I think this is a good example of why anyone who records or mixes needs to be able to master. Even if someone else is going to do the final master, being able to test your mix against bus compression, EQ, and limiting, and then be able to course correct and make final adjustments to your mix before sending it off and wasting someone else's time and your own money.
Nice, deftones a,b. Great mix. I just cant seem to get my compression less obvious (sounds squashed). Rather than going back into the mix, can you correct it with the Linear EQ?
Yes, I agree - It's good and important to know the loudness rules, but if you're doing commercial work, you're "shitting all over the rules". And the pros know this. One of the most important things I ever heard was Lord Alge being asked "How much compression on the 2-bus?" And his answer was "As little as I can get away with". And that's in the context of mixing - the edit master. Mastering is a different story, but still you want as little as you can get away with - but to get the aesthetic or technical effect desired.
Behringer, you sneaky bastard, I know what you've done here! Plugging your stuff on a TC video, smart, very smart! (don't forget TC is owned by Behringer…)
I enjoyed these series of videos so much. Awesome, Tue Madsen you are a legend and a genius thanks so much for
If you master & mix in one pass you can bypass a lot of the back and forth tweaking Tue had to do.
I think this is a good example of why anyone who records or mixes needs to be able to master. Even if someone else is going to do the final master, being able to test your mix against bus compression, EQ, and limiting, and then be able to course correct and make final adjustments to your mix before sending it off and wasting someone else's time and your own money.
I see I'm not far off in how I do things as far as work flow when it comes to mastering. Good to know.
Are you using Chimaira’s Ressurection album to reference?! I use the same album lol
Great series! Tue is such a legend
I didn’t realise Tue did the early Mnemic records! I’ve always thought they sounded phenomenal and now I know why.
Wow when he said that he mixed the new "sick of it all" I got really excited
Just V mid scoop everything !!! EVERYTHING !!!
Why?
✋
no way
ALL THE GAIN, NO MIDS, SLAAAYEEEERRR
you want to be haired
Nice, deftones a,b. Great mix. I just cant seem to get my compression less obvious (sounds squashed). Rather than going back into the mix, can you correct it with the Linear EQ?
Yes, I agree - It's good and important to know the loudness rules, but if you're doing commercial work, you're "shitting all over the rules". And the pros know this. One of the most important things I ever heard was Lord Alge being asked "How much compression on the 2-bus?" And his answer was "As little as I can get away with". And that's in the context of mixing - the edit master. Mastering is a different story, but still you want as little as you can get away with - but to get the aesthetic or technical effect desired.
Impressive music recordings library you have, Mr Madsen. Much respect...
Awesome frenchie bulldog
Very cool
awesome
Why the speaker monitors are so low? Get the stands at least
What are the names of the plugins that he's using?
Could we get that loud 'n clear preset?
Behringer, you sneaky bastard, I know what you've done here! Plugging your stuff on a TC video, smart, very smart! (don't forget TC is owned by Behringer…)