Потрясающее проникновение в образ, красивый голос, великолепная техника, -- все это создает сильнейшее эмоциональное воздействие на слушателя . Браво !!! Это звезда оперного искусства❤❤❤
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
Does anyone know who the tenor is in this video? He sounds like a cross between a spinto and a dramatic tenor, definitely a Verdi tenor. I'd like to hear more of his singing. He is quite talented and skilled, an impeccable musician with both a ringing resonance and commanding timbre!
I discovered that he is Stephen Costello, a remarkable artist I had seen in Moby Dick years ago, and am delighted that he is still thriving in his career.
Powerful voice, beautifully crafted technique with lovely timbre. Desperately wrong dress 👗 and she becomes aware of that while performing. Still, she managed to get the job done ☑️. Kudos
This is a once in a lifetime performance which those of us who follow with a score and dream of hearing a "complete" performance like this can just bow down and say thank you "I can die with this aria checked off." Maria Callas and Eleanor Steber dreamed of singing this aria like this but never quite reached the promised land. And I suppose that the moderns own a debt of gratitude for being shown the way by such luminous predecessors.. But make no mIstake this is as good as it gets. The jealous and negative comments posted here by the supremely ignorant and untalented I guess are part of the 21st Century at it's worst.
Poor homie in the back realized her voice would never be digestible for him and he didn't know what to do with her until she got her real hair raising energy blast through that microphone I wasn't having it either. She's a modern day torture gladiator chamber
I have always appreciated the palpable "height" in her voice. But the same permanently high position that allows her such facile access to her upper register, here, dampens her middle register. Every famous piece don't square with every great voice. And, audibly, this piece (unlike PLENTY others) don't allow her voice not nary one iota of "ping" inna middle. (Maybe, it's this recording? Maybe, she sick? Maybe, she just like singin it?) I just hope she not singin this role cuz it's "expected" for a soprano voice of certain size and color. THE "most promising, young" talent of Nadine Sierra BEEN proved her staying power, the reason "the top houses around the world" SHOULD want her to grace their stages. So, unless she just tryna have fun while makin her cash, Nadine Sierra don't need to play nobody traviata. (Selah)
@@stephpwall - (1a) Watch your mouth. (1b) Whether nescient, you ain't nobody arbitor of discourse or its excesses. (2) Structure, e.g. language & art, precludes a merely "visceral and emotional response". (3) Reflect on what I've shared.
Yet another failed mezzo soprano with amateurish singing technique, singing this vanilla and played out aria. Every single female singer sings this today, at some point. Sure, because it is easy to force yourself through it. From Nadine, Netrebko, Oropesa, Damrau, Yende etc. - so many terrible productions, so many broken and terrible singers. What is the point of having 20 Traviatas at the same time in Europe, and one is worse than the other? Nadine sings completely without support, no sul fiato singing. She is nasal, knödel like, screams, squeaks, has no legato, cannot phrase one line in a very simple phrase formed aria. To be even more honest, this whole scene is really quite easy to sing through. And her intonation is too low from the beginning to the end. Constantly off key!
I am pianist and I can recognize a good piano playing and a mediocre piano playing but I don't have any Idea about how to recognize good voices. Any recommendations?
@@alanleoneldavid1787 It is hard to explain to someone who is not trained, versed, molded in the art of belcanto. And I sure do understand, fully understand, when I say that she sings without legato, that listeners cannot hear it. Which is understandable, because the vast majority of singing students, learners never hear the difference between legato and non legato (basics of singing). So I get where you come from. Be aware of: Body structure and face shape. Round, fuller faces, feminine, small, curvey, short necks are sopranos. Taller, slimmer, bone-like, long neck, masculine face (very edged like) and body structure are mezzos. Watch out for over opening the mouth, or singing on teeth(Oropesa). A disaster advice for singing technique. This is how you instantly tense up all the area around the mouth+front and back of the neck. Jaw shaking, tongue shaking. Mannerism - another distraction to conceal terrible singing technique(DiDonato, Bartoli). Overembalishing arias that you are not allowed to embellish at all(Mozart!). Singing everything on super, mega, allegro, presto, prestissimo, brutale - this is how they try to hide that they have no support and no legato (Bartoli, Lezhneva). Singing ha, ha, ha (Lezhneva, Damrau, Devieilhe, Sierra, DiDonato, Bartoli Oropesa, Yende, etc.) passages and ha, ha, ha trillo (Lezhneva). Singing trillo as just a wide wobble (Damrau, Devieilhe, Sierra, DiDonato, Bartoli Oropesa, Yende, almost all modern female singers). Always singing on the microphone. Even on a microphone you barely hear those small, undeveloped voices, and when they walk away you don't hear them at all, even though the orchestra is playing on super pppppppppppp. (ruclips.net/video/sUEtg93P5WQ/видео.html - Je marche sur tous les chemins) They are almost always off key. And don't forget if it sounds »angel like« with tons of air and only white, bleached colour it is so wrong to oblivion and beyond (Devieilhe, Desandre).
She’s not a mezzo soprano. So much hatred coming from someone who only wishes they had an ounce of these singers talent. You’re always trolling. Nothing better to do.
@@bekfluto I don't have time to troll, because all I know and live for is my work. Here and there I do get some small amount of time for myself, and what I do with it is my problem.
![Twenty One Pilots - The Line (from Arcane Season 2) [Official Audio]](http://i.ytimg.com/vi/XCz7WUotXs8/mqdefault.jpg)
Once again, Ms. Nadine Sierra displays the artistry that made her one of the greatest operatic sopranos of all time!!!!! 10:54
Her voice is the most powerful thing in the whole universe right now
Stupenda!!! Bella voce. Meravigliosa!!
Wow! This is breathtaking
Nadine! So fantastic, so beautiful! I love you!!! ❤
Einfach perfekt !!!!!!!!!
Потрясающее проникновение в образ, красивый голос, великолепная техника, -- все это создает сильнейшее эмоциональное воздействие на слушателя . Браво !!! Это звезда оперного искусства❤❤❤
You can see how Maestro is enjoying Nadine! Beautiful voice!
Sensationel, Weltklasse.
Je ne peux pas arreter de l'écouter.... Sublime Merci Nadine
Nadine Sierra é fantástica. Brava!!!!
just saw Nadine in La Traviata last Saturday at the New York metropolitan opera house, just breath taking
I was in the audience with you. Early Nov. matinee right? Wow!
Magnifique interprétation. Très belles nuances. Une grande Violetta .
un miracle de voix , je suis sans voix ,la meilleure de toutes , qui peut chanter mieux??
Personne en ce moment 😏
Wow! Beautiful! and that yellow dress, it was made for you.
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
Ok Rob, you do a great job. (But we've got it now, we know who is Nadine Sierra)
What a performance, such an artistic representation, what a deep sense of talent, so much for my weekend, and thanks for sharing!
Prachtige vertolking en wateemnmooie jonge heldere stem bravo!
Two of my favorite arias beautifully interpreted!
Замечательно!!!🎉
You can see how intently the concert-mistress is listening to time the orchestra to Nadine's coloratura. Wonderful!
Magníficas interpretaciones 👏👏
She is exquisite
excellent soprano.
!Brava!.
Thank you! Cheers!
素晴らしい！ さすがですなぁ。
Wonderful ! 💖👏👏👏
Impressive!! Braaava!!
The best!!!!!!!!!!!!!!!!!!
awwww!!!!!!!❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Браво!
Magnifique ❤
Brava! 😍😍😍😍😍😍
Que voz madre mía….hermosa y aguda.
Maravillosa
oh .. my .. God(ess)
Wow!
🤣🤣🤣
Sublime !!
👏 열정적인 가창력이네요😄
Bravísima!
This aria shall always be known to me as the Pretty Woman opera scene aria 💃🏼😁
Kommt es mir nur so vor oder ist die tonspur leicht zeitversetzt?
Soweit meine (geringfügigen) Lippenlesekünste gefragt sind würde ich Ihnen antworten, zumindest im Vorliegenden RUclips-Video nicht.
@@n.n.5293 habe bemerkt dass es eher mit meiner Internetverbindung zusammenhängt 😅
Is not this song , the song in the movie is when she is saying goodbye to alfredo " ammi alfredo"
Does anyone know who the tenor is in this video? He sounds like a cross between a spinto and a dramatic tenor, definitely a Verdi tenor. I'd like to hear more of his singing. He is quite talented and skilled, an impeccable musician with both a ringing resonance and commanding timbre!
I discovered that he is Stephen Costello, a remarkable artist I had seen in Moby Dick years ago, and am delighted that he is still thriving in his career.
I know nothing about opera, but now I can die
Wow
This dress though 😻
Ah !ah ! Ah ! Yes !
She should take care : one day ,she will end up naked on stage 😋😋😋😅
But she is astonishingly good for singing
Oui, c'est elle! C'est la déesse... Beautiful!!
Belle ref aux pêcheurs de perles ♥️
That's some next level knödeling...
Yes.Plastic 🤣
Powerful voice, beautifully crafted technique with lovely timbre. Desperately wrong dress 👗 and she becomes aware of that while performing. Still, she managed to get the job done ☑️. Kudos
Damn you Senior Germont! Poor Violetta....
😊❤
This is a once in a lifetime performance which those of us who follow with a score and dream of hearing a "complete" performance like this can just bow down and say thank you "I can die with this aria checked off." Maria Callas and Eleanor Steber dreamed of singing this aria like this but never quite reached the promised land. And I suppose that the moderns own a debt of gratitude for being shown the way by such luminous predecessors.. But make no mIstake this is as good as it gets. The jealous and negative comments posted here by the supremely ignorant and untalented I guess are part of the 21st Century at it's worst.
@4:20 J’adore sa cadence, si personnelle et musicalement très inspirée 💙🤍❤️
Que je suis d’accord avec tout ce que vous dites . C’est une merveille d’écouter une artiste pareille !
We have Nadine Sierra and Lisette Oropesa in the same universe...equally compelling but so different vocally.
Callas dreamed of singing this aria like this? You probably believe Joan Sutherland and Beverly Sills dreamed the same thing. Sei pazzo.
There are too many words to make it look smart
Sempre libera 고음....^^
Nadine auf dem Weg zur Nr.1.Oder ist sie es schon ?
Is that Stephen Costello? He sounds wonderful.
BETTER THAN CALLAS_ AND THE OTHERS? OR GRANDE LIKE THEM?
Almost as good as Montserrat, who loved her ❣️👌
Don't be absurd.
비올레타 모습 그대로구나!
Violetta looks just as good
Sounds mixed Oropesa and Moffo
Mai nominare il nome della Callas invano.
Cadenze e variazioni ub po' troppo "rigolettose", oltre all'impostazione belcantista... 😮
Belle voix mais elle en fait trop ;;;; beau son pour pas grand chose hélas
Que voulez-vous dire par là ?
Poor homie in the back realized her voice would never be digestible for him and he didn't know what to do with her until she got her real hair raising energy blast through that microphone I wasn't having it either. She's a modern day torture gladiator chamber
Shepherd's Chapel Network !!!!!!! Do you know where America is mentioned in the Bible ??????? Shepherd's Chapel Network !!!!!!!
A volte calante ….
Is thus what passes for good singing these days?
Yes Maria Callas couldn't compare to this
No, it’s what passes as extraordinary singing.
Eine würdige Nachfolgerin von Sumi Jo, die selbst wiederum Maria Callas längst übertroffen hatte.
Maria callas è dura da superare ! Perché fare paragoni ?
Questo non è vero.@@ritagirometta2438
Non nominare il nome della Callas invano.
🍅🍅😜 sorry about that but the final high Eb is flat 😮
she drives pretty close to pitch after it sits a bit low
After 2,000 perfect notes and you complain about the one that isn't perfect? Wow...
@@jimbuxton2187
Nel finale d’una aria puoi riconoscere un grande cantante lirico dagli altri …
il vecchio
@@jimbuxton2187
A volte calante ….
il vecchio
she can do a lot better than this
I have always appreciated the palpable "height" in her voice. But the same permanently high position that allows her such facile access to her upper register, here, dampens her middle register.
Every famous piece don't square with every great voice. And, audibly, this piece (unlike PLENTY others) don't allow her voice not nary one iota of "ping" inna middle. (Maybe, it's this recording? Maybe, she sick? Maybe, she just like singin it?)
I just hope she not singin this role cuz it's "expected" for a soprano voice of certain size and color.
THE "most promising, young" talent of Nadine Sierra BEEN proved her staying power, the reason "the top houses around the world" SHOULD want her to grace their stages. So, unless she just tryna have fun while makin her cash, Nadine Sierra don't need to play nobody traviata. (Selah)
way too much terminology for something that asks for a visceral and emotional response
@@stephpwall - (1a) Watch your mouth. (1b) Whether nescient, you ain't nobody arbitor of discourse or its excesses. (2) Structure, e.g. language & art, precludes a merely "visceral and emotional response". (3) Reflect on what I've shared.
Yet another failed mezzo soprano with amateurish singing technique, singing this vanilla and played out aria.
Every single female singer sings this today, at some point. Sure, because it is easy to force yourself through it. From Nadine, Netrebko, Oropesa, Damrau, Yende etc. - so many terrible productions, so many broken and terrible singers. What is the point of having 20 Traviatas at the same time in Europe, and one is worse than the other?
Nadine sings completely without support, no sul fiato singing. She is nasal, knödel like, screams, squeaks, has no legato, cannot phrase one line in a very simple phrase formed aria. To be even more honest, this whole scene is really quite easy to sing through. And her intonation is too low from the beginning to the end. Constantly off key!
I am pianist and I can recognize a good piano playing and a mediocre piano playing but I don't have any Idea about how to recognize good voices. Any recommendations?
@@alanleoneldavid1787 It is hard to explain to someone who is not trained, versed, molded in the art of belcanto. And I sure do understand, fully understand, when I say that she sings without legato, that listeners cannot hear it. Which is understandable, because the vast majority of singing students, learners never hear the difference between legato and non legato (basics of singing). So I get where you come from.
Be aware of:
Body structure and face shape. Round, fuller faces, feminine, small, curvey, short necks are sopranos. Taller, slimmer, bone-like, long neck, masculine face (very edged like) and body structure are mezzos.
Watch out for over opening the mouth, or singing on teeth(Oropesa). A disaster advice for singing technique. This is how you instantly tense up all the area around the mouth+front and back of the neck. Jaw shaking, tongue shaking.
Mannerism - another distraction to conceal terrible singing technique(DiDonato, Bartoli). Overembalishing arias that you are not allowed to embellish at all(Mozart!).
Singing everything on super, mega, allegro, presto, prestissimo, brutale - this is how they try to hide that they have no support and no legato (Bartoli, Lezhneva).
Singing ha, ha, ha (Lezhneva, Damrau, Devieilhe, Sierra, DiDonato, Bartoli Oropesa, Yende, etc.) passages and ha, ha, ha trillo (Lezhneva). Singing trillo as just a wide wobble (Damrau, Devieilhe, Sierra, DiDonato, Bartoli Oropesa, Yende, almost all modern female singers).
Always singing on the microphone. Even on a microphone you barely hear those small, undeveloped voices, and when they walk away you don't hear them at all, even though the orchestra is playing on super pppppppppppp.
(ruclips.net/video/sUEtg93P5WQ/видео.html - Je marche sur tous les chemins)
They are almost always off key.
And don't forget if it sounds »angel like« with tons of air and only white, bleached colour it is so wrong to oblivion and beyond (Devieilhe, Desandre).
She’s not a mezzo soprano. So much hatred coming from someone who only wishes they had an ounce of these singers talent. You’re always trolling. Nothing better to do.
@@bekfluto I don't have time to troll, because all I know and live for is my work. Here and there I do get some small amount of time for myself, and what I do with it is my problem.
OK Mrs Verdi.
찌찌음반사.ㅉㅋ
A strong tremolo in the voice at the top.It's not good for a professional singer