Great overview. I think one thing that trips people up a lot is that they'll shoot with a camera log profile but they'll alter it in some way by overexposing for example (e.g. Exposure To The Right). Then they don't understand why the Camera Transform Lut doesn't work right. They need to compensate for the over-exposure first which is why you may need to make adjustments before using the camera transform Lut. This can also be an issue in "run & gun" situations where you don't have a gray card or don't know how to use it to set the camera to a "neutral" position. And of course, you may need to compensate (ETTR or maybe the opposite) if you need to end up with more data in very dark or very bright areas. This needs a clear explanation but perhaps you have already done that in another video.
But on my camera I use the same lut in real time. Phantom luts aren't creative luts. I have compared the image using camera lut and the custom lut option and it looks exactly the same. What is the problem?
The problem is that LUTs are destructive adjustments. The Camera LUT is applied before anything else, therefore, you discard all the information you captured using your larger recording colour space. I explain that a bit here: ruclips.net/video/yrdMW9jJ4xg/видео.html
You missed a golden opportunity to insert converting from Log format like SLog3 into Rec709 using custom LUTs you create in Resolve, or at least you should have plugged for the video for that, and if you don't have one we need one.
The best teacher on the tube
This is some of the best stuff I’ve heard about LUTs and understanding the behind the scenes info. Thank you so much
Awesome, thank you so much! :)
That's top notch teaching and explaining. Keep it up!
Much appreciated!
I just love how you always go to the very bottom, to the basics, to show how things really work 👏🏻👏🏻
I appreciate that! Thank you! :)
Great explenation my friend, just sooooo goood 🔥
Thank you for this!
Thank you! :)
Giving the LUT the correct input is so clear now I’ve watched this video, Eric ! Another great video ! Thank you
Glad to hear! Thank you! :)
Finally i fond someone how knows 👌🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
Great explanation! Thanks for demystifying 🧙♂️
Thank you! :) Welcome!
amazing explanation man, seriously!
Thank you so much!
Man you are amazing at explaining complicated things. Love what you are doing!
I appreciate that! Thank you!
Great information and explanation!
Glad it was helpful! Thank you!
Simply amazing! Excellent work bro!
Thank you very much! :)
Great overview.
I think one thing that trips people up a lot is that they'll shoot with a camera log profile but they'll alter it in some way by overexposing for example (e.g. Exposure To The Right). Then they don't understand why the Camera Transform Lut doesn't work right. They need to compensate for the over-exposure first which is why you may need to make adjustments before using the camera transform Lut.
This can also be an issue in "run & gun" situations where you don't have a gray card or don't know how to use it to set the camera to a "neutral" position. And of course, you may need to compensate (ETTR or maybe the opposite) if you need to end up with more data in very dark or very bright areas.
This needs a clear explanation but perhaps you have already done that in another video.
You're right! I have tackled this a bit in this video: ruclips.net/video/KyuUMbkSmDk/видео.html
Great info. I use Color Finale and Dehancer to complicate more things.
Good stuff! If you know what you're doing, you're good! :)
I apply the phantom luts with the Camera Lut option, is this correct? Thank you, great video ¡¡¡
I do not recommend using the Camera LUT in Final Cut Pro. I'll drop a video on that tomorrow. Stay tuned. :)
But on my camera I use the same lut in real time.
Phantom luts aren't creative luts.
I have compared the image using camera lut and the custom lut option and it looks exactly the same. What is the problem?
The problem is that LUTs are destructive adjustments. The Camera LUT is applied before anything else, therefore, you discard all the information you captured using your larger recording colour space.
I explain that a bit here: ruclips.net/video/yrdMW9jJ4xg/видео.html
Thank you very much, I will do it that way from now on.
You missed a golden opportunity to insert converting from Log format like SLog3 into Rec709 using custom LUTs you create in Resolve, or at least you should have plugged for the video for that, and if you don't have one we need one.