I've watched a few others review/demo this plug in. You're the only one that seems to know how to really dig in and make this sound like it was intended. Everyone else seems at a bit of a loss. I'm thinking it has to do with musical tastes and backgrounds, cause this is the most proper demo I've seen. Well done sir!
was so happy to see this cross over with stl and wes. wes is one of my favorite guitarists and musicians in general . DREW you fucking killed that demo
Something I didn't get and I hope someone can help me understand - STL has modelled the... live rig of Wes Borland... he uses when... touring Europe? First, is this assumption correct? Second, if correct, why not model his studio rig? Awesome demo, btw!
It’s a mix of the two, he used the selmer amp on chocolate starfish, but its not in his live rig at all. one of the cabinets was used on the unquestionable truth along with the vh4. his pedalboard is used live and in the studio as well.
Yes correct, in the US he uses an old Mesa 4x12/EVH 4x12 paired with an EVH 2x12, EVH Heads with the Diezel, for clean aswell the JC120, so it's not that different. Pedalboard and some Guitars they take over back and forth. He used too much different stuff over the years, especially in the studio but the constant, on almost all except the last one (even Black Light Burns and Eat The Day), where the Diezel (sometimes paired with other amps), the vintage Selmer Zodiac Twin and JC120. So you basically get the base of THE sounds. The Selmer Zodiac he used was an Mk1, the one in the plugin looks like and is probably modeled after an mk2, but I have no idea what the big difference there is. These are also too fragile to tour with...the JC120 meanwhile is built like a tank.
@@mesatokun I actually shot it for real on miniDV tape, but funny enough it still didn’t look as janky as I’d hoped so I added Davinci Resolve’s Analog Damage plugin on top of it
@@ItsDrewsif Thank you Drewsif, I really like the quality of your pictures and LUTs, and in general the way you approach things, especially thanks for Wes Borland, I think I’m on the same vibe with you), keep going on!!!
I've watched a few others review/demo this plug in. You're the only one that seems to know how to really dig in and make this sound like it was intended. Everyone else seems at a bit of a loss. I'm thinking it has to do with musical tastes and backgrounds, cause this is the most proper demo I've seen. Well done sir!
Yeah most people try to make just regular djent or something.
"You drinking enough water?"
Me - No
"Good"
Same here
Best demo of this by a mile!
was so happy to see this cross over with stl and wes. wes is one of my favorite guitarists and musicians in general . DREW you fucking killed that demo
IF ONLY WE COULD BUYYYY
Dude great video. STL needs to hire you for their videos. THANK YOU!
Just bought it. I'm so ready to BE the alien.
Thanks for making this video . The demo song was so damn good !
That demo was absolute fire. You da man! Nice Plugin as well.
Bruh STL gotta just hire you to produce in-house demos at this point, nobody does it like Drewsif
Well, I'm sold
You're an inspiration, man. Your song writing is phenomenal.
Such a sick demo
Awesome tutorial 🤘
I bought it the other day, and it is f***ing amazing.
Super sick!!!!
Stl is dope af. Sounds so good. 🤘
Killer demo track
The muff rules
Big Wezz
Something I didn't get and I hope someone can help me understand - STL has modelled the... live rig of Wes Borland... he uses when... touring Europe?
First, is this assumption correct? Second, if correct, why not model his studio rig?
Awesome demo, btw!
It’s a mix of the two, he used the selmer amp on chocolate starfish, but its not in his live rig at all. one of the cabinets was used on the unquestionable truth along with the vh4. his pedalboard is used live and in the studio as well.
Yes correct, in the US he uses an old Mesa 4x12/EVH 4x12 paired with an EVH 2x12, EVH Heads with the Diezel, for clean aswell the JC120, so it's not that different. Pedalboard and some Guitars they take over back and forth.
He used too much different stuff over the years, especially in the studio but the constant, on almost all except the last one (even Black Light Burns and Eat The Day), where the Diezel (sometimes paired with other amps), the vintage Selmer Zodiac Twin and JC120. So you basically get the base of THE sounds.
The Selmer Zodiac he used was an Mk1, the one in the plugin looks like and is probably modeled after an mk2, but I have no idea what the big difference there is. These are also too fragile to tour with...the JC120 meanwhile is built like a tank.
@@g.koch. @Sjur_sm57 Thanks guys. I appreciate the well-informed responses.
holy that actually sounds thick af.
any tips on a tubescreamer plugin?
Maybe I missed it, but what guitar is that. Looks kinda like a Conklin.
is that deadly serious in the background of the first minute
Wow u riff m sound nice bro new era new age metal... Can i get your stems for practicing mixing?
drink water ❤
fire mix and track as always but that plugin sounds like complete ass when solod. line 6 already have all of these features lol.
Somebody knows whats plugin makes this VHS ?
@@mesatokun I actually shot it for real on miniDV tape, but funny enough it still didn’t look as janky as I’d hoped so I added Davinci Resolve’s Analog Damage plugin on top of it
@@ItsDrewsif Thank you Drewsif, I really like the quality of your pictures and LUTs, and in general the way you approach things, especially thanks for Wes Borland, I think I’m on the same vibe with you), keep going on!!!
Every channel covers the same crap. Does anyone actually care about effing Wes Borland? No
Clearly every channel does care lmao