Smetana - Piano trio - Oistrakh / Knushevitsky / Oborin
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- Опубликовано: 22 июл 2024
- Bedřich Smetana
Piano trio op.15
I. Moderato assai 0:00
II. Allegro ma non agitato 12:17
III. Finale. Presto 20:44
David Oistrakh
Sviatoslav Knushevitsky
Lev Oborin
Studio recording, Moscow, 1950 Видеоклипы
Amo con locura esta composicion inigualable. Como del dolor mas hondo , este santo musico (su rostro habla por si mismo) extrajo estas memorias, este dialogar de intrumentos, ya calmos, ya atormentados , en alternada gracia...
Oh esa cabalgata final que, cuando parece concluida, vuelve a surgir como un breve relampago, para acabar en un varonil acorde mayor!!!
Es sin duda una de las grandes obras de la humanidad. Y esta interpretacion, perfecta.
Вот вам и разница между пианистом/скрипачом/и т.д., и Музыкантом! Послушал несколько записей этого трио Сметаны, а историю любви, горя и протеста рассказали мне только эти мужчины.
Beautiful, touching the soul, Smetana, and Oistrakh wonderfully with his trio, Moscow 1950
I. 0:00
II. 12:16
III. 20:43
Der Dialog zwischen den drei Virtuosen klingt echt intim und zugleich perfekt synchronisiert. Bestimmt historisch sehr wertvolle Aufnahme!
Sonorités russes pour ce chef d’œuvre de musique de chambre: sonorités âpres et acides, rythmique d’enfer. Ambiance sèche. Une référence.
Super nice indeed - TY
Very nice performance!
Smeteana's trio is partly autobiographic. It can be heard as a lament about the drama of his deafness - just as Beethoven and Fauré. The interprets are "top level".
@AAH Replies Yes.... it was written in 1855 and he only became deaf in 1874
It is autobiographical, just about the death of his eldest daughter, with whom smetana had a close relationship with
Yes this is true also. Necertheless, the drama of his deafness has been underlined by severel specialized musicologists. Cheers. This rendering is of course an everlasting reference.
@@kieranmclain9992 at age 4 1/2, of scarlet fever. The daughter with the greatest musical promise. This is for her... Heartbreakingly beautiful.
👏😍👏👏
27:59
do we know the date of this recording please ?
Studio recording, Moscow, 1950