How to Get a White Background in a Headshot - Headshot Photography Tips

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  • Опубликовано: 29 авг 2022
  • Headshots with a white background are probably the most requested thing in my studio. In this short, I will show you the technique I use to get an even, white background consistently every time. Here is the breakdown:
    Using two strip boxes, I feather the lights across the background at a distance, allowing the light to spread evenly so there is no vignetting and no hot spots. The farther away the light sources are, the more the light spreads out. I will then measure the main light on the subject with a light meter getting the lighting pattern and quality that I like. Typically, for a business headshot, I set the light to be at F5.6 at ISO 100 or 200.
    Returning to the background, I will set the lights to be one full stop brighter than the main light on the subject. If my subject measures F5.6 then I adjust the power of the lights until the background measures F8. I measure the light on the background in several places across the background to ensure that it's measuring the same, this avoids gradients and hot spots.
    That's it! Even, white background every single time in every single headshot.
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Комментарии • 45

  • @jm3231
    @jm3231 Год назад +7

    these are fab. make the bg one stop brighter than subject is the all time bestest tip for shooting on a white bg. Thanks man!

  • @kimsayreartistandphotograp7129
    @kimsayreartistandphotograp7129 Год назад +1

    Thanks for this gem!!! made my headshot job smooth and awesome today!

  • @deewonda1952
    @deewonda1952 8 месяцев назад

    Gary, thanks for this!!!

  • @Daniel_DP83
    @Daniel_DP83 9 дней назад

    a white Background when the wall is white, is eays to make. But a white / black background with a grey wall that is a learning!

    • @GaryHughesOfficial
      @GaryHughesOfficial  9 дней назад

      My dad always said that a grey background is the most versatile, you can turn it white, black, or any color you like with gels. The principle remains the same, though. Measure the light so that the background meters 1 stop brighter than the subject :)

  • @yuliyapanchenko
    @yuliyapanchenko Год назад +2

    Nice short! I wish they didn’t take so much time :)) I found an easy way to make my shorts in one take lol love your video ❤️

    • @GaryHughesOfficial
      @GaryHughesOfficial  Год назад +1

      Yes! Creating content is EXHAUSTING

    • @yuliyapanchenko
      @yuliyapanchenko Год назад

      @@GaryHughesOfficial And the audience is demanding :)

    • @GaryHughesOfficial
      @GaryHughesOfficial  Год назад

      Very much so, I just try to have fun with it :)

    • @ronnibears
      @ronnibears Месяц назад

      Would you mind sharing how you achieve your white background in your shorts? Would really appreciate it 💞💐

    • @GaryHughesOfficial
      @GaryHughesOfficial  Месяц назад

      I think this short actually shows it, no? What do you think is missing?

  • @PatrickHardwig
    @PatrickHardwig Месяц назад

    Great set up. But why don’t have different aperture values on the subject and the BG? Are you taking multiple exposures and combining them?

    • @GaryHughesOfficial
      @GaryHughesOfficial  Месяц назад

      If you look, I do have different aperture values on BG and subject. The subject meters at F5.6 and the BG at F8, a one stop difference. This formula produces a solid white background without blowing it out or reflecting back into the lens :) all in one exposure

  • @charliegreen1989
    @charliegreen1989 9 месяцев назад +1

    Going to try this, always struggle to get the right white and either end up blowing it out or it looking more cream than white.

    • @GaryHughesOfficial
      @GaryHughesOfficial  9 месяцев назад +1

      If you stick to one stop brighter than the subject I think you'll get great results!

    • @Javy-OVP
      @Javy-OVP 8 дней назад

      @@GaryHughesOfficial that all depends you can have a under exposed subject and one stop in the BG doesn't mean it will be in the 250 zone if you know what I'm talking about.

    • @GaryHughesOfficial
      @GaryHughesOfficial  8 дней назад

      @@Javy-OVP I do indeed. The trick is to set the camera to expose for the meter reading on the subject. If the background is lit evenly one stop brighter, you will get a nice white background without the light being so strong that it reflects back into the lens. It will be just shy of pure white, but that's how I like to do it :)

  • @grnmtnskier
    @grnmtnskier 3 месяца назад

    Gary - thanks for the quick tutorial. When you are on location at a client's office, what is your typical set up for a white background? Do you still use two lights to make sure you have even lighting on the background? Thanks! Great to meet you at Imaging 2024!

    • @GaryHughesOfficial
      @GaryHughesOfficial  3 месяца назад +1

      I use the same technique on location. The difference is just that the background is usually the Westcott X-Drop Pro rather than the white wall in my studio. Works pretty much anywhere :)

    • @grnmtnskier
      @grnmtnskier 3 месяца назад

      Thank you Gary- very helpful and appreciated!

    • @GaryHughesOfficial
      @GaryHughesOfficial  3 месяца назад +1

      No worries!

  • @ZPOLLAK
    @ZPOLLAK 7 месяцев назад

    Think I can accomplish this with 2 glow softboxes instead of strip boxes? Deff going to pick up some strips, but have a 23 and 25 for the rear, and a 34 inch key. And a glow curved eyeliner thingy.

    • @GaryHughesOfficial
      @GaryHughesOfficial  7 месяцев назад +1

      Yes, certainly. You’ll get less control and likely smaller spread, but it’s doable

  • @DutchUltra
    @DutchUltra Год назад +1

    What's the benefit of using a white background? Why not green screen or a darker grey/black?

    • @GaryHughesOfficial
      @GaryHughesOfficial  Год назад +1

      Well I suppose that some people like a white background. It’s probably the most common headshot background, so people ask for it often.

    • @keithwhitephotography3495
      @keithwhitephotography3495 Год назад +1

      I like using white as it can help with subject extraction.

  • @DutchUltra
    @DutchUltra Год назад

    How does one make the bg a stop brighter?? Camera settings?? What settings? Thanks!

    • @GaryHughesOfficial
      @GaryHughesOfficial  Год назад

      The lights on the background should meter one stop brighter than the light falling on the subject. Piece of cake.

  • @deewonda1952
    @deewonda1952 8 месяцев назад

    Question: I have a 42" EZBeauty Dish and 2 30x120cm Strips. Will these work or are they overkill? Thanks!

  • @ginaheaton2203
    @ginaheaton2203 5 месяцев назад

    If the background light is brighter than the subject then they have to be in front of the background lighting right? If they were not then they would be blown out right? Then you adjust the light on the subject to be less brighter than the background?

    • @GaryHughesOfficial
      @GaryHughesOfficial  5 месяцев назад

      You definitely don't want the background light on the subject, that's for sure. When trying to get a white background, the concept is to make sure that the background light is one full F-Stop brighter than the subject. A light meter really helps here. In this example, I lit the subject to meter at F5.6 and the background at F8. F8 is one stop brighter than F5.6. For frame of reference, one stop of light brighter is twice as bright. A light pumping out F8 is twice as bright as a light pumping out F5.6. Hope that helps!

  • @tonyclarke5068
    @tonyclarke5068 Год назад

    Gary, I am curious. I notice thar you use your softbox of to the side and not centered as in the classic clamshell, when you use the eyelighter. How do you find this set up?

  • @panchooraka6465
    @panchooraka6465 Год назад

    How many light set up sir.. I count 2

    • @GaryHughesOfficial
      @GaryHughesOfficial  Год назад

      Three usually for white. One on the subject plus two for the background.

  • @karelinstudio2011
    @karelinstudio2011 Год назад

    What softbox are you using boss