A really good performance of a major classic - one of Tchaikovsky's best. Wish that I had done something along those lines and thereby having an enriched life.
I love this tone poem so much. The whirlwinds of fire are horrible, and the love music cannot be more tender or beautiful. A stroke of genius for me is how the lovers' murder is depicted. The fanfare that represents public discovery (22:30) barely intrudes into their ecstasy, then all is over before you know it. Not a drawn out or clamoring death, as you expect, but one that's anticlimatic in every sense of the word. Then you're immediately plunged back into hell, into darkness, before the fire of their punishment starts up again. For the lovers, there are only two experiences, their present agony and their past love. The moment of death barely registers. It's amazing psychological insight I think. Kudos to the young musicians for playing this music wonderfully. Bravos!
A very shivering Tchaikovsky tone poem, full of power, emotion, love and death. An amazing challenge for an orchestra and an a very underrated work. For me is better than 1812. Here Tchaikovsky goes deeper and shows another face where shadows walk among the flames. Francesca is an absolute masterpiece.
This is a notoriously difficult piece even for a professional orchestra because among other things there are treacherous syncopation pitfalls lurking around nearly every corner like Francesca's ghost. As Neil noted below at roughly 26 1/2 minutes this is about the longest performance I've never heard. I've never heard a finer student orchestra than the Royal Academy of Music Symphony and they played spectacularly but at the cost of losing some of the drama in the outer parts because I think tempos had to be slowed to enable them to pull it off. Still, I'm sure it was a tremendous learning experience for them and a rewarding one for Semyon Bychkov and the audience.
I could not agree more. This is one of the most challenging piece that I have encountered in over 40 years playing with orchestras. The young musicians did a tremendous job. Bravo!
Along with the “Manfred” Symphony, this work strikes me as Tchaikovsky’s most intense response to Berlioz, Liszt, and Wagner’s epic style, seemingly endless long lines. At the same time it seems to foreshadow Bruckner and Sibelius: timeless music that seems to float in space. I eagerly await hearing this work played by the Czech PO as part of SB’s Tchaikovsky Project.
The students, as always, are superb. I was thinking similarly that Bychkov slowed the tempi in parts because we are talking students here not full professionals but having said that I'm in awe of their talent, they are simply awesome! IMO one of Tchaikovsky's finest works, superior I feel, to the more famous 5th symphony.
Not as well known as Romeo and Juliet or the 1812, but so dramatic and moving. A creditable performance. I actually prefer a slightly slower tempo, as it makes for a greater intensity.
Not as well known as you say but unquestionably one of Tchaikovsky's finest achievements which places it in the top league of any composition ever written. I would prefer slightly faster tempi but again as you say it does help make the music even more intense- brilliant playing by such a young orchestra!
27 minutes for this work indicates that it was as slow as it sounded. The young musicians gave all that was demanded of them (as far as one could tell) but the bar was a little low in places. Watkinder (below) has also commented on this shortcoming.
No sé si es idea mía pero creo que la orquesta está tocando Francesca a lo menos un semitono más abajo que lo que indica la partitura lo que da a esta versión una sonoridad extraña, sin embargo en líneas generales la interpretación es muy correcta y al ser bastante lenta deja entrever detalles que en otras versiones se escapan
Carlos G. Ramírez Arévalo si yo lo escuche también. Solo creo esto porque estoy tocando esto con mi orquesta pero un semitono arriba, entonces no se qual es el tono de verdad
Greetings!! Is there anyone who knows the name of the Concertmaster/1st violinist of this orchestra? I've seen him before but I don't actually know his name ... Anyone?? Does the Royal Academy of Music symphony orchestra haves some website wherein I can find the names of all the players?? If you somehow know.. Please don't hesitate to tell me :'( I really need his name .....
I don't know if this is possible on a digital medium, but considering the slow tempi and the fact that this is tuned at a slightly lower pitch than most orchestras, is it possible that this is a recording playing back at a slower speed?
Although these young performers are highly accomplished, what the performance ultimately lacks is fire in the outer sections (which is the fault of the conductor). If you want to see what an inspirational conductor can achieve with young musicians check out Manuel Lopez-Gomez with the Teresa Carreno Youth Orchestra. The audible humming of the conductor in the soulful middle section is merely an aggravation occasioning amusement in the young clarinettist who found it hard to keep a straight face (around 13:28).
Note that the average age of the audience is around 3 times greater than the players. Ok it is a student orchestra but how depressing that most young people today just don't appreciate the World's greatest music and would sooner listen to rap crap or Justin Bieber etc. However it's their loss not mine.
The conductor, dressed in a catholic father's suit, wasn't demanding enough to the orchestra, esp the strings. In many instances there shd hv been stressed syllables along a musical phrase but there wasn't. End result: not colourfully nor dramatically played enough.
A really good performance of a major classic - one of Tchaikovsky's best. Wish that I had done something along those lines and thereby having an enriched life.
I love this tone poem so much. The whirlwinds of fire are horrible, and the love music cannot be more tender or beautiful. A stroke of genius for me is how the lovers' murder is depicted. The fanfare that represents public discovery (22:30) barely intrudes into their ecstasy, then all is over before you know it. Not a drawn out or clamoring death, as you expect, but one that's anticlimatic in every sense of the word. Then you're immediately plunged back into hell, into darkness, before the fire of their punishment starts up again. For the lovers, there are only two experiences, their present agony and their past love. The moment of death barely registers. It's amazing psychological insight I think.
Kudos to the young musicians for playing this music wonderfully. Bravos!
man youre gonna have to do my term papers for me...
A very shivering Tchaikovsky tone poem, full of power, emotion, love and death. An amazing challenge for an orchestra and an a very underrated work. For me is better than 1812. Here Tchaikovsky goes deeper and shows another face where shadows walk among the flames.
Francesca is an absolute masterpiece.
Tchaikovsky himself considered it among his finest pieces (along with _Manfred_ ) and he was right.
I appreciate the comments of listeners who are more advanced in music than I am. Makes me listen more carefully.
This is a notoriously difficult piece even for a professional orchestra because among other things there are treacherous syncopation pitfalls lurking around nearly every corner like Francesca's ghost. As Neil noted below at roughly 26 1/2 minutes this is about the longest performance I've never heard. I've never heard a finer student orchestra than the Royal Academy of Music Symphony and they played spectacularly but at the cost of losing some of the drama in the outer parts because I think tempos had to be slowed to enable them to pull it off. Still, I'm sure it was a tremendous learning experience for them and a rewarding one for Semyon Bychkov and the audience.
Hii! Do you know the know the name of their concertmaster? Where do you think can I find the players' name?
I could not agree more. This is one of the most challenging piece that I have encountered in over 40 years playing with orchestras. The young musicians did a tremendous job. Bravo!
Along with the “Manfred” Symphony, this work strikes me as Tchaikovsky’s most intense response to Berlioz, Liszt, and Wagner’s epic style, seemingly endless long lines. At the same time it seems to foreshadow Bruckner and Sibelius: timeless music that seems to float in space.
I eagerly await hearing this work played by the Czech PO as part of SB’s Tchaikovsky Project.
The students, as always, are superb. I was thinking similarly that Bychkov slowed the tempi in parts because we are talking students here not full professionals but having said that I'm in awe of their talent, they are simply awesome! IMO one of Tchaikovsky's finest works, superior I feel, to the more famous 5th symphony.
Extraordinario!!!!!Belleza total!!!!Gracias por compartir.Desde Argentina, Buenos Aires.Bendiciones.
Young musicians play the old story of young lovers. That's good.
Замечательное исполнение.
That's the perfect balance!!!!!!! Balance is one of the most challenging things for this piece..
The most amazing piece of art by Tchaikovsky - cool performance!
Yes, definitely one of his greatest works though not as well known as many of his other compositions which have become more popular.
UNBELIEVABLE performance !!!!! Just coming across this video now. What else can I say but "WOW".
Not as well known as Romeo and Juliet or the 1812, but so dramatic and moving. A creditable performance. I actually prefer a slightly slower tempo, as it makes for a greater intensity.
Not as well known as you say but unquestionably one of Tchaikovsky's finest achievements which places it in the top league of any composition ever written. I would prefer slightly faster tempi but again as you say it does help make the music even more intense- brilliant playing by such a young orchestra!
Amazing..
Hii! Do you know the know the name of their concertmaster? Where do you think can I find the players' name?
27 minutes for this work indicates that it was as slow as it sounded. The young musicians gave all that was demanded of them (as far as one could tell) but the bar was a little low in places. Watkinder (below) has also commented on this shortcoming.
Bravo!!!!!!👏👏👏👏👏
That little crescendo in the coda at 26:19 is something I've only heard Mravinsky do before, and it's very effective.
Fantastic performance! Especially enjoyed the tempo at 21:00 - far too many conductors rush it!
No sé si es idea mía pero creo que la orquesta está tocando Francesca a lo menos un semitono más abajo que lo que indica la partitura lo que da a esta versión una sonoridad extraña, sin embargo en líneas generales la interpretación es muy correcta y al ser bastante lenta deja entrever detalles que en otras versiones se escapan
Carlos G. Ramírez Arévalo si yo lo escuche también. Solo creo esto porque estoy tocando esto con mi orquesta pero un semitono arriba, entonces no se qual es el tono de verdad
Why is it E-flat minor instead of E minor, the original key?
Difficult to believe a student orchestra can play so well and movingly.
Hii! Do you know the know the name of their concertmaster? Where do you think can I find the players' name?
Why is the performance a half step off?
I learnt that this is the English concert pitch which is a semi-tone higher than the Continental European Standard Concert pitch!!
26:19 sounds really cool
Greetings!! Is there anyone who knows the name of the Concertmaster/1st violinist of this orchestra? I've seen him before but I don't actually know his name ... Anyone?? Does the Royal Academy of Music symphony orchestra haves some website wherein I can find the names of all the players?? If you somehow know.. Please don't hesitate to tell me :'( I really need his name .....
Yes his name is Andre Gaio Pereira
At 26:11 we see the timpanist raising his timpani mallets very high! Dramatic indeed
Entire video is focused on strings and conductor. What about percussions and brass so key to this piece? You might as well just listen to audio.
25:57
I don't know if this is possible on a digital medium, but considering the slow tempi and the fact that this is tuned at a slightly lower pitch than most orchestras, is it possible that this is a recording playing back at a slower speed?
This is a big one . Well done lost a bit of the dramatics at the beginning but really beautifully done.
Although these young performers are highly accomplished, what the performance ultimately lacks is fire in the outer sections (which is the fault of the conductor). If you want to see what an inspirational conductor can achieve with young musicians check out Manuel Lopez-Gomez with the Teresa Carreno Youth Orchestra. The audible humming of the conductor in the soulful middle section is merely an aggravation occasioning amusement in the young clarinettist who found it hard to keep a straight face (around 13:28).
Note that the average age of the audience is around 3 times greater than the players. Ok it is a student orchestra but how depressing that most young people today just don't appreciate the World's greatest music and would sooner listen to rap crap or Justin Bieber etc. However it's their loss not mine.
i was thinkin they might be related--but not to me----all i can say was they were great!
The conductor, dressed in a catholic father's suit, wasn't demanding enough to the orchestra, esp the strings. In many instances there shd hv been stressed syllables along a musical phrase but there wasn't. End result: not colourfully nor dramatically played enough.
off by 1 or 2%?
25:50
25:56
25:30
25:56
25:56