Sometimes when life is kicking my ass, I’ll grab the OM1 I got forty plus years ago and just sit down and hold it. For me just handling that camera takes me back to a time when I was fearless and had my entire life in front of me. Most all cameras from the late 70’s take me back it time. And because my parents worked so hard to buy that Olympus for me, I’ll never let go of it. In fact I think I’ll go get it now. Should anyone need me I’ll be in 1980.
Same exact camera, and same exact feeling here too. It's sitting on the coffee table in front of me right now. I bought it back when I was in high school, with money saved from my very first part time job, and 2 months ago, I retired.
Oh dear... I remember the challenge I had selecting the film. Most of the time I chose the cheaper one, but still, each film had it's own mood so we planned the place, and the mood we felt. Saving for the film of my mood.
I feel similarly about the Pentax Spotmatic II given to me as a 21st birthday present 50 years ago. Renovated it and it works perfectly but I seldom use it because with diminished eyesight I don't like the view with stop down metering and so I use a Pentax MX for local street photography. I get it out every now and a gain to make sure the meter still powers up but that is it.
This is exactly what I do with my Leica M2 and M3 from time to time. I put them in front of me, wind the camera, release the shutter and marvel at that magical sound of the 60 year old mechanical shutter. It is a cause of amusement for my wife too. She thinks its hilarious.
Steve, can I just say one of the things that makes the icing on the cake for me with your channel is that the intro is really short and you get straight into it! Well done! 👍🏻
New cameras offer hundreds of options I never wanted. So it's obvious: This device has never been constructed for me. With the older camera and those some crisp features I'd once chosen, are suiting to me perfectly. And that's why I still use them as the optimal choice for my own photography
I went backwards, I started out on digital, shot for about 8-10 years, then went film. Love them both tbh, but my absolute favorite camera is my Rolleiflex 3.5E. Butter smooth focus, built like a bank vault, and never needs a battery (and I own a 2.8f as well!) it is the ultimate conversation starter, and the photos are so sharp. 12 shots, so you’re not just shooting to get to the end of a roll too. Every photographer should try a Rollei sometime in their lives.
Imagine if these days, camera manufacturers like Sony or Fuji had the same ethos of the Nikon of 70s and 80s. The F mount that is 70 years old and is still usable on even the latest of Nikon DSLRs, or the line up of their AI and AIS lenses with their 52mm filter thread, so that one set of contrast, or colour correction filters could be used on all lenses. Where is that integrity of design, engineering and business gone in today's throwaway culture of manufacturing? Rubbish built in China so that we have to buy more rubbish before the credit for the previous one is paid up.
@@lensman5762 That's why I have a Nikon D7100, as I can use vintage Nikkor lenses and independents going back to the 1970s. I picked up a Vivitar 100-200mm f4 and a Vivitar 135mm f2.8 close focusing, and both are solidly built and sharp.
It is likely that older, mostly mechanical cameras will outlast the digital ones. One of the biggest problems people will face is getting batteries and memory card, even stuff from 15 years ago is getting scarce.
You hit it on the head with the “feeling.” Not just with camera build but the files. Made a video called “Lifeless” after looking through my old 5DII images and using the older Fujifilms.
I have an Oly E5, which is seriously and satisfyingly chunky and gives me no concern in rain or dust storms. Attached to a monopod, it's also reassuringly effective if the need arises for self-defence.
What you talk about and how you feel as a photographer about your camera's resonate with me. I get it. I said to my wife--listen to this guy he totally gets it. Thanks for your perspective and attitude and the love of film! It's been a way of life for us older guys. Thank you!!
My absolute favourite Nikon SLR. I have two of them. They are inspirational. When Nikon introduced them a lot of paparazzi turned their noses up. It was too much of a camera for them, but the F4 is the blueprint on which future Nikons and almost every other brand of SLR and DSLR is based on.
@@lensman5762 it definitely was a turning point for the world of SLRs. I couldn’t ask for more with mine. My Nikkor 28-105 stays glued to it and that setup handles whatever Dartmoor can chuck at me at this time of year
I have every 'F' series Nikon from the F, up to my F4E..plus Nikkormats, Nikomats, and I love all of them but the F4 is beautiful to use, as is my F3 with motor drive. and my FE with motordrive is another gorgeous camera to use.
@@catey62 quite the collection of Nikons you have! The F4 does feel beautiful to use and I get the feeling that it’s incapable of breaking (I’m sure they do though). When ever I go out with any other old electric cameras I always wander if it will be their last outing.
I stopped using my film cameras back when film became impossible to locate here so I went and got a digital camera from the same company who made my 35mm SLRs (Olympus) especially hoping to be able to preserve use of my film lenses. If I could simply put a digital sensor into my film bodies as I would a roll of film I’d be in photographer heaven. The excessive menus and insane number of useless features I never use in these modern digital cameras drives me up the wall. Fortunately it seems that film has made something of a return so I take my OM-1 and OM-10 film cameras out along with my Bronica SQ-A and it’s always an excellent day out with those companions! I don’t abandon my OM-D-EM5iii. I do find good use for it. But my heart will always belong to my film cameras.
My absolute favourite camera is my recently purchased Pentax K1000. It’s in pretty good condition and everything just works as I expect it to work. The only reason it has batteries are for the inbuilt light meter, it has everything else mechanically operated. Love my K1000!
I have two of the same camera. On one, there is a small spring that runs the mirror. It is in need of replacement but that spring is no longer available. Though it is working now, before long, the spring will break.
@@SteveONions My favorite camera among all I've owned was the Nikon FM2. I just loved the precision sound of that fully mechanical shutter. No clunk, no thump, just a smooth mechanical sound.
My Fuji X-pro 2, is my newest (2016), after my Canon 5D "classic" (2007), and I still have every camera I ever bought. Including my first old Canon Ftb from 1971 that I bought new. Various Canon F1, T70, T90, Bronica ETRS and ETRSi, Fuji X-pro 1, X E1, and others.... Love them all, and as you correctly state build quality of the older film cameras were fantastic. My 1971 Ftb, and F1, is solid brass, with a lovely patina after 51 years. Newer sold a single camera, and inherited my fathers Voightländer Vitomatic ll, from 1958. I also use them all from time to time (mostly X-pro2, Ftb Voightländer and Bronicas), and loving it. Every camera for it's intended subject and situation.
The older I get the more I notice a similar pattern as well. They don’t make ‘em like they used to. I often prefer older gear. But I did get an EM1 mkii and I think the build holds up to those old school film cameras so far at least. We’ll see what happens 50 years from now, lol. 😅
Manufacturers are constantly increasing the amount of technology found in a variety of products ranging from cameras to cars. This comes at a cost, typically resulting in decreased build quality and equipment that is often replaced rather than repaired. Given the increasing amount of automation present in today's products, many simply prefer thinking for themselves and enjoy the level of involvement required of them when using older equipment with straightforward controls - it's part of the fun.
Agreed. I've stopped looking at new digital cameras for awhile now and much prefer the value from old film cameras or even older digi cameras like the x70.
Last year I was shooting a wedding with my D700 and old Nikon AF 28-105mm lens. My strap broke and the D700 went crashing down to the tarmac from waist height. Made a loud enough crash when it hit that one of the groomsmen heard it and looked concerned. I got that sinking feeling as I picked it up. Large paint chip missing from the bottom corner. Turned it on, tested AF and exposure. All worked perfectly! If that had been my D610 it would have been curtains. I did notice a solid dent in the tarmac where the D700 landed.... ;)
Totally agree with having a battery check light, why love the OM2 series over the OM1 (no need for automatic shutter). I can remember when Olympus came out with their 4:3 digital camera and considered saving up and buying one. However, the more research I did (apple did not fall far from the tree) became disillusioned and dissuaded. Most likely will never buy a digital SLR. Film, you can choose your feel and look, the resolution is better, the sensory experience (digital misses out on the smell of developing, for example), plus, so much experimentation and exploration. Dad, may he rest in peace, imported an Olympus OM1 shortly after release, after a lot of research. He kept every bit of packaging and paperwork for the OM1, Zuiko lenses (28mm, 50mm, 135mm), and a 500mm mirror reflex lens (was mind blowing how expensive it was). It is because of his love of photography and willingness to let me borrow the OM1 (shockingly even the 500mm) that at age 12 fell in love with photography. My great aunt heard of this, dug in her closet, and when came to visit her sister, gave me her Kodak Duaflex II. Dad had both degrees in engineering and science, so using this camera and a piece of white paper, showed me how photography works. A few years later going through biological mother's things, found an OM2n Dad bought her and she never used, and used it for a long time. Bought another OM2n after a failure of underwater photography (case of being young and dumb). That one was stolen at University while in hospital, another lesson learned. Did deviate from Dad who insisted on prime lenses only, don't like lot of lens changing due to my condition, so after the OM2n with universal zoom lens (forget now the brand) was stolen, bought Zuiko wide angle and portrait zoom lenses. Going through Dad's estate found also had a OM2s and OMG also, suspect bought for the aforementioned ex wife, so now have four OM cameras and one vintage low quality 120. All set regarding 35mm, had a hankering for years for a proper 120, though after seeing your ADOX CMS 20 II video, has significantly wained (it be renewed if ADOX brought back 120 film, though that will not be happening). One day love to have a 4x5, though goodness so expensive (though there is film out there that is same or less cost than 120 film). Cheers, Adriel
It’s great when a fine piece of engineering keeps delivering the results for many years, especially in this era of instant obsolescence. I’d like to think we could return to to such times but I doubt it given the relentless march of technology.
I prefer my old manual/mechanical cameras because they tend to be more reliable than my new automatic/electronic cameras. The Nikon F2 35mm SLR with non-metered view finder and my Leica M6 35mm rangefinder are my two favorite small format cameras. The Mamiya C220 TLR was my favorite medium format camera.
I acquired the Nikon D700 last year and absolutely love the build quality of it. I prefer it over my Sony A6000 or some of my older Minolta film cameras.
@@SteveONionsit's the D3's little sister, and the D3 is the best SLR ever made. It aged like fine wine and the image quality is superb. Yes, something like a D850 ora mirrorless Z9 is better in terms of everything, but 15 years from now these cameras won't be as good compared to the rest as the D3 (and similarly the D700) is today. Superb tools
YOU JUST MADE MY DAY! I have been discussing with my wife repeatedly for years everything that you addressed in this video presentation. Newer cameras have played a major role in a diminishing desire for me to shoot for leisure since retirement as a professionally trained photographer. Build quality is a major factor. There are many good and great photographers who can positively and rapidly take advantage of all the modern features of a DSLR, Point and Shoot, or a sophisticated travel camera of any format. Many of those photographers are self-trained or learned through trial and error. That is absolutely fine and they should be 100% respected for their talent and creativity. Results are often incredible and certainly very important. For me, how a camera feels in my hands and where the fingers rest have always been the first and foremost criteria for me when choosing to buy one; and similar to you Mr. O'Nions, whether using a digital or film format, all I need is shutter speed, aperture, ISO (digital or film), and an appropriate lens to make shooting a satisfying experience. Throw in a filter now and then, and even manual focus is still when called for. Menus have become a necessary evil just to do a basic setup in recent years. Shooting mode dials which so many people rely on started appearing on later film cameras before digital took over, and for my purposes were unnecessary. A decades long understanding of how light and cameras work together might be why I feel this way. It is in no way intended as a criticism to the existence and usefulness of an instrument that countless enthusiasts and professionals use every day.
I’m also drawn to cameras that just feel right, image quality is largely the same across most models for all practical purposes but the operation of switches and dials varies tremendously. It’s common in all consumer goods for the first generation to be better built albeit with quirks in the operation. As they fix the user experience they invariably trim costs as much as possible and the result is something far less tactile.
A few years back I had decided to buy an Olympus whilst on a trip to the UK. As on paper and looking at fotos on line it seemed to be the digital replacement for the om1 I bought back in 1975. However the plasticy feel the screen printing rather than engraving was a total turn off. I ended up buying a 2nd hand GH3, which was quite good but for the menu system. I have now switched to Fuji as I feel it's as close as you can get to the style of fotografia I started out with. The build quality is good but a few less buttons and dials would be good however 😁
I am an old timer. I have had a camera in my hands since I was 12 years old , It was a Kodak instamatic 50. I find the new generation of cameras overladen with unnecessary and frivolous features as well as having rapid obsolescence built into them. I feel that despite profestations to otherwise, these cameras are not as ' focused ' on still photography as compared with digital cameras of ten or twelve years ago. Steve's D700 is one of gems in the Nikon DSLR crown. Recently I have seen some superb landscape photography done with the good old D700. I used to have a D200 and then a D300 which I gave to my daughter, and I still have my D800. Steve is right, there is something absolutely magical and inspiring about holding a proper Nikon. I do own Canon film and digital, and Olympus EM5 MKii and EM1 MKii, but nothing compares to the D800. If I had to be honest, my D200 and D300 had a slightly more solid feel to them, but compared to my Canon 5D MKii, the Nikons have a solid feel to them. Now I am not going to go on about, the older Nikon or Leica M cameras or the Hasselblads. Those are in a different league altogether.
@@SteveONions Some of the best photographs I have ever seen are by photographers such as Jospeh Karsh and Ansel Adams neither had the "amazing" features we are sold these days yet prodced sublime images
My shooting buddy and I are convinced that you are monitoring our phone conversations and/or emails. We've had this conversation numerous times. We still love and shoot our old cameras (both film and digital). As old stills shooters, we don't find the newer video centric or hybrid cameras particularly appealing compared to our older tried and true stills workhorses. The cameras we grab first and most are those that we just love to shoot. They just feel good, the controls are not overly complicated and placed right where you want them. They are reliable; they just work. Image quality? Maybe not the sterile, pristine, sharpness is everything quality of the latest digital cameras, but while these may be technologically near perfect, we don't find them artistically appealing. So thanks for this. Here's to the old, but tried and true.
I go with my gut feel too John and often pick something that has no real logic to it. Often times I just want to feel good when I’m out with a camera so take one that makes me happy.
I have a collection of 35mm film SLR cameras, dating back to 1970 through 1985. Most of them are mostly metal, all manual 'old school' cameras. I like the solid, substantial feel of these old film cameras, as well as the immersive experience of making photographs with those precision tools. Not taking anything away from digital cameras..I also have a Fujifilm X100F digital camera it is a wonderful 'everyday carry/travel' camera for those times which I don't feel like carrying a bulkier film SLR with a bagful of lenses. But I truly enjoy my older film cameras..they sit in a display case some of them are reminders of many happy memories they all work and get used. Hard for me to pick a 'favorite'..closest is my Nikon FM circa 1980. Recorded my family growing up with that camera.
I have a collection of 35mm SLR's going from 1966 to 1994 exactly. And most SLRs i am shooting, are besides that '66 one, almost all from the 70's to 80's - and i love them.
Nikon FE was my best camera. I still miss that old camera and it is like I parted with an old friend going into digital world. My best work was done with the old Nikon and nothing I've done since would surpass it even to this day.
My favorite camera : Autocord and my Minolta CLE. I absolutely love them. It's all about the way they feel in my hand and also the image quality I get from those 2 cameras. I sold many other cameras because I wasn't pleased when I was using them. Great video as usual ! Genuine honest and enjoyable.
Thanks Thierry. I also have an Autocord but I’m yet to feel totally comfortable with the handling, largely down to the focus lever. I need to spend more time with it!
I just discovered your videos today, and immediately subscribed. I love your opinions, agreeing with most of them! I love cameras, especially older ones. I feel newer is not always better. I'll never use film again, but if I ever do I'll trot out my old OM-1. My first impression seeing the first of your videos that I've ever seen is that the photographer is far more important than the camera.
I loved the D700 and somewhat regret upgrading to the D810. I can't put my finger on it but I just loved the D700. Too much gizmos and functions are just a distraction. I want a camera! Not a high pixel/toaster/film studio/audio/micro/Imaging device. I hate fiddling with settings for ages before taking a photo! I'm thinking of downgrading!?
I got rid of my D800E and D750, because of the unique D700! i own now 5 X D700s. They are all almost new (one of them brand new out of the box) I am the admin of the Fb group"Nikon D700/The Legend"
@@ΝικοςΖωχιος-χ8π I did the same thing, sold my D750 and upgraded (yes, upgraded!) to D700. I feel like my photography has improved a lot since then! I just cant get enough of this camera! Going to buy second D700 body soon. And that awesome MB-D10 grip, with 8 AA cells it's 8fps monster. Now I have to join your FB group :)
I got my first camera when I was 10 (that was 61 years ago), from a family friend who saw my interest in photography and wanted to develop it. An old (even then) 4x5 Speed Graphic. And taught me to develop and print. Since then, I've made money with cameras in one way or another all my life. Owned many cameras from most brands. Shot Nikons until the 1980's, then switched to Canon because there were a few years when Nikon stopped innovating, resisting automation. Had most of the Leica film cameras. The M2 is still my favorite. I've spent probably thousands of hours in a darkroom. But, I was an early adopter of digital (late 90's), a very expensive endeavor. I have no nostalgia for film cameras. I never want to spend time in a darkroom again. Give me the latest Canon mirrorless cameras. They are superior in every way.
Fair point James, we are all different and in my day job (IT) I never miss anything from earlier generations of computers, the latest stuff is streets ahead.
You are so right. This does not apply only to cameras. Have you purchased any appliances or new automobile lately? We have become a throw away society. Wish my newer digital cameras were of the same quality as my old Minolta SRT101.
Very true. My repair man recently replaced my dishwasher - same brand, same spec - he also told me not to expect it to last half as long as the old one 🙁
I am a relatively new photographer (I'd only be willing to share photos starting from around six years ago) and yet I've felt no urge to replace my used 5D MKII, the first digital camera I bought myself, which I still rely on for work and personal projects. I do regret selling my Nikon F2, but I have my first SLR, an Olympus OM-1n, that I still love and don't see myself replacing or selling, along with my Bessa R2. I also use adapters to swap around the Olympus and Nikon glass I kept (it's the best glass I own) on the 5D which has kept it feeling fresh. There's not really a camera I feel I truly "need" right now, unless I venture into more video work. My 5D is nearing, what? 14 Years old?
That’s a good use of older cameras Justin, no need to upgrade unless you are missing something essential. I used to have an R2 but did struggle to get in with it for some reason.
Just before Christmas I got the urge to try for a newer version of 5D MKii. After much research, I came to the conclusion that there was no point. The 5D was giving me everything I needed.
@@SteveONions You could try getting the R2 in the olive color, like me. I imagine it's all the difference. Vanity aside, I think I am smitten because I shot my first roll in Portugal and got back the sharpest images I'd ever taken without really trying. It now travels with me often. I also must admit I have the Olympus XA2 and Ricoh GR for pocket work. But I got all of that I would say at conscionable market prices a couple years ago when I had the bug, and settled in quite happy with what I have. Thanks for the compliment. Here's more R2 stuff from my one photography feature on one of my fav sites (and keep up the great work): casualphotophile.com/2020/02/14/fast-cars-on-slow-film-justin-westbrook-shoots-daytona/
@@lensman5762 I was tempted by the Fuji X100F for a couple of years but have since sold it, though it got a lot of travel for photos for my job. It was just one of those cameras that seemed like magic.. half the time, and the other half I just could not get a result I was happy with, and I couldn't predict it. I ultimately sold it (and never got rid of my 5DMkII luckily). I've only been tempted since by the full-frame mirrorless Sony stuff, but again, I could only justify it for more video work I just don't do at the moment. Here's to many more happy years with your Canon (and hopefully mine).
I like having a solid and simple camera for normal use but also have a do-anything-stuffed-with-features one than can be taken out when challenging conditions call for it.
Some old equipment feel like tools, weapons. Feels like you're going to war when you go out for a shoot. Gives you a sense of purpose, a sense that you're doing something important, and makes you give your all. But others are as you mentioned, cheap, which in terms don't really empower you to give your all, and so you don't really. My best work was shot on a Canon 6D, mk1. Solid thing. Closest competitor I've currently got is the Panasonic S5, feels as robust as that 6D. But, the most empowering of them all was for some odd reason a 1938 Graflex Speed Graphic 4x5" Press Camera I owned. Every single picture felt like I'm on a mission. Cocking the shutter took actual physical effort, as the faster the shutter speed the more I needed to tighten the springs. The thing was solid even though it was made of a cardboard composite and moroccan leather. But I always knew that the camera had lived many more generations than I have. It had been through the war, it had been through many many things and it surely won't give up on me when I'd want to take a photograph. I have sold that camera to a war museum, and I really want to call them up and buy it back. It's the camera I miss the most, as nothing can come close to that way of working. Compose a pic, slide a film holder in, pull the dark slide out and realise you haven't closed the shutter...
I understand how you feel Constantin. The feeling that a camera can withstand anything inspires great confidence and makes you want to get out and shoot. I’ve sold a few cameras that I really miss and do t want to make the same mistake again.
Both my F4 and my FM2 always give me a really great feeling when I hold and use them. As far as digital cameras, I've had the same D7000 since 2014 and though I've occasionally thought about upgrading, the fact is that it feels good in my hands, and I'm always very happy with the images I get from it.
Don't! D7000 has the best sounding shutter of all cameras I own. It's snappy, it's well built, it's just awesome. And it has features later removed from the newer D7xxx cameras.
Back in the 1990s I was working as a newspaper reporter and always carried a little Nikon EM and a couple of cheap aftermarket lenses. Forced by circumstance to cover a high school football championship, I stood on the sidelines surrounded by people with F4s and F5s using huge lenses that surely cost more than I made in a year. Well, I happened to get the shot and won a statewide sports photography contest. In other words, it's still "f/8 and be there". Years later, after the market for film cameras collapsed, I got a beautiful F5. It's heavy and solid as a rock but it requires pressing two buttons at once to turn it off or on which I find tedious and pointless and difficult to perform with my old damaged fingers. At any rate, your point is well taken; use equipment that works for you and you're comfortable with. Thanks Steve, you always put out interesting and useful videos.
My very fugal mother saved her money to buy me an Olympus OM-1 and OM-2 in 1972. I still take them out to look through the viewfinder and shoot a couple of frames for the feeling of the good old days and remembering my mother (2022 Happy Mother's Day in Heaven!). For me, these half-century old cameras are much too precious to be used every day. These good new days, I carry a Olympus Tough TG4 on my daily biking run and beach random walk. Thank you for creating your great video. I enjoy your great photos.
I inherited my mom’s Pentax KX when I was in high school, around 2010. I was fortunate that my high school still had a darkroom class. I learned my foundations on that camera, then went to film school. I got to work with so many incredible digital cameras in the stills and video world-Canon C300, Sony a7s, DJI Ronin, Red Dragon, Arri Alexa. As soon as I graduated and had free time again, the only camera I’ve been using for myself is my KX. I loved working with those cameras and I do need my pocket cine camera for video work, but when it comes to everything you talked about here, nothing I’ve held feels as good as this little 40+ year old metal block. And since it was my mom’s it has that extra bit of sentimentality to it as well. Thanks for sharing this with us, it’s nice to know that others will pick up cameras and just not be feelin it lol
Great video! Completely understand your feelings toward the D700. Absolutely thinking to buy one back, indeed. Maybe even just for nostalgia. So much fun to use.
I have just got back from a beach walk with my 1959 Pentax H2. The fact that I chose this over my more recent cameras speaks volumes. It was a joy to operate, it feels (almost) as good as my M3 and I now rate my cameras generally as being the older the better.
Great video! The same can be said for hi-fi. I got rid of my old Luxman L-30 amplifier for a Naim Nait amplifier back in the day for “better” sound quality. But that Luxman oozed quality. Beautiful fascia, switches, knobs, cabinet etc. Took me many years to find another nice one. When one is less experienced you tend to be easily led astray by a “supposed” killer feature. With more experience… you tend to take pause to take a step back and look at a much bigger picture… 🥰
Good point Zahari, I used to gaze at newer cameras when they came out and believed I needed all those features. Now I realise they add nothing to my photography.
@@SteveONions Hi Steve! A side note. I too use micro four thirds. Some years ago I saw a video by a bloke named Terry that described the existence of an Olympus mft to OM lens adaptor. Prior to this and despite being quite into photography… the old Olympus OM system was something that I just never saw or was even aware about. But after doing some research I came to appreciate what absolute little jems the OM Zuiko lenses are. And so I tracked down the genuine adaptor and built up a little collection of the Zuiko lenses. Then it dawned on me… since I have the lenses… why not get a film body! And after research I decided the one to get was the Olympus OM 1-n. I love everything about this system except for one thing… the film advance just doesn’t have the “feel” that you would get using say a good Nikon. When I saw you winding the film advance on your Nikon… I have to admit there is a miniscule tinge of jealousy and also dissapointment in my OM. But as opposed to that… age and wisdom make you reflect upon what you actually DO have in front of you… And the OM system has some great benefits over the Nikon system. I do love the classic Nikons and Leicas… but I’ve learnt to be happy and content with what I have…🥰
I just bought a eos r6 and now im in a dilema if i made the right choice but now seeing your video gave me comfort. I do still have my old cameras and not planning to sell them as well. I just want to say thank you for your words of wisdom.
Yes!! I've been back out of late with my 18 year old Olympus E-300 and that beautiful Kodak Super CCD sensor; so film like. Love my D700 as well. Love my old Nikon and Olympus film cameras. Great video!
I have an old EM5 , STILL working , still enjoying taking pictures with it ! I have small hands and when I pick it up it just feels " Right " in my hands . I have four other cameras , this is one I would never sell or trade !
I’m relatively new to photography ( just over three years now) and did buy D700 for $350 Australian with a 24-120 lens. I love it ind use it a lot. Great message in this video.
My Canon EOS30 film SLR has many of the bells and whistles that carried over to their DSLRs, but I still tend to pick up my little Pentax ME, even though it's a pain to load and has a flaky light meter.
Hi Steve... I am a Nikon since the times of the FE.... Today I have a Nikon D600 and a D500 and recently I purchased the Z50.... And I did sold my D300 and I have regret it since then. But with my 3 Nikon I have.... I am ok for now, but also have the same range of vintage Nikon Nikkor lenses you have shown and with the FTZ adapter I am using them all in all my Nikons!!!!! Love you videos and actually I just subscribe to your channel... I am 64 now but still enjoying mi photography as the same tanager that his grandfather gift him the FM Nikon over 45 years ago!!!!!! Thanks for bringing me back memories so pleasant to me.
Thanks Walter, I’m glad you enjoy the videos. It’s amazing how much use the old Nikkor lenses still get and being able to adapt them to modem cameras is just perfect.
My Nikkormat ftn was my first from the Nikon range and still treasured. Easy to use and solid with a smooth wind on similar to the F3. Now using a D800 and still learning all the features!
Yeah, spot on ! For me the journey started when using the superb old Pentax Tacumars on my Fuji XTs. Now I'm shooting with an OM1 and a Pentax 645. With each step "backwards" the percentage of keepers from my shots raised drastically.
I know what you mean Andreas, I took far too many images with the digital cameras but get a considerably better hit rare with film (and more enjoyment in the process).
I have used a Pentax ME Super solidly since 1989, it got me through my a-levels, art college, university and is still my go-to today. I have only just bought a Pentax LX body that has been sent straight out for a full-on shake down service and will see how that goes. There are no complaints with the Pentax 28mm or 50mm SMC prime lenses either.
I love the not so subtle digs at Panasonic! You’re not wrong though, those cameras are not designed for photography, they are like a graduate school engineering project gone horribly wrong.
Have to agree on feel. I briefly had a Fuji Xe3 but sent it back for the technically inferior XPro1. The older camera feels right and I want to use and like it.
Couldn’t agree more! I love and still use my dad’s 1971 Nikon Photomic F1, and my current cameras are my Nikon D700 for images and my Fuji XT2 for video. I have no plans for upgrading.
Have an old 645S, it's a brick but every time i take it up i enjoy the feel and weight of it...and the sound...absolutly love shooting with it...have alot of other film cameras and digital but my 645 is the one i prefer for many reasons...
I own a Nikon D700 and I'm so happy with it I am not going to upgrade until I really, really have to. I'm told the D700 had a colour profile written specially for it to make it stand out alongside the D3.
I would not say that I prefer my old cameras but I am fond of them and the memories they bring to me. I do keep a couple around as a backup and just because.
Yes! I can relate very much to this. I still use my Nikon D7100 more than my Nikon Z5 or Fujifilm camera. There's just something about it that feels right for me.
I bought a Pentax K1000 a couple years ago at a thrift store for $30, but never touched it until a few weeks ago. Yesterday I developed and scanned my first 2 rolls of film at home. The entire process is so rewarding. Seeing my first set of negatives was like magic. I love my shiny new Sony camera, but the K1000 is so fun to use.
Thanks Steve, a very nice perspective on the joy of being connected with a fine quality tool that extends your artistic expression. You make me want to pull out my Nikon F4 or FE and put down my iPhone 11 Pro for a while.
I love my Nikon D610, but as it's my first and only DSLR I probably don't know any better, but I totally understand what you mean about old manual cameras. Before I bought the D610 six years ago, I used (and still use) my Dad's 1950's Exakta Varex Vii B with Zeiss lenses, which still takes the most beautiful crisp images (I have had it professionally stripped down, cleaned and new curtain put in). There's just something special about a manual film camera and quality old glass that a DSLR cant replicate. No fiddling around with menu options, just back to basics joy. I have also been gifted a Canon T70, a Canon QL, and a Yashica with a plethora of lenses which I'm yet to try - you've inspired me to get out and give them a whirl.
Very thought provoking video today, and very well stated. Totally agree and big reason I’m shooting film again with M42 Pentax and Zeiss lenses today with a Bessaflex built in early 2000’s. It’s not a tank like your Nikon’s, but has a superb bright view finder and is light weight which is important to me. I think the key takeaway is there are lots of cameras out there with lots of different options at different price points for both film and digital. It’s a great time to be a photographer now.
Thank you for your thoughtful video Steve. I moved initially to micro four thirds after my experience as a teenager with the Olympus OM1n. Nowadays I work with either the OM2n, OM 4Ti or the Bronica ETRSI as I started to dislike the clinical looks of digital photos and love simplicity in use of cameras.
I couldn’t agree more. I’ve bragged and raved on many a forum and subreddit how much I love my ‘ol Canonet GIII. It’s simple, it does it’s job, and produced some of my favorite shots thus far.
Good video, just discovered your channel. My favorite camera, that is almost always the one I use when going to shoot landscape, is a Canon 5D Mark II. I love everything about this camera, from the way it feels to the way the images from it's sensor look and it's by far the oldest of my 3 DSLRs. I also use an Olympus e-m5 mark I for my photo walks and when I want to travel light. Nice to see another fan of this camera.
Absolutely correct in my opinion too. I still use an old Pentax Super A film camera which works perfectly and just feels right as do the lenses. I have tried and still use Panasonic cameras which are fabulously light and do produce good images. For choice though I just love my Pentax K1 digital when I am feeling strong enough to carry it. It has all those things you mentioned superb build quality, fabulous handling, excellent controls and feels right in my hand. I doubt if I will ever need to upgrade it and it is built like a tank, so I think it will outlast me! Thanks for the video.
I'm so with you Steve on this one... Still rocking my original Olympus E-M1, E-P1, Nikon D700, FM2, Panasonic GX1 and love every minute of playing/working with them.
the simple answer is YES! My main two workhorses are my Nikon F3, and my Nikon F4s. I have a newer digital camera, but have found that it mostly stays in the home studio because it just does not perform out in the field as well as my old trusted film cameras. plus the image quality is STILL just so much better from film than the digital images. I keep trying digital as new bodies are released, but have not found any that do better for me than my old film bodies.
Can related to many of your points especially on the features front . I still have my Nikons from the early 80’s its hard to beat the sound of their shutters and power winders :) Having said that I did move to digital even though all these years later I’ve never forgotten the magic of putting my first print in the developer and watching it appear as if by magic. :)
Sometimes when life is kicking my ass, I’ll grab the OM1 I got forty plus years ago and just sit down and hold it. For me just handling that camera takes me back to a time when I was fearless and had my entire life in front of me. Most all cameras from the late 70’s take me back it time. And because my parents worked so hard to buy that Olympus for me, I’ll never let go of it. In fact I think I’ll go get it now. Should anyone need me I’ll be in 1980.
Can you save some space in 1980 for me too please ☺️
Same exact camera, and same exact feeling here too. It's sitting on the coffee table in front of me right now. I bought it back when I was in high school, with money saved from my very first part time job, and 2 months ago, I retired.
Oh dear... I remember the challenge I had selecting the film. Most of the time I chose the cheaper one, but still, each film had it's own mood so we planned the place, and the mood we felt. Saving for the film of my mood.
I feel similarly about the Pentax Spotmatic II given to me as a 21st birthday present 50 years ago. Renovated it and it works perfectly but I seldom use it because with diminished eyesight I don't like the view with stop down metering and so I use a Pentax MX for local street photography. I get it out every now and a gain to make sure the meter still powers up but that is it.
This is exactly what I do with my Leica M2 and M3 from time to time. I put them in front of me, wind the camera, release the shutter and marvel at that magical sound of the 60 year old mechanical shutter. It is a cause of amusement for my wife too. She thinks its hilarious.
The D700 is absolutely brilliant. I still carry mine and it feels and captures photos like no other camera.
I am not a Nikon fan but I worked with a D700 for a few years and I must concur, it is a lovely piece of equipment!
Getting rave reports on RUclips recently
@@davidharris4062
Getting expensive again.
Steve, can I just say one of the things that makes the icing on the cake for me with your channel is that the intro is really short and you get straight into it! Well done! 👍🏻
Thanks for that, if anything I’m trying to make my intro’s even shorter as I don’t like waiting either! 😀
New cameras offer hundreds of options I never wanted. So it's obvious: This device has never been constructed for me. With the older camera and those some crisp features I'd once chosen, are suiting to me perfectly. And that's why I still use them as the optimal choice for my own photography
I doubt I’ve used more than 5% of my modern cameras features Reinhart.
I went backwards, I started out on digital, shot for about 8-10 years, then went film. Love them both tbh, but my absolute favorite camera is my Rolleiflex 3.5E. Butter smooth focus, built like a bank vault, and never needs a battery (and I own a 2.8f as well!) it is the ultimate conversation starter, and the photos are so sharp. 12 shots, so you’re not just shooting to get to the end of a roll too. Every photographer should try a Rollei sometime in their lives.
Imagine if these days, camera manufacturers like Sony or Fuji had the same ethos of the Nikon of 70s and 80s. The F mount that is 70 years old and is still usable on even the latest of Nikon DSLRs, or the line up of their AI and AIS lenses with their 52mm filter thread, so that one set of contrast, or colour correction filters could be used on all lenses. Where is that integrity of design, engineering and business gone in today's throwaway culture of manufacturing? Rubbish built in China so that we have to buy more rubbish before the credit for the previous one is paid up.
@@lensman5762 That's why I have a Nikon D7100, as I can use vintage Nikkor lenses and independents going back to the 1970s. I picked up a Vivitar 100-200mm f4 and a Vivitar 135mm f2.8 close focusing, and both are solidly built and sharp.
Lovely camera Jonathan.
Just used my 1970's Olympus RC 35 photos are still great.
My digital camera has gone in for
repair after five years use.
It is likely that older, mostly mechanical cameras will outlast the digital ones. One of the biggest problems people will face is getting batteries and memory card, even stuff from 15 years ago is getting scarce.
You hit it on the head with the “feeling.” Not just with camera build but the files. Made a video called “Lifeless” after looking through my old 5DII images and using the older Fujifilms.
Are the 5DII images lifeless? Love your channel by the way.
@@arturocontreras6648 no. Sorry. Wasn’t clear. The 5D2 and older Fuji not lifeless!
Agree! Less pixels, larger pixels please sensor manufacturers!
I have an Oly E5, which is seriously and satisfyingly chunky and gives me no concern in rain or dust storms. Attached to a monopod, it's also reassuringly effective if the need arises for self-defence.
😀
Excellent video, as always.
The build quality makes the difference between a toy and a tool.
What you talk about and how you feel as a photographer about your camera's resonate with me. I get it. I said to my wife--listen to this guy he totally gets it. Thanks for your perspective and attitude and the love of film! It's been a way of life for us older guys. Thank you!!
Glad you found it useful Trevor.
My Nikon F4 is my “Goldilocks” camera. The perfect balance of new and old.
My absolute favourite Nikon SLR. I have two of them. They are inspirational. When Nikon introduced them a lot of paparazzi turned their noses up. It was too much of a camera for them, but the F4 is the blueprint on which future Nikons and almost every other brand of SLR and DSLR is based on.
@@lensman5762 it definitely was a turning point for the world of SLRs. I couldn’t ask for more with mine. My Nikkor 28-105 stays glued to it and that setup handles whatever Dartmoor can chuck at me at this time of year
Hmmm, I really want one - especially as they work perfectly with manual focus Nikkors.
I have every 'F' series Nikon from the F, up to my F4E..plus Nikkormats, Nikomats, and I love all of them but the F4 is beautiful to use, as is my F3 with motor drive. and my FE with motordrive is another gorgeous camera to use.
@@catey62 quite the collection of Nikons you have! The F4 does feel beautiful to use and I get the feeling that it’s incapable of breaking (I’m sure they do though). When ever I go out with any other old electric cameras I always wander if it will be their last outing.
I stopped using my film cameras back when film became impossible to locate here so I went and got a digital camera from the same company who made my 35mm SLRs (Olympus) especially hoping to be able to preserve use of my film lenses.
If I could simply put a digital sensor into my film bodies as I would a roll of film I’d be in photographer heaven. The excessive menus and insane number of useless features I never use in these modern digital cameras drives me up the wall.
Fortunately it seems that film has made something of a return so I take my OM-1 and OM-10 film cameras out along with my Bronica SQ-A and it’s always an excellent day out with those companions!
I don’t abandon my OM-D-EM5iii. I do find good use for it. But my heart will always belong to my film cameras.
Film doesn’t make sense, but when it works, oh amazing ☺️
My absolute favourite camera is my recently purchased Pentax K1000. It’s in pretty good condition and everything just works as I expect it to work. The only reason it has batteries are for the inbuilt light meter, it has everything else mechanically operated. Love my K1000!
I have two of the same camera. On one, there is a small spring that runs the mirror. It is in need of replacement but that spring is no longer available. Though it is working now, before long, the spring will break.
Get a donor body Mark, often the best way to keep things going when spares run dry.
Spot on!
🙂
@@SteveONions My favorite camera among all I've owned was the Nikon FM2. I just loved the precision sound of that fully mechanical shutter. No clunk, no thump, just a smooth mechanical sound.
My Fuji X-pro 2, is my newest (2016), after my Canon 5D "classic" (2007), and I still have every camera I ever bought. Including my first old Canon Ftb from 1971 that I bought new. Various Canon F1, T70, T90, Bronica ETRS and ETRSi, Fuji X-pro 1, X E1, and others.... Love them all, and as you correctly state build quality of the older film cameras were fantastic. My 1971 Ftb, and F1, is solid brass, with a lovely patina after 51 years. Newer sold a single camera, and inherited my fathers Voightländer Vitomatic ll, from 1958. I also use them all from time to time (mostly X-pro2, Ftb Voightländer and Bronicas), and loving it. Every camera for it's intended subject and situation.
I wish I’d never sold any of my cameras Lars but then again I’d need a bigger house to hold them all!
I am with you on this Lars. I still have ALL the cameras I have ever bought since I was 11 years old. I am now almost 74 and have about 68 cameras.
I still love the Canon EOS5D (mark 1)
The older I get the more I notice a similar pattern as well. They don’t make ‘em like they used to. I often prefer older gear. But I did get an EM1 mkii and I think the build holds up to those old school film cameras so far at least. We’ll see what happens 50 years from now, lol. 😅
Yes, wondering whether they’ll hold up in 50 years, I wish I had had that problem!
@@SteveONions : 😆
Well said. Love my Nikon FM. No distracting features. Everything in its right place. Keeps going. Solid.
Manufacturers are constantly increasing the amount of technology found in a variety of products ranging from cameras to cars. This comes at a cost, typically resulting in decreased build quality and equipment that is often replaced rather than repaired. Given the increasing amount of automation present in today's products, many simply prefer thinking for themselves and enjoy the level of involvement required of them when using older equipment with straightforward controls - it's part of the fun.
Yes, fun, often overlooked sadly
Agreed. I've stopped looking at new digital cameras for awhile now and much prefer the value from old film cameras or even older digi cameras like the x70.
Last year I was shooting a wedding with my D700 and old Nikon AF 28-105mm lens. My strap broke and the D700 went crashing down to the tarmac from waist height. Made a loud enough crash when it hit that one of the groomsmen heard it and looked concerned. I got that sinking feeling as I picked it up. Large paint chip missing from the bottom corner. Turned it on, tested AF and exposure. All worked perfectly! If that had been my D610 it would have been curtains. I did notice a solid dent in the tarmac where the D700 landed.... ;)
I also have the 28-105 and it is a very sturdy lens.
This is so true!!! I sold off my newer camera and bought used "old" D700. Deem this is the beast, I love this thing. Best DSLR I have ever used!
Totally agree with having a battery check light, why love the OM2 series over the OM1 (no need for automatic shutter).
I can remember when Olympus came out with their 4:3 digital camera and considered saving up and buying one. However, the more research I did (apple did not fall far from the tree) became disillusioned and dissuaded. Most likely will never buy a digital SLR. Film, you can choose your feel and look, the resolution is better, the sensory experience (digital misses out on the smell of developing, for example), plus, so much experimentation and exploration.
Dad, may he rest in peace, imported an Olympus OM1 shortly after release, after a lot of research. He kept every bit of packaging and paperwork for the OM1, Zuiko lenses (28mm, 50mm, 135mm), and a 500mm mirror reflex lens (was mind blowing how expensive it was). It is because of his love of photography and willingness to let me borrow the OM1 (shockingly even the 500mm) that at age 12 fell in love with photography. My great aunt heard of this, dug in her closet, and when came to visit her sister, gave me her Kodak Duaflex II. Dad had both degrees in engineering and science, so using this camera and a piece of white paper, showed me how photography works. A few years later going through biological mother's things, found an OM2n Dad bought her and she never used, and used it for a long time. Bought another OM2n after a failure of underwater photography (case of being young and dumb). That one was stolen at University while in hospital, another lesson learned. Did deviate from Dad who insisted on prime lenses only, don't like lot of lens changing due to my condition, so after the OM2n with universal zoom lens (forget now the brand) was stolen, bought Zuiko wide angle and portrait zoom lenses.
Going through Dad's estate found also had a OM2s and OMG also, suspect bought for the aforementioned ex wife, so now have four OM cameras and one vintage low quality 120. All set regarding 35mm, had a hankering for years for a proper 120, though after seeing your ADOX CMS 20 II video, has significantly wained (it be renewed if ADOX brought back 120 film, though that will not be happening). One day love to have a 4x5, though goodness so expensive (though there is film out there that is same or less cost than 120 film).
Cheers,
Adriel
It’s great when a fine piece of engineering keeps delivering the results for many years, especially in this era of instant obsolescence. I’d like to think we could return to to such times but I doubt it given the relentless march of technology.
I’ve been using an Argus C3 solely for the past 18 years and still loving it!
I have been so tempted to get one of those, there is something about the shape.
I prefer my old manual/mechanical cameras because they tend to be more reliable than my new automatic/electronic cameras.
The Nikon F2 35mm SLR with non-metered view finder and my Leica M6 35mm rangefinder are my two favorite small format cameras.
The Mamiya C220 TLR was my favorite medium format camera.
There’s certainly an argument for the longevity of fully manual cameras, when electronics fail it’s often fatal.
I acquired the Nikon D700 last year and absolutely love the build quality of it. I prefer it over my Sony A6000 or some of my older Minolta film cameras.
I was out shooting HP5 in my Nikon FE2 this very afternoon. Felt good.
Great video and good timing for me, I recently purchased a Nikon D700. I always enjoy your videos.
Thanks Suzanne - I’m certain you will love the D700.
@@SteveONionsit's the D3's little sister, and the D3 is the best SLR ever made. It aged like fine wine and the image quality is superb. Yes, something like a D850 ora mirrorless Z9 is better in terms of everything, but 15 years from now these cameras won't be as good compared to the rest as the D3 (and similarly the D700) is today. Superb tools
YOU JUST MADE MY DAY!
I have been discussing with my wife repeatedly for years everything that you addressed in this video presentation. Newer cameras have played a major role in a diminishing desire for me to shoot for leisure since retirement as a professionally trained photographer. Build quality is a major factor.
There are many good and great photographers who can positively and rapidly take advantage of all the modern features of a DSLR, Point and Shoot, or a sophisticated travel camera of any format. Many of those photographers are self-trained or learned through trial and error. That is absolutely fine and they should be 100% respected for their talent and creativity. Results are often incredible and certainly very important.
For me, how a camera feels in my hands and where the fingers rest have always been the first and foremost criteria for me when choosing to buy one; and similar to you Mr. O'Nions, whether using a digital or film format, all I need is shutter speed, aperture, ISO (digital or film), and an appropriate lens to make shooting a satisfying experience. Throw in a filter now and then, and even manual focus is still when called for.
Menus have become a necessary evil just to do a basic setup in recent years. Shooting mode dials which so many people rely on started appearing on later film cameras before digital took over, and for my purposes were unnecessary.
A decades long understanding of how light and cameras work together might be why I feel this way. It is in no way intended as a criticism to the existence and usefulness of an instrument that countless enthusiasts and professionals use every day.
I’m also drawn to cameras that just feel right, image quality is largely the same across most models for all practical purposes but the operation of switches and dials varies tremendously.
It’s common in all consumer goods for the first generation to be better built albeit with quirks in the operation. As they fix the user experience they invariably trim costs as much as possible and the result is something far less tactile.
A few years back I had decided to buy an Olympus whilst on a trip to the UK. As on paper and looking at fotos on line it seemed to be the digital replacement for the om1 I bought back in 1975. However the plasticy feel the screen printing rather than engraving was a total turn off. I ended up buying a 2nd hand GH3, which was quite good but for the menu system.
I have now switched to Fuji as I feel it's as close as you can get to the style of fotografia I started out with. The build quality is good but a few less buttons and dials would be good however 😁
I am an old timer. I have had a camera in my hands since I was 12 years old , It was a Kodak instamatic 50. I find the new generation of cameras overladen with unnecessary and frivolous features as well as having rapid obsolescence built into them. I feel that despite profestations to otherwise, these cameras are not as ' focused ' on still photography as compared with digital cameras of ten or twelve years ago. Steve's D700 is one of gems in the Nikon DSLR crown. Recently I have seen some superb landscape photography done with the good old D700. I used to have a D200 and then a D300 which I gave to my daughter, and I still have my D800. Steve is right, there is something absolutely magical and inspiring about holding a proper Nikon. I do own Canon film and digital, and Olympus EM5 MKii and EM1 MKii, but nothing compares to the D800. If I had to be honest, my D200 and D300 had a slightly more solid feel to them, but compared to my Canon 5D MKii, the Nikons have a solid feel to them. Now I am not going to go on about, the older Nikon or Leica M cameras or the Hasselblads. Those are in a different league altogether.
Totally agree, I do not think we will such well made cameras below the £5 price point ever again.
@@SteveONions Some of the best photographs I have ever seen are by photographers such as Jospeh Karsh and Ansel Adams neither had the "amazing" features we are sold these days yet prodced sublime images
❤❤
@@tspinks Adams once said" The most important part of the camera is six inches behind it ".
My shooting buddy and I are convinced that you are monitoring our phone conversations and/or emails. We've had this conversation numerous times. We still love and shoot our old cameras (both film and digital). As old stills shooters, we don't find the newer video centric or hybrid cameras particularly appealing compared to our older tried and true stills workhorses. The cameras we grab first and most are those that we just love to shoot. They just feel good, the controls are not overly complicated and placed right where you want them. They are reliable; they just work. Image quality? Maybe not the sterile, pristine, sharpness is everything quality of the latest digital cameras, but while these may be technologically near perfect, we don't find them artistically appealing. So thanks for this. Here's to the old, but tried and true.
I go with my gut feel too John and often pick something that has no real logic to it. Often times I just want to feel good when I’m out with a camera so take one that makes me happy.
I have a collection of 35mm film SLR cameras, dating back to 1970 through 1985. Most of them are mostly metal, all manual 'old school' cameras. I like the solid, substantial feel of these old film cameras, as well as the immersive experience of making photographs with those precision tools. Not taking anything away from digital cameras..I also have a Fujifilm X100F digital camera it is a wonderful 'everyday carry/travel' camera for those times which I don't feel like carrying a bulkier film SLR with a bagful of lenses. But I truly enjoy my older film cameras..they sit in a display case some of them are reminders of many happy memories they all work and get used. Hard for me to pick a 'favorite'..closest is my Nikon FM circa 1980. Recorded my family growing up with that camera.
I agree Thomas, something intangible about using certain cameras that just make you want to get out and shoot.
I have a collection of 35mm SLR's going from 1966 to 1994 exactly. And most SLRs i am shooting, are besides that '66 one, almost all from the 70's to 80's - and i love them.
Nikon FE was my best camera. I still miss that old camera and it is like I parted with an old friend going into digital world. My best work was done with the old Nikon and nothing I've done since would surpass it even to this day.
I was out with mine yesterday and have quite a few upcoming videos featuring it 👍
Still rocking my Nikon D700 & Canon 5D Classic. Solid build quality & color rendition from both are film like. Of course it's subjective🙂
I've got a D700 Steve, it's a legend.
My favorite camera : Autocord and my Minolta CLE. I absolutely love them. It's all about the way they feel in my hand and also the image quality I get from those 2 cameras. I sold many other cameras because I wasn't pleased when I was using them. Great video as usual ! Genuine honest and enjoyable.
Thanks Thierry. I also have an Autocord but I’m yet to feel totally comfortable with the handling, largely down to the focus lever. I need to spend more time with it!
I just discovered your videos today, and immediately subscribed. I love your opinions, agreeing with most of them! I love cameras, especially older ones. I feel newer is not always better. I'll never use film again, but if I ever do I'll trot out my old OM-1. My first impression seeing the first of your videos that I've ever seen is that the photographer is far more important than the camera.
I loved the D700 and somewhat regret upgrading to the D810. I can't put my finger on it but I just loved the D700. Too much gizmos and functions are just a distraction. I want a camera! Not a high pixel/toaster/film studio/audio/micro/Imaging device. I hate fiddling with settings for ages before taking a photo! I'm thinking of downgrading!?
Nothing wrong with going ‘backwards’ if it helps you go forwards Pelle 🙂
I got rid of my D800E and D750, because of the unique D700!
i own now 5 X D700s. They are all almost new (one of them brand new out of the box)
I am the admin of the Fb group"Nikon D700/The Legend"
Let's trade!
@@ΝικοςΖωχιος-χ8π I did the same thing, sold my D750 and upgraded (yes, upgraded!) to D700. I feel like my photography has improved a lot since then! I just cant get enough of this camera! Going to buy second D700 body soon. And that awesome MB-D10 grip, with 8 AA cells it's 8fps monster. Now I have to join your FB group :)
Your topic is bang on for me! I have digital, but I use my old original M4 as my daily carry..
I got my first camera when I was 10 (that was 61 years ago), from a family friend who saw my interest in photography and wanted to develop it. An old (even then) 4x5 Speed Graphic. And taught me to develop and print. Since then, I've made money with cameras in one way or another all my life. Owned many cameras from most brands. Shot Nikons until the 1980's, then switched to Canon because there were a few years when Nikon stopped innovating, resisting automation. Had most of the Leica film cameras. The M2 is still my favorite. I've spent probably thousands of hours in a darkroom. But, I was an early adopter of digital (late 90's), a very expensive endeavor. I have no nostalgia for film cameras. I never want to spend time in a darkroom again. Give me the latest Canon mirrorless cameras. They are superior in every way.
Fair point James, we are all different and in my day job (IT) I never miss anything from earlier generations of computers, the latest stuff is streets ahead.
You are so right. This does not apply only to cameras. Have you purchased any appliances or new automobile lately? We have become a throw away society. Wish my newer digital cameras were of the same quality as my old Minolta SRT101.
Very true. My repair man recently replaced my dishwasher - same brand, same spec - he also told me not to expect it to last half as long as the old one 🙁
I am a relatively new photographer (I'd only be willing to share photos starting from around six years ago) and yet I've felt no urge to replace my used 5D MKII, the first digital camera I bought myself, which I still rely on for work and personal projects. I do regret selling my Nikon F2, but I have my first SLR, an Olympus OM-1n, that I still love and don't see myself replacing or selling, along with my Bessa R2. I also use adapters to swap around the Olympus and Nikon glass I kept (it's the best glass I own) on the 5D which has kept it feeling fresh. There's not really a camera I feel I truly "need" right now, unless I venture into more video work. My 5D is nearing, what? 14 Years old?
That’s a good use of older cameras Justin, no need to upgrade unless you are missing something essential. I used to have an R2 but did struggle to get in with it for some reason.
Just before Christmas I got the urge to try for a newer version of 5D MKii. After much research, I came to the conclusion that there was no point. The 5D was giving me everything I needed.
@@SteveONions You could try getting the R2 in the olive color, like me. I imagine it's all the difference. Vanity aside, I think I am smitten because I shot my first roll in Portugal and got back the sharpest images I'd ever taken without really trying. It now travels with me often. I also must admit I have the Olympus XA2 and Ricoh GR for pocket work. But I got all of that I would say at conscionable market prices a couple years ago when I had the bug, and settled in quite happy with what I have. Thanks for the compliment. Here's more R2 stuff from my one photography feature on one of my fav sites (and keep up the great work): casualphotophile.com/2020/02/14/fast-cars-on-slow-film-justin-westbrook-shoots-daytona/
@@lensman5762 I was tempted by the Fuji X100F for a couple of years but have since sold it, though it got a lot of travel for photos for my job. It was just one of those cameras that seemed like magic.. half the time, and the other half I just could not get a result I was happy with, and I couldn't predict it. I ultimately sold it (and never got rid of my 5DMkII luckily). I've only been tempted since by the full-frame mirrorless Sony stuff, but again, I could only justify it for more video work I just don't do at the moment. Here's to many more happy years with your Canon (and hopefully mine).
I like having a solid and simple camera for normal use but also have a do-anything-stuffed-with-features one than can be taken out when challenging conditions call for it.
The best of both worlds 🙂
Some old equipment feel like tools, weapons. Feels like you're going to war when you go out for a shoot. Gives you a sense of purpose, a sense that you're doing something important, and makes you give your all. But others are as you mentioned, cheap, which in terms don't really empower you to give your all, and so you don't really.
My best work was shot on a Canon 6D, mk1. Solid thing. Closest competitor I've currently got is the Panasonic S5, feels as robust as that 6D. But, the most empowering of them all was for some odd reason a 1938 Graflex Speed Graphic 4x5" Press Camera I owned. Every single picture felt like I'm on a mission. Cocking the shutter took actual physical effort, as the faster the shutter speed the more I needed to tighten the springs. The thing was solid even though it was made of a cardboard composite and moroccan leather. But I always knew that the camera had lived many more generations than I have. It had been through the war, it had been through many many things and it surely won't give up on me when I'd want to take a photograph. I have sold that camera to a war museum, and I really want to call them up and buy it back. It's the camera I miss the most, as nothing can come close to that way of working. Compose a pic, slide a film holder in, pull the dark slide out and realise you haven't closed the shutter...
I understand how you feel Constantin. The feeling that a camera can withstand anything inspires great confidence and makes you want to get out and shoot. I’ve sold a few cameras that I really miss and do t want to make the same mistake again.
I am in love with my D700. Everything is perfect on the body .
Absolutely 👍
Both my F4 and my FM2 always give me a really great feeling when I hold and use them.
As far as digital cameras, I've had the same D7000 since 2014 and though I've occasionally thought about upgrading, the fact is that it feels good in my hands, and I'm always very happy with the images I get from it.
Who could ask for more Randy? If something works for us we’d be foolish to change (something I’ve been guilty of many times).
Don't! D7000 has the best sounding shutter of all cameras I own. It's snappy, it's well built, it's just awesome. And it has features later removed from the newer D7xxx cameras.
Fortunately I never sold my Nikon D300 and D700 bodies, they are still the finest to work with.
A wise man 🙂
i can't help but think your name is Steve Onions instead of O'Nions and I feel like i should apologise. I'm sorry Steve
No need to apologise, I got used to all the nicknames by the time I was 10 😀
Back in the 1990s I was working as a newspaper reporter and always carried a little Nikon EM and a couple of cheap aftermarket lenses. Forced by circumstance to cover a high school football championship, I stood on the sidelines surrounded by people with F4s and F5s using huge lenses that surely cost more than I made in a year. Well, I happened to get the shot and won a statewide sports photography contest. In other words, it's still "f/8 and be there". Years later, after the market for film cameras collapsed, I got a beautiful F5. It's heavy and solid as a rock but it requires pressing two buttons at once to turn it off or on which I find tedious and pointless and difficult to perform with my old damaged fingers. At any rate, your point is well taken; use equipment that works for you and you're comfortable with. Thanks Steve, you always put out interesting and useful videos.
Thanks Michael. I often find the basic cameras much better for my kind of photography.
My very fugal mother saved her money to buy me an Olympus OM-1 and OM-2 in 1972. I still take them out to look through the viewfinder and shoot a couple of frames for the feeling of the good old days and remembering my mother (2022 Happy Mother's Day in Heaven!). For me, these half-century old cameras are much too precious to be used every day. These good new days, I carry a Olympus Tough TG4 on my daily biking run and beach random walk. Thank you for creating your great video. I enjoy your great photos.
Thanks Gary, great to see the old cameras still getting some use. I did have a TG-5 briefly and it was a surprisingly well built camera.
Totally in agreement thnx for voicing my thoughts
I inherited my mom’s Pentax KX when I was in high school, around 2010. I was fortunate that my high school still had a darkroom class. I learned my foundations on that camera, then went to film school. I got to work with so many incredible digital cameras in the stills and video world-Canon C300, Sony a7s, DJI Ronin, Red Dragon, Arri Alexa. As soon as I graduated and had free time again, the only camera I’ve been using for myself is my KX. I loved working with those cameras and I do need my pocket cine camera for video work, but when it comes to everything you talked about here, nothing I’ve held feels as good as this little 40+ year old metal block. And since it was my mom’s it has that extra bit of sentimentality to it as well. Thanks for sharing this with us, it’s nice to know that others will pick up cameras and just not be feelin it lol
I know exactly what you mean, it’s not always about the technology, you really have to connect with a camera to get the best out of it.
Agree! Great commentary Steve.
Thanks Joseph.
Great video! Completely understand your feelings toward the D700. Absolutely thinking to buy one back, indeed. Maybe even just for nostalgia. So much fun to use.
Nostalgia? Please check the reliable Imatest results. The D750/810/850 can't even match the D700 colour accuracy and hue discrimination.
I hear the same from a lot of people Hajo, Nikon put everything they knew into that camera and the colours are unmatched.
I have just got back from a beach walk with my 1959 Pentax H2. The fact that I chose this over my more recent cameras speaks volumes. It was a joy to operate, it feels (almost) as good as my M3 and I now rate my cameras generally as being the older the better.
Well said 🙂
The man speaks the truth...love the quip about car menus - how true..!
Excellent video Steve!!! So true!!!
Thanks Sammy.
Great video! The same can be said for hi-fi. I got rid of my old Luxman L-30 amplifier for a Naim Nait amplifier back in the day for “better” sound quality. But that Luxman oozed quality. Beautiful fascia, switches, knobs, cabinet etc. Took me many years to find another nice one. When one is less experienced you tend to be easily led astray by a “supposed” killer feature. With more experience… you tend to take pause to take a step back and look at a much bigger picture… 🥰
Good point Zahari, I used to gaze at newer cameras when they came out and believed I needed all those features. Now I realise they add nothing to my photography.
@@SteveONions Hi Steve! A side note. I too use micro four thirds. Some years ago I saw a video by a bloke named Terry that described the existence of an Olympus mft to OM lens adaptor. Prior to this and despite being quite into photography… the old Olympus OM system was something that I just never saw or was even aware about. But after doing some research I came to appreciate what absolute little jems the OM Zuiko lenses are. And so I tracked down the genuine adaptor and built up a little collection of the Zuiko lenses. Then it dawned on me… since I have the lenses… why not get a film body! And after research I decided the one to get was the Olympus OM 1-n. I love everything about this system except for one thing… the film advance just doesn’t have the “feel” that you would get using say a good Nikon. When I saw you winding the film advance on your Nikon… I have to admit there is a miniscule tinge of jealousy and also dissapointment in my OM. But as opposed to that… age and wisdom make you reflect upon what you actually DO have in front of you… And the OM system has some great benefits over the Nikon system. I do love the classic Nikons and Leicas… but I’ve learnt to be happy and content with what I have…🥰
I just bought a eos r6 and now im in a dilema if i made the right choice but now seeing your video gave me comfort. I do still have my old cameras and not planning to sell them as well. I just want to say thank you for your words of wisdom.
Thank you. New and old is the best of both worlds 👍
Yes!! I've been back out of late with my 18 year old Olympus E-300 and that beautiful Kodak Super CCD sensor; so film like. Love my D700 as well.
Love my old Nikon and Olympus film cameras.
Great video!
A lot of people like the old CCD sensors, very film like as you say 👍
I have an old EM5 , STILL working , still enjoying taking pictures with it ! I have small hands and when I pick it up it just feels " Right " in my hands . I have four other cameras , this is one I would never sell or trade !
Completely agree, you can’t beat that feeling of quality, and it does reflect in your shots.
Thanks Andy.
I bought my first Nikon F used in 1967. I am still using it, along with a couple of dozen more.
I’m relatively new to photography ( just over three years now) and did buy D700 for $350 Australian with a 24-120 lens. I love it ind use it a lot. Great message in this video.
Spot on! Getting back into film is the ultimate expression of what you are describing.
It is indeed Robert.
I’m using the Argus C3 I inherited from my Dad. Love it.
Loving my Canon 5D, the original mark I
My Canon EOS30 film SLR has many of the bells and whistles that carried over to their DSLRs, but I still tend to pick up my little Pentax ME, even though it's a pain to load and has a flaky light meter.
It’s funny how we will tolerate defects if we love a camera Mark.
Well said Steve. My sentiments exactly.
The switches and dials on my Nikon D4 - much faster to set than the Sony mirrorless I have where I have to hunt deep into the menu.
Hi Steve... I am a Nikon since the times of the FE.... Today I have a Nikon D600 and a D500 and recently I purchased the Z50.... And I did sold my D300 and I have regret it since then. But with my 3 Nikon I have.... I am ok for now, but also have the same range of vintage Nikon Nikkor lenses you have shown and with the FTZ adapter I am using them all in all my Nikons!!!!! Love you videos and actually I just subscribe to your channel... I am 64 now but still enjoying mi photography as the same tanager that his grandfather gift him the FM Nikon over 45 years ago!!!!!! Thanks for bringing me back memories so pleasant to me.
Thanks Walter, I’m glad you enjoy the videos. It’s amazing how much use the old Nikkor lenses still get and being able to adapt them to modem cameras is just perfect.
You spoke a lot of sense there Steve, I just wish I could turn the clock back!
Me too Des 🙂
My Nikkormat ftn was my first from the Nikon range and still treasured.
Easy to use and solid with a smooth wind on similar to the F3.
Now using a D800 and still learning all the features!
There’s a lifetime of learning on some modern cameras 🙂
Beautifully said.
So many good points, Steve. Thanks for creating this video.
Yeah, spot on ! For me the journey started when using the superb old Pentax Tacumars on my Fuji XTs. Now I'm shooting with an OM1 and a Pentax 645. With each step "backwards" the percentage of keepers from my shots raised drastically.
I know what you mean Andreas, I took far too many images with the digital cameras but get a considerably better hit rare with film (and more enjoyment in the process).
I have used a Pentax ME Super solidly since 1989, it got me through my a-levels, art college, university and is still my go-to today. I have only just bought a Pentax LX body that has been sent straight out for a full-on shake down service and will see how that goes. There are no complaints with the Pentax 28mm or 50mm SMC prime lenses either.
That’s a lot of good use on the old Pentax - having them fully serviced is a good idea too, my FE’s got a full CLA two years ago.
I love the not so subtle digs at Panasonic! You’re not wrong though, those cameras are not designed for photography, they are like a graduate school engineering project gone horribly wrong.
😀
Have to agree on feel. I briefly had a Fuji Xe3 but sent it back for the technically inferior XPro1. The older camera feels right and I want to use and like it.
Couldn’t agree more! I love and still use my dad’s 1971 Nikon Photomic F1, and my current cameras are my Nikon D700 for images and my Fuji XT2 for video. I have no plans for upgrading.
Good job 👍
Have an old 645S, it's a brick but every time i take it up i enjoy the feel and weight of it...and the sound...absolutly love shooting with it...have alot of other film cameras and digital but my 645 is the one i prefer for many reasons...
There’s something intangible (and illogical) about using older cameras, I know the feeling well.
I own a Nikon D700 and I'm so happy with it I am not going to upgrade until I really, really have to. I'm told the D700 had a colour profile written specially for it to make it stand out alongside the D3.
There’s definitely something about the colours on that camera.
yes, miss my Pentax LX and will try and get another one
I would not say that I prefer my old cameras but I am fond of them and the memories they bring to me. I do keep a couple around as a backup and just because.
It’s hard to part with some equipment Jay, I have many unused cameras that just make me happy.
Yes! I can relate very much to this. I still use my Nikon D7100 more than my Nikon Z5 or Fujifilm camera. There's just something about it that feels right for me.
👍 can’t argue with that.
I bought a Pentax K1000 a couple years ago at a thrift store for $30, but never touched it until a few weeks ago. Yesterday I developed and scanned my first 2 rolls of film at home. The entire process is so rewarding. Seeing my first set of negatives was like magic. I love my shiny new Sony camera, but the K1000 is so fun to use.
Have fun, it’s addictive 🙂
I used to have an old Fuji S2 with a whopping 6 megapixels. Those images still have a great look and beautiful skin tones.
I remember that camera was a favourite of wedding photographers for the natural colours it produced.
@@SteveONions It had great skin tones. The only issue was the Nikon body it had was not at the pro level. It was a great studio camera as well.
Yep ..so true...buying and selling and then rebuyii was there. Some older tech does give me the feeling of quality build and reliability...
Thanks Steve, a very nice perspective on the joy of being connected with a fine quality tool that extends your artistic expression. You make me want to pull out my Nikon F4 or FE and put down my iPhone 11 Pro for a while.
Feel free to donate your F4 to me if you want it to get more use 😀
I love my Nikon D610, but as it's my first and only DSLR I probably don't know any better, but I totally understand what you mean about old manual cameras. Before I bought the D610 six years ago, I used (and still use) my Dad's 1950's Exakta Varex Vii B with Zeiss lenses, which still takes the most beautiful crisp images (I have had it professionally stripped down, cleaned and new curtain put in). There's just something special about a manual film camera and quality old glass that a DSLR cant replicate. No fiddling around with menu options, just back to basics joy. I have also been gifted a Canon T70, a Canon QL, and a Yashica with a plethora of lenses which I'm yet to try - you've inspired me to get out and give them a whirl.
It’s well worth trying those old film cameras Alison, with the right film they can produce excellent results.
I agree with you, and it makes me want to cry.
😢
Very thought provoking video today, and very well stated. Totally agree and big reason I’m shooting film again with M42 Pentax and Zeiss lenses today with a Bessaflex built in early 2000’s. It’s not a tank like your Nikon’s, but has a superb bright view finder and is light weight which is important to me.
I think the key takeaway is there are lots of cameras out there with lots of different options at different price points for both film and digital. It’s a great time to be a photographer now.
Very true Dan, we are spoiled for choice which means everyone can find something to suit their needs.
Thank you for your thoughtful video Steve. I moved initially to micro four thirds after my experience as a teenager with the Olympus OM1n. Nowadays I work with either the OM2n, OM 4Ti or the Bronica ETRSI as I started to dislike the clinical looks of digital photos and love simplicity in use of cameras.
Can’t argue with your choice of cameras Steven, both systems have their place and are well built.
I have an OM4Ti and LOVE it
I couldn’t agree more. I’ve bragged and raved on many a forum and subreddit how much I love my ‘ol Canonet GIII. It’s simple, it does it’s job, and produced some of my favorite shots thus far.
Glad it’s not just me Martin 😊
Good video, just discovered your channel. My favorite camera, that is almost always the one I use when going to shoot landscape, is a Canon 5D Mark II. I love everything about this camera, from the way it feels to the way the images from it's sensor look and it's by far the oldest of my 3 DSLRs. I also use an Olympus e-m5 mark I for my photo walks and when I want to travel light. Nice to see another fan of this camera.
My friend Robin also loved his 5D MkII Kevin, sometimes wonders why he sold it.
Absolutely correct in my opinion too. I still use an old Pentax Super A film camera which works perfectly and just feels right as do the lenses. I have tried and still use Panasonic cameras which are fabulously light and do produce good images. For choice though I just love my Pentax K1 digital when I am feeling strong enough to carry it. It has all those things you mentioned superb build quality, fabulous handling, excellent controls and feels right in my hand. I doubt if I will ever need to upgrade it and it is built like a tank, so I think it will outlast me! Thanks for the video.
I almost got a K1 back in 2016 David but found the lens choice quite limiting so for a K3-II. Should have got the K1 🙁
I'm so with you Steve on this one... Still rocking my original Olympus E-M1, E-P1, Nikon D700, FM2, Panasonic GX1 and love every minute of playing/working with them.
the simple answer is YES! My main two workhorses are my Nikon F3, and my Nikon F4s. I have a newer digital camera, but have found that it mostly stays in the home studio because it just does not perform out in the field as well as my old trusted film cameras. plus the image quality is STILL just so much better from film than the digital images. I keep trying digital as new bodies are released, but have not found any that do better for me than my old film bodies.
Stick with it, if it works then why change. The F3 and F4 will outlast us all.
thank you for this!!!!
My favorite camera was a Minolta SRT 102 with a 50mm lens that I picked it up to shoot some vintage B&W film stock. Makes me a better Photographer.
They are a gem. Equal to a takumar pentax and later olympus zuikos; but they can be had for a song.
Can related to many of your points especially on the features front . I still have my Nikons from the early 80’s its hard to beat the sound of their shutters and power winders :) Having said that I did move to digital even though all these years later I’ve never forgotten the magic of putting my first print in the developer and watching it appear as if by magic. :)
I still enjoy the magic of the darkroom, just wish it was heated 🙁