After some surfing, I found this great interpretation of Haydn's quartet - thanks a lot for publishing!!!! I'm no expert, but a nice hear - and ear, and I can say sound and execution are truly perfect. A lasting and deep pleasure for ears and souls
Haydn was SO unpredictable. It is always changing in strange ways. Good to remind myself when I listen to Bartok's 5th that Haydn truly started this format.... oh and Shostakovich 11th quartet😊
Often, I listen this piece and it reminds of how wondrous a feeling it is when the eye keeps its intellectual center! J'ecoute, mais souvent, il est semble, une sentiment marveilleuse, quand l'oeil le centre intellectual, il reste.
I hadn’t realised just how many ignorant, childish people viewed these serious postings. Forget your I’ll-informed obsession with how this glorious music was abused and simply enjoy it.
Appears in Beethoven's work regularly too, and increasingly so in his 'late period'. Grieg's music is full of this stamping dance rhythm, as is Bartok. Perhaps simple is best... or the best contrast to sophistication.
They are really in a class by themselves. The dynamics are fully realized. I think Schidloff was a real genius. He soiled himself by falling for the Larouch cult. Too bad.
If you love this piece - watch the story of the Haydn and this composition on PBS Great Performances - Now Hear This - www.pbs.org/wnet/gperf/now-hear-this-haydn-king-of-strings-about/11789/
Thank someone for noticing how weird it is that Germany shows this as "their anthem", not even saying it's actually the Cantabile movement from this quartet... by Haydn who isn't even from their country...
Well back then the German-speaking parts of Austria were considered as being German. Especially among the people who wanted German unification. At this time the German anthem was written and this melody chosen.
Eeehm.....YES. The second movement was inspired by the British anthem. Of course, it's the German anthem, even a child knows that, but Haydn based his composition in the God Save The Queen. Listen the two works and you'll see the similarities. The "amigo" wasn't wrong...
Lo que has reconocido como el God Save The King es en realidad 'Gott erhalte Franz den Kaiser', composición que Haydn creó para el emperador austro-húngaro en 1797. Es cierto que Haydn tomó como fuente de inspiración el himno real británico, pero decir que esta música es una interpretación de dicho himno es incorrecto. Las notas comunes pueden intuirse, pero las melodías de uno y otro son bastante, y claramente, diferentes. A los oídos modernos esta partitura se asociará más al moderno himno alemán.
The exquisite second movement is unfortunately the musical source of, “Deutschland Uber Alles”, perhaps likely to the chagrin of Haydn had he known, as he died years before composition of the lyrics.
The second movement was stolen from Austria by Hitler and inappropriately used as the nazi german national anthem. Haydn would have turned in his grave if he knew of this. He wrote the national anthem for Franz Joseph, King of Hungary and also Emperor of Austria, in 1797. In 1946 the Austrian Cabinet adopted A piece of Mozart K483.
Sorry, but Hadn wrote the national anthem for Franz II, the german King and Emperor (not from Austria) but the Emeror ot Holy Roman Empire of German Nation. In 1797 did not exist an austrian. So this anthem i a german anthem. 10 Years later the same Franz II crowned himself as Franz I as Austrian Emperor.
Adagio cantabile,Sie sind immer noch die Besten !
Quatuor à cordes 76-3,Ils sont toujours les meilleurs !
The unsurpassed Amadeus Quartet. I bought the set of the Haydn string quartets as a gift to myself. We need inspiring rewards in these dark days.
The Amadeus were of their time, but they have been surpassed many times by modern quartet groups.
Definitely, comfort "in these dark days" and also sad that Emerson Quartet ended their farewell
tour this June.
Im confused why did my teacher post this so many years ago🤨
Dans ce répertoire, le quatuor Amadeus demeure une référence absolue..!
Norbert Brainin...un ANGE..!!
After some surfing, I found this great interpretation of Haydn's quartet - thanks a lot for publishing!!!! I'm no expert, but a nice hear - and ear, and I can say sound and execution are truly perfect. A lasting and deep pleasure for ears and souls
Wonderful recording of this is by Quartetto Italiano.
Thank you for posting. It is encouraging to see the number of views this has had.
En la eternidad Haydn será mi profesor de composición!!!!
The father of string quartet!
Una obra maestra del creador del cuarteto de cuerdas
This is my favourite recording!
Haydn was SO unpredictable. It is always changing in strange ways. Good to remind myself when I listen to Bartok's 5th that Haydn truly started this format.... oh and Shostakovich 11th quartet😊
Often, I listen this piece and it reminds of how wondrous a feeling it is when the eye keeps its intellectual center! J'ecoute, mais souvent, il est semble, une sentiment marveilleuse, quand l'oeil le centre intellectual, il reste.
La Vie est Un Songe If you are going to express yourself in French, faites-le correctement, SVP.
Haydn is the best. Some crazy beats there in modern terminology.
Come è possibile disprezzare questa musica e questa magistrale interpretazione?
O tempora o mores!
Thank you so much for sharing this! It is so beautiful!
9:08
I love haydn!
"............."
I love you ♡
Magnifique quatuor !
5:05 I played this in Kaliningrad
Now it’s K Ö N I G S B E R G
a great interpretation!
Thank you for sharing!
Haydn über Alles!!
I hadn’t realised just how many ignorant, childish people viewed these serious postings. Forget your I’ll-informed obsession with how this glorious music was abused and simply enjoy it.
at 2:40 there is the "austrian peasant" music I hear rather regularly in Haydn. Anyone can explain it to me? Is it a thing or I'm making it up?
It’s a rustic sounding dance with a bagpipe drone. Not unusual for Haydn.
Appears in Beethoven's work regularly too, and increasingly so in his 'late period'. Grieg's music is full of this stamping dance rhythm, as is Bartok. Perhaps simple is best... or the best contrast to sophistication.
Scott Yoo has a 4 part series on PBS - addresses this very comprehensibly.
@@tomowenpianochanneland sometimes even in Bach (see quodlibet of the final Goldberg Variations)!
They are really in a class by themselves. The dynamics are fully realized. I think Schidloff was a real genius. He soiled himself by falling for the Larouch cult. Too bad.
spell it count
o boo hoo somebody expressed an opinion - grow up pleb
+dontzenyourselfout This guy hits the enter key more than I hit my wife.
2nd 5:00
If you love this piece - watch the story of the Haydn and this composition on PBS Great Performances - Now Hear This - www.pbs.org/wnet/gperf/now-hear-this-haydn-king-of-strings-about/11789/
I beg pardon,
I confused Schidlof with Brainin.
Awesome!!!! :-)
No refrains?
Al 5º minuto della riproduzione del brano si ascolta l’inno nazionale tedesco
5:05 When Vettel got his podium moment
Or as Kenneth Wolstenholme once said, "They think it 's all over. It is now!"
Gott erhalte, Gott beschütze
Encarta 97!!!
Good
Go Germany
Haydn is Austrian...
Thank someone for noticing how weird it is that Germany shows this as "their anthem", not even saying it's actually the Cantabile movement from this quartet... by Haydn who isn't even from their country...
Kimon Vontas No, but he has certainly (& consistently) spoken to the German soul.
But german was his mother tongue....
Well back then the German-speaking parts of Austria were considered as being German. Especially among the people who wanted German unification. At this time the German anthem was written and this melody chosen.
Presto
Die waren richtig gut, und der Name des Ensembles ist keine Anmaßung.
El II movimiento muestra una excelente interpretación de la canción-himno Dios salve al rey/reina ( God save the Queen)
¿Podría iluminarnos acerca del contenido y significado proposivo de su "Eeehm..." relacionado con su concluyente NO?
Eeehm.....YES.
The second movement was inspired by the British anthem. Of course, it's the German anthem, even a child knows that, but Haydn based his composition in the God Save The Queen. Listen the two works and you'll see the similarities. The "amigo" wasn't wrong...
Le agradezco su aportación.Reconocido.
Lo que has reconocido como el God Save The King es en realidad 'Gott erhalte Franz den Kaiser', composición que Haydn creó para el emperador austro-húngaro en 1797. Es cierto que Haydn tomó como fuente de inspiración el himno real británico, pero decir que esta música es una interpretación de dicho himno es incorrecto. Las notas comunes pueden intuirse, pero las melodías de uno y otro son bastante, y claramente, diferentes. A los oídos modernos esta partitura se asociará más al moderno himno alemán.
Do not defend wrong causes .www.britannica.com/topic/Emperor-Quartet
Sorry Mr. Tony Ma, that forgot t thank you.
de.wikipedia.org/wiki/%C3%96sterreichische_Kaiserhymnen
Haydn. Todo dicho.
i just came here because i have to listen to this for school
Nah
The exquisite second movement is unfortunately the musical source of, “Deutschland Uber Alles”, perhaps likely to the chagrin of Haydn had he known, as he died years before composition of the lyrics.
H
No quiero suscribirme
The second movement was stolen from Austria by Hitler and inappropriately used as the nazi german national anthem.
Haydn would have turned in his grave if he knew of this. He wrote the national anthem for Franz Joseph, King of Hungary and also Emperor of Austria, in 1797. In 1946 the Austrian Cabinet adopted
A piece of Mozart K483.
Adopted as German national anthem in 1922 , according to wikipedia . Nothing to do with Hitler .
Weimar Republic already used it
Sorry, but Hadn wrote the national anthem for Franz II, the german King and Emperor (not from Austria) but the Emeror ot Holy Roman Empire of German Nation. In 1797 did not exist an austrian. So this anthem i a german anthem. 10 Years later the same Franz II crowned himself as Franz I as Austrian Emperor.
Franz Hasseröder Yes, you are ofc correct. Mozart expressed his wish to be “a good German”, never a good Austrian.
The Courtwick makes