Os Improvisos de Schubert são belíssimos! Teria que enaltecê-los todos! Gostaria de dar a Schubert todas as estrelas do firmamento dispostas em sua volta,coroando a sua sensibilidade e talento! Queria glorificá-lo como sempre mereceu pela abundância de sentimento com que impregnou sua Obra! Grande Kissin que exprime com talento a grandiosidade da Obra que executa!!!
Kissin always plays the song calmly. He tries to convey the song objectively, excluding subjective emotions as much as possible. Thanks to that, we can appreciate the song itself. It's a really great performance.
Good interpretation. But not very Schubert-like to my understanding. I agree with Sir. András Schiff's comment, that certain Schubert's impromptu pieces are more like "the music leads you forward" (which gives you a feeling like you slowly follow some brook, breeze, or subconscious motivation in a long wandering trip), whilst this interpretation is more like "the player drives the music forward", sort of overly subjective and expressive.
@@efucosiche I think she does particularly well in the middle parts, i.e. the relatively splendid sections. Very impressive with her special explicitness. But the beginning (theme) and the end is a bit too stable and monotone to my taste, or how to say, way too "typical". If you carefully check out Brendel's interpretation of the theme, you'll notice he plays some passage notes in a more or less Staccato way with subtle dynamics and sustain. He also adjusts the colors of the chords as the sentence flows. Truely thoughtful. With Pires' intepretation of the theme, you'll hear more hesitation and uncertainty since she seems to pause the "breath" a little bit at the first note of quite some sentences. The flows she plays are also comparatively softer. This suits Schubert's characteristics pretty well. As analogs (only regarding this piece), I'd say Brendel is more like a sculptor, and Pires is more like a poet, and Lisitsa/Kissin is more like a rock star. Don't take it too serious. 😄
南雨篱 thank you so much for yours suggest 🙂 what about your favorite interpretation of the 90 2 improm. Of schubert? I’m finalizing to study in these days and I’m looking for a good color of interpretation 😊
@@efucosiche Sure. For Op. 90 No. 2 I would say Horowitz's rendition is very rich in colors (so as for No. 3). Just for studying you could also watch the master class given by Schiff: ruclips.net/video/IzTdpTHIgkc/видео.html, which is highly instructive.
This is technically and musically a perfect interpretation. It's so impressive. In my opinion the way he plays it lacks a little bit of emotion though, I think it would be more appropriate to play like this for Mozart or Chopin. But again, absolutely perfect otherwise. Just wow.
Technically perfect, though I can't escape the feeling that these 'recurring trips around the church' are of little challenge and in fact boring to him. You can tell that from THE SPEED with which he plays. His approach is way too fast. Evgeni was really afraid to miss his last train home. For the correct mental attitude to this tune I refer to Valentina Lisitsa. Just go and listen to her approach. You'll immediately from the beginning feel the difference. But then again Valentina has really taken the tune to her heart. En in music, be that classic or otherwise absolutely nothing can beat up against that. Cause that's where it starts and that where it ends!!!
You are totaly right for Valentina. She IS so amazing in everything she plays. But listen to Brendel please. I am afraid he plays better than Valentina for this beautifull impromptu n°3. Just listen and take pleasure because music is not only to compare but emotions.
@@ianboard544 A Schiff my preferred version ! His Masterclass at the Juliard school about this piece is so enlightning. Helps me a lot in my work on this piece.
Schubert superestimado por muitos por uma falta de conhecimento maior sobre este super talento da música superior. Nos colocando pelo pensamento, imaginação na época referida uma música extraordinária. Muito a frente de seu tempo. Uma viagem sonora super dimensional. Misteriosa. Futurista. Um dos melhores intérpretes interpretando. Sempre Kissin
Bravo E. Kissin. Superbe interprétation. Tout l'esprit viennois de Schubert est là ! Merci
Spectacular views from above - seemingly effortless playing. Most impressive!
One of the loveliest of Schubert’s Impromptus ever written and to hear it so well played is an added pleasure. Beautifully rendered Eugeny Kissin.
00:00 theme
1:30 Variation 1
2:57 Variation 2
4:18 Variation 3
6:32 Variation 4
8:20 Variation 5
Good!!!!!
Thank you so much. I'm self-learning this wonderful piece
thanks a lot :D
You left out the time stamp for the apparent interludes of coughs.... X(
Thank you very much 🙏🙏🎶🎶🙆🙆
Not overdone, most beautifully singing Steinway, perfect recording
Os Improvisos de Schubert são belíssimos!
Teria que enaltecê-los todos!
Gostaria de dar a Schubert todas as estrelas do firmamento dispostas em sua volta,coroando a sua sensibilidade e talento!
Queria glorificá-lo como sempre mereceu pela abundância de sentimento com que impregnou sua Obra!
Grande Kissin que exprime com talento a grandiosidade da Obra que executa!!!
大好きな即興曲‼️😉👍🎶キーシンのピアノで今まで聴いたことがなかったプログラムの演奏を拝聴でき嬉しくて泣きそうです😥😥😥💐素晴らしい演奏の配信、本当にありがとうございました😉👍🎶
I'm very happy.thank you.🌺🌹🌸🌻💐
Kissin always plays the song calmly. He tries to convey the song objectively, excluding subjective emotions as much as possible. Thanks to that, we can appreciate the song itself. It's a really great performance.
One of my faves! So Beautifully played Thank you!
美しすぎる！やっぱりキーシンは凄い人。大好きです。有り難うございます。🎶❤️❤️
Beautiful, great pianist!
Yes indeed🎶👏He is great and miracle❤😊😀🎶🙆 This problem is too beautiful😍😀❤️❤️❤️❤️🎶
Touch from heaven
Amazing! Very nice playing!
So beautiful
Amazing...Brings Schubert into the 21st Century. Interpretation=Amazing
Thank you for your guidance 😊
Good interpretation. My favorite is Maria Joao Pires from her all Schubert "Voyage Magnifique" album.
Best is Valentina lititsa ruclips.net/video/8YFX-XQLToE/видео.html
나도 죽기전에 이렇게
단 한번만이라도 쳐봤으면ㅠㅠ❤❤❤❤❤❤❤❤❤
너무 아름다워서 눈물이 날 것 같다..
공감요..이 곡은 키신 연주로 들어야함. 슈베르트의 곡은 한곡 한곡이 기가 막혀요.
Yes too beautiful😍❤
LOVE KISSIN!!
Me too 😭❤️❤️❤️❤️❤️❤️
Wow~~ vert good!
Uplifting ❤
Precioso.
Grande Kissin!!!
Yes indeed🎶‼️😉👍🎶 He is miracle and great👍 l like him very much😀😄👍👏🙆💐❤️
Belíssima.
Amazing 🎉
참 좋습니다
😍soooo schön😊
Yes indeed🎵He is miracle🎶🎶🎶🙆
Linda performance 😍
굿
Good
Kissin = a guineas pianist
Yes indeed🎵👏Great👍👏🎵💐💐💓
Good interpretation. But not very Schubert-like to my understanding.
I agree with Sir. András Schiff's comment, that certain Schubert's impromptu pieces are more like "the music leads you forward" (which gives you a feeling like you slowly follow some brook, breeze, or subconscious motivation in a long wandering trip), whilst this interpretation is more like "the player drives the music forward", sort of overly subjective and expressive.
What do u think about lititsa interpretación? ruclips.net/video/8YFX-XQLToE/видео.html it’s my favorite
@@efucosiche I think she does particularly well in the middle parts, i.e. the relatively splendid sections. Very impressive with her special explicitness. But the beginning (theme) and the end is a bit too stable and monotone to my taste, or how to say, way too "typical".
If you carefully check out Brendel's interpretation of the theme, you'll notice he plays some passage notes in a more or less Staccato way with subtle dynamics and sustain. He also adjusts the colors of the chords as the sentence flows. Truely thoughtful.
With Pires' intepretation of the theme, you'll hear more hesitation and uncertainty since she seems to pause the "breath" a little bit at the first note of quite some sentences. The flows she plays are also comparatively softer. This suits Schubert's characteristics pretty well.
As analogs (only regarding this piece), I'd say Brendel is more like a sculptor, and Pires is more like a poet, and Lisitsa/Kissin is more like a rock star. Don't take it too serious. 😄
南雨篱 thank you so much for yours suggest 🙂 what about your favorite interpretation of the 90 2 improm. Of schubert? I’m finalizing to study in these days and I’m looking for a good color of interpretation 😊
@@efucosiche Sure. For Op. 90 No. 2 I would say Horowitz's rendition is very rich in colors (so as for No. 3).
Just for studying you could also watch the master class given by Schiff: ruclips.net/video/IzTdpTHIgkc/видео.html, which is highly instructive.
@@efucosiche personnaly, i don't like lisista in general. I think that she plays in a way too monotone.. i don't feel emotions listing to her
예원 입시곡 ㅠㅠ
🌹
❤️❤️❤️❤️👍👍👍😀
Edwin Fischer. Recorded in the 30s but still unequalled. take time to let it sink, as it has a lot of depth.
Wowzers. Oy vey. Gezellig. Outstanding.
Gezellig lol
best!
Yes indeed 🎶 He is miracle ‼️😉👍🎶
This is technically and musically a perfect interpretation. It's so impressive. In my opinion the way he plays it lacks a little bit of emotion though, I think it would be more appropriate to play like this for Mozart or Chopin. But again, absolutely perfect otherwise. Just wow.
András Schiff plays this wonderfully
@@nickb220 lol
As much as I like Kissin I prefer Zimerman and Brendel in my favorite Impromptu by Franz Schubert! ;)
Totally agree. Nobody beats Brendels performance of the imrpomptus!
I agree with you, but maybe its difference he played live.
Who else is here from Trollface Quest 3?
I usually love Kissin as a player but not with Schubert, from what I have seen so far. He plays Schubert not as emotional as Brendel or Sokolov.
I agree👍this problem is so beautiful😍💜He is miracle and great👍😀‼️😉👍🎶
Technically perfect, though I can't escape the feeling that these 'recurring trips around the church' are of little challenge and in fact boring to him. You can tell that from THE SPEED with which he plays. His approach is way too fast. Evgeni was really afraid to miss his last train home. For the correct mental attitude to this tune I refer to Valentina Lisitsa. Just go and listen to her approach. You'll immediately from the beginning feel the difference. But then again Valentina has really taken the tune to her heart. En in music, be that classic or otherwise absolutely nothing can beat up against that. Cause that's where it starts and that where it ends!!!
You are totaly right for Valentina. She IS so amazing in everything she plays. But listen to Brendel please. I am afraid he plays better than Valentina for this beautifull impromptu n°3. Just listen and take pleasure because music is not only to compare but emotions.
It's good, Brendel is my favorite though.
@@ianboard544 A Schiff my preferred version ! His Masterclass at the Juliard school about this piece is so enlightning.
Helps me a lot in my work on this piece.
По- децки- прилежно...
Не без бантов.....
7
2:57
This is Bb not D. But awesome vid been looking for the kissin version
Yes, in B flat, but "D" here means "Deutsch-Verzeichnis" opus-number; a dot is missing behind D, thus correctly:
"D. 935"
내애가아 이거얼 쳐야아한다아니이이이이이이이
나도 이거쳐서 유튜브로 한번 검색해봄
A bit disappointing. Tempo seems too fast.
cunningpal yeah
Not so good
Tempo is fitting perfectly
Bit
everything was perfect except the much amplified coughing of the audience!
Nobody talking about the dude dying of lung cancer in the back??
...скукота...
Ни малейшей отсебятины- проявление....
Schubert superestimado por muitos por uma falta de conhecimento maior sobre este super talento da música superior. Nos colocando pelo pensamento, imaginação na época referida uma música extraordinária. Muito a frente de seu tempo. Uma viagem sonora super dimensional. Misteriosa. Futurista. Um dos melhores intérpretes interpretando. Sempre Kissin
Totalmente de acuerdo