This painting just blew my mind. Such a perfect contrast and value shifts varying on distances. I am fascinated by this painting. And learnt a lot today. What a wonderful way to end this year and getting inspiration for new year. Everlasting gratitude to you sir for your generous effort. Thanks and have a great time. 🙏🙏
andrew you are such a beautiful artist ive been making paintings for 27 years and i think i need to go back to oils i love all mediums ,thank you for inspiring me
Everything you do is genius and perfect in my mind and eye. Your instruction and visuals are so soothing, so wonderful that I don’t have to even like the subject matter, just benefit from the tutorial. I sent you messages before stating you are the best artist of the century and I say it still. Love you creations, your God given talent. Thank you for utilizing and working to be who and what you are. A true gift to humanity. Thank you sincerely with all my heart, thank you. Sincerely, Mary Lou🌷❣️
*Important to consider here* "Sorry, love your work, but you did this incorrectly. In order for glazing over a grisaille to be effective and as beautiful as possible, you must paint the grisaille brighter than the actual scene. The whole point being that you're adding subsequent layers of transparent and semi-transparent pigment to create visual mixtures with light penetrating through them and reflecting off of a brighter base. Plus now when you add transparent lakes over these dark tones, the color won't show and your values which are accurate now will be inaccurate due to being darker than what makes sense."
I suggest you make a painting of Gen. Custer's last stand at Little Bighorn. For 2 main reasons: You make such great landscapes, and you look just like him. Would make a nice self-portrait, I'd say. :)
I was thinking the other day about a poet called Hovis Presley, he was a person I would have loved to have met. Such a kind and ridiculously talented man. You come into that category, your manner and of course, exceptional skill, are an absolute delight to see. I did a fine art degree in the 1970’s, spent my career as an illustrator in advertising, and now that I’m retired I have been able to go back to oil/acrylic painting things I’ve always wanted to do. I now live in West Wales so the landscape is beautiful, a painting everywhere!
Amazing landscape indeed! Even though I've visited Monument Valley on several occasions, I can't imagine that area ever matching the beauty and awe inspiring landscapes of New Zealand.
Happy New Year, Andrew! Thank you for being there as an inspiration and a mentor on my journey. Wish you and your family good health and Happiness!❤️😊 Always enjoy and look forward to your great contents!
Wow what an amazing piece of work. Just fabulous technique and results on Titanium finushed copper panel! I could watch you work for hours Andrew. I love it just as it is as a grizaille, but would look amazing in colour as well I guess. Thank you so much ❤💕Happy New Year xxx love debs in Spain😘
I know this vlog was several months ago, but I have just recently got my wee shed up and running for painting!! Very excited as my hubby built it for me!! I am about to embark on my first grisaille painting!!!!! wish me luck, I have enjoyed this vlog very much!!! Thank you!
Andrew has been gifted with the critical eye of a true artist. Acquired techniques make work easier but the most essential tool of any artist is the brain and the eye through which one critically analyses and recognises the ideal proportions, perspectives and lines which are often already there but merely waiting to be brought out through sound draftsmanship. Basic rules and techniques can be acquired but a really good artistic eye is a quality which cannot be tought. You either have it or you never will.
Good to see you making a Grisaille. I ventured through a series a few months ago and found it really satisfying, but I had not chosen those color combinations for my B&W, I went with several dedicated greys, and found out they all had their own shades of blue which made using them very difficult when mixing them out with titanium white. I ended up pairing the grey out using burnt umber to balance it back into neutral. Great demo!
He painted this grisaille much too dark which is a fatal flaw in this process. It will have to be re-painted opaquely at this point to save the painting.
I can't wait to see the end result of this painting. Although not a practical technique for en plein air painting, I love the idea that painting a grisaille first, put the focus on really working out a solid composition based on values. Hmmm, might want to give that a go myself, especially since I love glazing!
To me you are genius. Your work is mesmerizing. Far beyond what I typically see. I just discovered you and I can’t get enough, i learn so much by watching your light strokes , your finesse, tools you choose and what you create, truly brilliant.
I'm a big fan of grisaille paintings. In fact, I like them so much I often don't add colour. Thank you Andrew for sharing your skills with us. Happy New Year and look forward to the next installment. 😎😎😎😎
I just tried a grisaille and found the colors really drab with the dark underneath, I ended up doing the whole painting over top. I think there is instances when this method is good and not so good. I love your work Andrew, beautiful workmanship.😍 from Nova Scotia 🇨🇦
This is done incorrectly here - In order for glazing over a grisaille to be effective and as beautiful as possible, you must paint the grisaille brighter than the actual scene. The whole point being that you're adding subsequent layers of transparent and semi-transparent pigment to create visual mixtures with light penetrating through them and reflecting off of a brighter base. Plus now when you add transparent lakes over these dark tones, the color won't show and your values which are accurate now will be inaccurate due to being darker than what makes sense.
BEAUTIFUL understudy in tonal values! While I can't say as to working on copper, you mentioned you thought this might have been a method for painting on photographs, which is what I did for almost 20 years, before the advent of computer technology. We could do a transparent tint with Marshall's Transparent Photo Colors, using cotton wrapped skewers or toothpicks to apply thin paint, or a cotton ball, then blend with a wad of polyester. The photos were typically toned sepia for the "underpaint" to help with skin tones. Then advanced to brush painting on top of a photo, following the photo tones with colors. I learned to restore copies of damaged photos which people have saved from floods, fires etc, and using gouache paints for fast drying opaque undercoat via airbrush, then recreate missing parts by hand. It was very rewarding, and I learned to paint portraits doing that, but I polished my mastery watching you! By that time I was retired, but I still enjoy watching and always learning something. Thank you for what you are bringing to everyone! It is truly mastery on an "epic" scale!
Fantastic ! Thank you so much for sharing. Looking forward to seeing a video of how you glaze color into this piece. As I understand, glazing can create a challenge with becoming too dark. I look forward to learning how you problem solve through the next stage. Thank you again for all you do to help younger painters.
Thank you Andrew!! I love painting Grisaille! My favourite part of painting, under every painting I do. I think it is the detail I love doing and feel sad when I put colour over it.
Thank you for a reminder! This is a great technique! You inspired me to do a tonal study (but with a diluted ink) to learn how to paint underwater rocks.
Thanks for showing your work. The grisaille looks almost if it is an ets project. Follow you for many years. I have showed some of your portraits to my students, this because how you paint the skin . Also bought your brushes. Love them. Especially the one with the slanted top. I think you call that a dagger? Didn’t work with this sort of brush before. Love to see this painting in color and how you do the glaze. Thank so much. Love from Holland (a 71 year old art teacher 😊)
That was fun. I recently started a grisaille of my own, which I haven't done in years, just to do something outside of my usual. It's always an interesting technique.
I've used grissaile for a couple of my portraits now mostly the commissions, I feel like I am able to ensure I'm concentrating one thing at a time, values and colour and composition. I will definitely try it with a landscape next.❤️
Love the black and white Maestro ! the balance of light and shadow ,can wait to see it in full color,Wish you a blessing new Year 2023,from Puerto Rico!
Personally I love the “old time” painterly look that you did here. It looks perfect already. Yet I know if you decide to add color, it would be even better.
As always.... your videos are a highlight of my day and month. I would like to advance one day financially and take one of your in-depth courses but until that day I will feast on these fantastic videos. Many blessings to you and family
Absolutely phantastic! It looks really interesting just the way it is now. It might be due to the particular lighting or just my imagination, but I certainly see very faint shades of red, blue and green. This very slow drying and the smooth surface are certainly inviting for detailing by scraping away. And it almost appears like a mezzotint to me. Well done and have a good new year!
👋Absolutely fantastic, Andrew. I'll try grisaille in the near future. You're such an inspiration. Have a healthy and fabulous year '23 ! Thanks for everything.👍🧡
I should try doing underpainting again. I feel the whole idea of getting tones and details down first allows for having freedom of doing the color glazes later on. Most aspiring artists want to have what the seasoned artist has in the way of quality brushes and other such tools to make good art. But as I’ve seen with my work, I’ve had brushes from all levels of quality and price,and it does come down to what you can do with what you have. I’ve seen great art with using just fingertips. So use what you can afford, and be creative! This painting could be left as a monotone image, but I can’t wait to see what it could look like in color!
I really want to learn this technique. The painting you did of your wife and this one are just magical. I also think it would aid me moving towards painting as someone that sketches with ink, charcoal and pencil.
Andrew, I have created similar underpaintings using just burnt sienna and white. Do you find an advantage to keeping the underpainting more neutral instead of bending towards warm or cool? Regarding cheap tools versus expensive tools, an artist friend told me that he went out to paint en pleinair and when he got to the location he realized he forgot to pack his brushes. Unwilling to give up, he collected a bunch of sticks and painted with them. As you said, it's not about the tool but what you can do with the tool. Thanks for another brilliant lesson!
This is so great I love your value painting just as it is. How do you feel when you loose it to the full color version, it's like saying goodbye to your first art piece in order to treat the second art piece. You're smart to do this in two parts, so you've saved a version of it digitally. There is such beauty in this, I'm so happy to be learning from you. It will be a pleasure one day to become my version of your craft.
I think what you say about tools and markmaking is true. However, it takes a practiced hand to create beautiful marks from any tool. A concert pianist can find beauty and range in any instrument but the inexperienced may need the ease and inspiration of tools that provide consistent results.
Hello again Andrew, dear friend this process on copper plates was absolutely stunning in the Grissai method of working. I found it very interesting to watch and see how you developed this beautiful landscape as it is. Then I got to thinking, would it not be a great idea to to create another one but this time adding the colours in? I say this because the original in black and white tones is tremendously inspirational and it would be a shame to hide all that work underneath colour, as it is a fantastic piece in its own right. I love the brightness it has produced too. It's hard work I know but then your the master and it's your choice in the end sir. Can't wait to see what you do with the rest of those copper canvases. Thank you also to Aslan who made such wonderful platform for artists working in copper. I have also used oleogel in some of my works. But correct me if I am wrong, did I hear you say that you mixed oleogel with liquid? If so what ratio do you recommend as oleogel is quite waxy when used on its own? Take care and Happy new year2023 to you and your family.❤️❤️👍🖐️
The comment about cheap brushes made me laugh. I was at a major art gallery in NZ showing Colin McCahon's work and the gallery staff were complaining about how he used rubbish materials for his supports. Almost like they'd never read anything about the artist and what drove him to paint.
Just a pointer. The reaction that binds the paint in the copper is not chemical is electrostatical. If it was chemical it would happen only in a very few pigments (that were more electronegative than copper)
Dear Andrew, do you have demonstration of oil paint on top of this? A question comes to my mind as a bigginer. How do you apply oil colores on top by keeping all those details as a base color ? Thanks for sharing.
Sir , we miss ur podcasts! Please continue doing some more podcasts with different artist,such as susanlyon, Scott burdick, Renato muchillo, Cesar Santos, Nicolas uribe etc.
Love the video Andrew! After hearing you recommend him in a couple of videos I decided to reach out and order from him, and I did not have a good experience trying to get the oil painting sketchbook from him. I have not received any product or my money back from him in the year since I placed my order. I’m sure it’s a good product, and I’m not typically the type to leave a comment like this, but for everyone in the comments just be careful.
![Painting an EPIC Mountain Scene! [ Landscape Painting Techniques in Oils ]](/img/1.gif)
All I can say, your instructions and demonstration are magnificent .
This painting just blew my mind. Such a perfect contrast and value shifts varying on distances. I am fascinated by this painting. And learnt a lot today. What a wonderful way to end this year and getting inspiration for new year. Everlasting gratitude to you sir for your generous effort. Thanks and have a great time. 🙏🙏
Couldn’t agree more! Bravo Andrew!
Thank you very much!
@@AndrewTischlerArt 你生就一副上帝一样的手，无与伦比的震撼！
andrew you are such a beautiful artist ive been making paintings for 27 years and i think i need to go back to oils i love all mediums ,thank you for inspiring me
You can most definitely leave It as It Is, absolutely Amazing!
Truly one of the best channels on YT. relaxing and wholesome.
Everything you do is genius and perfect in my mind and eye. Your instruction and visuals are so soothing, so wonderful that I don’t have to even like the subject matter, just benefit from the tutorial. I sent you messages before stating you are the best artist of the century and I say it still. Love you creations, your God given talent. Thank you for utilizing and working to be who and what you are. A true gift to humanity. Thank you sincerely with all my heart, thank you. Sincerely, Mary Lou🌷❣️
Wow, thank you!
*Important to consider here* "Sorry, love your work, but you did this incorrectly. In order for glazing over a grisaille to be effective and as beautiful as possible, you must paint the grisaille brighter than the actual scene. The whole point being that you're adding subsequent layers of transparent and semi-transparent pigment to create visual mixtures with light penetrating through them and reflecting off of a brighter base. Plus now when you add transparent lakes over these dark tones, the color won't show and your values which are accurate now will be inaccurate due to being darker than what makes sense."
Hey Andrew, you making some history, you are absolutely art master , you are Treasure
Your vision is extraordinary.
Whooooooah! That looks cool! Monument Valley is just right over the hill from my house!
I suggest you make a painting of Gen. Custer's last stand at Little Bighorn. For 2 main reasons: You make such great landscapes, and you look just like him. Would make a nice self-portrait, I'd say. :)
Fascinating Andrew. It definitely has that WOW! factor. Thank you.
I was thinking the other day about a poet called Hovis Presley, he was a person I would have loved to have met. Such a kind and ridiculously talented man. You come into that category, your manner and of course, exceptional skill, are an absolute delight to see. I did a fine art degree in the 1970’s, spent my career as an illustrator in advertising, and now that I’m retired I have been able to go back to oil/acrylic painting things I’ve always wanted to do. I now live in West Wales so the landscape is beautiful, a painting everywhere!
Amazing landscape indeed! Even though I've visited Monument Valley on several occasions, I can't imagine that area ever matching the beauty and awe inspiring landscapes of New Zealand.
It’s looking more beautiful and stunning in black and white
Happy New Year, Andrew! Thank you for being there as an inspiration and a mentor on my journey. Wish you and your family good health and Happiness!❤️😊 Always enjoy and look forward to your great contents!
Andrew,
You're the BEST my friend!
God Bless you and I pray He Prospers all that you set out to accomplish in this New Year!
OMG! What texture you had created 😱😱😱
Wow what an amazing piece of work. Just fabulous technique and results on Titanium finushed copper panel! I could watch you work for hours Andrew. I love it just as it is as a grizaille, but would look amazing in colour as well I guess.
Thank you so much ❤💕Happy New Year xxx
love debs in Spain😘
I love the black and white
I know this vlog was several months ago, but I have just recently got my wee shed up and running for painting!! Very excited as my hubby built it for me!! I am about to embark on my first grisaille painting!!!!! wish me luck, I have enjoyed this vlog very much!!! Thank you!
This is absolutely stunning and will have to give this technique a try! Thanks for sharing
Andrew has been gifted with the critical eye of a true artist. Acquired techniques make work easier but the most essential tool of any artist is the brain and the eye through which one critically analyses and recognises the ideal proportions, perspectives and lines which are often already there but merely waiting to be brought out through sound draftsmanship. Basic rules and techniques can be acquired but a really good artistic eye is a quality which cannot be tought. You either have it or you never will.
I do acrylic in grays all first as well.
Makes it easier to adjust or fix composition
I believe you were the reason I started it
looking forward to the coloration stage. Thanks you for sharing your gift with us.
the imense details you did with this is amazing
Good to see you making a Grisaille. I ventured through a series a few months ago and found it really satisfying, but I had not chosen those color combinations for my B&W, I went with several dedicated greys, and found out they all had their own shades of blue which made using them very difficult when mixing them out with titanium white. I ended up pairing the grey out using burnt umber to balance it back into neutral. Great demo!
He painted this grisaille much too dark which is a fatal flaw in this process. It will have to be re-painted opaquely at this point to save the painting.
Learnt something new today . Never seen this stuff before . Thanks
If you use true burnt umber in your griseille it will dry fast. I like burnt umber, ultramarine plus white.
I can't wait to see the end result of this painting. Although not a practical technique for en plein air painting, I love the idea that painting a grisaille first, put the focus on really working out a solid composition based on values. Hmmm, might want to give that a go myself, especially since I love glazing!
I'm amazed with the result. It looks so real and detailed. Thanks for sharing the awesome videos...
To me you are genius. Your work is mesmerizing. Far beyond what I typically see. I just discovered you and I can’t get enough, i learn so much by watching your light strokes , your finesse, tools you choose and what you create, truly brilliant.
Thank you so much 😀
Beautiful work!! I love the different brushes you use and techniques I learned quite a bit from you!!
Amazing.. I actually love it in mono without colour. So dramatic. Love your paintings and your videos
I'm a big fan of grisaille paintings. In fact, I like them so much I often don't add colour. Thank you Andrew for sharing your skills with us. Happy New Year and look forward to the next installment. 😎😎😎😎
Amazing detail. You have a very patient attitude towards painting. I love how you compose from different photos. 😍
Looks fantastic as is, can’t Waite for the next phase.
I just tried a grisaille and found the colors really drab with the dark underneath, I ended up doing the whole painting over top. I think there is instances when this method is good and not so good. I love your work Andrew, beautiful workmanship.😍 from Nova Scotia 🇨🇦
This is done incorrectly here - In order for glazing over a grisaille to be effective and as beautiful as possible, you must paint the grisaille brighter than the actual scene. The whole point being that you're adding subsequent layers of transparent and semi-transparent pigment to create visual mixtures with light penetrating through them and reflecting off of a brighter base. Plus now when you add transparent lakes over these dark tones, the color won't show and your values which are accurate now will be inaccurate due to being darker than what makes sense.
Love the black and white version!!!
BEAUTIFUL understudy in tonal values! While I can't say as to working on copper, you mentioned you thought this might have been a method for painting on photographs, which is what I did for almost 20 years, before the advent of computer technology. We could do a transparent tint with Marshall's Transparent Photo Colors, using cotton wrapped skewers or toothpicks to apply thin paint, or a cotton ball, then blend with a wad of polyester. The photos were typically toned sepia for the "underpaint" to help with skin tones. Then advanced to brush painting on top of a photo, following the photo tones with colors. I learned to restore copies of damaged photos which people have saved from floods, fires etc, and using gouache paints for fast drying opaque undercoat via airbrush, then recreate missing parts by hand. It was very rewarding, and I learned to paint portraits doing that, but I polished my mastery watching you! By that time I was retired, but I still enjoy watching and always learning something. Thank you for what you are bringing to everyone! It is truly mastery on an "epic" scale!
That's amazing! Thanks for the technical deep-dive. I learned something today!
I’ve been a sub for a while now. You sir have a gift.
Fantastic ! Thank you so much for sharing. Looking forward to seeing a video of how you glaze color into this piece. As I understand, glazing can create a challenge with becoming too dark. I look forward to learning how you problem solve through the next stage. Thank you again for all you do to help younger painters.
Thank you! Cheers!
It is super beautiful this way. I would leave it as it is. Amazing video, as usual. Congrats, sir.
I m waiting for colour version. And i learnt many thing about painting from you, thankyou sir.
Very Nice Process And The Finish Work Is Also Very Nice...!!!
Thank you Andrew!! I love painting Grisaille! My favourite part of painting, under every painting I do. I think it is the detail I love doing and feel sad when I put colour over it.
WOW WOW & WOW! Thanks for sharing & happy new year to you & your family 🥂
Awesome Andrew! That "stack in the distance " is either East or West Mitten. Loved my visit to the Valley!!
Thank you for a reminder! This is a great technique! You inspired me to do a tonal study (but with a diluted ink) to learn how to paint underwater rocks.
Thanks for showing your work. The grisaille looks almost if it is an ets project. Follow you for many years. I have showed some of your portraits to my students, this because how you paint the skin . Also bought your brushes. Love them. Especially the one with the slanted top. I think you call that a dagger? Didn’t work with this sort of brush before. Love to see this painting in color and how you do the glaze. Thank so much. Love from Holland (a 71 year old art teacher 😊)
Absolutely stunning! I LOVE the color. Looks like a photo from an old Arizona Highways Magazine. On point! I’m going to try this style. Your the man!
That was fun. I recently started a grisaille of my own, which I haven't done in years, just to do something outside of my usual. It's always an interesting technique.
The black and white is great, and being able to put glazing on would be awesome for depth
I've used grissaile for a couple of my portraits now mostly the commissions, I feel like I am able to ensure I'm concentrating one thing at a time, values and colour and composition. I will definitely try it with a landscape next.❤️
Love the black and white Maestro ! the balance of light and shadow ,can wait to see it in full color,Wish you a blessing new Year 2023,from Puerto Rico!
I like where you're going with this one. Learning from you is a pleasure, and I am inspired by your trusty techniques. Great work 👍
You are such an incredible artist and it's a joy to watch you process. You definitely are a Master! Can't wait to see the finished painting. Thanks!
Fantastic job Andrew!!!
I live in northern Arizona and plan to do a painting soon of the mittens, as they are called, soon. This is fabulous!
Absolutely beautiful Andrew; thank you for the process and inspiration!
Wow! It's very impressive! 👏
Leave it blank and white I love it!❤
Happy new year Andrew.
All the best next year will be amazing.
Love your work and channel.
G.
Really like the monochromatic.
Personally I love the “old time” painterly look that you did here. It looks perfect already. Yet I know if you decide to add color, it would be even better.
Great painting! As always 😍
The painting is wonderful as it is, I would not continue with colors. Happy New Year!
As always.... your videos are a highlight of my day and month. I would like to advance one day financially and take one of your in-depth courses but until that day I will feast on these fantastic videos. Many blessings to you and family
Amazing work Andrew, you`re a master painter, Happy New Year my friend! 🍾😃👍
I've been thinking about trying this method also to get better depth and contrast in my paintings. Thanks for making this video 👍
Absolutely phantastic! It looks really interesting just the way it is now. It might be due to the particular lighting or just my imagination, but I certainly see very faint shades of red, blue and green. This very slow drying and the smooth surface are certainly inviting for detailing by scraping away. And it almost appears like a mezzotint to me. Well done and have a good new year!
👋Absolutely fantastic, Andrew. I'll try grisaille in the near future. You're such an inspiration. Have a healthy and fabulous year '23 ! Thanks for everything.👍🧡
Theres so much drama in it as it is now, beautiful but I m also intrigued to see how you would glaze over it too
I should try doing underpainting again. I feel the whole idea of getting tones and details down first allows for having freedom of doing the color glazes later on.
Most aspiring artists want to have what the seasoned artist has in the way of quality brushes and other such tools to make good art. But as I’ve seen with my work, I’ve had brushes from all levels of quality and price,and it does come down to what you can do with what you have. I’ve seen great art with using just fingertips. So use what you can afford, and be creative!
This painting could be left as a monotone image, but I can’t wait to see what it could look like in color!
Waiting to see the colored version if you did it. Great work.
I really want to learn this technique. The painting you did of your wife and this one are just magical. I also think it would aid me moving towards painting as someone that sketches with ink, charcoal and pencil.
Beautiful and happy new year mate!
Andrew, I have created similar underpaintings using just burnt sienna and white. Do you find an advantage to keeping the underpainting more neutral instead of bending towards warm or cool?
Regarding cheap tools versus expensive tools, an artist friend told me that he went out to paint en pleinair and when he got to the location he realized he forgot to pack his brushes. Unwilling to give up, he collected a bunch of sticks and painted with them. As you said, it's not about the tool but what you can do with the tool.
Thanks for another brilliant lesson!
Very interesting your painting, in grisaille !
Awesome instructions.
Thank you very much. I have some worn out fan brushes that I soon plan to modify. Good idea!
You're a beast mate!
Well done always amazing videos 👏🏻👏🏻👌🏻👍🏻
Epic works! 🙂🙂
Beautiful work! I think I’m with you here…this might be best left as is, even though I love color.
This is so great I love your value painting just as it is. How do you feel when you loose it to the full color version, it's like saying goodbye to your first art piece in order to treat the second art piece. You're smart to do this in two parts, so you've saved a version of it digitally. There is such beauty in this, I'm so happy to be learning from you. It will be a pleasure one day to become my version of your craft.
Great job!
I think what you say about tools and markmaking is true. However, it takes a practiced hand to create beautiful marks from any tool. A concert pianist can find beauty and range in any instrument but the inexperienced may need the ease and inspiration of tools that provide consistent results.
Hello again Andrew, dear friend this process on copper plates was absolutely stunning in the Grissai method of working. I found it very interesting to watch and see how you developed this beautiful landscape as it is. Then I got to thinking, would it not be a great idea to to create another one but this time adding the colours in? I say this because the original in black and white tones is tremendously inspirational and it would be a shame to hide all that work underneath colour, as it is a fantastic piece in its own right. I love the brightness it has produced too. It's hard work I know but then your the master and it's your choice in the end sir. Can't wait to see what you do with the rest of those copper canvases. Thank you also to Aslan who made such wonderful platform for artists working in copper. I have also used oleogel in some of my works. But correct me if I am wrong, did I hear you say that you mixed oleogel with liquid?
If so what ratio do you recommend as oleogel is quite waxy when used on its own?
Take care and Happy new year2023 to you and your family.❤️❤️👍🖐️
Absolutely love this! Do ypu have a tree demo? If not can you make one? I Love painting trees but am having difficulty with leaves.
The comment about cheap brushes made me laugh. I was at a major art gallery in NZ showing Colin McCahon's work and the gallery staff were complaining about how he used rubbish materials for his supports. Almost like they'd never read anything about the artist and what drove him to paint.
Just a pointer. The reaction that binds the paint in the copper is not chemical is electrostatical. If it was chemical it would happen only in a very few pigments (that were more electronegative than copper)
OMG I just love it. ❤
Beautiful
amazing! continue with glazing
Dear Andrew, do you have demonstration of oil paint on top of this? A question comes to my mind as a bigginer. How do you apply oil colores on top by keeping all those details as a base color ? Thanks for sharing.
wonderful sharing
Sir , we miss ur podcasts! Please continue doing some more podcasts with different artist,such as susanlyon, Scott burdick, Renato muchillo, Cesar Santos, Nicolas uribe etc.
I like this just as it is in B/W.
Thank you for your videos. I have a little paint RUclips channel and i appreciate very much your teach for make better.
Love the video Andrew! After hearing you recommend him in a couple of videos I decided to reach out and order from him, and I did not have a good experience trying to get the oil painting sketchbook from him. I have not received any product or my money back from him in the year since I placed my order. I’m sure it’s a good product, and I’m not typically the type to leave a comment like this, but for everyone in the comments just be careful.
Ty, please contact me to resolve this. I have been trying to contact you for months. I can't locate you on Instagram anymore. Email me, thank you.
Hello Ty, tried to reach you again today. Haven't received any response.
Third attempt to contact you, please contact me via email.
Wow Incredible already thx so much