Jon, as others have said, the bubbles (blistering) is due to your kiln not being hot enough. All glazes essentially boil, when they are fired. We normally don't know that, or see, because they are inside the kiln, and with most kilns you set them, and other than looking at witness cones, you don't look inside the kiln too much. This is why, you are supposed to leave a decent gap, in between wares, during the glaze firing. Even if they aren't touching, when you load them, they will be with the expansion, of the glaze. Most potters, I've talked to, who do Raku, go by appearance of the glaze, not cones, when they fire. Personally, I use a cheapo pyrometer, as a guide, especially at the lower temps, and as a way to figure out if the rate of climb has stalled. But once I get near the top end, I will only cut the fuel off, when I see the glazes have "settled down" and have a "wet" look to them. Also, it seems you are pulling the wares, from the combustion bins too soon. If there is still burning materials in there, it's too early. Pulling early runs two risks. One, you aren't going to get as much reduction effect. Two, you'll do what I did, and get a small recreation of the movie "Backdraft"... "WHOOOSH!" You really only need the water if you are doing one or both of the following: Trying to cause the glaze to craze more by dropping the temperature quickly, right after pulling the ware out of the kiln, and before it goes in to the reduction bin. Or, trying to "freeze" the glaze color, right where it is at, by cooling it quicker and cutting it off from the oxygen, which can affect the glazes, even at lower temperatures. Water would not be necessary, if you don't want the crazing, and if you let the wares sit in the reduction bin until they are completely cooled down (several hours to overnight...That sounds like cooking instructions...) Traditional Raku, that is used for tea ceremonies, in Japan, they do tend to quench the wares in water, or even just let them air cool, with no reduction at all. Their ware has a very organic, natural look to it, which is what is sought after. Interestingly enough, I use a couple of those exact glazes, but in my classroom, as standard low fire glazes. And they are GREAT colors. I am actually ordering my supplies for next school year, and did notice, that those glazes are listed as both a low fire and dedicated raku glaze. I do a Raku firing, with my Art Club students, and we do use those glaze for it as well. From my experience the Federal Blue, which is a light to medium blue, in oxidation, ends up as blue, with some yellow gold flashes, in Raku reduction (Really nice). The Tarnished Brass, which is a golden yellow in oxidation, is more of a copper color, in Raku reduction. I do not use the other one you mentioned. But as it blue green, in oxidation, it makes sense that it is more of a copper color, in reduction. It needs the oxygen to become greenish (Think of the oxidation, on the Statue of Liberty), and the Raku process doesn't allow for that. What you could do, is after removing, swing the piece in the air slowly, to give the glaze some oxygen, while it is cooling. *Then* put it in the reduction. You could also dunk in water, before reduction as well. Both things might allow for more of the greenish to appear, before it is reduced. If you want to try other glazes, Continental also makes a specific Raku glaze, called "Wheat Flash", that is quite nice. They also have a Turquoise Crackle that is quite nice. You may also consider reducing with alcohol as well. It gives you some bright areas of color, as well as gives you more control, over those areas of color. Nice job on the protective wear. Some may comment, that shorts and flip flops are a liability, but I've done it before. I honestly don't go with a thick coat, but thick gloves are a must. I will add, that eye protection is also a must. Hair and skin grow back, all it takes is a quick wisp of flame, to catch your eye, and you're in serious trouble! Great video, as always. I see that a couple people complained about the music being loud. Raku firing, in a gas fired kiln, are just loud. So there is really nothing of value to hear. My students always comment on that, when I turned the gas off. It gets eerily quiet.
Great info here, Ben, and I'll second everything you're saying. I honestly never submerge my pieces in water as it only encourages breakage. I will add that I like to use a respirator to avoid inhaling smoke while I'm pulling pieces.
@@Ab68686 No doubt that quenching in water could lead to greater thermal shock, and possibly dunting with it. But honestly, I've rarely had this happen, even with student work. I've never used a respirator for Raku. Even those Raku-centric potters I talk to, who are *very* careful with the whole process, also do not use a respirator. Most do wear a face shield though!
Ben Patterson back in college I had a jar that was fired with its lid on much like you normally would in an electric firing, and when it was submerged in water it created a vacuum which sucked the lid right through the opening and into the vessel shattering the piece. For my process it’s just an unnecessary step, although like you mentioned with copper mattes it’s a great way to freeze the glaze in that particular state. And as an allergy sufferer I highly recommended a respirator as inhaling smoke does nothing but cause issues. If someone were to only occasionally fire raku I’d say it’s not necessary, but since this is my primary firing process I don’t like to take too many risks. Between the smoke during firing, the clay dust in the green state, and of course the fine particles when mixing glazes, there are so many lung irritants and I try my best to avoid them all.
@@Ab68686 I'm not going to lie, I kind of want to try that with a lidded vessel now... I've fired lids with bottoms before, but they've also had holes or pieces cut aways, for decoration, so no vacuum. I understand your need for a respirator. As with much of the ceramic process, it's never a bad idea.
Every attempt is a learning experience...what to do and what not to do. You'll figure it out. Keep on trying, experimenting, go down different paths. "Mistakes" can be incredibly unique. Sometimes they're better than what we were trying for originally.
Loved the video! But I gotta tell ya, the shorts and sandals had me quite nervous! I’d love to see what the difference would be after letting the glaze settle.
I love raku. Sure would love a plan to build my own raku kiln. I would sometimes not put the pottery in the combustibles, but rather leave them out and let them cool down. The oxidation creates another interesting difference in colors.
Love working with the raku kiln. Nice to see you wearing protective clothing! Very important. 😉 Greetings from a potter from the Netherlands. The bubbles are because the kiln was not hot enough 😊
Hey, two things. Letting the glaze sit for a day on the piece is helpful... But also slowing down the firing as you reach firing as well as soaking for a few minutes helps to smooth out any bubbles that form.
YYYYYYYY are U just so SUPER!!!??? So glad you had your seat belt on... people are watching your every move. :))) I imagine we will never see you "vid" on your bike, ever again... Great information from Ben Patterson..thank you!
Had a raku day in high school, it was all of our favorite day! All the kids in advanced art classes got to attend and create 3 art pieces, I loved using the crackle glaze mix! Super fun way to create art.
Hey Jon, I saw a video that shows the color change. You have to let air hit the piece to get color change before putting in water for the raku glaze. The longer the oxygen hits it the more the color is defined.
I know the audio levels on this video are a little off! I guess I was just pumped up when editing the video and made the music a little too loud compared to the talking, SORRY! I will learn and be better for the next one! In the meantime, happy potting! #everthinginflipflops
Hey, what kind of clay do you use for that kind of extreme change of temperature, the one that I usually get would probably explode, it breaks just by not letting it cool down slowly. Thanks😊😊
Awesome. I was going to try raku down in seagrove in North Carolina but it was a very hot day and they had to call it off because of the heat. Hopefully I can get back down there and try it.
Thank you for showing up that even a pro has difficult results sometime. My kiln controller says 1240, cones say 1280!! Hopefully my next firing will be better! I am beginning to understand that being a potter is about learning to live with failure :-)
Omg is there a video on how they built that kiln on the trailer I have a perfect bag of freight trailer I could do this and I have a torch like that!!!!
Hey John, the bubbles suggest that the glaze might not have matured enough in the kiln. I'm no expert but the glaze needs to look sweaty / shiny in the kiln the orange peel effect means it is nearing maturity (from what I have read!) great channel, best wishes.
If it’s too thick try brushing the glaze on- and definitely allow longer to dry- I usually glaze A day or so before hand so there’s plenty of time to dry.
As you look through the glory-hole you will see the glaze change from a dull finish to matte then to Glossy. Once it hit the Glossy or sheen phase (2-3hours) you should be good.. not sure on Temp I never had a gauge to check its all on the eye since the glazes might be different. thx
Hmm. Seemed like there wasn't enough combustable material in the cans. I've had good luck using four or five smaller cans, and also covering them with wet blankets once the lids are on.
You are on the right track as I set up individual smaller cans for each piece. Roasting pans and canning pots work well and are generally inexpensive at yard sales and thrift stores. Instead of wet blankets you can then use wet towels. I never quench after reduction rather I pull the piece and watch the colors develop. A water spray bottle can be used to "fix" the color as it changes. Of course all of that only matters if the glaze has matured prior to reduction. Your pin holes and bubbling are most likely a result of glaze not at maturity when pulled. To be sure one needs to take quick peaks at the glaze surface. Gloss glazes will shimmer. When they are mature. Matt glazes not so much though. And like everyone else, long pants and no open toed shoes.
ive heard of raku in pottery class but ive always heard that you just leave them to cool in the trash cans never heard of dipping them in water. still wondering why the jars didn't shatter from heat shock
Since you never got an answer... Raku pots are generally grown with a clay that is heavily grogged or has a higher grit/sand content so it can withstand the thermal shock.
@@IanEisenbergIt doesnt always survives the thermal shock.They are actually all cracked but if the cracks are starting to split ,then thats a failed pot to me. The water quenching of that pot is a failure ,because you need to let it cool in the reduction chamber to get the best colors. If you take the piece out it will tarnish immediatly with muddy looking colors. Also quenching in water means you cant refire that pot too soon. There is no benefit from water quenching.Its just for show. Only Obvara is quenched but thats another style of pottery and has nothing to do with raku.
My guess is that your pots were under-fired. Quite a few of the raku glazes I use bubble which is caused by outgassing of the clay body as it's brought up to temp. If you pull them before the glaze has had time to mature and settle you'll be left with a permanent glaze bubble. They're typically very fragile and will break quite easily leaving sharp edges that are really undesirable. Like any atmospheric firing it takes a lot of practice but can be quite repeatable once you know what to look for.
Do you have to fire the pottery in a raku kiln or are there glazes that have similar effects after being fired in a normal kiln then put in a reduction ?
Love your videos Jon. Little favour to ask... could you balance out the music with the talking. I had to adjust the vol down every time the music played, and up again to hear what you were saying when the music stopped. It's a little thing, I know, but as in many things in life, the little things are important.
Loved seeing the Raku firing, it's something I am desperate to try as well! I am curious, did you scrub your pots after coming out of the water? I know I've seen a lot of folks do that after they raku fire, and I wasn't sure if that was something you should always do, or is more of a preference. Thanks as always for the hard work you put into these videos!
Was there enough room for the number of items as well as being able to spread/distribute your raw materials used to obtain the raku affect? I'm just asking, no expert here...just a sideline observer👀. Appreciate the video.
Hello, I saw bubbling, it may be that the fire did not reach the right temperature. I will suggest to invest in a digital thermocouple thermometer. I got one for about $270 it was worth the investment. I love your artwork! thank you for sharing your creative process.
this video gives me serious anxiety....what the f are yo doing recording a video while driving?!!!! aside from that, love this technique and thank you for showing your process.
You needed WAAY more combustibles, like half fill it with wood shavings, bring them to 1000C. AND... you didn't scrub them off! You have to clean them off to reveal the color underneath.
You can use pretty much any mid to high fire clay, that you only bisque to low fire temps, Cone 04 or 05. It is vital, that when doing the Raku portion, the ceramic body is very porous, as this is what allows it to handle the thermal shock. You can buy a specified Raku clay, but it is basically just a grogged stoneware.
I dont even care about the audio. I just love watching your videos. Try to take something away from watching them, and apply it to my very newbie skills, or lack there of. I need all the advice I can get. 😖
I mean, the finished results look cool, and I'm not a potter by any means, but I feel like you shouldn't be wearing sandals while working with actual fire. I'm also not sure vlogging while driving is a great idea lol.
Ben Patterson check plus. You caught it all. I will add , having seen someone in open toes get badly burned when she dropped a pot that rolled over her foot. Just not smart to be half dressed for danger.
Jon, as others have said, the bubbles (blistering) is due to your kiln not being hot enough.
All glazes essentially boil, when they are fired. We normally don't know that, or see, because they are inside the kiln, and with most kilns you set them, and other than looking at witness cones, you don't look inside the kiln too much. This is why, you are supposed to leave a decent gap, in between wares, during the glaze firing. Even if they aren't touching, when you load them, they will be with the expansion, of the glaze.
Most potters, I've talked to, who do Raku, go by appearance of the glaze, not cones, when they fire. Personally, I use a cheapo pyrometer, as a guide, especially at the lower temps, and as a way to figure out if the rate of climb has stalled. But once I get near the top end, I will only cut the fuel off, when I see the glazes have "settled down" and have a "wet" look to them.
Also, it seems you are pulling the wares, from the combustion bins too soon. If there is still burning materials in there, it's too early. Pulling early runs two risks. One, you aren't going to get as much reduction effect. Two, you'll do what I did, and get a small recreation of the movie "Backdraft"... "WHOOOSH!"
You really only need the water if you are doing one or both of the following: Trying to cause the glaze to craze more by dropping the temperature quickly, right after pulling the ware out of the kiln, and before it goes in to the reduction bin. Or, trying to "freeze" the glaze color, right where it is at, by cooling it quicker and cutting it off from the oxygen, which can affect the glazes, even at lower temperatures.
Water would not be necessary, if you don't want the crazing, and if you let the wares sit in the reduction bin until they are completely cooled down (several hours to overnight...That sounds like cooking instructions...)
Traditional Raku, that is used for tea ceremonies, in Japan, they do tend to quench the wares in water, or even just let them air cool, with no reduction at all. Their ware has a very organic, natural look to it, which is what is sought after.
Interestingly enough, I use a couple of those exact glazes, but in my classroom, as standard low fire glazes. And they are GREAT colors. I am actually ordering my supplies for next school year, and did notice, that those glazes are listed as both a low fire and dedicated raku glaze. I do a Raku firing, with my Art Club students, and we do use those glaze for it as well.
From my experience the Federal Blue, which is a light to medium blue, in oxidation, ends up as blue, with some yellow gold flashes, in Raku reduction (Really nice). The Tarnished Brass, which is a golden yellow in oxidation, is more of a copper color, in Raku reduction. I do not use the other one you mentioned. But as it blue green, in oxidation, it makes sense that it is more of a copper color, in reduction. It needs the oxygen to become greenish (Think of the oxidation, on the Statue of Liberty), and the Raku process doesn't allow for that.
What you could do, is after removing, swing the piece in the air slowly, to give the glaze some oxygen, while it is cooling. *Then* put it in the reduction. You could also dunk in water, before reduction as well. Both things might allow for more of the greenish to appear, before it is reduced.
If you want to try other glazes, Continental also makes a specific Raku glaze, called "Wheat Flash", that is quite nice. They also have a Turquoise Crackle that is quite nice.
You may also consider reducing with alcohol as well. It gives you some bright areas of color, as well as gives you more control, over those areas of color.
Nice job on the protective wear. Some may comment, that shorts and flip flops are a liability, but I've done it before. I honestly don't go with a thick coat, but thick gloves are a must. I will add, that eye protection is also a must. Hair and skin grow back, all it takes is a quick wisp of flame, to catch your eye, and you're in serious trouble!
Great video, as always. I see that a couple people complained about the music being loud. Raku firing, in a gas fired kiln, are just loud. So there is really nothing of value to hear. My students always comment on that, when I turned the gas off. It gets eerily quiet.
Great info here, Ben, and I'll second everything you're saying. I honestly never submerge my pieces in water as it only encourages breakage. I will add that I like to use a respirator to avoid inhaling smoke while I'm pulling pieces.
@@Ab68686 No doubt that quenching in water could lead to greater thermal shock, and possibly dunting with it. But honestly, I've rarely had this happen, even with student work.
I've never used a respirator for Raku. Even those Raku-centric potters I talk to, who are *very* careful with the whole process, also do not use a respirator. Most do wear a face shield though!
Ben Patterson back in college I had a jar that was fired with its lid on much like you normally would in an electric firing, and when it was submerged in water it created a vacuum which sucked the lid right through the opening and into the vessel shattering the piece. For my process it’s just an unnecessary step, although like you mentioned with copper mattes it’s a great way to freeze the glaze in that particular state.
And as an allergy sufferer I highly recommended a respirator as inhaling smoke does nothing but cause issues. If someone were to only occasionally fire raku I’d say it’s not necessary, but since this is my primary firing process I don’t like to take too many risks. Between the smoke during firing, the clay dust in the green state, and of course the fine particles when mixing glazes, there are so many lung irritants and I try my best to avoid them all.
@@Ab68686 I'm not going to lie, I kind of want to try that with a lidded vessel now...
I've fired lids with bottoms before, but they've also had holes or pieces cut aways, for decoration, so no vacuum.
I understand your need for a respirator. As with much of the ceramic process, it's never a bad idea.
Ben Patterson Hahaha I say give it a try!
fireman's jacket, fire resistant gloves, shorts and sandals hahaha. Nice.
My style lol
Every attempt is a learning experience...what to do and what not to do. You'll figure it out. Keep on trying, experimenting, go down different paths. "Mistakes" can be incredibly unique. Sometimes they're better than what we were trying for originally.
Loved the video!
But I gotta tell ya, the shorts and sandals had me quite nervous! I’d love to see what the difference would be after letting the glaze settle.
I love raku. Sure would love a plan to build my own raku kiln.
I would sometimes not put the pottery in the combustibles, but rather leave them out and let them cool down. The oxidation creates another interesting difference in colors.
Nothing makes me more anxious than someone driving while recording.
In my experience, when glazes come out bubbly like that it means they weren't in the kiln long enough. Just my own experience! I like the pieces!
Love working with the raku kiln.
Nice to see you wearing protective clothing! Very important. 😉
Greetings from a potter from the Netherlands.
The bubbles are because the kiln was not hot enough 😊
Only his jacket lol
Hey, two things. Letting the glaze sit for a day on the piece is helpful... But also slowing down the firing as you reach firing as well as soaking for a few minutes helps to smooth out any bubbles that form.
Cool video! Thank you for sharing your raku process with us!
YYYYYYYY are U just so SUPER!!!??? So glad you had your seat belt on... people are watching your every move. :))) I imagine we will never see you "vid" on your bike, ever again... Great information from Ben Patterson..thank you!
Raku is a wonderful thing, great video. I have tried a few times and its great, very exciting.
Had a raku day in high school, it was all of our favorite day! All the kids in advanced art classes got to attend and create 3 art pieces, I loved using the crackle glaze mix! Super fun way to create art.
More bins + more combustibles. Wet newspaper packed into the lid to seal. Great vid!
Livin' The Dream! Thanks for taking us with you!
Hey Jon, I saw a video that shows the color change. You have to let air hit the piece to get color change before putting in water for the raku glaze. The longer the oxygen hits it the more the color is defined.
I know the audio levels on this video are a little off! I guess I was just pumped up when editing the video and made the music a little too loud compared to the talking, SORRY! I will learn and be better for the next one! In the meantime, happy potting! #everthinginflipflops
Hey, what kind of clay do you use for that kind of extreme change of temperature, the one that I usually get would probably explode, it breaks just by not letting it cool down slowly. Thanks😊😊
Awesome. I was going to try raku down in seagrove in North Carolina but it was a very hot day and they had to call it off because of the heat. Hopefully I can get back down there and try it.
Can you share a video on how to make the Raku kiln?
Thank you for showing up that even a pro has difficult results sometime. My kiln controller says 1240, cones say 1280!! Hopefully my next firing will be better! I am beginning to understand that being a potter is about learning to live with failure :-)
music was really loud compared to the talking so my eardrums died during the segment to firing sequence
Omg is there a video on how they built that kiln on the trailer I have a perfect bag of freight trailer I could do this and I have a torch like that!!!!
Hey John, the bubbles suggest that the glaze might not have matured enough in the kiln. I'm no expert but the glaze needs to look sweaty / shiny in the kiln the orange peel effect means it is nearing maturity (from what I have read!) great channel, best wishes.
That's so cool. love raku technic!!
Watch the backdraft when opening those up. That smoke can burst into flame and do all kinds of burning to a body.
If it’s too thick try brushing the glaze on- and definitely allow longer to dry- I usually glaze A day or so before hand so there’s plenty of time to dry.
As you look through the glory-hole you will see the glaze change from a dull finish to matte then to Glossy.
Once it hit the Glossy or sheen phase (2-3hours) you should be good.. not sure on Temp I never had a gauge to check its all on the eye since the glazes might be different. thx
I love Raku pottery, I love to make it as gifts,
Hmm. Seemed like there wasn't enough combustable material in the cans. I've had good luck using four or five smaller cans, and also covering them with wet blankets once the lids are on.
You are on the right track as I set up individual smaller cans for each piece. Roasting pans and canning pots work well and are generally inexpensive at yard sales and thrift stores. Instead of wet blankets you can then use wet towels. I never quench after reduction rather I pull the piece and watch the colors develop. A water spray bottle can be used to "fix" the color as it changes. Of course all of that only matters if the glaze has matured prior to reduction. Your pin holes and bubbling are most likely a result of glaze not at maturity when pulled. To be sure one needs to take quick peaks at the glaze surface. Gloss glazes will shimmer. When they are mature. Matt glazes not so much though.
And like everyone else, long pants and no open toed shoes.
Don’t you rub it with steel wool after the firing process or is that only if you apply combustibles?
ive heard of raku in pottery class but ive always heard that you just leave them to cool in the trash cans never heard of dipping them in water. still wondering why the jars didn't shatter from heat shock
Since you never got an answer...
Raku pots are generally grown with a clay that is heavily grogged or has a higher grit/sand content so it can withstand the thermal shock.
@@IanEisenbergIt doesnt always survives the thermal shock.They are actually all cracked but if the cracks are starting to split ,then thats a failed pot to me.
The water quenching of that pot is a failure ,because you need to let it cool in the reduction chamber to get the best colors.
If you take the piece out it will tarnish immediatly with muddy looking colors.
Also quenching in water means you cant refire that pot too soon.
There is no benefit from water quenching.Its just for show.
Only Obvara is quenched but thats another style of pottery and has nothing to do with raku.
Wild! Love the Raku kiln.
Hey John, I would recommend you to wear long pants and shoes next time, I learned it the hard way, just giving a little advise.
Stay awesome! ;)
*advice
Are the fumes safe to inhale tho? I ahve read that the kiln fumes are toxic...I know with the Raku Firing one
My guess is that your pots were under-fired. Quite a few of the raku glazes I use bubble which is caused by outgassing of the clay body as it's brought up to temp. If you pull them before the glaze has had time to mature and settle you'll be left with a permanent glaze bubble. They're typically very fragile and will break quite easily leaving sharp edges that are really undesirable. Like any atmospheric firing it takes a lot of practice but can be quite repeatable once you know what to look for.
I want to learn how to make Raku pottery how can I buy the materials ? what would I need?
YYEEESSSSSS!!!!! We’ve been waiting for this!
Love the shades Jon.
Very cool and educational video!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Is this same as using wood charcoal to get a nice pattern on pottery
If you brush the greens on thick, they turn black.
try using smaller reducing chambers. the chamber should be snug around the piece.
KEvron
Newbie here and found you by searching clay mugs. Cool and love the videos!
How do you get those cracks in the clay before you glaze it tho?
Amazing! More rakuuu please! 💜🙏
and now saltoven raku😍😍
Can you do a video on how you got that cracked scaled look on the one pot @2:39 ... or is there a name for this style?
Love your vids Subbed!!
Those cracks are made with sodium sillicate.If you google that youl find how its done.
Do you have to fire the pottery in a raku kiln or are there glazes that have similar effects after being fired in a normal kiln then put in a reduction ?
Are you going to scrub off all the carbon so you can see the finished result?
Cool video, i also do and love Raku. Greetings from Namibia.
Love your videos Jon. Little favour to ask... could you balance out the music with the talking. I had to adjust the vol down every time the music played, and up again to hear what you were saying when the music stopped. It's a little thing, I know, but as in many things in life, the little things are important.
Loved seeing the Raku firing, it's something I am desperate to try as well! I am curious, did you scrub your pots after coming out of the water? I know I've seen a lot of folks do that after they raku fire, and I wasn't sure if that was something you should always do, or is more of a preference. Thanks as always for the hard work you put into these videos!
extreeeeeeme pottery
Love the Raul firing video what type of clay did you use?
Sorry raku firing auto correct got me.
Raku is my FAVORIT too😍
Can we use any glazing for raku or is it a special glaze?
How does that oven work ? And how can we do it?
When you can only unlock half the armor.
Was there enough room for the number of items as well as being able to spread/distribute your raw materials used to obtain the raku affect? I'm just asking, no expert here...just a sideline observer👀. Appreciate the video.
Love ❤️ Love ❤️ Love ❤️!!!!!!!!!
Hello, I saw bubbling, it may be that the fire did not reach the right temperature. I will suggest to invest in a digital thermocouple thermometer. I got one for about $270 it was worth the investment. I love your artwork! thank you for sharing your creative process.
this video gives me serious anxiety....what the f are yo doing recording a video while driving?!!!! aside from that, love this technique and thank you for showing your process.
I have enough surprises still coming out of my standard kiln. Don’t think I’ll be trying this any time soon. No sense of adventure, I guess
When did Bradley Cooper, become a potter?
You needed WAAY more combustibles, like half fill it with wood shavings, bring them to 1000C. AND... you didn't scrub them off! You have to clean them off to reveal the color underneath.
Can you use just any stoneware type clay?
You can use pretty much any mid to high fire clay, that you only bisque to low fire temps, Cone 04 or 05.
It is vital, that when doing the Raku portion, the ceramic body is very porous, as this is what allows it to handle the thermal shock.
You can buy a specified Raku clay, but it is basically just a grogged stoneware.
@@benpatterson4452 good info, thanks for sharing!
Food safe?
did you find out what was wrong?
Awesome
I dont even care about the audio. I just love watching your videos. Try to take something away from watching them, and apply it to my very newbie skills, or lack there of.
I need all the advice I can get. 😖
I mean, the finished results look cool, and I'm not a potter by any means, but I feel like you shouldn't be wearing sandals while working with actual fire. I'm also not sure vlogging while driving is a great idea lol.
First thing I thought was sandals! No face guard or mask . Drop those on your foot it will hurt. I wear safety boots.
Ben Patterson check plus. You caught it all. I will add , having seen someone in open toes get badly burned when she dropped a pot that rolled over her foot. Just not smart to be half dressed for danger.
You may have fired too hot or didn’t get a good enough reduction environment
The video was cool, but the music not so much!!😫
I think your suppose to scrape all the burnt stuff off after the final firing.
I could share my experiences in raku and perhaps answer some of your questions if you let me know how I can contact you.
wow all that safety equipment and you still have open toed shoes! Great example for the kids
...you look like Bradley Cooper
جاي من عند اياد ومقهور انه مو نفس الاسلوب في التويته حقته ؟؟
Nice keep it up :)
Still unable to figure this out after 2 years?
I would disagree , the results are getting much better !
Were you a bit dissopointed?
Mmmmm....fun time, but raku is not my cup of tea....
OSHA who?
This video showed up after I saw this. He shows a really detailed raku firing
ruclips.net/video/N1MbszzZKXU/видео.html
Music too loud, talking to soft.
I wish you wouldn't play your music so loud
This video is a fail. Didnt come out how you wanted it and didn't even fix the issue dont even know what the issue is. Just terrible