David Lynch On Using a Sony PD-150
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- Опубликовано: 31 янв 2025
- David Lynch talks about his experience using a consumer video camera, the Sony PD-150, to shoot a film at AFI Silver Theatre in 2007 Silver Spring, MD.
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More details were lost but that gives you more time to dream.
more room*
i love his hand movements
He's doing some sort of voodoo with he's hand lol
😂😂😂
You have to be double jointed. And hungarian.
I love how he uses hands to distract everyone’s mind
Shooting with prosumer handycam gave Lynch total creative freedom on the stage. Bigger quality issue IMHO was not the low NTSC resolution but the deinterlacing /up scaling for cinemas distribution in 35mm. This movies should be seeing on NTSC interlaced TV to look at his best old time TV quality.
The first time i got a ride on a WWII bomber I wanted the best camera I could afford to document the experience. That camera was the PD150.
In my college they use it
From what I’ve heard, this was a popular camera for shooting 2 types of video: skateboarding clips and pornos.
This interview aged well because he restored Inland Empire because he saw it on DVD and thought it looked like garbage. Thank goodness digital cinema tech has advanced since then.
his fingers are distracting
It looks like he's putting a curse on his audience.
Gotta love Lynch's technique of waving his fingers through the air to distract the audience from what he's saying. The audience leaves, not remembering a thing he said. Which is cool because he said nothing worth remembering. He was just there for the speaking fee.
The camera is a big piece of crap. Good for the time, but why people who keep heralding this old tech is beyond me.
I think he can do whatever the fucks he wants, is David Lynch
creepyzebra Digital is common and bland for modern people, there is something intriguing about old tech, that kids today will never understand.
Old cameras and new cameras are just cameras, small list of movies shoot on the sony pd150
"Jackass" (2000)
Camera: Sony DSR-PD150
"Switched!" (2003)
Camera: Sony DSR-PD150
9 Songs (2004)
Camera: Sony DSR-PD150
American Gun (2002)
Camera: Sony DSR-PD150 (video segments)
Andra sidan (2003)
Camera: Sony DSR-PD150
Arroz con mango (2002)
Camera: Sony DSR-PD150
Casual Friday (2003)
Camera: Sony DSR-PD150
Dancer in the Dark (2000)
Camera: Sony DSR-PD150 (with custom anamorphic lenses)
Deflation (2001)
Camera: Sony DSR-PD150
Desperately Seeking Seka (2002) (TV)
Camera: Sony DSR-PD150P
Down and Out with the Dolls (2001)
Camera: Sony DSR-PD150
Drowning (2001)
Camera: Sony DSR-PD150
Eldritch Influence: The Life, Vision, and Phenomenon of H.P. Lovecraft, The (2003)
Camera: Sony DSR-PD150
Epicureans, The (2003)
Camera: Sony DSR-PD150
Final Act (2004)
Camera: Sony DSR-PD150
Fluffy Cumsalot, Porn Star (2003)
Camera: Sony DSR-PD150
Frank & Mary (2001)
Camera: Sony DSR-PD150
Gecekondu (2003)
Camera: Sony DSR-PD150
Glitterati (2004)
Camera: Sony DSR-PD150
Go Further (2003)
Camera: Sony DSR-PD150
Hatch (2003)
Camera: Sony DSR-PD150
Henning (2004)
Camera: Sony DSR-PD150
Holiday Memento, A (2002)
Camera: Sony DSR-PD150
Honey Hunter (2002) (TV)
Camera: Sony DSR-PD150 (video segments)
Hotel Lobby (2003)
Camera: Sony DSR-PD150
How to Kill a Mockingbird (2002)
Camera: Sony DSR-PD150
How to Make It Hollywood Before You Make It (2004) (V)
Camera: Sony DSR-PD150
In Search of Ted Demme (2004)
Camera: Sony DSR-PD150
In This World (2002)
Camera: Sony DSR-PD150
Interview with the Assassin (2002)
Camera: Sony DSR-PD150
Irreversible (2004)
Camera: Sony DSR-PD150
Joy Electric Picture Book, The (2003) (V)
Camera: Sony DSR-PD150
Kissing Paul Newman (2001)
Camera: Sony DSR-PD150
Liquid Wind (2004)
Camera: Sony DSR-PD150
Mama Milka (2003) (V)
Camera: Sony DSR-PD150
Manic (2001)
Camera: Sony DSR-PD150
Mementos (2004)
Camera: Sony DSR-PD150 (some scenes)
Movimenti (2004)
Camera: Sony DSR-PD150
My Brother Tom (2001)
Camera: Sony DSR-PD150
Paper Clips (2004)
Camera: Sony DSR-PD150
Paz! (2002)
Camera: Sony DSR-PD150
Personal Velocity: Three Portraits (2002)
Camera: Sony DSR-PD150P
Pieces of April (2003)
Camera: Sony DSR-PD150
Placebo (2003)
Camera: Sony DSR-PD150
Poker Kings (2004)
Camera: Sony DSR-PD150
Processen (2003)
Camera: Sony DSR-PD150
Quattro Noza (2003)
Camera: Sony DSR-PD150
Refuge (2002)
Camera: Sony DSR-PD150
Reign in Darkness (2002) (V)
Camera: Sony DSR-PD150
Rising of the Moon, The (2002)
Camera: Sony DSR-PD150
Rule # 1 Day Three (2003)
Camera: Sony DSR-PD150P
Scopophilia (2003)
Camera: Sony DSR-PD150
Sobre mi piel (2003)
Camera: Sony DSR-PD150
Super Size Me (2004)
Camera: Sony DSR-PD150
Sur/Face juyon-nin no gendai kenchikuka-tachi (2003)
Camera: Sony DSR-PD150
Tadpole (2002)
Camera: Sony DSR-PD150
Teatime with John (2003)
Camera: Sony DSR-PD150
Thanatos Road (2004)
Camera: Sony DSR-PD150
Through the Eyes of the Sculptor (2004) (TV)
Camera: Sony DSR-PD150
Tommy Lee: The Naked Truth (2002) (TV)
Camera: Sony DSR-PD150
Torpor (2003)
Camera: Sony DSR-PD150
Uber Goober (2004)
Camera: Sony DSR-PD150
Uh Oh! (2003)
Camera: Sony DSR-PD150
Uncle Sam (2002)
Camera: Sony DSR-PD150P
Upside Downtown (2002)
Camera: Sony DSR-PD150
Veronika's Birthday (2004)
Camera: Sony DSR-PD150
Visitor, The (2002/II)
Camera: Sony DSR-PD150
Y.M.I. (2002)
Camera: Sony DSR-PD150
Yellow Sign, The (2001)
Camera: Sony DSR-PD150
Dude, it's like any technology. You use it if you like it.
So many Super 8 shots in clips, series, and films nowadays, I'm pretty sure in the late 70's everybody found it horrible.
These PD150s were everywhere back in mid-2000s many news stations used this on the field back then.
If they used this for field news production then it's far from being a piece of crap.