@@jasong5696 if you open up a sampler on fl or any piano keyboard, each note is one step away from each other (both black and white keys), and they are one semitones apart. lets say you want to change from an f minor to a g sharp minor then you just pitch it up 3 semitones counting from the key next to f. however if you want to pitch an f minor to a g sharp, I would recommend learning major and minor relatives. lets use g sharp again. if you can determine the g sharp major's relative minor (which is essentially has the same notes as your g sharp major) you can pitch your vocal samples from there. e.g. g sharp major's relative minor is e sharp minor (aka f minor as well), therefore you would not need to change the sample's key from g sharp major to f minor. this usually goes case by case too. hope this helps
Please release this as an full remix this is amazing
Acc haven't thought about this, will look into it
really good bro, i lost inspiration in making beats and you bring it back 🔥
WE'RE SO BACK : D
kodruuu can you please drop a mixing / Leveling tutorial, your mix is so cleaan
Am working on it, gonna take a while tbh I’m not an expert
This so good man keep up te good content brov 😮
Yessir ty 🫡
Man! I was trying to make a beat like this since last week! Thanks for the tutorial, K! 🔥🔥🔥🔥🔥
Glad you like it : D I’m ngl it’s not a tutorial but hopefully you found it useful
Bro this is insane 🔥🔥🤯
Thanks bro 🙏🏽
this is in the pocket!
Cheers man : )
Analog lab is definitely my go to for these kinds of beats 😂
My beloved analog lab :' )
fire!
Ty ty : )
How do you fit vocal samples in to your songs, when they are in different key than what ur song is in ?
Same I got loads vocals vi no how pitch down and up but don't understand the semitones so if had f minor hiw do I change it to g# ect
@@jasong5696 if you open up a sampler on fl or any piano keyboard, each note is one step away from each other (both black and white keys), and they are one semitones apart. lets say you want to change from an f minor to a g sharp minor then you just pitch it up 3 semitones counting from the key next to f. however if you want to pitch an f minor to a g sharp, I would recommend learning major and minor relatives. lets use g sharp again. if you can determine the g sharp major's relative minor (which is essentially has the same notes as your g sharp major) you can pitch your vocal samples from there. e.g. g sharp major's relative minor is e sharp minor (aka f minor as well), therefore you would not need to change the sample's key from g sharp major to f minor. this usually goes case by case too. hope this helps
@dydroyen4922 thanks bro appreciate it
This guy knows ✍🏽🗿