I love everything about this opera and just how it screams “Baroque” from the historically accurate theatre costumes, the baroque ballet, the stage, one of the best modern day opera performances of all time!
I understand the creative rationale of adapting opera to modern tastes and 'modernising' the performances, but I must admit I agree with you, in that it is a glimpse into the past to see them performed in period costumes as sets and that can be quite fascinating!
@@Alun49I disdain the modern path opera has taken these days, with laughable costumes and incomprehensibly worse theatrics. I always watch this production by Les Arts Florissants to remind me of what opera should be
I am crazy about this work. The Lully spirit has a powerful grip on me. Love all those superb voices ensconced in the upper level. It is, in fact, my passion for ballet that brought me to this stroke of genius. Bravo !! Must be a thrill to experience this live
Christie a déjà fait ça, notamment avec les Paladins, mais pas seulement. Même son Atys est une version fantasque d'une mise en scène du XVIIe. Cela dit, j'ai toujours aimé son interprétation d'Atys.
L edizione di svariati anni fa mi fu soddisfacente ma questa assai migliore per nervatura dizione e chi più ne ha ne metta la mia sola tristezza è di non essere stato tra i presenti per godere della messa in scena que l'on chante que l'on danese rions tous etc
J'aperçois Thomas Dunford tout jeune à l'archiluth, dont la rose n'est pas encore cassée, on peut presque en déduire la date de cette production, et qu'il ne s'agit donc certainement pas de la "première" à laquelle j'ai eu l'immense bonheur et privilège d'assister, il y a bientôt 40 ans... avec Guillemette Laurens, Guy de Mey, Agnès Mellon... Cela reste une pure merveille pour les oreilles et pour les yeux. Merci MONSIEUR William Christie pour tout ce que vous avez fait !!
One of the best traditional Baroque productions outside of Drottningholm. Would be nice to have English translation but luckily I can read Italiano abbastanza bene 🤗
Gracias por este importante esfuerzo orquestal y por esta puesta en escena de una obra de tanta trascendencia histórica como esta tragedia lírica, favorita del rey Sol y su consorte, y la cual se estrenara en 1610 en el castillo de Saint-Germain-en-Laye donde naciera. Éxitos en cuanto emprendan y felicitaciones.
A magnificent performance. So many "moving parts", it seems, to enable this production to cohere in the way that it does. Jennifer Homans' Apollo's Angels brought me here through her penetrating chapters on the origins of dance. I keep returning here to my "front row seat " ! Thank you for making it possible for me to feast on this perfection.
Great performance. Orchestra conducted by the man who almost single-handedly resurrected French baroque. Well done Mr. Christie. A long way from Buffalo, NY
As a huge dance aficionado, I happened upon this gem as I was studying from Jennifer Homans Apollos Angels. I have fallen in love with the glorious musica
He escuchado esta ópera cientos de veces mientras trabajo en mi taller. Gracias por subirla, es difícil encontrar la, espero que no te la borren como ya hicieron con otros
Coś Wspaniałego! J-B Lully, a poźniej J-P Rameau - uczta! Ależ rozmach! Piękny francuski barok. Pozdrawiam z Polski i polecam również muzykę polskiego baroku, bo też się działo pomimo wojennych zawirowań...
Can anyone make this available with English subtitles? The voices are amazing, and the costumes are so gorgeous I don't want to follow a translation of the libretto while watching.
I believe that at in least one respect William Christie and Jordi Savall conduct in a similar manner. Both maestri have such a command of the score that they seem to be conducting with their entire bodies rather than simply with their arms and hands.
Стефани ДУстрак - настоящая богиня. Она всегда бесподобна. Бернард Рихтер и Эммануэль де Негри играют влюбленную пару, как в кино, выдавая настоящую "химию". Сцена сна просто волшебная. Финал ошеломляющий по накалу страстей. Одним словом, постановка 🔥🔥🔥
Is this based on same later productions? Because the costumes look more like from 1700s rather than 1670s (edit: well except for the part he's lying on the floor, there it seems he travelled back in time... I don't understand italian nor french so have no idea what's going on...)
If the costumes have been similar to those used in the first setting of the opera towards 1673, they would have been fantasy costumes and not realistic costumes of the upper class of the time. In 17-18th operas, purely conventional costumes were used in a pseudo- roman style. Here William Christie makes the choice of realistic costumes of the time, probably to make a comparison between the story of Atys and the way of life of the court at Versailles, but using late 17th costumes and not 1670 ones; maybe he found the first ones more handsome and dignified.
Grazie molte per la condivisione! Ricordo che tempo fa c'era su RUclips integralmente questa recita dell'opera, poi però è stata eliminata. C'è per caso una fonte da cui ricavare questa registrazione audio e video?
Someil: the livret says « Deux songes joüants de la violle. Deux songes joüants du theorbe. Six songes joüants de la flutte. » Why is one flutte missing? Where are the violles? The traversières are anachronistic, by all accounts, if there was a traversière in the original at all, it would have looked more like the Haka flûte.
I AWOKE TEH YOUTH & ALL NATIONS SO THAT I HVE CLOUD-SENSORS - IT HELPS WHEN ALL GANGS ARE KULLINNG ONE ANOTHER 2 HAVE THE MAXIMUM G1 - AKA INTELLIGENCE
It gives you an idea what Louis XIV could have seen and heard, but it doesn't gives you an idea of the stench of the unwashed bodies (and clothes) and the urine in his beloved, icecold Versailles.
Un monde lointain. Mythologie et fantaisie. Et une merveilleuse musique de l’époque.
La puissance et la gloire
I love everything about this opera and just how it screams “Baroque” from the historically accurate theatre costumes, the baroque ballet, the stage, one of the best modern day opera performances of all time!
The 17th century costumes are so amazing (and authentic!) It's like being transported back in time. I really wish more operas were performed this way
I understand the creative rationale of adapting opera to modern tastes and 'modernising' the performances, but I must admit I agree with you, in that it is a glimpse into the past to see them performed in period costumes as sets and that can be quite fascinating!
@@Alun49I disdain the modern path opera has taken these days, with laughable costumes and incomprehensibly worse theatrics. I always watch this production by Les Arts Florissants to remind me of what opera should be
Wonderful performance! I attended the first performance given at the Brooklyn Academy of Music back in 1986. It was mesmerizing!!
Bellissima rappresentazione con cantanti ed orchestra magistrali. Grazie per aver dato la possibilità di vedere questa opera.
I am crazy about this work. The Lully spirit has a powerful grip on me. Love all those superb voices ensconced in the upper level. It is, in fact, my passion for ballet that brought me to this stroke of genius. Bravo !! Must be a thrill to experience this live
I love the early baroque era❤
Rather than feeding on the ashes that puports to be the news, I return to this production that has the wings to keep me sailing far above the morass
Cette pensée est très belle
Beautiful voices... Deep contents... Great French culture... Grand staging. Made an impression... Thanks for Mr.Christie... Thanks for Marco Sereno...
A lavish and delightful staging. Les Arts on top form under Maestro William. Bravo!
La musique de ce merveilleux italien était si brillante que 300 ans plus tard, nous l'écoutons également avec plaisir.
Il est né Florentin, pas Italien. Tout son art musical fut appris en France... Il arriva de Florence sans aucune éducation musicale à l'age de 14 ans.
@@fredericvolatil8910 Et en plus il fut le plus farouche adversaire de l'introduction de la musique italienne en France. Il s'y opposa toute sa vie.
Plus Versaillais que cela ce n'est pas possible.
Peut-on imaginer cette musique avec des danseurs de hip-hop 🤔🤭🥱
Vive la France et sa culture millénaire 💙🤍❤️
Oui ça a été fait sur du Lully et c'était fabuleux. Votre commentaire est hors sujet.
Christie a déjà fait ça, notamment avec les Paladins, mais pas seulement. Même son Atys est une version fantasque d'une mise en scène du XVIIe. Cela dit, j'ai toujours aimé son interprétation d'Atys.
Complément d accord
L edizione di svariati anni fa mi fu soddisfacente ma questa assai migliore per nervatura dizione e chi più ne ha ne metta la mia sola tristezza è di non essere stato tra i presenti per godere della messa in scena que l'on chante que l'on danese rions tous etc
Именно так все и происходило ! Спасибо за реконструкцию ! Чудесная постановка !
J'aperçois Thomas Dunford tout jeune à l'archiluth, dont la rose n'est pas encore cassée, on peut presque en déduire la date de cette production, et qu'il ne s'agit donc certainement pas de la "première" à laquelle j'ai eu l'immense bonheur et privilège d'assister, il y a bientôt 40 ans... avec Guillemette Laurens, Guy de Mey, Agnès Mellon... Cela reste une pure merveille pour les oreilles et pour les yeux. Merci MONSIEUR William Christie pour tout ce que vous avez fait !!
je partage votre avis !
A measured elegance that I find highly intoxicating
My favorite opera. Superb rendition.
One of the best traditional Baroque productions outside of Drottningholm. Would be nice to have English translation but luckily I can read Italiano abbastanza bene 🤗
Gracias por este importante esfuerzo orquestal y por esta puesta en escena de una obra de tanta trascendencia histórica como esta tragedia lírica, favorita del rey Sol y su consorte, y la cual se estrenara en 1610 en el castillo de Saint-Germain-en-Laye donde naciera. Éxitos en cuanto emprendan y felicitaciones.
Super. Merci beaucoup
Dankeschön fürs Hochladen! Zweifellos eine der schönsten Opern von Meister Lully! Und in einer wunderschönen Inszenierung von Les Arts Florissants. 💐
A magnificent performance. So many "moving parts", it seems, to enable this production to cohere in the way that it does. Jennifer Homans' Apollo's Angels brought me here through her penetrating chapters on the origins of dance. I keep returning here to my "front row seat " ! Thank you for making it possible for me to feast on this perfection.
Great performance. Orchestra conducted by the man who almost single-handedly resurrected French baroque. Well done Mr. Christie. A long way from Buffalo, NY
Definetely not single- handely, but he's best
@@hrabiahoreszko2123 M Kenneth Gilbert may have something to say about that!!!
superbe, comme on peut s'y attendre ! 🔵⚪🔴
Спасибо. Отличное качество видео и хороший звук. Постановка 1986 года сама стала произведением искусства. Музыка Люлли бессмертна. ❤😊❤
Da
The name Les Arts Florissant tells it all ,Merci beaucoup mr Christy and surtout Ms D` Austrac je t`adore
Superbe ! concert magistralement dirigé âr WILLIAM CHRISTIE un chef d'orchestre maître en la matière ! Merci !pour cette merveille !
Lovely to see an esthetically beautiful production
Merci pour ce cadeau... Bravo !
As a huge dance aficionado, I happened upon this gem as I was studying from Jennifer Homans Apollos Angels. I have fallen in love with the glorious musica
The voices in this are so grand
favoloso!, Grazie per la condivisione!
Excellent performance and very good stage sets!
I have never seen the choir on and in the ceiling panel - a brilliant idea, Chapeau!
That's part of the Versailles architecture - that gallery was built for the purpose!
Merci beaucoup pour nous donner cette pièce rare et d'un génie unique!
Muito obrigado pela maravilhosa encenação e música 🎵 que demonstra a grande e tradicional cultura francesa. De São Paulo, Brasil 🇧🇷
Direction d'orchestre magistrale, vigoureuse, entrainante, solide, quel bel exemple d'un maitre à son meilleur.
He escuchado esta ópera cientos de veces mientras trabajo en mi taller. Gracias por subirla, es difícil encontrar la, espero que no te la borren como ya hicieron con otros
Thank you for this upload, I had never heard of this Opera until today. What an amazing production
Beautiful performance. And what should also be pointed out is the beautiful decor and atmospheric lighting.
Jean Baptiste Lully
Atys (LWV 53) - Tragedie en musique
1:33 [Prologue] Overture
19:37 [Acte I]
58:59 [Acte II]
1:20:20 [Acte III]
Gracias por ofrecer esta sublime y espectacular ópera. Merci mille!
these 4-3 resolutions are so funny . they really make the baroque french style !
For a change, listen to any of Jordi Savall's performances of this repertoire: he avoids the 4-3 like the plague!!!
Coś Wspaniałego! J-B Lully, a poźniej J-P Rameau - uczta! Ależ rozmach! Piękny francuski barok. Pozdrawiam z Polski i polecam również muzykę polskiego baroku, bo też się działo pomimo wojennych zawirowań...
⚘️👋Спасибо большое Вам за ваш труд🎶👍
Extraordinaire !!!!
.....wunderschön ! 💐
magnificent!
Piydu mater! Bravo! Bravissimi!
"Esperanza, tan querida y tierna ¿por qué me engañas?" 1:59:57
1:48:08 - magnificent choreography of "Les Songes Funestes", love it!
Can anyone make this available with English subtitles? The voices are amazing, and the costumes are so gorgeous I don't want to follow a translation of the libretto while watching.
Grazie!
Nous sommes même transporté dans le monde Versaillais quelque part....
I believe that at in least one respect William Christie and Jordi Savall conduct in a similar manner. Both maestri have such a command of the score that they seem to be conducting with their entire bodies rather than simply with their arms and hands.
I am particularly fond of that chorus of voices in the balcony
Bravo!
Bravísimo
Tres difícile le baroque
Hermosa opera exelente🙏
Excellent 👍👍
Opera singer in that era,not only knew how to sing but knew how to dance
Стефани ДУстрак - настоящая богиня. Она всегда бесподобна. Бернард Рихтер и Эммануэль де Негри играют влюбленную пару, как в кино, выдавая настоящую "химию". Сцена сна просто волшебная. Финал ошеломляющий по накалу страстей. Одним словом, постановка 🔥🔥🔥
Grazie mille♥️ Ero nella sala dell'Opéra Comique, per la prova generale di Atys nel 87. Una meraviglia. Mi riporta a belli ricordi. 🙂
La musique de Jean-Baptiste Lully celle du grand siècle celle du grand roi
Nice eyes...!
Jean-Baptiste...!
Thanks,thanks❤❤❤❤❤❤❤❤
I have to ask: What was it like laying on the floor for so long? Was the floor cold?
Do you have this opera with French subtitles?
Merci !
Наслаждение музыкальное и визуальное. Очень талантливо, прекрасно и восхитительно!
Присоединяюсь к вашему восхищению!
Большое спасибо. Впервые вижу это чудо! Блестящее исполнение голоса! Я когда-нибудь узнаю суть игры!!
merci
Back in 17th century a opera singers must also know how to dance.
Is this based on same later productions? Because the costumes look more like from 1700s rather than 1670s (edit: well except for the part he's lying on the floor, there it seems he travelled back in time... I don't understand italian nor french so have no idea what's going on...)
If the costumes have been similar to those used in the first setting of the opera towards 1673, they would have been fantasy costumes and not realistic costumes of the upper class of the time. In 17-18th operas, purely conventional costumes were used in a pseudo- roman style.
Here William Christie makes the choice of realistic costumes of the time, probably to make a comparison between the story of Atys and the way of life of the court at Versailles, but using late 17th costumes and not 1670 ones; maybe he found the first ones more handsome and dignified.
@@simeonstilite Interesting: cf online performances of the later operas of Rameau - very, very different clothing.
Grazie molte per la condivisione! Ricordo che tempo fa c'era su RUclips integralmente questa recita dell'opera, poi però è stata eliminata. C'è per caso una fonte da cui ricavare questa registrazione audio e video?
Ho caricato l'intera opera nelle parti 1 2 e 3 Controlla. Saluti
@@serenomarco Crazie di nuovo, molto bene 👍💐🎶
@@serenomarco Grazie molte per la condivisione! Es ist eine Freude solche Meisterwerke, in dieser Qualität, hier anzutreffen.
There is a certain magic that occurs as those voices in the balcony cascade down upon the stage
Prologue: Menuet 00:16:19 (personal use)
А что было так, что режиссер постановщик ходил по сцене и организовывал мизансцены? Боже, какая прелесть!
...et notre président nous a dit que la culture française n'existait pas ! Honte a lui !
C est un traître il nous mène vers une catastrophe
DIEU🇻🇦🍒✝️🍒🇻🇦 ACCUEILLEZ DÉSORMAIS DANS VOTRE PARADIS🎶🌿🐰🌼 L'ÂME IMMENSÉMENT CATHOLIQUE🌺💮🌸 de LULLY ❤🏵📚🍋💮🌺🇻🇦🌼🇻🇦🎶🇵🇸🌼⛑🌹💒🇲🇬🌹✒📃🎶🦁🇦🇲🍋🙋♂️!!!
Not sure why English CC is not available?
Merci
Tienes amadis sin cortes?
👏👏👏👏🌺💐♥️💕💕
A Versailles? Opéra?
à l’Opéra Comique
Molto grazie! Qu'est-ce que c'est la date de cet enregistrement?
C'était en 2011
💚💚💚💚💚💚👉👉
Someil: the livret says
« Deux songes joüants de la violle.
Deux songes joüants du theorbe.
Six songes joüants de la flutte. »
Why is one flutte missing? Where are the violles? The traversières are anachronistic, by all accounts, if there was a traversière in the original at all, it would have looked more like the Haka flûte.
5:58, da qui momento a solo poi ensamble pi balletto
128:40 Le Sommeil
45:30
Sous-titre français 🤷♂️
Pardon: 1:28:40
1:52:02
es geht also doch hochwertigste interpretation und inszenierung
SEALCLATCONSTITTIUION
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I AWOKE TEH YOUTH & ALL NATIONS SO THAT I HVE CLOUD-SENSORS - IT HELPS WHEN ALL GANGS ARE KULLINNG ONE ANOTHER 2 HAVE THE MAXIMUM G1
- AKA INTELLIGENCE
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1:26:33
1:49:07
Je préfère celle de Piccinni, en 1778, plus dramatique et la musique est plus au service du texte.
It gives you an idea what Louis XIV could have seen and heard, but it doesn't gives you an idea of the stench of the unwashed bodies (and clothes) and the urine in his beloved, icecold Versailles.
Because you think your peasants ancestors at this time washed a lot 😅
Yeah, I hope they recreated those as well at the spot...the smell of baroque!
They used also cologne and parfum….
👍😂
Благодарность из России! 😊
Peace
Присоединяюсь!