、ある種穴を開
けたことになったのかもしれ
ません。
仮に他校の部員だったら、
バッシングを受けても当然。
そこで簡単に潰れていても
おかしくありません。
適度に寛容な部活で救われて
いたのだと思いますが、その
意識も正直薄かった。
そんな調子で合宿から演奏旅
行、コンクールとひと通り
体験もして、楽器も思いの他
早く操れるようになってから
は、少し気持ちの隙ができた
ようです。
音楽科とは距離を取った居場
所として、部活があったはず
なのに、指揮者として出入り
していた山階先輩から、同じ
音楽科という気安さ(向こうが)
からか、声が掛かるように
なります。
正式には、理科系の先輩と
小学校課程の先輩が演奏旅行
もコンクールも指揮者として
いたので、この山階先輩は
いまいちどんな立ち位置か
Sophieには不明でした。
思い出してみても、合宿にも
演奏旅行にも来ていません。
あの膨大な楽譜の編曲や写譜
もしてる様子はありません。
唯一普段の練習には顔を出し
パート練習の間を回ったり、
合奏になると指揮をするので
す。
顧問の教授はいましたが、
それに近い顔をして、練習に
やってきます。
音楽棟で講義が終わると、
Sophieを見つけて部活の会館
まで一緒に行こう、とか誘わ
れるように。
始めは音楽科繋がりに、引い
ていたSophieですが、何しろ
部を見学した時、トランペッ
ト向きの唇をしてる、と
殺し文句をのたまいその気に
仕向けた張本人なので、
失礼のないよう気を使って
お供していたのですが………
少し慣れてくると、それなり
に悪い気がしなくなり、
お供のつもりが、並んで歩く
ようになります。
そう言えば男子と歩くなんて
高校の最後に、野球部の子に
誘われて延々ゴルフ場周りの
山道を歩いて以来、縁がなか
った〜と、少し嬉しくなり
常態化しました。
他愛ないですね。
多分だれでも良かったのです
一匹狼的独りが好き、は意外
にこんなことで払拭できる
ことが分かりました。
山階先輩のキザな雰囲気は、
もしかしたら帝王カラヤンを
気取っていたかもしれません
音楽科の指揮法の授業では、
目を閉じて、左手の表情も
たっぷりつけ、タクトを振り
自分に酔ってるみたいに見え
ました。
音楽科では、ピアノ奏者相手
に指揮をして、指導を受ける
のですが、もしかしたら
各楽器の集団を相手に振りた
くて、吹奏楽に出入りして
いたかも。
カラヤンを気取るには少し
背も足らず、センスも今いち
スコアが読めてるのかな、と
思うのは、ピアノもたいして
巧みとは言えないのです。
もしかしたら、管楽器は様々
なキイの楽器の集まりだから
一つの響きとして理解するに
は、楽譜を移調して読めなく
てはいけないのが、本当は
それも苦手？だったかも。
当時のSophieには、その真偽
も分かりませんでしたが、
誰か男子と並んで歩くのが
楽しいと思って、山階先輩の
ペットみたいに、ついて回る
ようになりました。
音楽科の先輩のお姉さんは、
あいつは悪いやつだから気を
つけなさい、と言われ、
え〜？そうなんですか？と
驚き、部活でも二人一緒に
現れるようになると、本物の
指揮者の先輩からも、山階に
は気をつけた方がいいよ、と
真顔で忠告され、きまり悪い
思いをしたり。
大学は山の上にありましたが
そのさらに上がゴルフ場に
なっていて、その一角に山階
先輩の家！がありました。
なんでも彼は熊本の有名校の
校長先生の息子とかで、父は
わざわざ大学通学のために、
そこの土地を買って家を建て
てくれたという、すごい
ボンボンなのでした。
だいたい熊本から東北の知名
度も低い教育大学とは都落ち
では？という気もしましたし
指揮の勉強がしたければ、
もっと相応しい学校がたくさ
んあるでしょう、とさすがの
Sophieも感じたりしました。
熊本でいかにエリート校で
どんな勉強をしてきたかを話
されたり、哲学者の本の蘊蓄
を披露したり、なかなかキザ
な人でした。ルックスは並。
そんなに背は高くなく、
ヒョロっとして痩せ型。
ジーンズとかのタイプではな
く、いつもブレザー。
とにかく自信満々で、カッコ
いい自分を自認してる感じが
ありました。
意識低い系のSophieには、
あまり染みない話題が多かっ
たのでしたが、どうやら側に
いても大丈夫な自己の確認を
していた、というのが正直な
Sophieの心境だったかな。
〜続きます〜🐣
＂Sophie's Life after that＂45
〜未来からの聲 ：
ピアノ遍歴について〜
大学に来て嬉しかったのは、
仙台は東北の田舎だと思って
いたら、金沢よりはるかに
都会だったこと。
戦災を受けなかった郷里は、
古都そのままだったのに対し
仙台は市内が空襲で焼けた事
で、古い街並みも残しつつ、
広い道路や商店街など、規模
も大きかったのでした。
中でも驚いたのが、至る所に
書店があること。
丸善などもありますが、地元
のチェーン店があちこちにあ
り、それぞれ得意分野もある
ようで、マニアックな本も
探しやすかったのでした。
金沢では、いくつかある老舗
書店がカバーしていたと思い
ますが、仙台はたくさんある
書店を探検するだけでも、
面白いのでした。
残念ながら、今は書店もめっ
きり減ってしまいましたが、
紙媒体の「本」というものへ
の愛着は、未来のインターネ
ット時代にあっても消えませ
ん。
もともと本の虫だったSophie
ですが、高校までの読書量は
限られていたと思います。
大学生活に慣れてくるにつれ
そうだ、本を読もうと思って
図書館でも書店でも、興味を
引くものはとにかく手にして
読みました。
今ならインターネットで検索
する感覚かもしれません。
図書館だと、大型の美術書や
歴史全集などの、カラー図版
や、動植物、鉱物の図鑑も
美しくて好きでした。
新聞や雑誌も図書館でチェッ
クです。まさに、雑学的な
知識を漁っていたようです。
普段の読書では、せっかくの
大学生だと思って、長編を
意識して読んだ記憶があります。大半、中身は忘れてしまい
ましたが、ロシア文学なら
トルストイやドストエフスキー
、ソルジェニーツィンなど。
フランスの三銃士も延々と
長いのを読みました。
中国だと何故か昔子ども用の
紅楼夢を読んだのを思い出し
そのノリで金瓶梅を背伸びし
て読み、驚きの連続。
魯迅やパールバックなども。
ファンだったドクトルマンボ
ウの北杜夫さんの楡家の人々
や、漱石の全集、
先輩の話を小耳にはさんで、
高橋和巳の悲の器や邪宗門、
井上靖や小林多喜二なんかも
ドイツ発、風俗の歴史という
ヨーロッパの性風俗や精神性
の変遷を追った本は、安田
徳太郎というお医者様訳で、Sophieの精神形成に、かなり
影響を与えたのでは
と思います。
全集を全部よみましたが最初
から、かなり夢中になりまし
た。きっとマニアックな本だ
ったと思うのですが、細かい
ことはすっかり忘れてしまい
記憶は断片的です。
でも、美術書のような格調の
高さとは違いますが、豊富な
写真や図は、それだけで
ワクワク、ドキドキします。
かなりHな絵も豊富で、それ
だけでも価値があると感じま
したが、研究書、学術書と
思うことにして楽しみました。
音楽科で学ぶ音楽史の背景に
ある、人々の暮らしや意識が
垣間見えるし、時代による
道徳感に違いがあるのも分か
ってきます。
それは、つまりSophieの時代
の世間の常識とかモラルだけ
が、唯一の物差しではないと
知ることでした。
一方で生き物であるヒトは、
本質は同じ、ということ。
例えば十字軍の遠征など、戦
に赴く兵士たちについて行く
女たちの存在があった、と
語られていた記憶があります
文字通り従軍慰安婦です。
自分の城を留守にする城主は
妻が不貞を働かないよう、
貞操帯を施した、とか。
領内の娘が結婚する時に、
領主には初夜権というものが
あったとか。
こういうのはモーツァルトの
時代にもありましたよね。
そのような心理は良い悪いを
超えた、ヒトの持つ本質に
根ざしてると感じます。
当時のSophieには、はっきり
そこまで見通せるものでは
ありませんでしたが、直感的
に自分には必要な価値観の
一端に触れたと思い、ワクワ
クしたと思います。
背伸びしてるのは分かってる
反面、例えば音楽科の友だち
に先んじている感覚、背徳感
ではないけど、ちょっと秘密
の世界を知ってる、という
感覚です。
それは多分、大人の世界への
興味や、人間とは？という
根源的な問いかけへのヒント
がある！と感じての興奮でも
あったと思います。
全体的に育った環境のせいで
左翼的メンタルに近かったと
思われる当時のSophie です。
風俗の歴史の史観も、多分
そちら寄りだったのでは、と
思いますが、市井の人々の
雑多な暮らし振りや生活習慣
一見奇妙に思える性の意識や
習慣なども、おもちゃ箱を
開ける楽しさがありました。
そんな流れでボッカチオの
デカメロンやチョーサーの
カンタベリー物語、
千夜一夜物語、
インドのリグ・ヴェーダ賛歌
なども訳も分からず、とにか
く読みました。
当時のわけのわからなさは
仕方ないとして、知らずのう
ちにSophieは「来たる日の
ために」(？何でしょうね、
この無意識の意気込み…… )
自らに⭐️きょういくを施して
いたものと思われます。
〜続きます〜🐣
智の冒険者Sophie。
物来たりて我を照らす。
われは求めん、「Eloim, Essaim, frugativi et appelavi.」
【「エロヒム」は、ヘブライ語聖書で「神」または「神々」を表す。ヘブライ語の文法的には、末尾の -im は通常、男性の複数形を指す。しかし神としての「エロヒム」は、通常文法的に単数であり、単数動詞や単数形容詞と共に使用される。現代ヘブライ語では、ヘブライ語の複数の男性名詞を示す -im が語尾にあるにも関わらず、しばしば単数形で用いられる。 】
【イサク（英語: Isaac アイザック、ヘブライ語: יִצְחָק （yits-khawk' イツハク）、古代ギリシア語: Ισαάκ (Isaak)、アラビア語: اسحاق （ʾIsḥāq イスハーク）、「彼は笑う」の意味。】
エロ異夢・えっ債務 我は求め訴える。
事起こりて、我は光る。
メネメネテケルウパルシン
数え計り計られ分けられる。ダニエル書。
多くの呪いの言葉・呪文は、祝いの言葉・祝福に代わりました。
【当時のわけのわからなさは
仕方ないとして、知らずのう
ちにSophieは「来たる日の
ために」(？何でしょうね、
この無意識の意気込み…… )
自らに⭐️きょういくを施して
いたものと思われます。】
全てのものを、祝福と感謝に振替えるための無意識の意気込みでしょう。
いつもありがとうございます。
Would love to see each piece of music identified. Wonderful video!
9th century Utrecht Psalter: Please all note the 'roman-style' furniture and houses. Means: there still were loads of 500 year old buildings and even tables, chairs and lampstands around in monasteries abd churches. The religious drawer in the 9th century still lived in the perception to be a cultural roman.
💝💝💝 TY
🌷
Hello Musica Medievale, I'm just curious: Are these pieces from the time of the Carolingian Empire or later pieces about the time of the Carolingian Empire? Best wishes, Alex
I think they are indeed from the time of the Carolingian empire
They are approximate reconstructions. Staff notation had not yet been invented. These texts were accompanied only by pneumae, that is, mere indications about the relative pitch of some syllables. They were used as a reminder for the singers that already knew the melody.
Hello, check the info of the video, everything about this record is there!
And the bells`s sounds were falling terror then on the pagans.
To me, it seams likely the inspiration / base for Carl Orff’ Carmina Burana. Pleasant music!
🌹
Pst! Orff's Carmina Burana is based on the poems from the medieval manuscript Carmina Burana - if you enjoy this music, you may want to look up the medieval version of Carmina Burana as well. There are a few recordings, including one by the Clemencic Consort.
@@kashakroger1692 thank you Kasha!
@@pedrokarstguimaraes2817 CODEX BURANUS: ruclips.net/video/QWW_I0RawEg/видео.html
@@kashakroger1692 I’ve listen. I knew that, of the manuscript of course, but listening to the original gives a full understanding of the work of Orff, and the original is brut and much more simple. The Orff view is an illuminated perspective of Middle Ages, and of course, is briliant, much more dramatic.
¿El dibujo de qué época es? O de que autor.
¿Hay traducción de la letra?
¿Qué hay en relación con los Carmina que recitaban los romanos?
¿También hay manuscrito de la letra?
Check the info of the video
I have never before heard this. I always thought music began with Gregorian chant. Then progressed to a ground with a limited vocal line, tonics and dominants. Nonetheless, i really like this very early music.
Crazy how they could record music back then... Wonder if the musicians are still alive 🤔
I heard 'Robert the Lame' and 'Richard the Confused' are still around :)
They’re alive as long as the music is appreciated
Sono dell'era carolingia , non sono piu' qui tra noi !!!
⚘
🌹
Party like in saxony in 771😃😁
26:24 i like this heavily "balkan" styled ending syllable of fistulā🤠🙂
I never heard what the vikings used to sing in those times... alas.
Haha, I was just thinking the same thing and then I read your comment the second after! :D
I Heard viking songs. Songs were more guttural
Oh those Franks
This is a surprise to hear, because I thought no secular music from the time of Charlemagne had survived.
😍
🌹
Is this art even from the times of Charlemagne
Guter Klang geht einem nah.
🌻
👍
Is there very much Frankish or at least Carolingian writing and artwork like this?
Cantus Barbaricus
"civilitatis"...
la flor mas bella de la caballería florece en los campos de Averroes ahí va Roldan el mas fiel de los equites de Carolus Rex
Does anyone know from what manuscript are these doodles from?
Come on, read the info of the video.
@@MusicaMedievale I apologize fr my blindness XD
@@carloscabello4392 🌹
Orcs sent here for the drums at 9:32 to 10:14.
Yes!