RIP Michelangelo Antonioni (September 29, 1912 - July 30, 2007), aged 94 And RIP Ingmar Bergman (July 14, 1918 - July 30, 2007), aged 89 You both will be remembered as legends.
Five minutes into this, and I got to wonder why certain motifs of expression are put at odds. Antonioni didn't want a lot of cutting in conversational scenes as to create a oneness of character and location, but I could easily see that both goals can be achieved. Expressive lighting and set design/art direction in a conversational scene kept in medium close up could very well work - that is whether or not the conversation is in a public or private place due to having to take into account the onlookers.
I wonder if it's possible to know what's the name of the writer of the interview and I also want to know where can I find his books about Antonioni, Haneke, etc. Thank you, great video!
i feel like simplicity is the hardest thing to do all those genius directors bergman godard antonioni are great but they seem to push it so hard it feels like existential art lol whats wrong with a cose up or even a stupid story but hey who iam to judge if will say that scorcese is the real deal for me or comic books or porn whatever smell intuitive or childish gives me joy lol
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RIP Michelangelo Antonioni (September 29, 1912 - July 30, 2007), aged 94
And
RIP Ingmar Bergman (July 14, 1918 - July 30, 2007), aged 89
You both will be remembered as legends.
Navigating the interior world is the objective of a great film maker like Bergman.
They are the best... I can't remember how many times I watched "La Notte" and "The Seventh Seal"...
La notte...what a film. I watch it every week and just simply wow. Same goes to Persona.
Maybe both can be right. Hitchcock uses close-up to convey emotion, Antonioni uses full frame wide shots to convey emotion.
Just saw "The Virgin Spring" last weekend and the ending is once bleak and optimistic. In my mind, the greatest film ever made on revenge.
Thanks for listening, Febbra!
peter burnett is the first author speaking about antonioni, wong kar-wai, heneke etc..
good stuff thanks for posting
Five minutes into this, and I got to wonder why certain motifs of expression are put at odds. Antonioni didn't want a lot of cutting in conversational scenes as to create a oneness of character and location, but I could easily see that both goals can be achieved. Expressive lighting and set design/art direction in a conversational scene kept in medium close up could very well work - that is whether or not the conversation is in a public or private place due to having to take into account the onlookers.
I wonder if it's possible to know what's the name of the writer of the interview and I also want to know where can I find his books about Antonioni, Haneke, etc.
Thank you, great video!
I believe it was Peter Burnett.
Haha, life can be boring, indeed. Superb podcast, I loved it!
spettacolo
16:40
Aristotle was an idiot toothbrusher I guess.
i feel like simplicity is the hardest thing to do all those genius directors bergman godard antonioni are great but they seem to push it so hard it feels like existential art lol whats wrong with a cose up or even a stupid story but hey who iam to judge if will say that scorcese is the real deal for me or comic books or porn whatever smell intuitive or childish gives me joy lol