Here’s how you create organic, tactile, and visually stunning motion graphics that truly stand out. Download my FREE Guide to Mastering Organic Motion Design → motionscience.tv/guide
This video deserves a like. However. It would be cool to pay more attention to the shadow. In the final version, you can see that the shadow is static, although there is a way to make it dynamic.
Yeah a quick way would be to seperate the shadow from the boy in AFX and set it to a blend mode that lets the background bleed through. Or just roto the shadow with a black solid and use this with a lowered opacity so you lose the static detail in the real shadow that breaks the immersion.
@@Gresyr Yes. Free detailed advice and actual constructive substance for non-professionals like yourself must always be a warm welcome. Bonus points for the ones that dont provide any to begin with, yet redundantly suggest fixes and changes on content they missed the entire point of: showing all users a strategic approach to build from, and conceptualize by way of for their own work. Spending time on the components, and less on the outcome. As that part is up to you. Nothing more. Praise to the vague wizard. Though he speaks of better results, he hides the keys to unlock them. Often, he never had the keys himself. Thus, it is up to you, viewer! To decide which of the 1000 methods are worth spending time on. Since it is you, who cannot see the original content as a stepping stone, and an extremely user-friendly guide to build on; To manipulate, adjust, add, edit, change, and optimize. Thus, we now come back to the original content, that told you exactly that: simply just a platform to build off, not an extensive seminar on building out a cinematic masterpiece parallax for a major motion picture, but rather the set-up and structure to support your own work.
But isn't the idea that you would take this information and use your own creativity to make something?? The title of his post isn't "Learn how to be creative"...
Here’s how you create organic, tactile, and visually stunning motion graphics that truly stand out. Download my FREE Guide to Mastering Organic Motion Design → motionscience.tv/guide
your tutorials are soooo good Cameron, i need more and more, not only they inspire me they help me a ton.
🙏🏻
Generative fill is a game changer.
cool stuff as usual!
Thank you! Cheers!
Love these paralax videos. Keep posting more of them please.
More to come!
Super helpful-- thanks, Cameron! I like how you work organically & keep adjusting/refining as you go.
Glad it was helpful!
Damn.. that was dope!! 🔥🔥🔥
That was very cool. I can't wait to have a play with it.
Wow thank you the results are beautiful!
You’re welcome 😊
Your knowledge is really amazing Cameron....👏
I appreciate that!
I was just thinking how generative fill would be use to set-up parallax image animations. Great video
Glad it was helpful!
Thank you! really cool tutorial :)
You're very welcome!
You make it look easy!
This was brilliant ❤
❤️
THANK YOU
Thank you!
Very cool , thanks !
You bet!
This video deserves a like. However. It would be cool to pay more attention to the shadow. In the final version, you can see that the shadow is static, although there is a way to make it dynamic.
Yeah a quick way would be to seperate the shadow from the boy in AFX and set it to a blend mode that lets the background bleed through. Or just roto the shadow with a black solid and use this with a lowered opacity so you lose the static detail in the real shadow that breaks the immersion.
@@G0lg0t4 It's always a pleasure to communicate with a professional
Great solution, GOIgOt4! I was thinking the shadow as a separate path but your idea is better. More interactive with the ground.
@@Gresyr Yes. Free detailed advice and actual constructive substance for non-professionals like yourself must always be a warm welcome.
Bonus points for the ones that dont provide any to begin with, yet redundantly suggest fixes and changes on content they missed the entire point of: showing all users a strategic approach to build from, and conceptualize by way of for their own work. Spending time on the components, and less on the outcome. As that part is up to you. Nothing more.
Praise to the vague wizard. Though he speaks of better results, he hides the keys to unlock them. Often, he never had the keys himself. Thus, it is up to you, viewer! To decide which of the 1000 methods are worth spending time on. Since it is you, who cannot see the original content as a stepping stone, and an extremely user-friendly guide to build on; To manipulate, adjust, add, edit, change, and optimize. Thus, we now come back to the original content, that told you exactly that: simply just a platform to build off, not an extensive seminar on building out a cinematic masterpiece parallax for a major motion picture, but rather the set-up and structure to support your own work.
Fantastic
Thank you! Cheers!
Love it
Using 2 Camera that's awesome....One for moving camera and another for rotating [2NoteCamera]
You lost me when u went to the pen tool ha but parallax has been a single fav web design flavor of mine for 8 yrs
Did you have to make another camera for the rotation? The first one couldn't rotate too?
When you apply the second camera does the movement of the first camera become redundant? That's what's happening for me
Well, done. How 'bout those Chiefs!
CHIEFS!
Nice knowledge, but lacks creativity
But isn't the idea that you would take this information and use your own creativity to make something?? The title of his post isn't "Learn how to be creative"...