This is probably one of the best interviews and studio's that I've ever seen, thank you! The dream. So much class, warmth and character dialled in. Technically and organically balanced.. What wonderful creative space. Inspiring
I used to live in Iceland for a short time, and I miss it dearly. This space has recollected that sense of beauty, fondness, and kindness the place had.
One of the best Creative Cribs, yet. Excellent balance of tech, atmosphere, instruments, & inspiration. Thanks to Olafur, Christian, and Spitfire Audio for making/sharing this!
I've first heard Olafur when he was the support act for Sigur Ros in the very early 2000's - so it is just fitting that he takes over their old studio/rehearsal space - wonderful music!
Massive shoutout to Paul Morris in the UK making those wax cylinders for the Edison! I’ve never heard or used one in person but it’s incredible that you are keeping that history alive. Bravo! and love from Los Angeles CA 🙏
I was thrilled to see this uploaded- The first Olafur Arnalds creative cribs helped start my obsession as a young engineer, it's so nice to get an update of where he's at after a few years. He has such a lovely approach. Thank you!
Wow, I just love it. This kind of dream will never come true for me AND I thank you for showing us around. As I'm living in South Africa I would like to know how you make this soft vibes on the grand piano. Maybe a piano house in Stellenbosch would work for me around this soft and hidden sound. You didn't show it here AND I'm very curious who build it for you. I would love to connect to your piano house to connect the different continents. Warm greetings from inspiring South Africa. Here we have the salty air which creates some problems with the strings.......... I just waited 6 month for my new grandpiano to arrive from Yamaha. ....l. All the best to all of you AND thank you for your music. Warmth. Andrea
Goodness, I was even going blind from the sunlight in Christian’s face for much of this visit! Hope the good man isn’t seeing too many spots! A great Cribs video!
It was through his Creative Cribs series that I discovered Christian (and hence discovered Spitfire Audio). Right after Covid-19 hit a couple of years ago, I was rearranging my studio and looking for ideas for studio organization, and Creative Cribs showed up on my RUclips searches. And then it was through Christian that I discovered Inside No. 9; I think Shearsmith and Pemberton should pay Christian a finder's fee.
I saw Ólafur Arnald's winter solstice videos on RUclips and immediately bought tickets for one of his concerts in July, can't wait to see this guy live! Seeing him with Christian Henson getting into "Gear Acquiring Syndrome"-mode with bright eyes in a giant candy store of his taste is just awesome. You can tell that Christian is going to get at least one of those reverbs and the mixing desk very soon (don't tell his wife).
thank you so much for the video. I'm inspired by Mr. Arnalds' work. The Nagra tape loop that degrades over time is such a brilliant technique for making a musical metaphor of the person losing their memory. Loved hearing you both. Thanks again.
Yes, brilliant! Reminded me of a project by The Caretaker called Everywhere at The End of Time that uses similar techniques over 6 albums to represent the progression of Alzheimer's
Gorgeous studio. I don't work with templates either, but that leaves me wide open to random opportunity and happy accidents. I find it a little restricting, too, when I've tried making one. Not that I'm even a dust particle in the pro area of this man's work. I think we'd all aspire to having a space like this for our own workflow, though.
Looks amazing - I'd also love to see an updated Cribs on "The Flight" as the first one was even lower production value than Olafur's original one, and the whole thing was a bit mental. :D
Thank you so much for this video! Olafur Arnalds is my biggest inspiration when it comes to composing and production and it was great to see the amount of thought and detail that goes into his studio, doing as much as he can to stimulate creativity and effectiveness!
Christian! If you are having noise issues? Check out the Equipment-TEch stuff. I have had it for years and also put a steel stake in to a concrete pad outside, which requires some digging outside, but not too hard. I only use the Equipment-Tech Rack box and it is so quiet I never have had any issues. Probalby the broadcast stuff you have and all that analogue gear needs to be on separate circuits etc.
Regarding the tape loop: Olafur, you can set up smooth/chromed mic stands (the kind with iron bases) away from the machine and run the tape around the vertical section of the poles. This will keep the tape straight so that it feeds more reliably.
Hey Christian, It's actually not unusual to work in PT for Midi. I do everything there now and have for years. Use to use DP or Logic, but with audio post it just took me too much time to deal with. I am super fast on it and can play just fine. Love it! It's a toolbox. You just use what works for you. In a rush though, it's easy to Print revisions in PT quickly and send to editor or Dub Stage whole sessions as I get that ready as I go. When you do the mixing yourself, it is much simpler that way for me. I switched in 2001 when I saw a friend using it for everything and thought, this is really much more efficient for my workflow and then everything is in there instead of having to close and go into another DAW or rewire it in.
what an inspiring space to work in... btw on the topic of wire recording: hainbach has an old soviet wire recorder, some content on his channel with it, and a plugin with audiothing that emulates it. very cool stuff
Just bought a couple of his/your libraries a few days ago and one last night, so it was cool that video coincidentally came out today :-) it must be a sign that I made the right choice :-)
Hi Christian, you seemed quite fond of the tape loop approach that Ólafur explained. I invite you to have a look at the RUclipsr Hainbach. You may be familiar already, but he does a lot of tape loop stuff, including his amazing deterioration loops where he destroys tape loops over time by running them over sandpaper, knives, razors etx. Very interesting stuff and he also explains it fully and comprehensively. Enjoy!
Definitely need to try and get into Sam Slater / Hildur's Studio space at some point. They did a little video for the BF2042 score and they've got some incredibly fascinating tools they use.
Great stuff. I have three Lexicon reverbs, PCM92, PCM80 and a 300. All of them sound really great and compared to plugins they do very much become one with the sound source in a way plugins can't.* Which would mean the EMTs melt even nicer with the sound source I guess : ) Nice to see Nisse Strinning on the wall.
I'm just getting into modular/sequencers and love how musical his approach is. Could anyone explain more in details hows the patching works at 08:32? "Sending a MIDI signal trough a CV converter for the triggering of the gate' Is that a MIDI signal from the DAW into the MS-50? or into the MS-10? And how does the audio from pro tools gets into the MS-10? would it be 1/4 jack out into the SQ-10 analog mixer in? thanks in advance!
Ólafur spitfire stuff is the one I have still not used. Had some issue with install. I will look in to is again. OLAFUR ARNALDS EVOLUTIONS, is the one I have from him, I have live but the file is for Kontakt... gutted
I'm assuming he was referring to USB midi, but I can't imagine him utilising that much. I've been using midi for external control for some time now without any noticeable issues
@@Systemv1 I think he's referring to the general workflow in Ableton in regards to midi. There's a lot of odd things that it just does that make editing more annoying than an actual technical problem. Not being able to record / overdub in the midi editor, no commands to snap or resize notes to a specific resolution, overdubbing slices item when stopping which resizes everything when reopened. The cc editor is clunky in terms of switching which envelope you can see. Plus you can't view multiple cc lanes like in cubase or reaper. These are some of the reasons I switched out of Ableton anyways. Lack of customization is another.
@@AmiliaCaraMia right - I'd say some of these matters are reasonable in its current iteration. Things have changed over the years. Anyway, thanks for the response
@@Systemv1 For sure it's definitely gotten better over the years. The addition of comping was great too. For composers I could see the struggle though. Haha
Cool! I wish I understood better the differences between all the hardware he has versus doing the same in software. Like the delay he talks about versus the many software delays one can use. I am sure there are differences --- by definition, there has to be -- but is hardware somehow "better"? Or is it just different? Is this sort of like vinyl versus digital? One could have a cool studio with all this stuff, or just a computer with lots of software plugin options. Not talking abut live recording where of course pre-amps etc. are important, that's different, I mean just effects I guess. I guess Olafur does answer this: "he just likes the sound".
I think hardware lends itself to a different way of working, I had a studio with lots of gear, admittedly most of it was low to medium end... It just ended up getting in the way. If you are a professional who does music for a living, then Hardware is the best way to go...
Mr. Arnalds and Mr. Frahm are the best thing to happen to electronic music
Don't forget about Nicolas Jaar
Plus some credit to Kiasmos other half Janus Rasmussen
My vinyl collection from two decades is sorted by genres. Only exception being there is a N&O section specially for the records of Nils and Ólafur.
Mohit Rahaman and Mr. Green (Bonobo)
Listen to Arca, Iglooghost, Clark, Sophie (they are the real pioneers, this is just romanticizing old gear that your average person can't afford)
This Man inspires. Not even with his music but with his approach to things.
I was just jaw dropping for 34 minutes straight
So fantastic, thank you! Ólafur and Spitfire need to collaborate on a library of instruments recorded through the Edison cylinder.
This is probably one of the best interviews and studio's that I've ever seen, thank you! The dream. So much class, warmth and character dialled in. Technically and organically balanced.. What wonderful creative space. Inspiring
I used to live in Iceland for a short time, and I miss it dearly. This space has recollected that sense of beauty, fondness, and kindness the place had.
His studio looks exactly like his music sounds
One of the best Creative Cribs, yet. Excellent balance of tech, atmosphere, instruments, & inspiration. Thanks to Olafur, Christian, and Spitfire Audio for making/sharing this!
I've first heard Olafur when he was the support act for Sigur Ros in the very early 2000's - so it is just fitting that he takes over their old studio/rehearsal space - wonderful music!
amazing
Massive shoutout to Paul Morris in the UK making those wax cylinders for the Edison! I’ve never heard or used one in person but it’s incredible that you are keeping that history alive. Bravo! and love from Los Angeles CA 🙏
I could watch these two guys for hours.
I was thrilled to see this uploaded- The first Olafur Arnalds creative cribs helped start my obsession as a young engineer, it's so nice to get an update of where he's at after a few years. He has such a lovely approach. Thank you!
Wow, I just love it. This kind of dream will never come true for me AND I thank you for showing us around. As I'm living in South Africa I would like to know how you make this soft vibes on the grand piano. Maybe a piano house in Stellenbosch would work for me around this soft and hidden sound. You didn't show it here AND I'm very curious who build it for you. I would love to connect to your piano house to connect the different continents. Warm greetings from inspiring South Africa. Here we have the salty air which creates some problems with the strings.......... I just waited 6 month for my new grandpiano to arrive from Yamaha. ....l. All the best to all of you AND thank you for your music. Warmth. Andrea
Ólafur so generous Christian such a good listener, giving us such rich inspiration.
Of all the wonderful things in this studio, what I covet the most are the windows!
Goodness, I was even going blind from the sunlight in Christian’s face for much of this visit! Hope the good man isn’t seeing too many spots!
A great Cribs video!
This is wonderful! Absolutely one of the greatest studios I've ever seen, so nice and open and peaceful. I love it!!
It was through his Creative Cribs series that I discovered Christian (and hence discovered Spitfire Audio). Right after Covid-19 hit a couple of years ago, I was rearranging my studio and looking for ideas for studio organization, and Creative Cribs showed up on my RUclips searches. And then it was through Christian that I discovered Inside No. 9; I think Shearsmith and Pemberton should pay Christian a finder's fee.
Olafur is a GENIUS.
I saw Ólafur Arnald's winter solstice videos on RUclips and immediately bought tickets for one of his concerts in July, can't wait to see this guy live! Seeing him with Christian Henson getting into "Gear Acquiring Syndrome"-mode with bright eyes in a giant candy store of his taste is just awesome. You can tell that Christian is going to get at least one of those reverbs and the mixing desk very soon (don't tell his wife).
We can neither confirm, or deny, that any second-hand equipment has recently been delivered to the Greater Edinburgh area 😐🤔😮
At first I was like "wow that sounds like very technical stuff they're chatting about", then I stayed the whole time. Fascinating stuff
Fantastic studio. I'm so pleased to see an EMT 246 reverb. IMHO the best digital reverb ever built. Great video.
Excellent video, so much insight! Please do one with Nils Frahm!
Ólafur gives some incredible insights in this one, and what a studio it is!
thank you so much for the video. I'm inspired by Mr. Arnalds' work. The Nagra tape loop that degrades over time is such a brilliant technique for making a musical metaphor of the person losing their memory. Loved hearing you both. Thanks again.
Yes, brilliant! Reminded me of a project by The Caretaker called Everywhere at The End of Time that uses similar techniques over 6 albums to represent the progression of Alzheimer's
@@molem348 That's sounds fantastic!
Gorgeous studio. I don't work with templates either, but that leaves me wide open to random opportunity and happy accidents. I find it a little restricting, too, when I've tried making one. Not that I'm even a dust particle in the pro area of this man's work. I think we'd all aspire to having a space like this for our own workflow, though.
I’ve been waiting for the sequel haha. What a magnificent space and thanks Christian for the 2nd video!
Looks amazing - I'd also love to see an updated Cribs on "The Flight" as the first one was even lower production value than Olafur's original one, and the whole thing was a bit mental. :D
A wonderful space! I hope Óli checked the video to make sure that jack was where it needed to be put back!
Wonderful interview!
Brilliant. Quite. Quite. Brilliant.
Brilliant stuff! Thank you, Ólafur, Christian, and Spitfire.
Thank you so much for this video! Olafur Arnalds is my biggest inspiration when it comes to composing and production and it was great to see the amount of thought and detail that goes into his studio, doing as much as he can to stimulate creativity and effectiveness!
Thank you for doing this video - such an amazing space - I’d never go home I’d just live there 🥰🎵🙏🏻
For christ sake offer Mr. Spitfire a cup of coffee!! HAHA
Great stuff. What an amazing place.
Christian! If you are having noise issues? Check out the Equipment-TEch stuff. I have had it for years and also put a steel stake in to a concrete pad outside, which requires some digging outside, but not too hard. I only use the Equipment-Tech Rack box and it is so quiet I never have had any issues. Probalby the broadcast stuff you have and all that analogue gear needs to be on separate circuits etc.
i'd really love to meet this guy one day❤ perfect interview
Just awesome! Thank you guys for the insight!
Yep, I just immediately hit repeat on this one 💜
Whoah what an absolutely fantastic space, crafted by great people! Lovely video as always!
Regarding the tape loop: Olafur, you can set up smooth/chromed mic stands (the kind with iron bases) away from the machine and run the tape around the vertical section of the poles. This will keep the tape straight so that it feeds more reliably.
I believe he already does this, from what I've seen in his Instagram stories anyway.
@@Ejlectronics6 ah, i don't follow him on instagram. good to know.
simply amazing.. thanks for sharing
Love Olafur
Nice place!! I can attest to the Andreas Christensen pianos being everywhere here in Denmark :) Thanks for the video!
Brilliant episode! Deserves a million views.
Lovey series!! Keep going!!
Thank you! This was a treat! Cheers
Awesome! I love creative cribs!!!
Sick studio. I'm glad he didn't cut down the Icelandic forest for that wall.
Hey Christian, It's actually not unusual to work in PT for Midi. I do everything there now and have for years. Use to use DP or Logic, but with audio post it just took me too much time to deal with. I am super fast on it and can play just fine. Love it! It's a toolbox. You just use what works for you. In a rush though, it's easy to Print revisions in PT quickly and send to editor or Dub Stage whole sessions as I get that ready as I go. When you do the mixing yourself, it is much simpler that way for me. I switched in 2001 when I saw a friend using it for everything and thought, this is really much more efficient for my workflow and then everything is in there instead of having to close and go into another DAW or rewire it in.
what an inspiring space to work in... btw on the topic of wire recording: hainbach has an old soviet wire recorder, some content on his channel with it, and a plugin with audiothing that emulates it. very cool stuff
Bonkers video!
Really needed this update since the last one. Thank you so much!
Just bought a couple of his/your libraries a few days ago and one last night, so it was cool that video coincidentally came out today :-) it must be a sign that I made the right choice :-)
Great interview. I wish someone would have put a mic by that gramophone for 30 seconds!
mast aadmi hai Olafur , ekdum jhakaas
Great video - I hope Christian's visit to Iceland means another collab w/ Olafur and Spitfire? (fingers crossed)
That room is the dream
"it's not too shabby" ! Ahahaha - that lovely British phrase. And used so well too! xx
What a great space!
Hi Christian, you seemed quite fond of the tape loop approach that Ólafur explained. I invite you to have a look at the RUclipsr Hainbach. You may be familiar already, but he does a lot of tape loop stuff, including his amazing deterioration loops where he destroys tape loops over time by running them over sandpaper, knives, razors etx. Very interesting stuff and he also explains it fully and comprehensively. Enjoy!
Fascinating 😯
Amazing!
Love this. What is it about Iceland that produces the greatest music? I actually made a felt bar just like that for my piano! So worth it.
This is the coolest video
Definitely need to try and get into Sam Slater / Hildur's Studio space at some point. They did a little video for the BF2042 score and they've got some incredibly fascinating tools they use.
Great stuff.
I have three Lexicon reverbs, PCM92, PCM80 and a 300. All of them sound really great and compared to plugins they do very much become one with the sound source in a way plugins can't.*
Which would mean the EMTs melt even nicer with the sound source I guess : )
Nice to see Nisse Strinning on the wall.
Haha 20:17 he put it back in the right place, I went back and looked LOL :D
🔍🔍🔍
That is a good sample for textures 18:37 You are welcome people
Very very very interesting 💙
Amazing setup! To have a room like that! One day 😌
Now that looks like a fantastic space to work in!
looks like I'll be going on a piano hunt in Denmark
Great Crib video. PLEASE do one with Adrian Utley or Geoff Barrow. or both! cheers.
Amazing, thanks
I'm just getting into modular/sequencers and love how musical his approach is. Could anyone explain more in details hows the patching works at 08:32?
"Sending a MIDI signal trough a CV converter for the triggering of the gate' Is that a MIDI signal from the DAW into the MS-50? or into the MS-10? And how does the audio from pro tools gets into the MS-10? would it be 1/4 jack out into the SQ-10 analog mixer in? thanks in advance!
Ólafur spitfire stuff is the one I have still not used. Had some issue with install. I will look in to is again.
OLAFUR ARNALDS EVOLUTIONS, is the one I have from him, I have live but the file is for Kontakt... gutted
I'm a felt fan
What's that blue light knob thing on his desk? Looks so cool!
I need one of those little
Pianos!
That wooden wall is amazing!
Thank you for this. This is so inspiring.
Inspired.
The 'Techmoan' you tube channel is good for vintage music players and oddities. 🙂
Lovely
I'm enjoying the interview, but I'm curious what Ableton midi issues are being referred at 31m28s
I'm assuming he was referring to USB midi, but I can't imagine him utilising that much. I've been using midi for external control for some time now without any noticeable issues
@@Systemv1 I think he's referring to the general workflow in Ableton in regards to midi. There's a lot of odd things that it just does that make editing more annoying than an actual technical problem. Not being able to record / overdub in the midi editor, no commands to snap or resize notes to a specific resolution, overdubbing slices item when stopping which resizes everything when reopened. The cc editor is clunky in terms of switching which envelope you can see. Plus you can't view multiple cc lanes like in cubase or reaper. These are some of the reasons I switched out of Ableton anyways. Lack of customization is another.
@@AmiliaCaraMia right - I'd say some of these matters are reasonable in its current iteration. Things have changed over the years. Anyway, thanks for the response
@@Systemv1 For sure it's definitely gotten better over the years. The addition of comping was great too. For composers I could see the struggle though. Haha
nice video thanks
Geraldo Rivera - "THERE'S A MAN IN THE CORNER! A MAN! ON THE COUCH!"
Lovely video! please visit Nils Frahm's studio next!!!
What a great space 😮 he’s very tidy huh?
Lovely walkthrough. Who is the maker of the cute little piano again? Would love to hunt one of these down.
Andreas Christensen ftw
was that gray mic on the piano a shure sm81?
Oh wow look at it. Just when I think I'm happy with my studio space. Why do I torture myself like this? 😅
What is the object shown at 4:00 with the Oculus label on it?
The desktop unit for his Shadow Hills monitor controller
awesome, but why was the camera person on a boat?
I mean... I think we're going to need to see Nils Frahm's studio next...
19.00 all the money
❤️❤️❤️🙏🌟🙏❤️❤️❤️
Cool! I wish I understood better the differences between all the hardware he has versus doing the same in software.
Like the delay he talks about versus the many software delays one can use. I am sure there are differences --- by definition, there has to be -- but is hardware somehow "better"? Or is it just different? Is this sort of like vinyl versus digital?
One could have a cool studio with all this stuff, or just a computer with lots of software plugin options.
Not talking abut live recording where of course pre-amps etc. are important, that's different, I mean just effects I guess.
I guess Olafur does answer this: "he just likes the sound".
I think hardware lends itself to a different way of working, I had a studio with lots of gear, admittedly most of it was low to medium end... It just ended up getting in the way. If you are a professional who does music for a living, then Hardware is the best way to go...