VFX Artists React to Bad & Great CGi 136
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- Опубликовано: 25 июн 2024
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Niko and Wren and Jordan Allen break down some of the best (and worst) visual effects in some of your favorite Hollywood films!
Check out TAIYAKI's Godzilla 1954 Blender Remake - • Gojira ゴジラ - blender a...
Check out TIYAKI's Breakdown - • Behind the animation -...
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Chapters ►
0:00 - Welcome Back to VFX Artist React
0:16 - Fallout (No Spoilers)
6:28 - Jordan's Wasteland Scavengers Journey
8:08 - Fallout Continued (No Spoilers)
10:25 - In the Mouth of Madness
12:59 - Godzilla (1954) 
Развлечения
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I want to see you guys fix the crappy CGI of the Blood God at the end of the first Blade movie.
@@FM-nm4ng oh yeah, give it some proper fluid sims and all
The funniest thing about the ghoul is they once again did the "fully practical!, no cg!" Shtick haha that the movie rabbit hole series covered, when obviously the nose is CG. Still pissed they destroyed the NCR but otherwise it's a great show
Speaking about dinosaures, can you do the 1985 movie "Baby : Secret Of The Lost Legend"
*_Here's one: it costs a dollar for some cola in a mug, but most often the mug is empty, but then they CGI in a liquid and sometimes a little steam coming off the coffee...why the hell do they do this and what does it cost? Is it the diva-like-actor that decides he's not drinking any liquids on camera?_*
Hello. I’ve been a Corridor fan since The Mini Boss video, and I just cannot believe that I made it to be on this channel. Thank you so much this is the best day!
Dude TOHO needs you lol
you have to be proud that you fooled the guys haha, great work
amazing job bro
fooled me for sure. the only thing that looked weird to me was godzillas neck stretching at 13:30 but i just ignored it
You have immense talent bro, bravo!!!!
That Godzilla clip was amazing! Huge props to Taiyaki!
Nailed the jittery lightweight movement of models, and stop-motion, and flames on old film, and just everything
I was convinced it was the original; it was only when they showed the clip that I noticed that Godzilla looked more like Shin Godzilla than the original one. But if definitely fooled me.
@GojiMet86
It was a shot for shot re-creation of the trailer for minus one.
@@gabrielsatter its not like it is a exact replica, theres alot of style choices
the dedication to animate frame by frame man...
BROOOOOO Jordan's deception and the Taiyaki reveal might be my single favorite moment in this entire series
The fact that Taiyaki even animated the Bridge by hand makes it so much more authentic for me. It looks way more like a guy in a costume walking through a way to stiff cardbord prop than if it was to be simulated. It conveys the scale of "Thats a miniature set" way better i feel like.
Godzilla '54 is burned into my brain so when I saw these clips I was like "Is this like a different scan of the og film or something?" Still didn't click until the reveal. Fantastic work
Same thing happened to me
The tanks were really confusing until the reveal. I've never seen the original Godzilla movie, but I'm pretty sure some of those tanks in the Blender animation were Comet medium tanks. I was questioning if Japan actually used scale models of them instead of models of prototype Chi-To / Chi-Ri or postwar Sherman tanks for the original movie!
Same. My first reaction was "God, that's such a dogshit transfer. My copy doesn't have nearly as much film grain." I believed the footage to be from the actual film. I was just amazed that Corridor would choose such poor image quality for their channel. Oh, to be a Kaiju nerd xD
@@bot_2412they also used in the movie if i remember correctly M24
Yeah, same.
I actually was involved in working on this one! I was part of the team that ran the LED volume in NY for Fallout. We worked on the Vertibird shots, as well as several shots you might not have realised were on the volume inside the Vault atriums, and in the Observatory in Ep8. It was a combination of techniques used. Vertibirds were largely car-process plate shoots as described but there was actually some tracking involved for the walls, but the interiors were Unreal engine and fully tracked as well.
yall did great man, so much of this movie looked so good, not to mention how great the story, music, and characters are.
how did you guys did simulate the light and propelling blades?
@@ArtflPhenix For the Vertibird interior shots, the plates on the screen were driven by a live 2D compositing software called Vertex by Ioversal. We actually had the pleasure of having the founder and developer on set helping us to develop new mapping and extra features to run this show. For the flicker, because its 2D comp work, you can do exactly what you would imagine you'd do in After Effects- add a black rectangle, script or keyframe it with some rotation, dial in the speed, and then play that back. Maybe feather the edges a bit or tweak the speeds until things look right. This could also be supported with some strobing from the physical lights on set which were being controlled via DMX from a lighting console.
@@BlackhartFilms Was Todd Howard mad at you guys for using the Unreal Engine? :)
You did a bad job
I'm not sure who edits the Corridor Crew videos any longer, whether Nick is still working on it or not, but the use of the THX Deep Note for Wren's epiphany moment was so perfect.
8:20 “aerodynamically speaking, the aircraft cannot fly this way”
*MV-22 Osprey enters the chat*
Well yeah, look at the size of the rotors and the wings on the Osprey. THAT is an aerodynamic vehicle! The Vertibirds aren't correctly proportioned to be able to fly IRL.
The body of the Vertibird is the issue. With a body that big and rotors that small, it wouldn’t be able to fly. If you look at a Osprey, it has big propellers and a body that is shaped to be aerodynamic
@@SirWrendernot trying to argue just further the discussion. Would it be possible within the fallout universe they found a way to power a aircraft like a osprey with a reactor that would allow it to fly even without being aerodynamic?
@@adamsmiths3016 I would suggest definitely. They don't have to carry fuel, they don't have to carry two combustion engines, although they are shown as being osprey style jet engines in the nacelles, it would've been very easy for them to be electric and powered by a tiny fusion core. Then yes, the smaller rotors and bigger but lighter chassis would function just fine with the rotors spinning at higher speeds.
Honestly I think the quote “aerodynamically speaking, the aircraft cannot fly this way” is really more nitpicky than anything else, and after they were willing to wave away the nuke blast speed for narrative's sake, I think suggesting that "with a body that big and rotors that small, it wouldn’t be able to fly" is disingenuous. It is technically correct but there's a lot in Fallout games and the show that is really fantastical, and picking on the Vertibirds is honestly the least of it's technical issues. I would've said, "they're close enough to an Osprey that I'll let the details slide."
It could fly the rotors just have to spin much faster.
My jaw refuses to close after the Godzilla reveal. Truly blown away.
My thoughts on the fake eye on Chris Parnell's forehead is less about thinking that's where it would originally have been replaced later and more that they wanted a reference for other actors to look at because their glances may dance between the side-by-side eyes where as here they're looking at a specific spot horizontally centered.
Dang, good call
Yeah that was my thought as well. It’s like the red trackers they used for Ultron and Thanos for the Avengers movies. When you have big guys, you need the actors to be looking in the right spot, so you just throw something basic in place to keep their eyes from wandering.
That too, or my other thought was that the character might have originally had three eyes but they changed their mind and gave him one eye instead
@@kurtacus3581Lucy verbally describes his eye in the script, so that's not possible.
@antonliakhovitch8306 Scripts change, and scenes are re-shot. It certainly could have been that he intended to have three eyes regardless of the dialog.
I don't think that is what happened, but the dialog does not prove the idea false.
I am sooo impressed (and somewhat relieved) to see that the artist for the godzilla movie, ketp the default object names in the outliner ( Cube.112, Cube.113, Cylinder.08XXX ) and is not fully organized and he was managing to do such a great work
I've worked on some CGI that was meant to mimic stop motion (for advertising) and here's some of the things we learned. 1. Animate on twos - most stop motion is usually just 12 fps doubled and helps achieve that recognizable look. 2. No motion blur. It feels unnatural but you can't achieve it when shooting single frames so it affects the visual style. 3. We did a super subtle jitter in post to the exposure. When shooting stop motion, your individual frames are never EXACTLY identical so there is this tiny flicker that happened between frames. If you want it to look like less professional stop motion, you exaggerate that effect a bit. Lastly, we were trying to mimic Claymation specifically, so we had animated displacement maps to subtly "move" the surface of the clay between frames. (and our texture maps included small dents, nicks and even scanned fingerprints.)
*_"2. No motion blur. It feels unnatural but you can't achieve it when shooting single frames so it affects the visual style."_* Tell that to Phil Tippett, who surpassed Ray Harryhausen's work by incorporating motion blur in his stop-motion animation. Star Wars, RoboCop, Dragonslayer, Prehistoric Beasts, etc.
I have never got my mind blown quite as hard as with that Godzilla clip, that was legendary
Not only did he nail the look of old film, he nailed the look of the lighting that was available at the time. The differences between what was supposed to read as stop-motion, a man in a suit, and then what looks to me to be two different kinds of puppets - (one larger for head, mouth, and arm movements for close-ups, and a friggin hand puppet for "distance shots") were near perfection. Every bit of that stuff looked like it had been captured in camera. That's frighteningly well done, especially for what is essentially a "hobbyist". That is pure talent. Bravo!
That Godzilla blender animation was legitimately incredible. I havent been that impressed with an animation in forever.
As of right now Taiyki has 12.8k subs, myself included. We’ve doubled his sub count nicely done
14:27 | Wren's face and the THX music, Chef's Kiss
Props to Taiyaki and that Godzilla clip that he made, it looked amazing, but I'm a huge fan of Godzilla and have watched the '54 movie many times since I was a kid, and quickly realized that it was not from the original movie. Especially the stop motion stuff and the train sequence. But the fact that he did that all by himself in blender is phenomenal!
He re-created the minus one trailer.
@@gabrielsatterno he didn’t
Same. My first reaction was "God, that's such a dogshit transfer. My copy doesn't have nearly as much film grain." To Taiyaki's credit: I believed the footage to be from the actual film. I was just amazed that Corridor would choose such poor image quality for their channel. Oh, to be a Kaiju nerd xD
@@FactsDontCareAboutFeelings_97
You're right. It was a blend of many scenes, plus new stuff. That being said, the train bit was basically a direct translation of minus one. Remember when that kid made the Lego spider man trailer. Similar type thing.
I think the fake plastic eye might be a reference to the other actors rather than the CGI team, Kinda like JAR JAR- binks actor had sunglasses on.
It was mind blowing to see that Godzilla footage was not from 1950's. His reaction as he went into background and back is so hilarious.
9:30 I love how we've come so far in VFX technology that we've basically just re-invented rear-screen projection.
Thinking about all of those James Bond car sequences.
Favorite CG-food in a movie is from 1993's Coneheads. There's a 12" sub-sandwich consumed in a single bite, and if you look closely, you can see the single "real" bite taken at the end of the shot.
I like the avatar cgi purple fruit .Scene where he takes a bite into it.
😊agreed
Cake scene from young sherlock holmes
@@sandeepsingh-xg1rkoooooh whatever that fruit was looked so juicy
7:24 - Jordan, you keep doing a great job in this role and this was one where I realized I'm just as happy to see you and impressed as I am when Jake does the spot.
I love how the Godzilla 1954 scene looked out of place for me. I got a hint something was up, because some of the editing seemed weird from what I have seen from the original film. It was still a unique surprise tho. Really funny.
The 1954 Godzilla suit was sooo dang hot from the studio lights and very little ventilation, that Haruo Nakajima could only stay in the suit for like 3 minutes. He sweated so much that the crew had to manually reline the insides basically every day.
Nakajima then went on to play Godzilla 11 more times, then various other monsters in 8 other films, plus various other monsters in the original Ultraman series from the 60s.
I can't fathom how much that sucked- I've worked in a haunted house outdoors in the fall and that costume was pretty hot haha
The stuff people will do for their craft! Crazy that Taiyaki was able to replicate that look so well!
The real reason the Japanese made LED lighting... to save their Godzilla actors from overheating!
@@TheEnderBand
60 degrees C in the original suit according to Nakajima. Dude was built different
@@Dasaltwarrior oh hell to the no that's legitimately like being in an oven basically, that had to have sucked so bad
14:10 I immediately knew something wasn't right, because that's a very recognizable explosion asset from Action Essentials 2 🤣
Before the reveal I was looking at that explosion wondering how they could have done it back in the day and disappointed that nobody bothered to explain it in detail.
Also the model tanks, I don't think they had RC at that level back then
I think the tanks looked off, like way too modern for 1954.
@@cbjewelz Correct. In the first couple of kaiju Tokusatsu type productions, ground vehicles were pulled by (usually well hidden) strings. By the 60s, yeah, they did enjoy RC, but not in 1954.
@@cbjewelz Yeah that far back they would have used footage of real tanks, then reuse the same few seconds of tank footage like 4 times in a row lol
I was so excited to see Godzilla 1954 that I legit forgot Taiyaki's video
WOW! In The Mouth Of Madness! I worked on that huge creature, way back when, at KNB EFFECTS Group. WE called that creature "the parade float" I was almost entirely fabricated out of foam with sculpted animatronic heads. I think it was about 20' wide and 12' long and had multiple performers inside of it. Very cool to see it here on CorridorCrew! Big fan for a long time guys👍🏼
The CG pear from Star Wars ep 2 has to be my favorite xD
Damn, beat me to it.
I love that pear. I have gifs of it disappearing into Padme's mouth like she's a vacuum cleaner.
They already talked about it. Lol
The guy who did the 50's Godzilla short is a damn lunatic, and in a very very good way
I still recommend "Reign of fire" great CGI Deagons for its time
The Godzilla reveal straight up gave me goosebumps. The Skill involved is INSANE
That BLENDER switcharoo!!!
Holy bajesus that Godzilla one is _insane_
I fully empathise with Wren's reaction there.
Well bloody done Taiyaki!
I can’t help but love the episodes where it’s just the crew. The energy is so much fun! Love the show regardless but the crew ones are special fr
I think the uncanny bit is the skull structure. It still has the structure of two eye sockets, two eyebrows. The one eye just an indent on the nose ridge.
The Ghoul absolutely stole the show! Walton Goggins has such an incredible presence, he was the perfect cast. And the effects were so good I never even thought about the missing nose.
"From Beyond" (1986) is another movie based on a H.P. Lovecraft story that has some practical & camera effects worth reacting to.
From Beyond is amazing!
14:24 was my exact reaction, too! I REALLY thought this was a clip from the old Godzilla movie - my mouth stood open for like 2 minutes straight! 😁😁
This made my day. It is pure joy. Thank you SOOOO much.
I don't think the Overseer's fake eye was for CGI reference at all, as you guys said they had his real eyes right there. It was probably primarily for the other actors to make eye contact with and secondarily for the DP to frame the shot around.
like cardboard thanos
Agreed
And when we talk to someone, we tend to focus on one of their eyes, then we switch to other etc. Having just the central one would help the actress
Ella Purnell (who plays Lucy) basicly confirms this in an interview with the BBC Radio 1: she says even with the third eye it was difficult for her to get the eyeline right in the closeup shots, so at one point Chris Parnell offers to do the scene with his real eyes closed (in the end they worked it out without that)
But the eye isn’t even in the right spot, so that doesn’t really work out.
8:19 V-22 Ospreys: Am I a joke to you 💀? (Ok, it flies a bit faster, but still 🤷♂️.)
And they do have a tendency to, you know, not fly sometimes. I know plenty of people that refused to fly in them if they were asked😂
But the Ospreys have much longer wing spans to help provide lift when the plane flies forward. The wings of the vertibirds in both the game and TV show are too short too really allow that bulky fuselage to fly in real life.
And yet you still see them flying all the time @SegginsProductions
I'm so delighted by the Godzilla clip and reactions
I was working on the explosion shots! There were so many different versions of these, the timing and look of the shockwaves and the explosions, especially the drone shot. It was so much fun working on these.
Not gonna lie, I was at first confuse why the have Stop motion in Godzilla, since it was super expensive and that's why the guy in the suit was the option... But man, that reveal blew me AWAY!!
They did use stop motion briefly in a couple of scenes I think, but nothing like what was redone here, for sure
@@hellomark1 I may be wrong, but my memory is that there is no Stop Motion in the original Gojira, which is why the clip confused the hell out of me. I kept thinking "Why does this look so bad"? The actual Gojira film has been restored and looks pretty damn great, so I was thrown off by the crappy quality of the Taiyaki clip. It's very impressive, though. Looked totally legit if you aren't very familiar with the original film.
@@robertkendzie3 Again there was only a tiny bit and only for one or two scenes, and I only found that out because I googled it 😅
@@robertkendzie3 same, I remember that the Godzilla Stop Motion kick to Kong, was the first time (or one of the first atemptes at Stop Motion)
@@robertkendzie3there is a short stop motion segment in the original of his tail doing some damage, but its blink and you miss it.
Personally, some of my favorite CG food is in Cloudy with a chance of Meatballs. The way the food in that film looks is so dynamic, each piece fulfills a different role from texture and sound, to the way it’s animated.
That Godzilla "remake" is absolutely awesome. Completely nailed it, from the stop-motion look to the lighting and the scale that's just "slightly off". I was completely fooled.
Also: Just rewatched At the Mouth of Madness a few days ago and was wondering what you guys would say about it. There are other very impressive shots in it, although the one you picked is definitely ridiculous for the amount of work they put into getting those few seconds. Terribly underrated movie, it's just awesome. Probably my favorite John Carpenter movie, right along with The Thing.
I loved Fallout, it was such a great show. nice getting some pointers on the behind the scenes.
8:23 Dude, check yourself about what can be done, look up the V-22 Osprey and tell me that thing can't fly again.
and the gotcha moment on that Godzilla clip! wow!
That Godzilla clip from Taiyaki reminds me of Worthikids' "Captain Yajima" that looked exactly like an old Rankin Bass holiday special. The dedication to recreating that old aesthetic is soooo good!
Yes! We need a reaction to that!
All of Worthikids’ content is pure bliss.
The fake third eye is for Lucy to focus on so that her eyeline is correct, because otherwise her eyes would be switching back and forth left and right between his real eyes
Cause apparently just looking between his eyes was impossible lol. It was more likely used as reflection reference.
@@Pir-o It's easier if you have something to focus on, so they stuck a piece of rubber onto his head and for funsies made it look like an eye. They do it for CG characters all the time because we, as humans, are very sensitive to other people's line of sight.
Why is THIS the thing you decide to act pompous about?
@@Antenox lol for real, piro is a douche. i thought the exact same thing you did. i figured it was for the actor to look at.
@@Antenox She's also not a child but a grown up who knows how to focus her eyes on a point right above his nose for couple of scenes lol.
You do stuff like fake heads when you making cgi giants or huge animals so actors know where the head supposed to be. But to say actors are big enough idiots that they need a huge plastic eye is ridiculous my dude lol. I know people say actors are dum dumbs but cmon. Even if you want to believe they are dump enough not to focus on a specific part of the face, a marker would work just as well lol.
@@seryal If you need a huge fake plastic eye cause you can't look at someones nose, you also need to be reminded not to open your mouth every time it's raining otherwise, otherwise u will drown.
There's a way more much logical explanation than "people too dumb to look between eyes"
I’ve been studying CGI for over 30 years and that Godzilla clip totally fooled me. Great job!!
That Godzilla clip is one of the best clips in the history of this series. Send that one straight to VFX HoF!
8:15 The Vertibird definetly could fly, the V-22 Osprey is basically the same aircraft
Highly doubtful
That twist at the end is incredible
CV-22 Osprey vs the Vertibird. Great video as always!
Absolutely incredible that godzilla recreation
Wren with the singular eye in the thumbnail was perfect😂
The Thumbnail got me 😂
Was about to comment this.. why does it fit so well for Wren? hahahah
I didn’t notice Overseer Wren till you mentioned it 😂
That last bit was so meta - all that cg work just to make it look like the original pre-cg stuff 😅 wild
It gets even more meta when you find out this is exactly what Toho has been doing on their Reiwa-era Godzilla films: Making a completely CGI Godzilla look like suitmation. Legendary tries to make him look realistic and it doesn‘t really work a lot of the time. Toho makes him look like a guy in a rubber suit and fucking nails it.
Nobody talks about this series, maybe because there isn’t much to talk about, but the series is called Mr. Corman. I love the effects they used in a certain episode called “Many Worlds.” I think it’s an awesome episode that may needs more appreciation.
In the Mouth of Madness and John Carpenter knew less is more. Also the creatures are supposed to be Lovecraftian Old Ones, where getting a full view of them would drive you insane, so the tight close-ups and out of focus shot are thematically appropriate.
Isn't that the film that ends with Sam Neil's character sitting in a theater and watching the film he was just in while laughing hysterically? A very strange movie that was more confusing than frightening.
@@Durwood71 strange, yes. I wouldn't consider it a straight horror film though. It's more psychological, or even existentially horrifying than straight horror. It all makes sense too, especially upon a second viewing. He realizes all the agency he thought he had was utter rubbish. In the end, he may very well have been nothing more than a two dimensional character in a cheapo horror novel, doomed from his own lifeless inception.
That Taiyaki scene blew me away. I honestly thought it was straight from the original. I'm just flabbergasted.
I knew the Godzilla clip was a trick from the beginning.... but only because the suit design was wrong for that movie.
I had no idea it was all CGI. That was INCREDIBLE!
Hey guys, lots and lots of love from India. You have helped a lot of us in our film-making journeys and we always look forward to your videos:) I have always been fascinated with how certain shots are done and generally have an idea of how the filmmakers achieved it. But I have been completely blown away by this show called Alice in Borderland. From showing an empty Tokyo street in broad daylight in the pilot episode to having an amazing long take of a car chase sequence in an emptied city block(/s) in first episode of season 2, I couldn't fathom the amount of hard-work the team has put behind this show! I'd really love it for you guys to check it out. Thank you for doing what you do:)
That Godzilla clip is so incredibly well done. Holy balls.
Finally, that kind of video I really wanted to see
The story telling was perfect, the first nuke, then wanted the parent to de-escalate the explosion (so they needed the flash after that)... while the other flashes had the wow effects of (omg another one, and another one?!) this scene was peak filmmaking for me personally
In Fallout, the single eye prop on the forehead is probably for practical reasons, to assist the actor opposite him. So that they stare/look at only one location in the face. Having both eyes on the face would have unintentional eye darts as they look at either eyes.
I’m glad you guys mentioned how the bombs going off was probably a creative/artistic decision, I knew you would back up the vfx artists (I personally really like the approach they took)
14:27 That THX sound is perfection.
Wren’s known reality has been completely shattered 😂
Damn we've watched with you guys for years .........happy new month to us all
The "CHARGE " Blender short would be awesome as well. As well as *Aslan from the Chronicles of Narnia!* where you could do a comparison to the "live action" Lion King. Also at the end of second Chronicles of Narnia movie there's a big water creature, so it might be cool to see what you think about that.
The *last agni kai fight from ATLA* would be perfect for for the Animators React. It's so stunning!
And for stuntmen react It would be cool to see you react to the duel from "Potop", it's really good sword fight
I was so confused on the Godzilla clip because I watched it relatively recently and I knew my viewing partners and I would have been over the moon about that stop-motion train attack and I didn’t remember it.
I remember busting out laughing watching Fallout and Chris Parnell put those glasses on with one eye. Like, how? 😆
The point of those two frames is to be so much info and so little time for you to not be able to grasp what you saw. A bunch of cool looking puppets but still puppets and rubber suits. It works great for the horror of just having a glimpse of this huge monstrosity that is chasing John Trent.
And what a underrated movie really!
gotta say say thank you for this awesome start to June
One of the big giveaways is that the blur looks wrong from the start. Another easy to spot one, is how the texture streches on the neck of the "costume" when moved.
Love that Godzilla model. I could tell something was off, but because I wasn't expecting it, my brain was just like, "I dunno, maybe I'm misremembering what '54 Gojira looked like and didn't realize he had a face so close to Shin Godzilla." absolutely incredible work.
The effects in the Mouth of Madness are well crafted. It shows how the horror flicks from the 90s were able to get weird worlds without CGI. Sometimes I miss that
I appreciate how you all can pick apart the technicalities of a scene with your expertise, while simultaneously understanding budgets/creative needs/storytelling/pacing etc.
Entertaining consummate professionals, thank you!
That Godzilla clip just completely destroyed all the “film is objectively better” and “practicals always over VFX” copied opinions for good, in a single swing. Damn.
the case is the movie is dark and very very poor quality, this hides all the defects actual CGI might have. but then i remember the latest planet of the apes movie, and... THAT destroys all those opinion about cgi vs. practical.
@@ElsweyrDiego Well, if we’re going to go there, there’s a huge selection of films to prove the point, but the thing is, you know that’s CGI. When CGI can fool experts into thinking it’s not there, that’s where you can objectively say the film struck gold.
not really
@@alexman378 that's for sure! but unfortunately it's just in a very dark scene :( i hope the author or someone else can make things in lighter scenes too, that is gonna be revolutionary.
Lol not even remotely close bud "that's a single drop in a very large bucket of drugs"
To add to the Godzilla theme, I'd love to hear your take on the effects used in "Godzilla Minus One." Thinking about the water effects - such as when Godzilla was pursuing the wooden minesweeper). Also some of the transitions from CG to live action - like when Godzilla has the train in his mouth and it transitions to Noriko hanging inside one of the train cars.
The Godzilla part fooled me but the fact that it's basically the minus one trailer really takes the cake
Hey guys! could you react to Hardcore Henry! it has some pretty sweet VFX! (If they have could I get the episode number?)
They did awhile ago
@@user-gz5ez1vo4g dont think so? 😭 (if they have could u tell me which episode)
Been there done that lol
@@user-gz5ez1vo4g Can you show me which episode they react to hardcore Henry?
The vertibirds absolutely could fly from an aerodynamic perspective, we already have a real world (near) equivalent in the osprey. For sure the wings are a bit short in the fallout 4 model that they use but from memory I believe the vertibirds in 1 and 2 the props are angles slightly upward which would help with the lack of lift from the stubby wings, additionally the nuclear fusion aspect of the fallout universe would certainly aid in making these things "feasible"
There's a non military Osprey like plane, as well.
Wren says some odd things at times, I've noticed,but yes, the vertibird *should* be able to fly,it's also a bit MI-24ish in the way it's built as well.
i love when you guys cover practical effects from older movies. you should do the opening shot of 'The Burbs
I knew there wasn't something right about that Godzilla clip. My brain was like, "I don't remember this in the movie??" It's beautiful animation, though. REALLY convincing in looking like it came from that era. They did a seriously good job.
The shockwave pushing everything else but humans though. Lol
Corridor got me into film and that lead me to attending Towson for my film degree.
Thanks corridor for helping me discover my passion. I was lost as to what to pursue for a career before this
10:07
I swear to God that man’s eating it longways like a sociopath.
The THX sound with Wrens reaction was Genius!!! 😂😂
8:14 He is actually 100% dead wrong here, look up the V-22 osprey. Have seen them IRL when I was in the military and I can tell you it does look odd but yes it can actually fly like that, and its pretty much the exact same design as the vehicle shown. So I’m surprised none of them knew of the osprey lol
Would be cool to see you guys do a Korean Drama themed episode. Lots of great shows and movies that are out there.
Some of my suggestions, Sweet Home, Moving, Kingdom, Squid Game, Chicken Nugget, GyeongSeong Creature, All of Us are Dead, Train to Busan Plus many others.
They have really cool stunts. My Name and Bloodhounds is pretty sweet.
Yeah episode 11 of moving has that crazy fight scene (or is it 10?)
@@thekwoka4707 Is that the Hotel scene where he fights the entire gang? That was brutal. Moving was probably my favorite show of last year.
That Godzilla animation, actually stunned, really thought that was old footage! 😮
Niko and Wren and probably Jordan too need to sit their asses down and watch Godzilla 1954🤣 . I was so excited for them to look at it and as soon as it started Im sitting here like what the heck is this.
That THX sound effect for NICO's mind being blown. PERFECTION.
“CG-eye” lol
Bro, I've watched the original Godzilla before, and even I was had by the Taiyaki clip. Jesus what a grade a talent
I felt Wren's reaction. That was one of the, if not the most mindblowing thing I've ever seen. Wow!