18th century embroidery is NO JOKE. (Trust me, we tried it.)
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- Опубликовано: 5 июл 2024
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⤠ NOTES ⤟
[1] R. Campbell, ‘The London Tradesman’, 1747 (p 153-4): “[Embroidery] is chiefly perform’d by Women”. archive.org/details/TheLondon...
[2] Lanto Synge, ‘Art of Embroidery: History of Style and Technique’, 2001 (p 176). “Designs were supplied by pattern drawers, a recognised profession, who in turn derived their subjects from pattern books and published sources.” archive.org/details/artofembr...
[3] Ernest Lefébure, ‘Embroidery and lace: their manufacture and history from the remotest antiquity to the present day. A handbook for amateurs, collectors and general readers’, 1888 (p149). “Many sent their clothes to be embroidered in China... We owe to the Chinese by whom many embroideries most precise in regularity have been made for fanciful dandies.” archive.org/details/embroider... Lanto Synge, ‘Art of Embroidery: History of Style and Technique’, 2001. “Indian needlework was for a considerable period linked in design and technique with Western embroidery and Mughal embroidery ranks with some of the finest in the world.” (28). “Other aristocrats were so eager to be dressed in the fashionable Indian and Chinese taste that they sent garments to the east to be embroidered there.” (165) “Chinese embroidery of exquisite fineness, fascinated early travelers and successive merchants. It was inevitable that Europeans would try and acquire it… and ultimately would attempt to imitate it.” (305). “Amongst a variety of textiles, [Indian] needlework was supplied commercially from the subcontinent from the 17th c onwards.” (310). archive.org/details/artofembr...
[4] Synge, ‘Art of Embroidery’: “At the outset of the century, however, Parliament attempted to curb the importation of all materials ‘of China, Persia, or the East Indies’ as these threatened the prosperity of the english silk industry. In 1720 foreign coloured embroidery was prohibited, and even cotton goods were specified in the following year. These restrictions were relaxed in 1736, but in 1749 metal thread embroidery, lace and fringes were forbidden on the grounds of national economy.” (172)
[5a] Rozsika Parker, ‘The Subversive Stitch: Embroidery and the Making of the Feminine’, 2019 (p5). “The professional branch of embroidery…was, from the end of the 17th c to the end of the 19th c, largely in the hands of working-class women, or disadvantaged middle-class women.”
[5b] The UK Broderer’s Guild, which still exists today: broderers.co.uk/history-brode.... Also: Melinda Watt, ‘English Embroidery of the Late Tudor and Stuart Eras’. www.metmuseum.org/toah/hd/bro.... “Male professional embroiderers were members of the Worshipful Company of Broderers, chartered during Elizabeth I’s reign in 1561. Though guild membership was restricted to men, it is clear from surviving documents that women played an important role in embroidery workshops and as professionals in related textile trades, such as the production of ribbons and trimmings.”
[6] Charles Germain de Saint-Aubin’, L’Art du brodeur’ www.gutenberg.org/cache/epub/....
[7] Sorry, there’s no note here. We’ve just got the footnote timings a bit mixed up but have split [5] into ‘a’ and ‘b’ to sort it. I can't believe you made it to the end! Look at you appreciating a footnote list. Honestly, same. We should fill the comments with 👖 (or 🩲 if you're British) just to confuse everyone.
Hand & Lock’s Expert Embroidery Guide:
Throughout this film, many references have been made to various embroidery techniques & processes. Below, the Hand & Lock team have put together this helpful guide to recap on each.
Each process chosen for this project was carefully considered and utilised to replicate the 18th century waistcoat design chosen by Bernadette and her team, as closely as possible.
‘Hand Guided’
is a form of machine embroidery that requires a person to physically control the machine, and manually manoeuvre the fabric under the needle as the machine sews, creating fluid embroidered shapes. The beauty of hand guided, is that it has an organic aesthetic and often the embroidery artists individual style is evident in the work.
‘Digital Machine embroidery’
is a modern, computerised technique which requires expertise with both digital embroidery design softwares and complex machinery. Digital embroidery must be carefully designed and rigorously prepared to ensure a successful outcome where the two elements work seamlessly together. Experienced digital embroidery designers are able to manipulate their stitch files to mimic the effects of hand guided or hand embroidered stitching.
‘Hand Embroidery’
is an umbrella term that covers many of the highly specialised techniques mentioned, all of which are created completely by hand. These include:
‘Goldwork’
is the ancient art of highly decorative embroidery using metal bullion wires. Bullion wires are tightly wound metal springs that come in long lengths.
It is another umbrella term that has many more specific techniques within it. The main Goldwork techniques we have used in this project are:
‘Cutwork’- is a process where bullion is cut down to size and the embroiderer can use it like a 'flexible bead', passing their needle and thread down the centre of the spring to stitch it onto the fabric.
‘Essing’- is a technique where the bullion wire is manipulated by the embroiderer, stitching it down at angles to create curved shapes.
‘Passing’ - is a thick goldwork thread made of a cotton core wrapped in metal. It can be used like a normal thread and stitched through the fabric, or it can be worked only on the surface and 'couched' down.
'Couching':
is the method of laying materials on the surface of your fabric, and stitching over them to attach them down.
'Embellishment':
refers to the application of beads and sequins.
'Silk shading':
uses colourful silk or cotton threads, in long and short stitches to create blending.
You can try all of these hand embroidery techniques for yourself with the Hand & Lock X Bernadette Banner Embroidery Kit. The kit includes a panel of pre- machine embroidered fabric for you to work on top of!
If you would like to find out more about Hand & Lock, including their bespoke embroidery services, ready made products, and worldwide embroidery classes, please visit: handembroidery.com/
Beautiful work
This is so handy, thank you very much!
You have made me so deliriously happy with the project in this episode!
The 18th century is my all time favourite, and I sewed both my wedding gown and three bridesmaids gowns in a mid 18th century Scottish style. I'm obsessed with both my machine embroidery and hand stitching goldwork. You have put all my special interests into one episode, thank you!
It is my dream to have access to a multi needle machine with a larger hoop.
I'd love to know how much the cost for their digitization from the photo, and stitching it out turned out to be.
Overtreffende mooie ideeën heel erg goed
Your accent is slowly morphing into an English one 😊 even tho you’ve always spoken beautifully, it’s becoming much more English now. I’m no dialect expert, but my mom and her side of the family are American and my dads side are from the south of England, and I live in Ireland, so apparently my mongrel accent (I was raised either one side of the pond or the other for 18 years) is now Irish, which I don’t mind because I’m too English to pass as an American when I’m over in PA, and I’m too American to pass as English when I was in England 😂
Embroidery played a big role in organ transplants. Alexis Carrel, the French doctor on who first developed the ability to sew veins together went to the embroiderers and spent along time learning many of the different tiny stitches and practicing till he was able to do several hundred stitches on a small piece of cloth then he moved to working on animal tissue.
Now this is a super cool piece of trivia
That's so cool! Mentally saving this for my "art and STEM overlap and inform each other" arguments :D (currently my go-to is architecture and civil engineering being like functional art and creativity)
As a textile lover and healthcare worker, this piece of information makes me incredibly happy! Making a note to go learn more about it!
My spouse is an obstetrician/gynecologist, and when he was in residency, I taught him how to cross stitch. He does it more than I do now, and I have heard through various people (friends who have had him as their physician and told me of their own volition about being treated by him) that his surgical stitches are very neat.
@@rebeccat715check out the link between modern computers’ origins (punch cards and binary) and fabric weaving (jacquard)!!
I’m a hand embroiderer and beader. Mostly I embroider denim vest and jackets.. one project will often take nearly a year… I am 67 and have been doing this since I was 15.. Embroidery is a passion of mine.. usually I have several projects in various stages of completion.. My days are filled with music, and creativity..
Ok, I feel your passion, eyes watering
I love embroidery. I plan to learn how to hand embroider. (Originally I learned digital embroidery)
@@erebuspanda4653it's an utter delight. I've been at it 2 years now. Best thing I've done in forever
Did you start off doing heavy metal fans' denim jackets? That's where I got my embroidery start back in the 1970s.
@@unfeathered .. I started by embroidering my own clothes, simple flowers and vines, with a little beading.. in the seventies.. I have embroidered, beaded and sequinsed, some stage clothes for a few musician friends over the years.. At the moment I am making soft sculptures of mushrooms, embroidered, beaded and sequinsed as gifts for my children.. My daughter thinks I should have a gallery.. but…. I just want to sit in my studio listening to music and create whatever I want…. The most popular thing I make are my Christmas ornaments.. They are crocheted and beaded.. I do not do commissions anymore…. I’m nearly 68 and am enjoying being retired..
£6 -8k seems extremely reasonable considering the amount of work involved and the materials, especially when you consider what a modern 'designer' creation might cost.
I thought it would be more
@@abigailornot9124me too😅
thats the price of a chanel flap bag give or take a grand
That was converting 18th century currency into the modern currency, in reality it would be far more today
After watching this I feel that this is way beyond what modern 'designers' will ever get to... Lots of respect to all the craftspeople out there who make these works of art possible.
I could FEEL the tension when Heathcliff was cutting out the pattern. My heart is always in my throat whenever I cut out any fabric. I can’t imagine doing it on something so precious.
I was nerve wracked when Heathcliff was pounding the buttonhole.
My stomach automatically knotted as well, and I could feel myself holding my breath. Just one slip of the scissors ✂️ ... Gasp!
I think I’d throw up if someone asked me to cut into this fabric
SAME.😊
I actually teared up when they made the first cut!
making those button holes gave me so much anxiety, i cant even imagine being the one to actually "punch" them in !
Right? I was thinkig of this too.
Exactly - I gasped when I saw that. I would definitely cut in the wrong place. :(
I often think about the placement of the buttonholes when making my own. Either embroider around it or use less embroidery in that place etc. This was very scary to look at! OMG!
I almost cried when Singh said "everything I am is because of them." That's genuinely so beautiful to have a craft handed down through SO MANY generations and to have that knowledge essentially be sacred. So many different techniques discovered through the passing of the craft and tradition being perfected over the years and knowing this knowledge is only given because hundreds of years ago someone decided to pick this up and pass it on... All the way to him. That's so incredible, I can't help but tear up at that kind of magic.
Amen to that 💗
I wonder how much he pays them...
The Japanese have a saying for passing down knowledge from generation to generation, they call it 'a thousand year experience'. 'Do they know what to do? 'Oh yes, they have a thousand years' experience.'
Bernadette, have you ever given Sashiko a glance? It's a Japanese sewing/embroidery craft that looks incredibly relaxing (probably once you've sold your soul to the goddess of needlework...)
Wait, she didn't sell her soul to needlework yet?
I’m looking this up right now! Thank you for suggesting this!!
@@meganmyers1657 Take an extra step and look up boro. It uses scrap fabrics to create amazing textures using only the simplest of stitches. (It has changed my sewing practice completely over the last five years or so.)
@@meganmyers1657 I take no responsibility for leading you into this rabbit hole!
@@juliajs1752 lolol
As a beadwork artist - one aspect that makes this unimaginable and so valuable - is the repetitive muscle injury that comes from repetitive movement like embroidery.
Over days/hours of stitching, your wrist tendons can become injured beyond repair.
I’m a crocheter and I have to be careful of marathon sessions because of repetitive use injuries.
I have destroyed my shoulder with fifty-odd years of sewing and it has slowed me down in the most annoying way. But I will stubbornly plod on until I can no longer see to thread the needle :)
@@unfeathered Threading needles is what apprentices are for! Lol
@nightfall3605 marathon sessions and "the zone" are so dangerous 🙈
@unfeathered It's such a balance. I would bead for hours until I had to wear a brace for weeks to help my tendon heal.
I didn't value my wrists until it was difficult to write, clean or do anything with my hands after the injury.
But I had to decide - bead a little less and a little slower, or destroy my wrist and never create again.
ugh i absolutely love 18th century embroidery. one of my fav waistcoats had entire rural farming scenes along the buttons interspersed with little bees and butterflies!!
Ok I NEED a picture of this 😭
How is your comment 18h ago?
Oh please tell us where we can find pictures of this waistcoat! 😍
That sounds delightful! 🐝
to everyone asking, i saw this waistcoat on display at Skaill House in the Orkney islands!! I cant find any pictures of it online :(( i dont think theyve digitised the collection
Seeing goldwork fills me with such an unfortunate rage, my mother used to do stunning goldwork embroidery and then her embroidery which she was sending to an exhibit was stolen in the mail. She's never done goldwork since. It takes so much time and patience that I just do not have, but it's lovely hearing more about embroidery in historical fashion.
Dear Lady I am sorry for your loss.You know it was priceless or it would not be worth removing .Years after we are gone ,it will appear and be appreciated,knowing many people will appreciate your mother’s sacrifice!
oh no! That's why I'll never show anything I make, ever. I know someone whose mother hand sewed and showed quilts for years, but had one stolen. It's kind of gross, too, since the people who stole it were likely part of the community and knew the endeavor it was to create. I'm so sorry for your mother. :(
I am so very sorry. I see you.
I am so very, very sorry.
@@troberts1Not only that, many times, the individual who stole, or steals the item(s) could very well afford to buy it! 🤬🤬🤬🤬
I am a self taught hand embroiderer who specializes in silk and metal thread embroidery. This was exquisite to watch. It reminded me of the time I was part of a team of embroiderers replicating the coronation tunic of Roger II of Sicily under an extreme time crunch. I was tasked with the front panel of the bottom border and it took one SOLID month for me to complete. I would embroider from the time I got up until I went to bed, only taking any significant time away from it to cook and eat meals. The ex did the dishes and laundry because I had no time for it. I took only 2 days off during that entire month. It was insane, but the tunic in the end was glorious.
Are there pictures anywhere that we can enjoy? It sounds amazing!
@@e.d.3993 I've looked, but all I can find are pictures of the original tunic. Sigh. I've looked everywhere, it's so disappointing. 😭
I hope they paid you all those hours well. Work like this is rarely fairly compensated.
What an amazing project to be part of.
I! AM! CRYING! I've been doing machine embroidery (and I started learning hand embroidery recently) for about 20 years and NOT ONCE have I heard someone I know in this industry speak so reverently about what goes into creating embroidery. THANK YOU so much for this video! And for introducing me to Hand & Lock :D Although I suspect my wallet will have reason to not appreciate that part lol
I feel like most people mostly think of logos and badges and patches when you talk about machine embroidery. But there is SOOO much that goes into it. The digital work is very time consuming too.
I am 70 and am completely enamored with these types of videos you provide! I've been embroidering for over 65 years but NOTHING is even close to this! ❤
I am 71 and started when I was 15 with my grandma's old collection of threads in an old plastic box. lol It dosen't seem that long ago and at the same time seems ages ago. I agree with you. This is way beyond what I have ever done. This video is wondersful.
@@UtahGmaw99 ❤️
Wow!
I really enjoyed this video. The comment that 18th century embroiders were limited by the daylight reminded me of a scene from one of the Little House books. Twilight came and Ma, Laura & Carrie had to put away their knitting and sewing, but Mary, being blind, didn't have to because whether there was daylight or not didn't affect her. I'm reading the little house books to my niece.
🤔 Maybe master/mistress embroiderers could do the same? Not necessarily for everything, but once you are along the border of the cloth, maybe?
You and Heathcliff touching your faces when you saw the piece was so precious! 🥰
This has to be one of the best videos I've ever watched. It's poetry done one stitch at a time.
The way you keep showing us more people and skills than you and yourself is wonderful, such a love for craftmanship and crafters
💐👌
Yes, Bernadette educates us well. :)
Watching this while 50 hours into hand sewing the pretty housemaid corset. Thanks for giving me entertainment to keep me going. Almost halfway done!
Good luck, i hope your finished product looks as good as you hope it will.
You can do it!! 👏
❤❤❤
This was a beautiful exploration! Also, I'm glad you touched on it at the end mentioning the role that modern machines can play in maintaining this art. Knowing how to set up a machine to get the result you want is an art in and of itself, knowing your machine's limits and how far you can push it with various materials etc. The waistcoat turned out amazing, kudos to all involved!
oh my goodness! The way the sequins sparkled at the end was like the cherry on top. I'm also glad you were able to include the cause of the riff between India and Britain in that part of history. Greed, not art, indeed killed the men. This was such an interesting documentary about embroidery! Well done!
I just love Bernadette cooing over the finished waistcoat like it's a newborn. 😂
Thank you for this piece. Over 50 years ago, I took up embroidery as a lark and became mildly obsessed. Over the years I studied various regions of folk stitches and yes, even delved into Regency application, hellbent on conquering. Somewhere in my closet of old memorabilia, I have a Levi denim jack I used as my sampler.
Did you do chicken scratch? I was very curious about that for a long time.
@@mala3isity I tried it but didn't care for it. It was too much like needle point.
@@antsquirly7654 I understand. found it more like cross stitching which is what I was obsessed with at the time.
I once covered the tops of two Levi jackets in pearl buttons, one in gray pearl for me and another jacket in white pearl buttons for my mom. They were quite heavy to wear but well worth it. They were sold when I moved and downsized, I hope whoever has them appreciates the hours and hours I spent getting each button to sit in exactly the right spot. 😊
@@novampires223 The Pearlies of London grabbed them up. :)
I've always loovveed embroidery, and every time I see Christine (Sewstine) put out a new video I am envious I don't have a machine embroiderer to make things with as much embroidery as she does because they always look incredible. I love doing it by hand, along with cross stitch, but it would be wayyy too much to do on this scale, particularly since in practice I am still relatively new to both embroidery and sewing garments.
I'm so glad you finally made this video because its incredible.
Jacobean and 'Viking' or Celtic style can be quite speedy once you become familiar with the stitches.
Even a small motif embroidered on a garment will bring you joy!
Loving the embroidery and 18th century fashion while reclining on the couch in t-shirt and jogging shorts…
Fashion comes in all shapes and sizes! 😎
whenever my family goes back to bangladesh to visit family my mum will spend a good chunk of her time shopping for saris and salwar kameez for herself and me. even mid-range commercially available garments can have exquisite hand embroidery on them, and my mum has many gorgeous pieces with yards and yards of hand embroidered detail. also, we still buy most of our salwaar kameez in pre-embroidered panels! we call them 3 pieces (the body, pants/skirt and the dupatta/scarf) the embroidered materials are taken to a tailor who will cut out the pieces and make up the garment to your size. i consider myself lucky to be exposed to this sort of work from a young age, especially now living in the west and being surrounded by fast fashion. as an adult i've become really interested in textiles and fashion history and part of that is due to this channel and bernadette's unwavering passion, thanks for another fantastic video!
B, your videos are now so high in production values that they are setting new standards on RUclips. They are in fact high value invesigative documentaries. Amazing stuff, congratulations. And love.
I agree whole hearteldly !!
Bernadette rocks as the consummate professional!
What happens onscreen at 5:27 is amazing: someone is handling a page of swatches (?), and when they turn it around, its appearance completely changes. In my field we call that a spatially-varying bidirectional reflectance distribution function (SVBRDF), and it happens with materials like wrapping paper and colored foil, but to try to make something of it deliberately must be wild.
I worked with a Tajima embroidery machine for over eight years. I loved that work because even though the machine did most of the work there was so much craftsmanship involved.
High end embroidery and quilting machines are no joke....they cost as much as a car.
One of my favourite historical fiction books specifically has to do with embroidery! One of our main characters is both a phenomenal embroiderer AND designer of embroidery patterns but doesn’t perceive herself as an artist BECAUSE it’s such a ‘common’ thing. So THANK YOU for this video, its so lovely to get to see so many hands on examples of what and how she would be doing things! (The Lady’s Guide To Celestial Mechanics by Olivia Waite is the book, an absolutely lovely Sapphic book!)
Putting this on the top of my TBR list
Just added to my audiobook list. I can read hands free and craft at the same time - double win!
This points to why the costumes for Outlander (in Paris) were painted !
I was just wondering how they make the waistcoats for Bridgerton. One of the main brothers often has fancy embroidery.
In The Last Emperor, some of the costumes where close ups weren't needed used digitally printed copies of embroidery
I believe that's quite a common 'trick', particularly for theatrical costumes.
Oh that's pretty interesting period I didn't know that the parish sequences or the pairs of season two episode I believe comma I didn't know that they hand painted the designs on the material period I was given to believe that they did all of the costume work by hand the same as they did for Season 1.
This is a lovely illustration of how much of a communal effort making a single item of clothing really is. Culturally we're taught about how we're supposed to be Independent and Self-Sufficient, and this is distilled in people who want to live off the grid (some with... better intentions than others). To a lesser extreme, and motivated I'm sure primarily by curiosity, every now and then I see someone on RUclips showing how they've made their own linen from seed to thread (...I don't *think* I've yet seen anyone who's grown/retted/spun enough to weave it into cloth) and it *is* fascinating to watch, and I'm as much LEARN ALL THE THINGS!!! as the next person... but realistically we can't be *experts* in all the things so *we need other people*. And seeing so many people come together for such an amazing project is just as beautiful as the final piece.
I couldn't agree more. It's such a loss to us as individuals and to our sense of community, to be reliant on a village/town/community is how we all thrive and have everything we need. I love that Bernadette offers us a glimpse into how that used to play out and the things that can be made with working together.
3:06 This video is reminding me of the criticism of what Alia Bhatt wore to the Met Gala, so many people (youtube fashion critics who say they know about fashion history but barely even know anything about it from before say the early 1900s) were saying she wasn't going on theme, and I was so confused, because she mentioned Indian handiwork and craftwork that has been used for centuries and was starting to die out and how they tried to use a lot of it in her sari, like so much of the designs of embroidery and beading that we think of when we think of European fashion actually came from India
I thought that she was the best dressed. That sari was absolutely stunning!
I'm thinking about the time it takes to make a garment and paintings of aristocratic children. Children grow so quickly, it's really magical to have a garment planned, embroidery completed, assembling the garment, and the child is still alive (not to be morbid), but also the right size; miraculous!
While pregnant my mother always made a full set of clothes for each of her babies (she had 13!) using fine viyella cloth and embroidered them with little grub roses. She’d done an Enid Gilchrist course, which taught pintucking at the shoulders and above the hemline that could be let out as the baby grew.
My guess is that tailors might have had ready-made embroidered panels, designed to be cut to a pattern! I believe that's how a lot of waistcoat fronts were made at the height of the fashion.
I wonder if they'd reuse old adult clothing for baby clothes as well, if they couldn't be altered for the changing fashions. How many lavish baby clothes were cut from old court gowns? 🤔
This video is everything I could ask for - a skilled group of artisans who work together to create a beautiful project. I also can’t forget the research, filming, and editing that goes into making such an amazing video. I just wish that artisanal work and an appreciation for higher quality products was more accesible and enjoyed by the rest of society. However, I have no doubt that this video will achieve that. ❤
Actually, given the number of different videos coming through my feed I would say that the algorithm has been very busy.
There is a market for these videos to be sure.
What a beautiful video! It was lovely seeing Mia appear too! She was amazing on the sewing bee and she really stood out. This has made me itch to get all my beads back out lol
Mia is an absolute delight and was a lifesaver on this project!
My aunt had an embroidery machine that I tried to make a digital file for many years ago, but I never figured out how to get my idea to the machine. Maybe someday I'll revisit the project or attempt hand-embroidery. I have a lot of respect for people who know how to do all of this.
You can try Embird embroidery software as a free demo for 30 saves. (Then you have to buy it or give up on it.) I got it for file management and file rotation because my embroidery machine has a different hoop alignment (think 8"x10", but everyone else has 10"x8" kind of thing). It handles every machine embroidery format, so you can save a file as a JEF for Janome, or as a PES for Brother, or DST for Tajima etc.. At that point, all you need is to save the file to the physical memory medium your embroidery machine requires, or connect your computer directly to your embroidery machine if it allows that. Then stitch away to your heart's content.
Be forewarned: hoop hypnosis is a real thing.
I remembered your flat used to be landlord white, and now it's library green. The green suits this episode so perfectly and I don't know why it took me so long to realize it's turned green.
I'm so happy you collaborated with Hand & Lock and once again with Maayankraj Singh. Mr. Singh always brings such wonderful information that I wished I had learned in history class.
This has everything: history, craftsmanship, and joy. What a wonderful project!!!
It is a great video which I enjoyed very much.
I would love videos discussing
1) What is an "embroidery household" like? What ia their daily routone? How and wjat age are younger family members taught the craft?
And
2) Please try to talk to the woman who did rhe "Game of Thrones" embroidery. How much machine? How much handwork? How were the designs for each noble house designed?
Fascinating video, and I love the black cable-knit? top youre wearing here.
I am loving the red velvet pants.. omg so lovely.
You could have looked up who the woman was.
Her name is Michele Garragher immensely talented.
She has several books re the GOT embroidery, very beautiful work close up.
Michele does classes with the Costume Symposium where you can learn stump work, gold work, surface embroidery to complete a project.
She is Irish and a very interesting lady.
I was lucky enough to work with her on 2 seasons of HOTD in the costume department.
In the village where I grew up, women spend about two hours a day embroidering clothes for the family. This would be in the afternoon when all their other work (hauling water, cooking, washing clothes in the river) would be done. Mostly women sit on the porch and chat. Not to romanticize village life, but I think most women enjoy this activity a lot. I know it was my mother’s favorite part of the day.
Thank you so much, Bernadette, for this brilliant video. My sewing teacher was also the last Belgian embroideress using gold and silver thread. She gave me an initiation in embroidery, using 18th century technics. It completely changed my vision of what clothes could be. Your video reminded me of her. It's very interressant to see the combination of traditional techniques and modern technology. Obviously, creating a 18th century waist coat was and still is a work of colab. Seeing so many talents working together is joyful to me. Thank you again ! ❤ Christophe from Belgium.
And then there were the commercial embroiderers who had to do all this stuff. All day almost everyday.
Indeed. One must beware of modern garments with hand embroidery in the more 'affordable' price ranges, as it is often done by children and other forced labour. Buy plain and stitch it yourself for a unique and more ethical finish.
I’m was raised by my grandmother more than 60 years ago. She was a seamstress and she taught me sewing and embroidery that she learned from her mother at the turn of the century. It takes forever but it is beautiful on shirts , skirts
This is better editing than a lot of full budget documentaries I've watched. Its tough getting regular people on camera to tell a story, and do it well. Great work!
I’m a little lost for words at the beauty of this embroidery. I adore learning about companies such as Hand & Lock and Atelier Shikaarbagh; the people who work here are so talented, so accomplished.
This is a wonderful video! I don't know how she does it, but Bernadette continues to surpass herself video after video. This shows a true commitment to continual growth. And I greatly appreciate her dedication to bringing historically invisible hand work to light.
I am also deeply passionate about preserving historical hand work and to supporting those artisans who continue to be committed to making their living through their hand crafts. My last hand crocheted art blanket has over 84,000 stitches in it, and it took about 700 hours for me to make it. So putting in over 140,000 embroidery stitches in 300 hours wold require someone immensely skilled.
Such a lovely video! I have been doing hand embroidery (though not nearly as elaborate as this) for most of my life. For the past 15 years I have enjoyed English Smocking and this spring, I naively decided to sell some of my dresses in a local art show. Most of my pieces took anywhere from 20-30 hours to complete so I was selling them at a very large loss. Even at a reduced price, the majority of the public, though fascinated with it, weren't willing to spend money "on something that little girls grow out of so quickly". Fast fashion has done a number on traditional crafts which is why I so enjoy watching your videos. It's so exciting to see that not all hand sewing and embroidery is lost to time.
Wow this was just hands down one of your best videos. I can see all the love in the project. Also the aesthetic quality of the editing sound mixing and post production. You have nicely mastered film story telling, well done! 🎉
Danny did an absolutely showstopping job with this edit especially!! An incredible amount of work.
I love how this is a beautiful collaboration between various people with different wonderful skills
i dont know why, but by the end of the video, i was crying. The love and sensibility put in this video, for the love of the craft itself, its just...chef kiss
My grandmother (1917 - '98) did embroidery by hand. We have a special, framed, piece that has every one of her grand kids first and last names with birth dates that go around the whole border of the cloth.
"Grandchildren are the treasures of a long life is embroidered into the center."
🪡
She did other works, as well, including knitting. 🧶
During the depression she traveled around repairing garments for people along with her mother. 🧵
Thanks for the info on how they’d embroider the pattern and then cut it out! I’ve been sucked into the black hole of embroidery thanks to the 17th and 18th centuries and now I have a blueprint
Aaaaa! Thank you soooo much for this project. As a hand embroderer, I just loved it sooooooooo much. I was just in pain when you cut the button whole with the chisel through the embroidery. Ouch! I wish I could do this for a living. It stays for now as a side thing I do for me and my family. But thank you again for this amazing video. ❤❤❤❤❤❤
right? I was just staring at it "you did _what_ just now!!!!!"
@peregrina7701 I just started screaming silently as my son was sleeping in the next room.... 😅
I want to know if there was actual wailing when they all realized that the button hole HAD TO GO RIGHT THERE.
I very much encourage people to give hand embroidery a go. It isn't that difficult to get started and you very definitely don't have to have a big 18th century project in mind to start with - I've repaired small moth holes in a vintage suit by adding some hand embroidery to cover up the repair, for example, and it came out looking quite nice. I have a t-shirt in progress right now that I'm embroidering a design on as a gift for my fiancé. You can also combine embroidery with a printed or drawn design - like picking out details on a t-shirt or highlighting part of a print on patterned fabric.
Even gold work isn't *that* hard, although I'd definitely suggest starting with something with just plain embroidery thread first to get a feel for things because there's just more to manage with gold work and the gold work materials are easier to damage so you can't pick out mistakes as easily. (Or a kit like Bernadette's where you can start with the plain sections and then move on to the gold work/beads/spangles once you're a bit more comfortable with things. I definitely wouldn't grab a kit that's full gold work as a complete novice to hand embroidery.)
All my life I was taught that any handwork was a "nice hobby", yet I have persisted with my knitting, weaving, sewing, embroidery and others, knowing inside myself it's true worth, especially in these days of fast fashion. How wonderful to see there are still people who also know it's worth and value and appreciate what goes into it. Thanks to Bernadette and her team for these programs! It's validating for so many of us.
Firstly, this is just a stunning project. Everyone involved did an amazing job. Secondly, we love high-quality Heathcliff content.
I'm definitely gonna embroider a waistcoat soon. No fancy goldwork, I think. Just flowers and birds in their natural colours
Well it's not quite live yet, but here are some 👖 for the rest of nerds as requested
In a world filled with fast fashion it’s refreshing seeing skilled craftsmanship
I always loved the opening credits of the Pride and Prejudice tv series. The embroidery in that clip was gorgeous. A couple of years ago I decided I wanted to make a pink winter coat with an embroidered collar. Not a historical design or overly complicated but I love it. I can't embroider at all but found a lady from a local embroidery group to do a simple design for me. I love it. How fortunate you are to be able to work with the amazing artisans at Hand & Lock.
You make me wish I had paid more attention the last time I went to the V&A’s fashion galleries. I was more interested in the actual fashions of the day - the shape and size of the skirts, the addition of bustles or other shape distorting undergarments. I completely overlooked the embroidered details. It’s true that the more you know, the more you get out of these sort of exhibitions.
I’ve sewn with bullion before. It’s interesting how much it looks like a tiny really long spring.
What a wonderful video. Quality and skill everywhere! The digital designer, the machine operator, the hand embroiderers, the research, the sewing, the editing! I felt emotional at the end thinking of all the hours people spent on needlework and creating clothing. I knit, crochet and sew, I don't imagine anything I make will be an heirloom but it does make me feel connected to my ancestors.
I was so happy to see Heathcliff got to go to L&H with you!
New Human! Greetings Mia, love your ink!
The cutting stress as Heathcliff started was Real.
The button hole chisel nearly broke my soul.
Beautiful work all round, thank you for sharing!
Hello Mia. Welcome to the team.
As an embroiderer who also owns a sewing machine that does machine embroidery, this was Swell! Delighted to purchase the kit and looking forward to receiving it. Thanks for a great video!
Sooo beautiful and inspiring. My Mum did City and Guilds embroidery. She made all of the vestments and altar cloths for our church and I remember her struggling with the gold thread as it kept unravelling.
There is something so genuinely touching about looking at the comment sections on these videos and seeing how many different types of people they attract 🥺All people from different walks of life connected by their love how (historical) crafting and all things attached to that
Going to watch this while finishing my cross stitch tapestry lol
I'm with ya! I'm watching this video while working on my current cross-stitch project. Bernadette's videos always get my stitching mojo fired up!
This is obviously a labor of love on the part of everyone involved and it shows. It's gorgeous! Thank you so much for sharing this process.
Cutting into the fabric for this must have been so nerve-wracking. But the end result was definitely worth it. I loved everyone's reactions to the project and the process as well as Heathcliff's pure delight at being able to wear the finished garment.
I am speechless, Bernadette. Bravo to all involved.
I'm not a crafter myself, other than doing some knitting when I was younger. I lack the creative urge - and skills. I was introduced to this channel by a crafter niece who has made some historical garments because she knows of my interest in history and historical garments. I subscribed and have been here for quite a while, appreciating and enjoying your work.
This waistcoat project was next level. Every aspect from concept to finished creation was simply fascinating, with the collaborative process, the history and culture, the artistry and craftsmanship and immense amount if labour involved, all documented for our enjoyment and for posterity. The end result is absolutely glorious, a true treasure.
Kudos to all involved.
This video is reminding me of my grandmother. She worked as an embroiderer for almost as long as I remember her working.
This craftsmanship is absolutely mesmerizing
I saw a coat from this era in person at my local art gallery once. It was nothing short of astonishing. It had an aura of a magical, almost sacred object, akin to an illuminated manuscript. Wonderful project and video, thank you! I already do bead embroidery, but I am getting inspired to learn more traditional embroidery as well!
The fearful music playing when he had to cut it out was so real. Always the scariest part! Loved seeing the different techniques and cultures in this video.
It's always nice to see Heathcliff back in front of the camera. He brings such infectious energy.
Agreed :) Just FYI, Heathcliff's pronouns (per their instagram) are they/them.
@@tias_merrier_world Oh sorry. I had always sort of assumed Heathcliff was a trans man. Thank for correcting me
Thank you so much for this lovely post. The Hand & Lock team are so talented, knowledgeable , and so young they are keeping the art alive. Thank you again.
Thanks to Bernadette and her team for highlighting the Hand and Lock studio. I've never heard of them, only the Royal School of Needlework and it would appear that Hand and Lock have been around a LOT longer. I wonder if Hand and Lock can ship those mini-kits to the U.S.? Would love to get one.
Beautifully done. Yes there is passion and skill, but so many other intangibles as well. Always a pleasure to see your collaborators in the US, UK and India. Love the energy, love the finished piece. There is courage involved as well. Cheers to Heathcliff who had to cut into the fabric. It takes a fair degree of fearlessness that those who have never had to do it cannot appreciate. I can. Well done, all!✊
I’m so thankful for this sort of video. I love seeing a spotlight shone on craftspeople whose work I wouldn’t ever have otherwise seen, and I love the opportunity to learn about modern connections to historical techniques and clothing.
What a feast!!! That was the loveliest documentary I’ve seen in a long time! And that waistcoat was a delight fo the eyes! Thank you for giving us such joy!
This is just incredible. What a fascinating watch. You're very fortunate to have been able to engage Hand & Lock! I know I'm going to re-watch this one time and time again. Well done to everyone!
I dont get to sit down and see all your videos, but this was a must watch. What a lovely view and perspective on History.
I love Heathcliff's happy claps! Thank you for showing multiple perspectives of textile work including the maths and mechanical side of it!
I love that you don't shy away from the subject of colonisation and exploitation, because they have been integral in forming the garment industry into what it is! it's really refreshing and it makes your videos more real and relevant. I think it would feel shallow if you left it out.
I’ve been watching your videos since 2019, while I was studying film. I always loved how put together your work was and am impressed at how far you’ve come. This is an impressive documentary, and I can’t comprehend the amount of time that went into this. You and your team worked really hard on this, and it shows!
Outstanding documentary. I can only imagine what a joy it must have been for the final assembly and finishing details. The waistcoat is stunning!
I loved this video. Every time I am in a museum with embroidered clothes I marvel at it and wonder how much time went into making that piece. I love that you had the same question and made such a beautiful project.
Also loved the cute kit, and might try my hand at it.
Oh wow, this is so gorgeous! I probably won't have the patience to do this, but this video made me so exited to give it a try. I really respect these kinds of craftsmanship. They should be way more appreciated than they are right now. True skills and art. Love it ❤
I have been enjoying hand embroidery, mainly stumpwork, for years and I just love knowing that all the techniques I use are ones that have been used for many many generations!
Oh? My? God?? It’s gorgeous, the love and care everyone put into it is indescribable, the passion the embroidery team had for it… just wow. This is art, (not just the piece but the human element too) and I am MOVED
This video was so professionally done, I was waiting for a PBS logo and their accompanying music to play! I think you could sell it to them and they would be honored. Brilliant!!!
"whatever I am , is only because of them" 👏🏼👏🏼👏🏼
Petition to consult Maayankraj Singh in every project going forward? He's a treasure.
As someone who did a 70,000 stitch, 28 stitches per inch on silk web “petit point painting” over my ENTIRE 3 year high school career, the hours is something I feel in my fingers and heart!
Have have been embroidering since I learned from the age of 3. My first project was a ladies hankerchief. I absolutely love it, some of my projects have lasted a year or more. I get the labor intensity so very well but the end result is worth every minute. I hope you get a chance to learn about it all Bernadette and try your hand at it ❤
The REVERENCE. The AWE. The very slight trembles in fingers and voices. I am ENTHRALLED. All i have ever done is cross stitch and latch hook kits. I am not worthy to even be in the same room as this skill set.
My prayers go out to your hands and all the cramping and pricks you’ve endured
And hopefully not getting blood on that beautiful white silk!
My mother did lovely, complicated, embroidery. She taught me basic embroidery stitching but I lacked to patience for learning any more than that. I am in awe of the quality of embroidery shown in this video.
What a beautifully conceived and executed video project. Wonderful to follow the "story" of this garment and I so appreciated your commencing with the history of anglo-indian textiles. Now, if only I knew an embroider to give the little gift box to :)
A lot of historical embroidery, especially works for use in religious ceremonies, were lost to religious reforms. They were simply burnt to recover the gold from the ashes. As stated in the clip, 2 g gold per 100 grams of thread.
That's so sad! But I'm pretty sure the gold content used to be higher, I think they said that in the video.
@@josi_k. Well, that gold ended up in the coffers of Henry VIII and Oliver Cromwell while the Opus Anglicanum almost was lost to the world.
@@Aalborgian I wasn't saying that it made the loss of these art pieces less sad and terrible (if that was what ur hinting at, bc otherwise I'm not sure what ur answer added to the conversation? No hard feelings here, I'm just a bit confused), just that it was a bit more worthwhile for those who destroyed them, because there was more actual gold involved.
For me it doesn't really matter who collected the gold, unless it was for survival it's sad anyways. But thank u for adding the name of the embroidery style to my vocabulary.
@@josi_k. Sorry English isn’t my first language. Just saying that the art was lost just to fill the coffers of those in power. And as you say, any loss of art is a sad moment for the world.