Bonsoir Mr Magnifique peinture et un grand merci pour vos explications qui permettent de comprendre votre d’approche et la réalisation de ce tableau. Cordialement
Merci beaucoup pour votre partage. Je ne peins plus mais heureuse de suivre les différentes étapes. Belle réalisation. Ça parait simple et pourtant il y à derrière des heures de travail. Un agréable moment de détente. Belle soirée
Hardware : Oil painting: Christian Arnould prefers the Rembrandt and Sennelier brand for certain colors. On his palette we find his favorite colors: Titanium White - Cadmium Yellow - Yellow Ochre - Burnt Sienna - Burnt Umber - Vermilion Red - Magenta - Sennelier's Olive Green - Primary Blue and Dark Ultramarine Blue. The brushes : They are flat with long hairs pig bristle, the artist likes to use the Oléo brushes from Raphaël. The mediums : A Venetian medium strongly diluted with rectified turpentine. The supports: linen canvas on stretcher or on paper in the studio: "These are works that I consider as exercises - experiments to progress. It is less important to paint on paper, I use Figueras from Canson. Although I try to have the same detachment when I paint on canvas. » Christian Arnould always starts with a first pass (thinly diluted with petrol) to cover the entire support. "I resonate in terms of mass. I wrinkle my eyes to evacuate the parasitic details. Thus, I come back with a second passage more impastoed by working on the right colors and the right values. I prefer a reading from afar. The subject must be understood at first glance: legibility, harmony of colors and strength in writing (the touch - the brushed). »
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Bonsoir Mr
Magnifique peinture et un grand merci pour vos explications qui permettent de comprendre votre d’approche et la réalisation de ce tableau.
Cordialement
Absolument magnifique.
Je suis tombé par hasard sur l’une de vos vidéos et j’ai adoré votre style.
Merci pour le partage.
Avec en plus des explications c'est top top...
Merci beaucoup pour votre partage. Je ne peins plus mais heureuse de suivre les différentes étapes. Belle réalisation. Ça parait simple et pourtant il y à derrière des heures de travail. Un agréable moment de détente. Belle soirée
Nice work. I like the way you painted the rocks in the foreground and building. Very nice composition!
Great, thank you so much…
bonjour j;adore vos peintures et votre maitrise , vous n'attendez pas que cela seche apres la couche d''impression?
Curious on your paints, brushes, materials etc.?
Hardware :
Oil painting: Christian Arnould prefers the Rembrandt and Sennelier brand for certain colors. On his palette we find his favorite colors: Titanium White - Cadmium Yellow - Yellow Ochre - Burnt Sienna - Burnt Umber - Vermilion Red - Magenta - Sennelier's Olive Green - Primary Blue and Dark Ultramarine Blue.
The brushes :
They are flat with long hairs pig bristle, the artist likes to use the Oléo brushes from Raphaël.
The mediums :
A Venetian medium strongly diluted with rectified turpentine.
The supports: linen canvas on stretcher or on paper in the studio: "These are works that I consider as exercises - experiments to progress. It is less important to paint on paper, I use Figueras from Canson. Although I try to have the same detachment when I paint on canvas. »
Christian Arnould always starts with a first pass (thinly diluted with petrol) to cover the entire support. "I resonate in terms of mass. I wrinkle my eyes to evacuate the parasitic details. Thus, I come back with a second passage more impastoed by working on the right colors and the right values. I prefer a reading from afar. The subject must be understood at first glance: legibility, harmony of colors and strength in writing (the touch - the brushed). »
@@elianedebard3746 Thanks! 👌🏼
Love 🏁🤌🏼