The downward chromatic scales of Callas...... She will never be surpassed in this! She hits every note on the way down. No sliding, no slurring. Just pure perfection! ❤
There is evidence that she had a high G which would make her unique in the history of singing! Besides her superior technique, beauty, intelligence, dress sense, teaching ability, acting ability, linguistic ability, charity etc etc One fatal flaw.....her abysmal taste in men!
In my opinion, the point with Callas is beyond vocal range: what is really amazing is that she is able to infuse the music she is singing with a nearly perfect musical structure, THAT's really mastery.
Totalmente de acuerdo, a eso hay que sumarle el estudio del compositor y su obra que ella hacia. Llegaba a los ensayos muy preparada. Elvira de Hidalgo siempre dijo que la Callas era su alumna más aventajada, sobre todo porque supo dominar la respiración y comprendió muy bien todas las posibilidades de su aparato vocálico, además de el extraordinario oído musical con que contaba. Fíjate que en algunas de sus Masterclass en NY cuando ensayaba con sus alumnos la Traviata, ella cantaba el rol de Alfredo! Imagínate cómo esa mujer entendía lo que es una soprano…ya sabes que una verdadera soprano puede cantar como un tenor lírico…como también lo hacía la cantante más admirada por Callas, la extraordinaria Rosa Ponselle. Saludos cordiales.
Anyone can say they don't appreciate her voice BUT no one can deny that she achieved all the highest notes of a soprano majestically in her prime. No fear, no trembling, and effectively. Her vibrato was fierce.
And the examples here are mostly recordings after her prime, imagine that gigantic voice from 1949-1953 singing these arias, youtube would collapse because of the frequencies!!!! All hail the Callas!!!!
im planning to make a video about Callas vocal range (chest and head voice notes) and it will be like almost solely prime Callas apart from some great moments after her prime like in 1957 and stuff. Could you help me please and provide me with some notes-links if you want? I have a lot of notes in mind that I will use for the video but I don't want to miss some important notes, this is why I asked
Simplemente ecxelente y me quedo con una alegría y nostalgia al oírla con esos agudos vtan potentes y un canto dramático como desgarrador. La Divina y como ella ninguna, que mueve las fibras emocionales a sublime. Cierro mis hijos,me la imagino tan sutil y con fuerza dramática en sus movimientos corporales, dejándome un gran esplendor de lo que es la ópera. Por siempre la Divina María Callas.
Norma to Lakmé, incredible! Rosina, Lucia, Lady Macbeth, Turandot, Tosca, Amina, Gilda, Aida, Medea, Violeta. All her roles, dark or light, goodness. Can you imagine Callas singing Brunhilde by Wagner and another day singing Elvira by Bellini? And successful. Soprano Sfogato, soprano assoluta.
An unmatched legend You forgot her high G in Aida in Mexico where she held that note for 8 beats without sliding! To my knowledge nobody could ever do that, even the great Joan Sutherland and her famous high notes she couldn’t get that high,
@@stefanodepeppo I think she probably had an F and an F#, because she's far too dynamically controlled on her Ds and Ebs not to have the ability to at least hit some higher notes. The notes probably sounded terrible, so she never used them, which was smart.
Of course she could. But it simply was NOT a solid part of her voice. Every soprano including dramatic aopranos like Birgit Nilsson is able to sing a high F when warming up and in good shape and voice but to sing them live consistantly she would probably only be able to sing up to a high D.
Sorry but there is no absolutely evidence that Scotto said that, also because they met (and they definitely were not “good friends”...) when already Callas had started to loose even her Eflats, which sometimes (apart from Sonnambula) she had to drop/lower. de Hidalgo, whom I met in Milan in 1978, told me that (in her prime) she could vocalize till F but never able to support it. E natural was her absolute top in her palm days in Armida and Lakme’s aria live. Even in 1954 when she recorded the Lakme and Vespri arias, her high E was really glassy and weak. In 1958 in the Hamlet aria her E natural just touched is flat and also precarious. By the way, there are mistakes in these samples. Juliet’s aria has a C, not C#. Macbeth has a Db, not a D. Sonnambula has a Eb (beautiful!), not a E natural.
@@stefanodepeppo But I heard Scotto saying that; it was an interview on the radio France Musique, about thirty years ago, dedicated to Scotto and his career, and for a moment she spoke about Callas.
@@stefanodepeppo Scotto met Callas before the weight loss when she (Callas) was still singing Wagner. She could sustain a gigantic, full blooded, hefty E6 back then. Check out her live Lakme aria! Both Simionato and Siciliani said she could sing F6, the former adding "as easy as drinking water". Why not vocalize up to a G6, at least as staccato?
There are some mistakes in this video: a. It's not a C#6 at 3.30 (Je Veux Vivre). It's a C6. b. It's not a D6 at 3.51 (Ancora un Paso or Via). It's a C#6. Same correction at 4.05 (Una Macchia è qui Tuttora). However, great video :)
This mashup features few if any clips from pre-1954 Callas, which is when she earned her Divina title. Was this supposed to highlight both Callas' vocal decline, as well? It does an excellent job of that.
Sorry but it can't be a F but a E natural; in the tonality in which the piece is written (with three sharps), it ends (with this interpolated high note) with the interval of fifth E - A.
Pablo Pinto that video is edited. You can hear a real (more or less) high f in: Mercè dilette amiche 1951 (Opera: il vespri siciliani): she has to hit a eb6 and cracks during a second hitting a high f Or che sventurata 1952 (Opera: Armida): in the final of the act she hits an E/F6
Pablo Pinto 😊you’re welcome. It’s said Maria Callas could hit high G, and all those notes were so consistent as all the others from her vocal range, although we’ve not records from all those notes if she ever reached them
My vocal range is (F#3-F#5 (E6)-E6). I sing above F#5 in chest voice trying to hit E6 in chest voice when I sing jazz. My highest chest voice is E6. My upper chest voice is (F#4-E6) doesn't count as singing opera.
I find her lower voice to be far more pleasing to hear than her higher voice. Once she starts on the 6th octave, she develops this wobble in her already wide vibrato and her voice sounds very pinched and almost forced when she has to project it in fortissimo.
Lissandra Freljord the poster didn’t always choose the best clips. Many of her live renditions of these arias are from earlier in her career and better
I have a lower voice like (F#3-F4) in chest voice. I have a higher voice like (F#5-E6) in head voice. My 6th octave range is (C6-E6). I have a higher voice like (F#4-F#5) in chest voice. My tongue is wobbling and I have a wide tongue vibrato in fortissimo.
Bad choose of notes. Her live high notes are better than these. Just my opinion, I think that some notes not correspond with the video description.... Viva 'La Callas'.
I'm a dramatic soprano with big range (F#3-E6-E6). I'm a coloratura soprano. E6 in chest voice when I sing jazz. E6 in chest voice doesn't count on opera. I sing E6 in chest voice when I sing other genres than classical and opera. I sing F#5 in chest voice when I sing classical, opera and other genres.
@@melmario6145 emm... But you know that E6 in chest voice is actually biologically impossible? Even for high Sopranos? You might be using very heady mix, add nasality to your head voice so it sounds "sharper" and more powerful, but it's definitely not chest voice
That's an edited video. Its in the description, the acct user said that he gave it a lil "persuasion". However, im not sure abt the "Maria Callas F6 in Armida" as some say that its edited and some say its not. Im not sure.
Manoli Stavrinakis it's not edited but the tape was mastered a little sharp ( as the case of most old recordings) some claimed that it is a perfect high F as it was perfectly on pitch and if it was mastered faster it wouldn't be a perfect note, anyway no one is sure. but as a matter of fact, any voice can sustain a note, it can hit a higher note as staccato, and what if the high notes was Callas's E natural, i think she can even sustain a high F# and even lower than her lowest note.
+Di Stefano thats the Armida high E/F. The score of that piece is in E therefore the note she sang originally is an E and it was remastered faster and therefore higher. However the Sonnambula "high F" is completely edited in.
@@edumx2015 el de soporte era ese, eso te lo aseguro. En este vídeo han escogido notas cantadas en el último momento de su carrera, después de su mejor época. Podía dar un mi natural con una potencia sobrenatural. Mira te recomiendo que escuches unos vídeos en los que lanza estos mi naturales en su época dorada, busca: -“D’amor possente nome”, de la opera Armida. -Lakme bell song En ambas se puede escuchar al final del video el mi natural. Y del Fa bemol puedes escuchar: -“Arrigo ah parli a un core” de la ópera “I vespri siciliani” también está casi en el final la nota
Diese Sopranistin ist sehr bekannt dafür, dass sie seht gut singt. Ja, das ist so, aber ich glaube, dass es auch Sopranos, die besser singen, gibt. Was denken Sie daran?
@@KrishnaSimone Bueno creo que fui muy rudo. Perdón corrigo a mi no me gusta pero aún así admito que tiene una increíble técnica y un buen rango soportado.
Mariah Carey is a pop singer who uses a microphone and whose high notes are in whistler register which is a luxury opera singers can't have because they cannot use a microphone in an opera house. She has no room in this discussion. Callas is a billion times better than Mariah Carey. Maria Callas was the greatest singer to ever walk this earth.
I don't agree, pop singers use very different techniques compared to opera. They use a superior breathing technique. I don't think Mariah can sing without a microphone. Also, Mariah has an undeveloped head voice. And her belts are chest dominant. That's very different in opera where mixing is even and females have developed head voices. Beyonce would fit opera better. In her prime, Mariah was better than Beyonce but her singing techniques are very different from opera. Beyonce is more proper.
The downward chromatic scales of Callas...... She will never be surpassed in this! She hits every note on the way down. No sliding, no slurring. Just pure perfection! ❤
Blows me away that chromatic run....
No autotune?
@@sergeydc of course not, bro
@@sergeydc hah? Auto tune in 50s?
Yes I agree. Amazing
There is evidence that she had a high G which would make her unique in the history of singing! Besides her superior technique, beauty, intelligence, dress sense, teaching ability, acting ability, linguistic ability, charity etc etc
One fatal flaw.....her abysmal taste in men!
1
In my opinion, the point with Callas is beyond vocal range: what is really amazing is that she is able to infuse the music she is singing with a nearly perfect musical structure, THAT's really mastery.
Totalmente de acuerdo, a eso hay que sumarle el estudio del compositor y su obra que ella hacia. Llegaba a los ensayos muy preparada. Elvira de Hidalgo siempre dijo que la Callas era su alumna más aventajada, sobre todo porque supo dominar la respiración y comprendió muy bien todas las posibilidades de su aparato vocálico, además de el extraordinario oído musical con que contaba. Fíjate que en algunas de sus Masterclass en NY cuando ensayaba con sus alumnos la Traviata, ella cantaba el rol de Alfredo! Imagínate cómo esa mujer entendía lo que es una soprano…ya sabes que una verdadera soprano puede cantar como un tenor lírico…como también lo hacía la cantante más admirada por Callas, la extraordinaria Rosa Ponselle. Saludos cordiales.
Anyone can say they don't appreciate her voice BUT no one can deny that she achieved all the highest notes of a soprano majestically in her prime. No fear, no trembling, and effectively. Her vibrato was fierce.
My highest note is E6 in head voice and I'm a soprano. I have E6 with Eb6 tongue vibrato in head voice.
Indisputably the greatest voice ever in the history of human voice recording
Whitney houston is the greatest
@@Matthew9.__you cannot compare anyone to Callas
And the examples here are mostly recordings after her prime, imagine that gigantic voice from 1949-1953 singing these arias, youtube would collapse because of the frequencies!!!! All hail the Callas!!!!
im planning to make a video about Callas vocal range (chest and head voice notes) and it will be like almost solely prime Callas apart from some great moments after her prime like in 1957 and stuff. Could you help me please and provide me with some notes-links if you want? I have a lot of notes in mind that I will use for the video but I don't want to miss some important notes, this is why I asked
5:15 the way shit hit EVERY note while ascending 🤤🤤🤤🤤
I can hit E6 in head voice while ascending to E6.
Really amazing any human being could make such sounds. Some of those notes were killer-dillers!
One of the most in-tune voices I have ever heard, really
One of the best to ever walk this earth
Even though her high notes are mostly slow , you feel the depth in them , and with a touch of echo ... perfect
Callas was, is and always will be the unique! We are blessed to hear such a voice!
Simplemente ecxelente y me quedo con una alegría y nostalgia al oírla con esos agudos vtan potentes y un canto dramático como desgarrador.
La Divina y como ella ninguna, que mueve las fibras emocionales a sublime. Cierro mis hijos,me la imagino tan sutil y con fuerza dramática en sus movimientos corporales, dejándome un gran esplendor de lo que es la ópera.
Por siempre la Divina María Callas.
The first popular MC lol
Mimi is shook
Ahahahaah bro you great
mooriah sounds like a whale, maria callas actually sounds like a bird
@@popaganda919 I probably wouldn't call Callas' sound bird-like - it seems too complex for that.
@@popaganda919 why do you have to bring Mariah?? mariah is a pop singer not an opera singer. Two different types of singers
Norma to Lakmé, incredible! Rosina, Lucia, Lady Macbeth, Turandot, Tosca, Amina, Gilda, Aida, Medea, Violeta. All her roles, dark or light, goodness.
Can you imagine Callas singing Brunhilde by Wagner and another day singing Elvira by Bellini? And successful.
Soprano Sfogato, soprano assoluta.
it would have been wonderful😶😶😁
An unmatched legend
You forgot her high G in Aida in Mexico where she held that note for 8 beats without sliding!
To my knowledge nobody could ever do that, even the great Joan Sutherland and her famous high notes she couldn’t get that high,
There's no high G in aïda, you're refering to the famous high Eb she did in mexico in 1951 i think.
Exactly, I’m sorry it was my mistake!
The first two "D6" are actually "C#6" .. I freaking love Callas though (:
I sing D6 in head voice. I sing C#6 in head voice.
it obviously look like she will sing F6 any day. i wonder why no record of her hitting F6. but in all, no substitute for the diva
She can probably hit a E3 and up to a F#6. She probably stays in between F#3-E6 bc its her tessitura and its comfortable and reliable
kpoptastic she never had a high F. And she never sang “comfortable” with high E natural, apart from her live Lakme’s aria
@@stefanodepeppo I think she probably had an F and an F#, because she's far too dynamically controlled on her Ds and Ebs not to have the ability to at least hit some higher notes. The notes probably sounded terrible, so she never used them, which was smart.
@@stefanodepeppo If she's trying to lighten her voice yes it's possible for her to hit F6. She is able to hit E flat with huge chest participation.
I won't sing F6 any day. Hitting F6 is a lowest whistle scream and it's out of the vocal range.
In an interview, Renata Scotto testified that Maria Callas could sing the high G.
Of course she could. But it simply was NOT a solid part of her voice. Every soprano including dramatic aopranos like Birgit Nilsson is able to sing a high F when warming up and in good shape and voice but to sing them live consistantly she would probably only be able to sing up to a high D.
Sorry but there is no absolutely evidence that Scotto said that, also because they met (and they definitely were not “good friends”...) when already Callas had started to loose even her Eflats, which sometimes (apart from Sonnambula) she had to drop/lower. de Hidalgo, whom I met in Milan in 1978, told me that (in her prime) she could vocalize till F but never able to support it. E natural was her absolute top in her palm days in Armida and Lakme’s aria live. Even in 1954 when she recorded the Lakme and Vespri arias, her high E was really glassy and weak. In 1958 in the Hamlet aria her E natural just touched is flat and also precarious.
By the way, there are mistakes in these samples. Juliet’s aria has a C, not C#. Macbeth has a Db, not a D. Sonnambula has a Eb (beautiful!), not a E natural.
@@stefanodepeppo But I heard Scotto saying that; it was an interview on the radio France Musique, about thirty years ago, dedicated to Scotto and his career, and for a moment she spoke about Callas.
@@stefanodepeppo Scotto met Callas before the weight loss when she (Callas) was still singing Wagner. She could sustain a gigantic, full blooded, hefty E6 back then. Check out her live Lakme aria! Both Simionato and Siciliani said she could sing F6, the former adding "as easy as drinking water". Why not vocalize up to a G6, at least as staccato?
@@stefanodepeppo She used to hit an F6 in Armida 1952
No tengo palabras para agradecerte este vídeo. Gracias, gracias, gracias….
#Maria #Callas's, She is the first mainstream DIVA of world music. ❤
There are some mistakes in this video:
a. It's not a C#6 at 3.30 (Je Veux Vivre). It's a C6.
b. It's not a D6 at 3.51 (Ancora un Paso or Via). It's a C#6. Same correction at 4.05 (Una Macchia è qui Tuttora).
However, great video :)
Yeah, I noticed that too.
And Sonnambula is a Eb6, not a E6
B. Ancora un passo non paso. E comunque e un re bemolle.
3:51
3:30
Ci manchi così tanto 😔
Missed Suicidio, from soprano to Mezzo and back to soprano, too bad.
3:06 3:14 3:50 4:04
Magnificent ... thank you so much
Wow C#6 in pianissimo. It's hard for big voice to sing that soft.
Espetacular, diva a melhor de todas, incrível 🥰😮😮
Tutti i ruoli le appartengono!! Eccelle...unica, insuperabile i qualunque registro!!
Diva Callas e divina!
A melhor de todas
🤤 Esquisito escuchar Ala Diva Maria Callas
This mashup features few if any clips from pre-1954 Callas, which is when she earned her Divina title.
Was this supposed to highlight both Callas' vocal decline, as well? It does an excellent job of that.
When I was listening to Callas' "Merce, dilette", I heard F6, is it possible?
Jagoda Sawczuk YES! She overshoots the E6 with a bit of an F6! she had an F6, the haters can deal.
She does, yes, in her life Vespri: she aimes to high, hits an F, and "forces" the voice downwards for the E.
Sorry but it can't be a F but a E natural; in the tonality in which the piece is written (with three sharps), it ends (with this interpolated high note)
with the interval of fifth E - A.
I don't sing F6 in head voice.
@@NLidar I sing E6 in head voice with a bit of an Eb6 in head voice. I don't have an F6 in head voice.
incomparable .
La voce dell'amore
Great video!
The D6 Butterfly and D6 Macbeth are actually D flats...but I really liked this video...
I have a D6 in head voice. I can sing C#6 in head voice when I sing Butterfly and Macbeth.
Ahora analinado Yma Sumac es de otro planeta
She hit an F3 while rehearsing Liberamente or piangi. Oh!nel fuggente nuvolo in 1969
In La Sonnambula she sang a high F.
Pablo Pinto that video is edited. You can hear a real (more or less) high f in:
Mercè dilette amiche 1951 (Opera: il vespri siciliani): she has to hit a eb6 and cracks during a second hitting a high f
Or che sventurata 1952 (Opera: Armida): in the final of the act she hits an E/F6
@@marcoscorvo2514 thank you so much!
Pablo Pinto 😊you’re welcome. It’s said Maria Callas could hit high G, and all those notes were so consistent as all the others from her vocal range, although we’ve not records from all those notes if she ever reached them
I don't have F6 in head voice.
@@marcoscorvo2514 I hit Eb6 in head voice. My voice is not cracking. I can hit an E6/Eb6 in head voice tongue vibrato and I go flat.
3:15
Love her
Very beautifull video !!!! congratulations!!
I'm a beautiful singer.
5:15 what's the Aria name ?
It's Ophelia's “Pâle et blonde” aria from Thomas's 'Hamlet'.
3 and the secound tone Vocal range
My vocal range is (F#3-F#5 (E6)-E6). I sing above F#5 in chest voice trying to hit E6 in chest voice when I sing jazz. My highest chest voice is E6. My upper chest voice is (F#4-E6) doesn't count as singing opera.
Son voces que con la practica se dominan aunque algunas notas no todos pueden elevarlas al diafragma . Cuesta . Por eso no canto .
I find her lower voice to be far more pleasing to hear than her higher voice. Once she starts on the 6th octave, she develops this wobble in her already wide vibrato and her voice sounds very pinched and almost forced when she has to project it in fortissimo.
Lissandra Freljord the poster didn’t always choose the best clips. Many of her live renditions of these arias are from earlier in her career and better
I have a lower voice like (F#3-F4) in chest voice. I have a higher voice like (F#5-E6) in head voice. My 6th octave range is (C6-E6). I have a higher voice like (F#4-F#5) in chest voice. My tongue is wobbling and I have a wide tongue vibrato in fortissimo.
Whats the first aria name? From Madama Buterfly?
Ancora un passo or vi From Madama Buterfly
Where is her middle voice?
Good question. I guess the extremes were what was important to video maker.
ABCD EFGH I was asking the same damn thing just now
My middle voice is high pitched.
I seriously have to know, this is URGENT, what is the intro aria name?? please answer its URGENT!!
N. Lidar oh! Quanto cielo! Quanto mar! From Madame butterfly
@@marcoscorvo2514 It was urgent ahahahah
abc def i know😂 but better late than never
someone knows whats the music on 3:51???
Butterfly’s entrance in Madama Butterfly
@@oderflanell I sing Madama Butterfly.
Bad choose of notes. Her live high notes are better than these. Just my opinion, I think that some notes not correspond with the video description.... Viva 'La Callas'.
The Bb3 is from anna bolena , am I right ?
I have the Bb3 in chest voice.
1:10 Music ?
Which was the first aria?
Intro? Ancora un passo or via..❤
La divina
Qual nome da música 2:28??
In questa reggia
@@julioberlanga7748 obg 😁
4:45 anyone?
Lucia di lammermoor spargi d'amaro pianto
Thanks
Como se llama lo que canta en 6:20?
Ocean thou mighty monster, Oberon
What's the name of the one at 1:00? :)
Sedizioze voci from Norma first studio recording
What's the aria of the C#4?
Recitativo di Norma, prima del 'casta diva', atto 1.
I sing C#4 in chest voice.
Which aria is this 0.17? Beginning
Ancora un passo or via/ Madama Butterfly :)
Yma sumac vs maria callas quien tendria la nota mas alta?
Pls where can i watch the d6 one
I have a D6 in chest voice.
Great dramatic soprano but it is disturbing to hear how she forced high notes.
@electricxcircus Really good to know.
Absolutely dramatic soprano with big range and great coloratura skills, but not a natural-born coloratura at all.
I'm a dramatic soprano with big range (F#3-E6-E6). I'm a coloratura soprano. E6 in chest voice when I sing jazz. E6 in chest voice doesn't count on opera. I sing E6 in chest voice when I sing other genres than classical and opera. I sing F#5 in chest voice when I sing classical, opera and other genres.
Why she wasn't natural born coloratura?
@@wiktoriaboron Because I think her voice was not that agile, nor that high, her comfortable tessitura lied lower etc etc.
@@melmario6145 emm... But you know that E6 in chest voice is actually biologically impossible? Even for high Sopranos? You might be using very heady mix, add nasality to your head voice so it sounds "sharper" and more powerful, but it's definitely not chest voice
You're right tho. Her voice isn't LIGHT naturally. She learned coloratura technique.
3:47 what song ?
And the HIGH F????????????
Maria Callas Ah non Giunge (With High F)
That's an edited video. Its in the description, the acct user said that he gave it a lil "persuasion".
However, im not sure abt the "Maria Callas F6 in Armida" as some say that its edited and some say its not. Im not sure.
Manoli Stavrinakis it's not edited but the tape was mastered a little sharp ( as the case of most old recordings) some claimed that it is a perfect high F as it was perfectly on pitch and if it was mastered faster it wouldn't be a perfect note, anyway no one is sure. but as a matter of fact, any voice can sustain a note, it can hit a higher note as staccato, and what if the high notes was Callas's E natural, i think she can even sustain a high F# and even lower than her lowest note.
+Di Stefano thats the Armida high E/F. The score of that piece is in E therefore the note she sang originally is an E and it was remastered faster and therefore higher. However the Sonnambula "high F" is completely edited in.
Manoli Stavrinakis That's exactly my point, i am not talking about the Sonnambula high F it's edited of course.
+Di Stefano my original comment was referring to the Sonnambula one
1:19 aria?
Tacea la notte placida :)
Pero' manca il Fa dell'Armida. Aggiungere, grazie.
Su rango de soporte es Sol3-Re6 no?
No, su rango de soporte es Fa#4-Mi6. Aún así su rango era más amplio, tanto en el agudo como en el grave
@@marcoscorvo2514 No creo que ese sea su rango de soporte pero si creo que su rango era más amplio.
@@edumx2015 el de soporte era ese, eso te lo aseguro. En este vídeo han escogido notas cantadas en el último momento de su carrera, después de su mejor época. Podía dar un mi natural con una potencia sobrenatural. Mira te recomiendo que escuches unos vídeos en los que lanza estos mi naturales en su época dorada, busca:
-“D’amor possente nome”, de la opera Armida.
-Lakme bell song
En ambas se puede escuchar al final del video el mi natural.
Y del Fa bemol puedes escuchar:
-“Arrigo ah parli a un core” de la ópera “I vespri siciliani” también está casi en el final la nota
I have a G3 in chest voice. I have a D6 in head voice.
@@marcoscorvo2514 I sing F#4 in chest voice. I sing E6 in head voice.
what was 3:53???😍😍😍
Ancora un passo o via from Madama Buterfly
Como se chama a que canta em 4:30?
Lucia di Lammermoor
E em 5:38?
@@brendoguerra2474 LAKMÉ,Où va la jeune Hindoue?
Diese Sopranistin ist sehr bekannt dafür, dass sie seht gut singt. Ja, das ist so, aber ich glaube, dass es auch Sopranos, die besser singen, gibt. Was denken Sie daran?
Great pure pitch fasetto on high notes magnifecent only touching not full
I have a pure pitch falsetto on high notes in chest voice and head voice and they're full.
No autotune?
🌌Diário de Dan🌌 it was sarcasm 🙂
Ok boomer!
It was sarcasm guys
Me van a funar por decir esto pero que fea voz tiene, nadie aguanta su tono ni mi México querido. Mis oídos no le gustan lo que escucho
@@KrishnaSimone Bueno creo que fui muy rudo. Perdón corrigo a mi no me gusta pero aún así admito que tiene una increíble técnica y un buen rango soportado.
Yma sumac es de otro mundo y tiene la voz tan vibrante y hermoso.
@@juanveraaguilar1014 De otro mundo si, vibrante y hermoso eso es subjetivo.
@@juanveraaguilar1014 Y,ma Sumac 100% mejor que María Callas.
Mariah Carey F2-Bb7
Mariah Carey is a pop singer who uses a microphone and whose high notes are in whistler register which is a luxury opera singers can't have because they cannot use a microphone in an opera house. She has no room in this discussion. Callas is a billion times better than Mariah Carey. Maria Callas was the greatest singer to ever walk this earth.
Mariah Carey can't even sing above D6 with her disconnected head voice. lol
***** I feel that mariah would have been an excellent opera singer. I don't remember where I saw her sing opera but it was great.
I don't agree, pop singers use very different techniques compared to opera. They use a superior breathing technique. I don't think Mariah can sing without a microphone.
Also, Mariah has an undeveloped head voice. And her belts are chest dominant. That's very different in opera where mixing is even and females have developed head voices.
Beyonce would fit opera better. In her prime, Mariah was better than Beyonce but her singing techniques are very different from opera. Beyonce is more proper.
Daniel Hamma hahahaha~!
The aria at 3:00?
ombre légère from Dinorah
I knew it! Gosh I keep forgetting my arias lately...
What's the aria at 2:40
Duets Madama Butterfly 😍