Once again, I love you and your teaching. You enlighten, instruct, empower. This segment added strength to my ability to accomplish, and I appreciate it very much. Thank you Diane, and to all of you behind the scenes making her presentations possible.
I use earth colors but I consider them convenience colors as the earth colors can be mixed almost spot on by using other colors. For me they are a time save.
You hit on an important point. Sure, we can make these colors, but convenience is a factor. Orange is my kryptonite. I hate messing with making it. So, I buy it.
Very interesting. I am into watercolors. I use burned sienna mainly mixed with ultramarine for a nice warm neutral/grey. I like raw sienna as the yellow component in skin tones. I am orientating myself what tube colors to buy for an artist' grade palette, this is very useful.
I am a watercolorist. I love your channel because you teach art, not just a medium. I learn so much from you. The same applies to my watercolor paintings. I find that if I want "mud" I can make it on my own. 😀
Many ways to skin a cat. But I will add that earth colors are significantly less expensive. Also they too have their complements. Knowing the earth colors true hue helps, for example burnt umber is orange and it’s complementary color is French ultramarine blue … makes a perfect black that you can lean warm (more burnt umber) or blue (‘ore ultramarine blue). Then if you want to bump either chroma higher you can go for the higher chroma cadmium red lights. French ultramarine blue is also a very inexpensive color. Ultimately keeping one’s pallet rather limited is good and making your own color wheel and knowing exactly where your color resides o the your wheel in terms of hue chroma and value makes it so that you can easily lean them whichever way you want. But higher chroma mixes may extend your chroma range but it does also pose (expensive) problems for beginners imo. Not saying a person should or should not use earth colors, just saying there are good reasons to like them too. My 2c
You are totally right, Johnny, but one thing earth colors cannot do without the help of other more saturated colors is to become more saturated. If I am in the middle of a painting in an area where there are neutrals, I can very well choose burnt umber or burnt sienna mixed with ultramarine blue to create the neutral, but if I want to show a higher intensity, I must pull out a saturated red or orange to raise the saturation. So that's three tube colors whereas I can get the same results with two tube colors by beginning with the more saturated tube color to begin with.
It’s so tempting to purchase more paint tubes than one needs! The Art store is like a candy store! But this tutorial will give me confidence to mix my own colours more often. Thank you as always!
I dumped my burnt umber a few months ago, I was using it far too often as a go to for many colour's, including blacks. I find with the 3 primarie's, a warm & cool of each, my darks are more colourful. I also find colour's while mixing for the one i want that sometime's work in my painting, but are not in my reference and which I wouldn't find by simply just using burnt umber. So much more fun. Apart from maybe a transparent oxide red or something like it in the future, earth colour's are not on the list so there not getting in.
Thank you for such a great explanation. I am working on color this year, various mixes, keeping a journal of my results...this lesson will be a page in my journal with all the various shades, I am self taught so all of your videos are well appreciated
I love that you make these reflections on colors and brands and the beauty of mixing using opposites and get a very rich possibility of variations and yet a beauty of color harmony. 🙏💜
Love this! I hardly use earth colours either because I enjoy mixing so much naturally but I do end up using yellow ochre for sand because I always struggle to make it! This has really helped thank you! My other struggle is sky blue, for the life of me I can never match the perfect blue of a sky no matter what blue I use or mix.
I heard about that earth colors are clays, which are highly absorbent. Thanks for these substitutes, you're awesome Dianne, I have learned a lot from you.
What a great tip, Dianne. Thank you so much! btw, I recently had covid and revisited your drawing classes as I wasn't up to standing at my easel. I just loved them all over again. I've never had this skill or the patience to develop it but I have with your classes and I love my drawings.
Those variations surely help to make really exciting paintings. Straight tube colors, to which no one mixes with or blends into other colors has its place, but ends up looking more like pop-art, flat illustration and other mechanical printing methods. I think your explanation is amazing and your excitement is always so contagious!
Great video! I mainly use them (umber & sienna) because they speed drying, mostly for black & dark grays. Prussian blue also dries faster, makes a faster drying black.
Well this method you show here really unlocks the potential for some stunning earth tones. Seeing your samples on the canvas of tube colors and then the colors on your palette from the red to the blue/green and all in-between is really inspiring.
excellent demo Dianne - yes it is affording the artist the choice of leaning towards what is required with all the various shades that occur during the painting being carried out. Thank you.
Hi Diane! Long time no talk to.. Hope you are well in these crazy times? I Love my earth colors and use them on both my Oil and Watercolor palettes. I get a lot of new very cool mixtures by experimenting with each color and how they mix with the primaries and secondaries. That said, I do agree anytime spent color mixing for any desired hue will make anyone a better Artist.
I love the idea of having the degree of variations. It seems that it would allow the painter/artist more control and flexibility to give the richest details in their paintings.
I stumbled onto my own mixture of burnt sienna recently and was kind of surprised. I'm an acrylic painter experimenting with oils and (for economy) have only the primary colors plus raw umber and white and am learning how much freedom there is to mixing my own colors. Thank you so much for this quick tip!
Thanks Dianne, I watched this and realised I make these colours along the way but still put the earth tomes on the palette. I totally agree with getting s much broader range of color by mixing them. It's always good to have someone point out the obvious haha! I must chase down that Viridian green. Thank you .
One thing I would really like to know, is how do you keep the heaps of paint on the edge of your palette from drying out? I am new to painting and am trying to find a palette set up that is convenient but doesn’t waste the paint. Also thank you for all the tips. Found the channel yesterday and already learning so much 😊❤️
I got rid of my earth colors 4 years ago and my paintings have improved significantly; much richer and alive. If I need to neutralize a color, I adjust the chroma with the opposite color. Thanks for the video.
Thank you for blessing us all with your wisdom! Quick question: Can you recommend a simple palette the enables us to get all the earthy tones without using earth tones. I’m guessing it would have to include colours like viridian right?
I am just starting out in oil painting, but I understand that there is an amazing range of modern pigments with super lightfastness that gives you more control over the mixtures without adding contradictory undertones lol. Thanks for the content
Diego, oil paints like all products, are also subject to marketing strategies. In the long run, the pigments themselves and the manufacturers process for binding them is what counts in their quality. How we use them determines the quality of our painting.
When adding yellow to a neutral that is somewhat yellow, we're simply increasing the saturation. Same is true with all the neutral colors when the same hue is added in.
Thank you for doing these quick tips! They are great. I try to listen to everyone that you send.You saved my painting life during the pandemic. I have a question about your palette... You have so many paints and so much of each one around the edge. How do you keep this large amount of paint on the palette fresh and not dry out? How do you clean it up or cover it up? Are you using palette paper? Can you do a quick tip on this and how you dispose of medium like orderless mineral spirit and other supplies used with with oil paints. Thanks so much.
Be a bit careful with it since they are toxic at some degree, especially if you then place your hand to your nose. A must when painting oils is an air ventilation ''system'', an open window for example and if possible even a small air fan working. As for the hands you could also buy black kitchen one time gloves, i get my hands dirty as well but i just make sure not to place them at my face, and after i am done painting i just wash them with soap.
Yep. There are plenty of alternatives to paints containing heavy metals. Even if you aren't getting them on your skin, using paints that don't contain heavy metals means that they aren't getting into our waterways. Also, no need for ventilation if you are painting solvent free.
Do you have a listing of Quick Tips from #1, #2, #3, etc. You are up to the 300's, but I need to catch up from the beginning, to follow through your Quick tips, so I don't miss any of them. ?
Hi Dianne, do you still use Transparent Red Oxide? I know it's pretty close to burnt sienna and it looks like your red and viridian are getting the same result.
i usually use burnt umber and ultramarine blue to make Black - I really like the idea of making my own mixture for burnt umber, but will that still work to make a nice black???thanks and thanks for all your quick tips
Patsy, transparent oxide red and thalo blue or alizarin crimson and thalo green or even ultramarine blue and transparent oxide red all make lovely, deep blacks.
Hey Dianne! I love your videos- thank you. I am wondering if the thick amounts of colours around the edge of your pallet stay there permanently? If so, do they stay wet because they are pure oils and you close a lid over the top? Elle
I like to do portrait and your videos had helped me a lot. I like to have 13 colours in my palette, it's like an obsession and I don't know why I just like that number of colours. Now I can replace the earth colours on it with more vibrant and saturated colours with this pro tip, I will have another green and another yellow. Just thanks for a life dedicated to such beautiful art 🙏🏽. God bless you
I love playing with colours. That’s what I love most about oils. Today, I finally discovered the value of the colour wheel lol! Because I’ve had little tutelage in the past, I am a hoarder of colours as well as brushes. I have all the earth colours but when I made myself some charts, I realized how many colours I’ve duplicated unnecessarily. Just out of curiosity, what is Yellow Naples? It is my least favourite tube of all my tubes and every time I try to use it, it seems to kill any life in the painting. Thank you
Dam! Now I understand why a lot of master artists says that we don't need to buy every colours, but the most basics one. Stubborn and ignorant, I bought a bunch of colours, because why not, I'm lazy and I love colours. This lady artist finally explained it very well. So well, I'm disappointed to have spent so much money on colours it would be well advise to mix. Ah well! I'll use them to practice.
Hello, love your videos! I am a hobby painter and I love painting portraits but I struggle a lot with skin tones. Could you show me how to think and create colors for both highlights and shadows for different kind of skin tones? Unfortunately my humans always end up looking dirty.
This is the first time I'd disagree with her wonderful videos; I'm probably wrong, but... Earth colors are traditional, dirt cheap, natural and safe compared to something like cadmium. It's nice to have a limited pallet, but it seems strange to mix valuable paints to produce something you could make quickly and cheaply with an earth color, and then just add a dash of other colors to get the last adjustments in. I think of these as the workhorse colors. Look at her video on Zorn. Earth tones were used extensively by the old masters, no? Seemed to work ok for them.
Please watch the introduction of the Quick Tip again. I am answering a viewer's question. I am not advocating anyone not use earth colors. I'm simply explaining why I don't use them any more.
Please tell me the exact blue and green you use with cad red deep and cad yellow deep to get BURNT SIENNA. It wasn't clear to me from the video unless you were using ultramarine blue and Rembrandt viridian? Thanks Rachel
I mixed my own earth colours to learn since i recently got into painting, i tried getting burnt umber but got raw umber. I think both ways are good, premixed and from tube.
Thank You!! I hardly ever use the earth tones straight from the tube, I always mix in the compliments, but the way you leave the variations on the palette may have just solved my issue I'm having with a subject that has dark bronze skin tones part sun, part shade. Duh! Why haven't I thought of having a gradient available? Also, being from Alabama, do I detect a Carolina accent? lol
Once again, I love you and your teaching. You enlighten, instruct, empower. This segment added strength to my ability to accomplish, and I appreciate it very much. Thank you Diane, and to all of you behind the scenes making her presentations possible.
My pleasure. Thanks for being a subscriber.
I use earth colors but I consider them convenience colors as the earth colors can be mixed almost spot on by using other colors. For me they are a time save.
And you do so brilliantly, Roger.
What I love about earth pigments is they are lightfast, cheap, and good neutralizers.
Right, but they lack the ability to vary hues' saturation, so that limits what they can do.
You hit on an important point. Sure, we can make these colors, but convenience is a factor. Orange is my kryptonite. I hate messing with making it. So, I buy it.
Great eye opener! Thanks for this ♡ I'm excited to try this now.
Have fun with it.
Thank you Dianne. I have always had earth colours on my palette. Creating them with their hue variations, looks like much more fun.
Now you have more options.
Very interesting. I am into watercolors. I use burned sienna mainly mixed with ultramarine for a nice warm neutral/grey. I like raw sienna as the yellow component in skin tones. I am orientating myself what tube colors to buy for an artist' grade palette, this is very useful.
This tip just expands your options. Thanks for watching.
This was the most valuable online demo for me yet! Thanks so much.
My pleasure. Thanks for watching.
I am a watercolorist. I love your channel because you teach art, not just a medium. I learn so much from you. The same applies to my watercolor paintings. I find that if I want "mud" I can make it on my own. 😀
Thanks for watching.
Marvelous. Absolutely marvelous. Your teaching and your mastery of color. Your videos are inspiring. Thank you
Wow, thank you!
Many ways to skin a cat. But I will add that earth colors are significantly less expensive. Also they too have their complements. Knowing the earth colors true hue helps, for example burnt umber is orange and it’s complementary color is French ultramarine blue … makes a perfect black that you can lean warm (more burnt umber) or blue (‘ore ultramarine blue). Then if you want to bump either chroma higher you can go for the higher chroma cadmium red lights. French ultramarine blue is also a very inexpensive color. Ultimately keeping one’s pallet rather limited is good and making your own color wheel and knowing exactly where your color resides o the your wheel in terms of hue chroma and value makes it so that you can easily lean them whichever way you want. But higher chroma mixes may extend your chroma range but it does also pose (expensive) problems for beginners imo. Not saying a person should or should not use earth colors, just saying there are good reasons to like them too. My 2c
You are totally right, Johnny, but one thing earth colors cannot do without the help of other more saturated colors is to become more saturated. If I am in the middle of a painting in an area where there are neutrals, I can very well choose burnt umber or burnt sienna mixed with ultramarine blue to create the neutral, but if I want to show a higher intensity, I must pull out a saturated red or orange to raise the saturation. So that's three tube colors whereas I can get the same results with two tube colors by beginning with the more saturated tube color to begin with.
It’s so tempting to purchase more paint tubes than one needs! The Art store is like a candy store! But this tutorial will give me confidence to mix my own colours more often. Thank you as always!
My pleasure!
Thank you for great easy to understand tips. I love it.
My pleasure. Thanks for being a subscriber.
Love the leaning possibility! Good one, Dianne!
Great. Have fun with it.
I dumped my burnt umber a few months ago, I was using it far too often as a go to for many colour's, including blacks. I find with the 3 primarie's, a warm & cool of each, my darks are more colourful. I also find colour's while mixing for the one i want that sometime's work in my painting, but are not in my reference and which I wouldn't find by simply just using burnt umber. So much more fun. Apart from maybe a transparent oxide red or something like it in the future, earth colour's are not on the list so there not getting in.
Fun stuff, isn't it! Thanks for watching.
Thank you for such a great explanation. I am working on color this year, various mixes, keeping a journal of my results...this lesson will be a page in my journal with all the various shades, I am self taught so all of your videos are well appreciated
Have fun doing those color studies.
I've told you before , you 're a genius . Thank you so much. 🙏🙏🙏
Greetings from Antwerp, Belgium
Wow, thank you! Greetings back to you from Georgia, USA.
I hope that someday I understand a smigen of what you know. You are amazing - love your lessons. Thank you!
Linda, it all comes with doing and enjoying the journey along the way.
I love that you make these reflections on colors and brands and the beauty of mixing using opposites and get a very rich possibility of variations and yet a beauty of color harmony. 🙏💜
Thank you so much!
Dianne, excellent lesson! You are a true color Alchemist, bravo!👏👍😃
Wow, thank you!
Very instructive approach! You are a wonderful teacher....thank you very much! All my best wishes to you!
Many thanks!
I see the value of doing it that way now. More options and amazing how you got it so close to the earth tones.
Give it a try.
Thank you so much Dianne your tutorials are the best !
You are so welcome!
I love your approach to colour mixing Diane. It makes so much sense. Thank you
Have fun with it.
Life Changing !! ! This just un- flustered me on this painting I was just working on. Thank You !!
Wonderful! Have fun with it.
This is amazing! I hope you know how helpful and inspiring you are. Thankyou.
Thank you so much! It is a pleasure to help give clarity to emerging artists.
Love this! I hardly use earth colours either because I enjoy mixing so much naturally but I do end up using yellow ochre for sand because I always struggle to make it! This has really helped thank you!
My other struggle is sky blue, for the life of me I can never match the perfect blue of a sky no matter what blue I use or mix.
See Quick Tip 202 where I address that problem.
wow, very enlightening, thanks so much Dianne
You are so welcome! Thanks for watching.
I love using the compliments, too! So much more sophisticated in the mixes ❤
Have fun mixing complements, Nikki.
I heard about that earth colors are clays, which are highly absorbent. Thanks for these substitutes, you're awesome Dianne, I have learned a lot from you.
Yes, earth colors were the original paints made with earth. See www.bradshawfoundation.com/lascaux/
Thanks for the information!
I started doing this recently. I find it quite handy when I am dealing with light and shade or just want variety.
Great!
That was so helpful. I think the mixed colors look richer. Thanks!
i agree. more vibrant. she's the best
Play with it and watch the results.
What a great tip, Dianne. Thank you so much! btw, I recently had covid and revisited your drawing classes as I wasn't up to standing at my easel. I just loved them all over again. I've never had this skill or the patience to develop it but I have with your classes and I love my drawings.
Great! Hope you are fully recovered. Keep on drawing!
As always, this quick tip is so very helpful. Thank you Dianne.
You are so welcome! Thanks for watching.
Thank you for your help, it is very much appreciated!
You're welcome! Thanks for watching.
Another very helpful video!
Great! Thanks for watching.
Those variations surely help to make really exciting paintings. Straight tube colors, to which no one mixes with or blends into other colors has its place, but ends up looking more like pop-art, flat illustration and other mechanical printing methods.
I think your explanation is amazing and your excitement is always so contagious!
Experiment with this and have fun with it.
Great color lesson! Thank you!🙂
Our pleasure.
Thank you for sharing your knowledge with us!
My pleasure. Thanks for watching.
Great video! I mainly use them (umber & sienna) because they speed drying, mostly for black & dark grays. Prussian blue also dries faster, makes a faster drying black.
That's valid.
Well this method you show here really unlocks the potential for some stunning earth tones. Seeing your samples on the canvas of tube colors and then the colors on your palette from the red to the blue/green and all in-between is really inspiring.
Thanks, Thom. Have fun with it.
Thank you for caring and sharing your expertise. Such a help to me.
My pleasure. Thanks for watching.
excellent demo Dianne - yes it is affording the artist the choice of leaning towards what is required with all the various shades that occur during the painting being carried out. Thank you.
Thanks for watching!
Hi Diane! Long time no talk to.. Hope you are well in these crazy times? I Love my earth colors and use them on both my Oil and Watercolor palettes. I get a lot of new very cool mixtures by experimenting with each color and how they mix with the primaries and secondaries. That said, I do agree anytime spent color mixing for any desired hue will make anyone a better Artist.
Hi Gerald. I hope you are doing well, too. I would love an update from you when you have time.
@@IntheStudioArtInstruction Will do Coach!
Thank you for that. Your method also creates greater color harmony throughout the whole painting!
Give it a try and have fun with it.
I love the idea of having the degree of variations. It seems that it would allow the painter/artist more control and flexibility to give the richest details in their paintings.
Yes, being able to get variations in saturation is just as important as getting variations in values and hues.
You are a great teacher.
Thanks.
Thanks so much for this wonderful quick tip !!
You are so welcome!
Another beautiful lesson! Thank you!
My pleasure!
Loved it!
Thanks.
Not only can I see that this would give richer colors and variations, you don't need all those tubes of paint either. Great video!
Have fun with it.
You're amazing. I can't wait to watch all your videos with my daughter. I thought I knew something about color but... mind blown! Very cool
Thanks so much 😊
I love this so much Dianne! This approach is life-changing for me - a huge revelation - thank you so much for everything! 💙
Wow! Enjoy the journey!
For heaven’s sake! This is a great video Dianne! Paint magic!
Thank you so much!
Absolutely fascinating. Thank you.
Glad you enjoyed it!
Absolutely fabulous- I will certainly be attempting this tip 😘
Have fun with it.
FANTASTIC. THANKS!!🎉
Our pleasure!
Marvellous lesson.
Excellent demonstration Dianne.
Thanks.
I stumbled onto my own mixture of burnt sienna recently and was kind of surprised. I'm an acrylic painter experimenting with oils and (for economy) have only the primary colors plus raw umber and white and am learning how much freedom there is to mixing my own colors. Thank you so much for this quick tip!
Thanks for sharing! Keep having fun with it.
So helpful must try to see if will work for me thanks for video
Have fun with it.
thats so interesting and so useful - I will try that for sure. Thanks again for explaining this so well
Have fun with it.
Thanks Dianne, I watched this and realised I make these colours along the way but still put the earth tomes on the palette. I totally agree with getting s much broader range of color by mixing them. It's always good to have someone point out the obvious haha! I must chase down that Viridian green. Thank you .
Jerry's Artarama carries the Rembrandt viridian.
This was SO SO useful. OMG.. I feel like I won the lottery.
Have fun with it.
One thing I would really like to know, is how do you keep the heaps of paint on the edge of your palette from drying out? I am new to painting and am trying to find a palette set up that is convenient but doesn’t waste the paint. Also thank you for all the tips. Found the channel yesterday and already learning so much 😊❤️
Wondering,too
Please watch Quick Tip 115 for that explanation.
@@IntheStudioArtInstruction Thank you 😊
I got rid of my earth colors 4 years ago and my paintings have improved significantly; much richer and alive. If I need to neutralize a color, I adjust the chroma with the opposite color. Thanks for the video.
Wonderful!
Really interesting informations. Thank you 👌
My pleasure. Thanks for watching.
Thank you for blessing us all with your wisdom! Quick question: Can you recommend a simple palette the enables us to get all the earthy tones without using earth tones. I’m guessing it would have to include colours like viridian right?
In Quick Tip 115, I explain my palette colors. Take a look.
Fantastic tip!! Thank you so much for sharing!
My pleasure. Thanks for being a subscriber.
THANK YOU!!! I love the variations and making my own colors
You are so welcome! It is a lot of fun, isn't it.
I am just starting out in oil painting, but I understand that there is an amazing range of modern pigments with super lightfastness that gives you more control over the mixtures without adding contradictory undertones lol. Thanks for the content
Diego, oil paints like all products, are also subject to marketing strategies. In the long run, the pigments themselves and the manufacturers process for binding them is what counts in their quality. How we use them determines the quality of our painting.
Thank you! Great video! I can't wait to try these:)
Have fun with it.
Thanks so much for the great tips. Yiu are very kind and generous by sharing your expertise. I like and sub.
My pleasure. Thanks for watching.
Thanks. Could you demonstrate the difference to alter those earth colors with red blue or yellow etc.
When adding yellow to a neutral that is somewhat yellow, we're simply increasing the saturation. Same is true with all the neutral colors when the same hue is added in.
Thank you for doing these quick tips! They are great. I try to listen to everyone that you send.You saved my painting life during the pandemic. I have a question about your palette...
You have so many paints and so much of each one around the edge. How do you keep this large amount of paint on the palette fresh and not dry out? How do you clean it up or cover it up? Are you using palette paper? Can you do a quick tip on this and how you dispose of medium like orderless mineral spirit and other supplies used with with oil paints. Thanks so much.
Charlene, see Quick Tip 115 for the answer to that.
If I’m a messy painter should I avoid cadmium’s and cobalts if I get it on my hands and clothes loo
Be a bit careful with it since they are toxic at some degree, especially if you then place your hand to your nose. A must when painting oils is an air ventilation ''system'', an open window for example and if possible even a small air fan working. As for the hands you could also buy black kitchen one time gloves, i get my hands dirty as well but i just make sure not to place them at my face, and after i am done painting i just wash them with soap.
Yep. There are plenty of alternatives to paints containing heavy metals. Even if you aren't getting them on your skin, using paints that don't contain heavy metals means that they aren't getting into our waterways. Also, no need for ventilation if you are painting solvent free.
These two comments sum it up adequately.
Do you have a listing of Quick Tips from #1, #2, #3, etc. You are up to the 300's, but I need to catch up from the beginning, to follow through your Quick tips, so I don't miss any of them. ?
Go to ruclips.net/user/inthestudioartinstruction , and click on VIDEOS in the menu and you will get a complete listing.
@@IntheStudioArtInstructionThanks a lot! You are my favorite teacher for oil painting and color mixing.
Fantastic. I learned a lot. Thank you!
My pleasure! Great to hear!
Hi Dianne, do you still use Transparent Red Oxide? I know it's pretty close to burnt sienna and it looks like your red and viridian are getting the same result.
Yes, Michelle. Transparent oxide red is one of my work horses. It has that delightful transparency that burnt sienna lacks.
The yellow ochre you mixed from the complements looks sooo much more saturated and richer than the tube color!
Yep!
i usually use burnt umber and ultramarine blue to make Black - I really like the idea of making my own mixture for burnt umber, but will that still work to make a nice black???thanks and thanks for all your quick tips
Patsy, transparent oxide red and thalo blue or alizarin crimson and thalo green or even ultramarine blue and transparent oxide red all make lovely, deep blacks.
@@IntheStudioArtInstruction thank you so much for this additional information. I had the same question in my mind lately. It is great to know that.
Hey Dianne! I love your videos- thank you.
I am wondering if the thick amounts of colours around the edge of your pallet stay there permanently?
If so, do they stay wet because they are pure oils and you close a lid over the top?
Elle
Elle, see Quick Tip 115 where I explain my palette.
I like to do portrait and your videos had helped me a lot. I like to have 13 colours in my palette, it's like an obsession and I don't know why I just like that number of colours. Now I can replace the earth colours on it with more vibrant and saturated colours with this pro tip, I will have another green and another yellow. Just thanks for a life dedicated to such beautiful art 🙏🏽. God bless you
Thank you, Diego! It's a pleasure sharing these.
Thank you for this information.
My pleasure.
I love playing with colours. That’s what I love most about oils. Today, I finally discovered the value of the colour wheel lol! Because I’ve had little tutelage in the past, I am a hoarder of colours as well as brushes. I have all the earth colours but when I made myself some charts, I realized how many colours I’ve duplicated unnecessarily.
Just out of curiosity, what is Yellow Naples? It is my least favourite tube of all my tubes and every time I try to use it, it seems to kill any life in the painting. Thank you
The color wheel is a basic to the painter as a measuring cup is to the chef. So glad you see that!
Dam! Now I understand why a lot of master artists says that we don't need to buy every colours, but the most basics one. Stubborn and ignorant, I bought a bunch of colours, because why not, I'm lazy and I love colours. This lady artist finally explained it very well. So well, I'm disappointed to have spent so much money on colours it would be well advise to mix. Ah well! I'll use them to practice.
Don't fret. All painters have far more tubes of color than they need.
Ty. Very informative.
Thanks for watching.
Thank you.
You're welcome!
Really interesting! Thank you.
My pleasure!
LOVE this!
Have fun with it.
How do you preserve your paints for a period of time on your board/tray?
If you have a quick tip on the subject please share the number.
Thanks
See Quick Tip 115.
@@IntheStudioArtInstruction thank you😊
Hello, love your videos! I am a hobby painter and I love painting portraits but I struggle a lot with skin tones. Could you show me how to think and create colors for both highlights and shadows for different kind of skin tones? Unfortunately my humans always end up looking dirty.
I have a Quick Tip coming out on February 23 addressing skin tones. Stay tuned for that.
@@IntheStudioArtInstruction Oh I cant wait! Thank you for replying and keep up inspiring us all!
Hi.. why do you always leave amounts of different colors on your palette?
See Quick Tip 115 where I explain that.
@@IntheStudioArtInstruction Thank you very much
So good. Thanks.
Our pleasure!
Well done!
Thanks.
This is the first time I'd disagree with her wonderful videos; I'm probably wrong, but... Earth colors are traditional, dirt cheap, natural and safe compared to something like cadmium. It's nice to have a limited pallet, but it seems strange to mix valuable paints to produce something you could make quickly and cheaply with an earth color, and then just add a dash of other colors to get the last adjustments in. I think of these as the workhorse colors. Look at her video on Zorn. Earth tones were used extensively by the old masters, no? Seemed to work ok for them.
Please watch the introduction of the Quick Tip again. I am answering a viewer's question. I am not advocating anyone not use earth colors. I'm simply explaining why I don't use them any more.
@@IntheStudioArtInstruction Thank you for your reply; I understand. I love your videos, and all the help you’ve been giving us.
Great examples!
Thanks.
Question please… how do your paint's on your pallet not dry out?
Yes, I'd like to know this too.
See Quick Tip 115 where I explain the whole thing.
Please tell me the exact blue and green you use with cad red deep and cad yellow deep to get BURNT SIENNA. It wasn't clear to me from the video unless you were using ultramarine blue and Rembrandt viridian? Thanks
Rachel
Ultramarine blue and Rembrandt Viridian ARE the complements I used.
@@IntheStudioArtInstruction Thank you so much and you are a lovely teacher!
I mixed my own earth colours to learn since i recently got into painting, i tried getting burnt umber but got raw umber. I think both ways are good, premixed and from tube.
Any mix is a good mix if it's what a painting is calling for.
Thank You!! I hardly ever use the earth tones straight from the tube, I always mix in the compliments, but the way you leave the variations on the palette may have just solved my issue I'm having with a subject that has dark bronze skin tones part sun, part shade. Duh! Why haven't I thought of having a gradient available? Also, being from Alabama, do I detect a Carolina accent? lol
It's a Georgia accent, Amanda, but not so detectable from a South Carolina one.
more variety, wonderful!
Give it a try! You'll see...