劉學軒：第二二胡協奏曲 / Shueh-shuan Liu: Second Erhu Concerto
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- Опубликовано: 8 сен 2024
- 作曲/劉學軒 二胡/陸軼文 樂團/小巨人絲竹樂團 天鼓擊樂團 指揮/陳志昇 2017.8.23 兩岸薪傳系列 天地歌 地點/台灣.台北市.國家音樂廳 錄影/亞格影音 張興漢 錄音/ 王昭惠 www.littlegiant...
此協奏曲靈感來自台灣南部鄒族民歌，並採用少許素材變化而成主題。而在二胡獨奏樂曲開始時，以虛實音演奏揣摩出山谷回音。三個樂章以連續不斷方式演奏。
第一樂章以極少動機（D-E-E-F）不斷發展延續，在和弦變化擁簇前進時，形成統一概念中不斷變換的音響色彩。第二樂章對比第一樂章的「不斷變化」，以「搖籃曲」來暫時歇息，成為這個樂章的主題。第三樂章在不安中被喚醒，帶有無窮動風格的五拍子怪異舞曲快速音型中，樂曲漸漸回到最開始，回歸源頭的意圖在此表露無遺，在原始、熱烈的氛圍中結束。
此曲雖然採用了民族素材，但作曲者欲跳脫一般對於民族音樂或國樂的刻板印象，就是民族風的音樂也可能是非標題音樂（純音樂），又或者非標題音樂也可以帶有民族風格與色彩，這就是民族器樂（國樂）最特殊的地方，也是令作曲者最嚮往的音樂烏托邦。本曲榮獲文建會2003年民族音樂創作獎協奏曲組銀獎。
作曲者自述其創作理念：「我採用南鄒族歌謠數首，經過變化、萃取之後成為我的全曲動機，在第一樂章中數度出現，但都是片段印象，節奏也非常鮮活迅速，只能在快存記憶中找尋。第二樂章的搖籃曲就試圖造成永久印象，不斷的出現而且非常明瞭，就是要人記住。第三樂章，基本上又是打亂印象，五拍子的無窮動舞曲，不要聽眾記住旋律，而是一種氛圍，一種熱情、熱血沸騰的原始氛圍。以上三樂章是連續不斷的，作曲家孟德爾頌在《e 小調小提琴協奏曲》上採用同樣的手法，我為向他致敬而採用此一方式，也象徵在協奏曲曲式上的呼應。」
Shueh-shuan Liu: Second Erhu Concerto
Erhu: Yiwen Lu / Little Giant Chinese Chamber Orchestra, Tien-Ku Percussion Group / Chih-Sheng Chen / National Concert Hall, Taipei, Taiwan / Video: Jacob Audio and Video Arts, Jacob Chang / Audio: Chao-Hui Wang 2017.8.23
The inspiration of this concerto came from the folksongs of the Tsou ethnic group in the southern part of Taiwan. The main theme is derived from their folk music. The beginning of the erhu solo uses different tones to create the atmosphere of echoes coming from a valley. The first movement develops the motive D-E-E-F and while moving forward, the changing chords form the core of the ever changing tone colours. The second movement contrasts with the first movement, slowing down and becoming a lullaby. The third movement awakens in a state of restlessness. The strange effects of the 5 beat dancing rhythm gradually accelerates and gradually returns to the beginning. It finishes in a warm and vibrant atmosphere.
Although this music was based on ethnic sources, the composer strived to avoid the usual rigid stereotype of national or Chinese folk music. Folk music can be absolute music and likewise, absolute music can also have local and folklore components. This is also the uniqueness of traditional Chinese music and its instruments: the music utopia that composers yearn for. His “Second Erhu Concerto” awarded the Silver Medal (concerto category) in the Council for Cultural Affairs 2003 Traditional Music Composition Competition.
The composer explained his creative philosophy: "I made use of some Southern Tsou folk songs, modifying them to form the core of my movements. The first movement consists of fragmentary impressions with a lively and fast tempo, as if moving through flashes of memories. The second movement is a lullaby, with a theme that repeats in order to achieve a more lasting effect, allowing the listener to remember the melody. The third movement is a continuous 5 beat dance. The melody is not meant to be remembered, but the atmosphere of passion is to be felt. The above three movements are all continuous. The composer Mendelssohn used a similar approach in his Violin Concerto in E minor. I admire and pay tribute to him with this work."
(Translation: Anthony Ko / Edit: Patty Chan)
musinno.com
Really really great - like a dream.
Perfect!
Please - in English - work and composer. Thank you !
@蜜村ぷう Thank you - is there a title for the music ?
@@Clivejvaughan The English translation is now available. For more orchestral works in English, please visit musinno.com. Thank you!
@@littlegco Appreciated - thank you !
何時才會再來表演呢?