"Live Riyaz Session with Guruji Sanjay Dewale | Raag Shuddha Sarang | Part 5 (29/09/2024)
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- Опубликовано: 3 дек 2024
- *Raag Shuddha Sarang: A Comprehensive Exploration*
*Introduction*
Raag Shuddha Sarang is an early afternoon raga, evoking a sense of brightness, peace, and devotion. It belongs to the Sarang family of ragas and carries a gentle but profound emotional expression. While it shares similarities with other Sarang ragas, it is distinct in its use of swaras and its overall mood, which combines elements of warmth and serenity, associated with the midday sun.
*Thaat (Parent Scale):* Kafi
*Jaati:* Audav-Audav (Pentatonic in both ascending and descending)
*Time of Performance:* Early afternoon (12 PM to 3 PM)
*Vadi (Most Important Note):* Re (Shuddha Rishabh)
*Samvadi (Second Important Note):* Pa (Pancham)
*Arohana (Ascent):* S R M P N S'
*Avarohana (Descent):* S' N P M R S
*Pakad (Signature Phrase):* M P N, R M P, S R M, N S
*Historical Context and Evolution*
Raag Shuddha Sarang belongs to the Sarang family, which also includes Madhmad Sarang, Brindavani Sarang, and Kafi Sarang. While Sarang ragas are often considered to evoke the monsoon season, Shuddha Sarang stands out for its association with the scorching afternoon sun, its melody conveying a cooling effect amidst heat.
Historically, Sarang was said to be created by Lord Krishna himself, making it a prominent raga in the Vaishnava tradition. It is commonly used in temple music and devotional songs, highlighting its spiritual significance.
*Theoretical Structure*
Shuddha Sarang’s unique structure sets it apart from other Sarang ragas. The pentatonic nature of the raga, using only five notes in both ascending and descending scales, offers an elegant simplicity while allowing for intricate elaboration in its rendition.
1. *Swaras:*
*Shuddha Re* is the most dominant swara and is approached with a lot of grace in the performance.
*Madhyam (M)* and *Pancham (P)* form the backbone of the raga, with emphasis on straight movements from Re to M, and M to P.
*Nishad (N)* is used as a subtle ornament in the ascent and descent, typically approached after pancham in the Arohana.
*Gandhar (Ga)* and *Dhaivat (Dha)* are completely omitted, giving Shuddha Sarang its signature audav-audav framework.
2. *Vadi and Samvadi:*
*Re* (Rishabh) is the dominant note of Shuddha Sarang, offering a feeling of stability and peace. It is played with considerable force and frequency in the raga's elaboration.
*Pa* (Pancham) is the second most important note, providing balance and harmony in the raga. The interplay between Re and Pa gives rise to the melodic tension and resolution that defines the raga.
3. *Time of Day:*
Shuddha Sarang is typically performed in the early afternoon, between 12 PM and 3 PM. The heat of the day contrasts beautifully with the cooling quality of the raga. This specific time influences the nature of its swaras and their effect on the listener.
4. *Emotional Expression (Rasa):*
The *Rasa* of Raag Shuddha Sarang is typically associated with *Shanta Rasa* (peace and tranquility) and *Vatsalya Rasa* (parental love). The raga has a calming and devotional quality, making it ideal for meditative and spiritual compositions.
*Performance Techniques and Improvisation*
*Emotional Interpretation and Rasa*
Raag Shuddha Sarang is known for evoking **Shanta Rasa**, a sense of peace and calmness. The combination of Re and Pa, along with the subtle touches of Madhyam and Nishad, creates a soothing atmosphere that is both meditative and uplifting. It is often associated with the quiet, serene energy of the early afternoon, when the day is at its peak in terms of heat, yet the raga provides a cooling, comforting effect.
1. *Vatsalya Rasa* (Parental Love):
Shuddha Sarang is also capable of expressing the tender emotions of a mother’s love or a parent’s affection. This quality is often highlighted in devotional compositions that focus on the relationship between a devotee and the divine, particularly in bhajans dedicated to Krishna.
2. *Spiritual Significance:*
The association of Shuddha Sarang with Lord Krishna further deepens its spiritual connotations. In the Vaishnava tradition, this raga is often sung in temples, especially during midday offerings to the deity, making it a medium for expressing devotion and reverence.
*Conclusion*
Raag Shuddha Sarang is a beautiful representation of the Hindustani classical tradition, embodying simplicity, elegance, and profound emotional depth. Whether performed in the classical Dhrupad and Khayal styles or as part of a devotional bhajan, its timeless appeal lies in its ability to convey peace, tranquility, and a sense of divine connection. Understanding its theoretical structure, historical context, and emotional nuances provides a deeper appreciation for this raga, making it an essential part of any classical musician’s repertoire.
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namaskar Guru ji🌹🌹🌹
साक्षात् दंडवत गुरूजी आ हा हा दो थाटों के "द्वंद " की इतनी विराट दुनिया 🤔🤔🤔🤔🤔🤔🤔🤔🤔 हैराँ हूँ आहा द्वंद को इतनी गहराई से आत्मसात् कराना हिमालय की उत्तुंग शिखाओं की ओर निरन्तर बढ़ते जाने की एक अनुभूति है इस तरह एक एक मधुर स्वरावलि व मधुर संवाद ( सारंग ,मल्हार, यमन ,कल्याण शाम कल्याण आदि की स्वरावलियाँ ) आप जैसे गुरू ही "बिरले गुरू" कर सकते हैं विश्व प्रसिद्ध ऐसे अनूठे प्रतिभावान चिन्तनशील गुरू के समक्ष मैं नतमस्तक हूँ आपके और आपके छोटे छोटे साधकों के मधुर से निःसृत ये स्वरावलियाँ अनंत आकाश में अनंतकाल तक सदैव यूँही गूँजती रहें तृप्ति से अतृप्ति की ओर ले जाने आपके इस अनूठे प्रशिक्षण की जय हो अनंत अनंत अनंत शुभेच्छा 🥀👏👏👆🥀💜💜💜🥀🕊🕊🕊🥀🦚🦚🦚🥀
Guru ji🙏🏻🙏🏻🙏🏻❤️❤️❤️
Pranam Guru Ji!
Pranam guruji 🙏💐
🙏pranaam guru ji
thanxx guru jii hume bhi aapse sikhne ko milta hai 🙏🙏🙏
Satkoti pronam Gurudev 😂❤🎉
नमो नमः!💐🙏🚩
Namaste, new student to music....which raaga is this.pls let me know
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