@@VisualEducationStudio hello there I am huge fan from New Orleans thanks for making this awesome video about budget light modifiers. Now I have but two questions what is the name brand of that umbrella and where can I purchase one or two of them for myself. Thanks in advance for any and all help. God bless you and your family.
@@bigdogpeck1874 To be honest I don't know what brand this is, just some cheapy we found online. It's not difficult to find, just search '160cm white reflective deep umbrella studio lighting'.
I actually expected that recommendation. The versatility of a deep reflective umbrella is really impressive. That being said for an amateur without a studio I guess the 160cm umbrella might be a bit big. I was kind of surprised by the actual size of my 125cm umbrella. And there's no way you'll be using that on location without an assistant who's preferably a bit on the heavier side or they'll Mary Poppins to the horizon. For some of the umbrellas you can get some diffusor covers making it somewhat of a large "octa box" (who moste of the time don't actually have 8 sides anymore - why does that name still stick?).
If you wanted to, you could try using black fabric to create strip lights with that. Cut some half circles and use velcro along the rim of the umbrella.
very informative Clip, Karl I own 2 deep umbrellas myself, a 125cm and a 180cm, both with silver interior and an extra diffusor. they deliver pleasing results on a relative small budget and transport footprint ... greetings from Berlin
To add, if someone has more money to spend but really wants to milk their money and stay on a tight budget, for about $500-600, one can get an 85/105/130/165cm in both silver and white, with diffusion covers, plus a two opaque shoot through umbrellas also. Add in variables in distance from the subject and you'd have an incredible array of both control and lighting options for a relatively small price. Throw in a couple of cheap, small hard light reflectors and you'll have a stellar array of kit.
"Stiffany" 😆 ...I think your professional work Is fucking splendid man. I appreciate the information. Have you tested the EZ Glow deep parabolic soft boxes? Im sure they're not true parabolic, but I'd love to see them under your microscope.
Karl's instructions are fantastic, and it looks like a lightweight wood frame. You can also use PCV pipe, and cut down a roll from Rosco scrim material of different stop thicknesses. But to get a full scoop on this, Karl's tutorials are a top source.
What do you think about 160 silver umbrella with diffusion sock? Harsh light for beauty shots with perfect skin models. And soft light with diffusion sock.
You can check Godox UB-165S. It is 165cm silver umbrella. They also sell the diffusor (DPU-165T) separately. This is my setup and I love the light coming from this big light source! It is pretty soft with a bit punchy. The diffusor makes the light totally soft.
Great (as always)! My go-to budget modifier is a 7 foot silver umbrella- with a diffuser 'sock' - it gives the option for a very large soft source or a punchier source with the sock off. Curious if you have ever done the Octa versus 7-foot with diffuser 'match-up??
Thank you Mr Taylor. I am a beginner, so how can we learn and practice if we cannot buy what you are showing? I am a huge fan of your channel, but I am afraid this video helped me buying the Octa-150 instead of the one you are « promoting »
@@Vadinaka most umbrellas in that price range will have a similar material. You can try Neewer, or Godox, or 10 others. I would worry about the frame structure more than the material, as the cheaper makes tent to poke through and eventually tear and slip down the frame. Godox is a litle better made in this regard. You can also get a Selens deep parabolic for pretty cheap.
Thank you Phil. Would have been easier to get the name from Mr Taylor. Please Mr Taylor, don’t get le wrong. I have enjoyed the video, and a fan of the channel.
@@Vadinaka No understood but we honestly don't know the brand, it's just one we found online, the stick part wasn't that great it bent fairly easily which was annoying but you could bend it back.
like another user commented, i'd be interested in your opinion on a silver umbrella plus diffusor sock - with the sock it should be rather comparable to the white umbrella, actually giving even softer light. without the sock it would give a bit more contrast for a different look in fashion shoots, thus aiding in versatility.
As usual, very useful video, Karl. At this moment I'm looking for the light modifier, and can't decide what to get. I was looking at foldable 130 octaboxes, but they take a lot of space and won't fit into my lighting bag, but an umbrella can. Best regards From Mother Russia
this is great was interested to see this as I had a 42 cm small reflective umbrella but was never satisfied and ended up with 2 larger shoot thru umbrellas which I prefer but are a little impracticle in the space I have. I use shoot thru as im using speedlites not big strobes and I put a diffuser on the speedlite to help spread the light - wonder if you might have any insight on this approach.
@Karl Taylor curious to hear your opinion on Raw editing software. I have been using Lightroom and was quite happy - but it was quite slow and the standalone version I purchased doesn't support my new camera. Therefore I'm also considering Capture One and see many reviews saying colour and overall features are better. Since I don't heavily use Photoshop, an all-in-one solution is appealing. Would love to hear your thoughts. Cheers
Hi Karl, my question is whether an AD200 would have enough power to fill out this large of a modifier without necessarily having to shoot at full power?
Why are you worried about it on full power? If it was on full power it would be one stop weaker than a 800 lamp that was turned down one stop or a 400 lamp on full power. That's the same as just turning the ISO up one stop.
@@VisualEducationStudio I'm still relatively new to lighting, and the reason I ask is due to concerns about refresh rates. I'd love to know if I can use very large modifiers with my AD200s, and if it's not an issue I'm more than happy to try them.
Hi Erik, you'd need to check out the specifications on the refresh rates but usually lower power lights refresh quickly. Check out the 'Lighting Theory' section on my site for a full run down on all aspects of lighting and technical considerations.
thank you for the effort and the sharing. i am an appreciative subscriber. what would be your pick if you DID NOT have the height (eight foot ceiling is all i ever have!) thoughts? stay well. thumbs up.
Hi thanks, Octabox 150 if that fits or if not 90x120 rectangular softbox. If you specifially want to do beauty shots then a beauty dish (70cm silver) or a Focus 110 umbrella.
In this space, mostly corporate head shots often on white/black/grey background with a bunch of speed lights so is a beauty dish preferred or do I just stay large and soft? Once again, I am very much a fan of your YT channel. Thumbs up. 👍🏼
Nice video Karl. To be honest I'm very satisfied with the octabox 150 that I didn't even bother thinking of buying the 160cm as some fellow photographers suggested me. It is indeed softer that the octabox, but for my work and the portrait I shoot, I find the differences kind of pointless to make that switch. Thanks for your advices though
Yes I actually prefer the extra bite of the Octabox 150 and it's easier to handle but this video was just to demonstrate options on a budget for photographers.
@@VisualEducationStudio Wouldn't silver reflective umbrella with a diffuser provide something more similar to 150 softbox in respect of the light quality? (yeah, I know the diffuser stretches the budget ;P ) I'm aware of the fact, that we are talking here about the modifiers within a specific price tag and reflective umbrellas are hard (or impossible) to beat in respect of versatility/price, but at the same time - what makes the umbrellas versatile (changing the position of a strobe in the umbrella), sometime makes it impossible to place the light as close to the subject/model, as I would with a softbox, as I get the rod in the frame :/ I do have 165 cm deep white reflective umbrella + diffuser (which - for the price - is an awesome modifier) and apart for that rod (in most cases it's not an issue) the only downside is the lack of a grid to limit the light spread (grid is way smaller and lighter than any v-flats or so, when you need to be mobile with the equipment). All in all - you hit the spot - if a budget is the deciding factor - go for the umbrella (as I did once ;) ). If you have the money - go for the octabox.
Actually if you had enough light power then the white one with a front diffuser would give a more homogenous result, a silver one would need another layer of internal diffusion to work as well and as homogenous as the Octabox 150. I'm not exactly sure how much the Octa is by comparison but I think it's worth the money for the space saving, ease of mobility, balance on a stand and as you mentioned easier to get closer to the subject.
1. When comparing the quality of light between a white umbrella and a silver umbrella of the same size, is the difference in the homogenous and soft quality of light in the former? 2. What are silver umbrellas good for? 3. Are umbrella modifiers generally suitable for automotive photography, or for shooting large objects like airplanes inside hangars?
Yes the former is the softer and more homogenous, silver ones are used more where you need greater contrast (fashion). You wouldn't use either for car or product photography. Visit my site in the link below the video to learn more about that.
I have a generic deep white umbrella in this size and appreciated the tips about adjusting the spread to get harder or softer light. One thing prospective buyers should know about these umbrellas is that (at least on the brand I bought) the ribs are fiberglass and it is possible to break them, especially if you have to carry your lighting gear around in a car boot (ask me how I know this) so handle them with care if you travel to locations with them...
Tnx Karl for your vids they are amazing and very useful I just both the parra 133 for my new studio because of your video and your recommendations Thanks a lot 🙏🏻
Hi, no it wouldn't be my choice as it's a bit on the small side which means you need to use if very close and then you have inverse square law contrast problems. If I had to choose only one softbox it would be the Octabox 150.
yes agrea Karl it comes down to understand light and how to juse it thank you to share all this i follow you for years learn alot from you about light it helpt many photographers all over the world gr8 work us alway's
Hi Peter, I don't know the brand I'm afraid just a cheap one we got online from one of the UK online photo stores. It's not Parabolic though it's just a deep umbrella. They may be marketed as 'Parabolic' but that wouldn't be accurate as only actual Parabolic reflectors can be considered parabolic.
Hi Karl, Thanks for sharing. after watching this video my question is I have broncolor fashion packs. I was looking at the broncolor 150 octabox as I do not have one all my other are soft boxes or strips. I also have a broncolor 150x150 square soft box its really deep. Will I gain any quality of light or control with the octabox?
You won't gain much difference in quality of light over your 150 square other than better catchlights in the eyes and easier handling. The Octa150 is a great all round workhorse and not too bulky.
To be honest I don't even know what brand this is, just some cheapy we found online. It's not difficult to find just search '160cm white reflective deep umbrella studio lighting'.
Hi Karl, when you have time are you up for a challenge:-)? I have an area in my kitchen which as a hobbyist, I'll be using for portrait shots... touchwood. The challenge is: This area is nothing more than an 8' foot cube! Could you please put together a RUclips video, showing just how you would approach this space issue. I'm looking to do all the classic portrait shots: Rembrandt, Paramount etc. Hope you can advise.
The free course is streaming only on our website, it may be available as a download elsewhere but we keep it as streaming because the other information on the pages are needed with the course. I'm sure you'll enjoy it but that is the Introduction to Photography course, the more advance knowledge to do with lighting is within our membership platform at just £14.
We don't do affiliate links or stuff like that as you can never really trust anyone who does. We like to stay independent and to be honest I don't even know what brand this is, just some cheapy we found online. It's not difficult to find just search '160cm white reflective deep umbrella studio lighting'.
When you run photography as a business you generally invest in more expensive equipment simply because it allows you to be more efficient or provide better results and make you more money. It is business after all.
@@VisualEducationStudio I still don't get the saying, "gear doesn't matter" When obviously it does but it obviously does. Either you struggle with low cost gear or upgrade to get better results.
In previous videos I've referred to 'gear not mattering' when it comes to cameras as any modern DSLR or mirrorless is capable of turning out great results. When it comes to lighting gear also matters but largely for efficiency as apart from Parabolic reflectors I can modify light myself through knowledge of lighting to create a similar result, it will just take much longer to do it. The results would be the same and as I've demonstrated in many other videos there is also so much can be done with one light if you know what you are doing.
@@VisualEducationStudio I think I've seen you illustrate that in a product photography video. It was beautiful you made your own modifier with just some slats of wood and wax paper, three or four light sources and a hand made funnel. The end result was ofc high quality.
Thank you for giving me some good information to deal with it properly rather than the price of the equipment. There is always a lot of photography study. Your photo channel is the best.
Love your work, you only scare me off sometimes when you say how much some of your equipment costs...I'm a big fan of the KISS method (Keep It Simple, Stupid) not just for cost, but for simplicity. I don't have a big studio or a big budget, yet.
![Tee Grizzley - Blow for Blow (feat. J. Cole) [Official Video]](http://i.ytimg.com/vi/wNLN5xsx5dc/mqdefault.jpg)
This channel is definitely one of the best photography channel here on youtube.
Appreciate that
Not one of. It's the best 😁😁
Totally agree
If you think this channel's good, you should check out what you get as a member on the Education site. It's insanely good value..
I agree one of the best channels on you tube
Great video. I am in. One thing, what brand is the 160 cm umbrella?
I'm glad to see the word "budget" on your channel 🙏🏼 thanks!
No worries!
@@VisualEducationStudio hello there I am huge fan from New Orleans thanks for making this awesome video about budget light modifiers. Now I have but two questions what is the name brand of that umbrella and where can I purchase one or two of them for myself. Thanks in advance for any and all help. God bless you and your family.
@@bigdogpeck1874 To be honest I don't know what brand this is, just some cheapy we found online. It's not difficult to find, just search '160cm white reflective deep umbrella studio lighting'.
I actually expected that recommendation. The versatility of a deep reflective umbrella is really impressive. That being said for an amateur without a studio I guess the 160cm umbrella might be a bit big. I was kind of surprised by the actual size of my 125cm umbrella. And there's no way you'll be using that on location without an assistant who's preferably a bit on the heavier side or they'll Mary Poppins to the horizon. For some of the umbrellas you can get some diffusor covers making it somewhat of a large "octa box" (who moste of the time don't actually have 8 sides anymore - why does that name still stick?).
We used a Para 222 in Iceland in a breeze and the assistant nearly flew away!
@@VisualEducationStudio hahahahahaah i cant stop imagining that.
@@VisualEducationStudio I can relate to your assistant but I was holding a 5x5 scrim at a pier on a very windy day. I was close to sailing away.
I think space is a very decisive factor with this kind of modifier, specially if you want some control over your backgrounds.
If you wanted to, you could try using black fabric to create strip lights with that. Cut some half circles and use velcro along the rim of the umbrella.
Great video! Maybe it's just me but what is the link/name/brand of the suggested umbrella?
very informative Clip, Karl
I own 2 deep umbrellas myself, a 125cm and a 180cm, both with silver interior and an extra diffusor.
they deliver pleasing results on a relative small budget and transport footprint ...
greetings from Berlin
Thanks Karsten.
To add, if someone has more money to spend but really wants to milk their money and stay on a tight budget, for about $500-600, one can get an 85/105/130/165cm in both silver and white, with diffusion covers, plus a two opaque shoot through umbrellas also. Add in variables in distance from the subject and you'd have an incredible array of both control and lighting options for a relatively small price. Throw in a couple of cheap, small hard light reflectors and you'll have a stellar array of kit.
"Stiffany" 😆 ...I think your professional work Is fucking splendid man. I appreciate the information. Have you tested the EZ Glow deep parabolic soft boxes? Im sure they're not true parabolic, but I'd love to see them under your microscope.
Great video Karl, I'd love to see a video on how you constructed your scrim.
Hi Hawg, that's all covered on our platform.
@@VisualEducationStudio Thank's :-)
Karl's instructions are fantastic, and it looks like a lightweight wood frame. You can also use PCV pipe, and cut down a roll from Rosco scrim material of different stop thicknesses. But to get a full scoop on this, Karl's tutorials are a top source.
What do you think about 160 silver umbrella with diffusion sock?
Harsh light for beauty shots with perfect skin models. And soft light with diffusion sock.
You can check Godox UB-165S. It is 165cm silver umbrella. They also sell the diffusor (DPU-165T) separately. This is my setup and I love the light coming from this big light source! It is pretty soft with a bit punchy. The diffusor makes the light totally soft.
Would you suggest a silver reflective umbrella for that size, given that it is such a large modifier, the light would have to be fairly powerful?
Great (as always)! My go-to budget modifier is a 7 foot silver umbrella- with a diffuser 'sock' - it gives the option for a very large soft source or a punchier source with the sock off. Curious if you have ever done the Octa versus 7-foot with diffuser 'match-up??
Thanks. I haven't but I'll keep it mind.
Good refresher course and something I did not know on changing the light. Thanks.
Did I miss the part where you give the brand name of the umbrella? I don’t see a link in the description
Hi Ajax, I'm afraid I don't know the brand, we don't do affiliate links to remain neutral.
Thank you Mr Taylor. I am a beginner, so how can we learn and practice if we cannot buy what you are showing? I am a huge fan of your channel, but I am afraid this video helped me buying the Octa-150 instead of the one you are « promoting »
@@Vadinaka most umbrellas in that price range will have a similar material. You can try Neewer, or Godox, or 10 others. I would worry about the frame structure more than the material, as the cheaper makes tent to poke through and eventually tear and slip down the frame. Godox is a litle better made in this regard. You can also get a Selens deep parabolic for pretty cheap.
Thank you Phil. Would have been easier to get the name from Mr Taylor. Please Mr Taylor, don’t get le wrong. I have enjoyed the video, and a fan of the channel.
@@Vadinaka No understood but we honestly don't know the brand, it's just one we found online, the stick part wasn't that great it bent fairly easily which was annoying but you could bend it back.
I just added 6 new softboxes & 2 century stands to my tool kit. I dont have a studio space but practice makes perfect :)
Absolutely
That's a Pixapro isn't it? I got the same. Their foldable beauty dishes are nice to pack on the go as well.
Stiffany didn’t have much personality, I wonder if Karl had a refund 😂
like another user commented, i'd be interested in your opinion on a silver umbrella plus diffusor sock - with the sock it should be rather comparable to the white umbrella, actually giving even softer light. without the sock it would give a bit more contrast for a different look in fashion shoots, thus aiding in versatility.
Godox 120cm octagon umbrella - 20 pounds
As always, thanks for doing all the work and allowing me/us to reap the benefits of YOUR labor(s) !!!
My pleasure!
Hello Karl and Team. Thank you for doing this and a lot of other videos with high value for us photographers. Greetings from Germany
Our pleasure!
Like the way you teach in an easy language, congrats
As always Karl, great video ...and for $20 or $30 you can get a diffuser sock to go over the large umbrella and effective turn it into a soft box.
absolutely
As usual, very useful video, Karl. At this moment I'm looking for the light modifier, and can't decide what to get. I was looking at foldable 130 octaboxes, but they take a lot of space and won't fit into my lighting bag, but an umbrella can.
Best regards
From Mother Russia
Thank you Mother Russia!
Did you just call your mannequin "Stiffany"???? 🤣🤣🤣
Yes that's what we named her several years ago! :)
Stiffany 🤣🤣🤣
She's a legend around here.
this is great was interested to see this as I had a 42 cm small reflective umbrella but was never satisfied and ended up with 2 larger shoot thru umbrellas which I prefer but are a little impracticle in the space I have. I use shoot thru as im using speedlites not big strobes and I put a diffuser on the speedlite to help spread the light - wonder if you might have any insight on this approach.
Shoot through works well if you get a good spread but often you get a 'hotspot' you also get more spill with a shoot through.
@Karl Taylor curious to hear your opinion on Raw editing software. I have been using Lightroom and was quite happy - but it was quite slow and the standalone version I purchased doesn't support my new camera. Therefore I'm also considering Capture One and see many reviews saying colour and overall features are better. Since I don't heavily use Photoshop, an all-in-one solution is appealing. Would love to hear your thoughts. Cheers
Hi, I find LR a bit clunky. I prefer Capture One, it's feature packed and the latest version is very good.
@@VisualEducationStudio thank you very much for your swift response - appreciate it.
❤❤❤❤❤❤❤❤❤🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
The manikin is very creepy, surely you can afford a model with real skin, or a wannabe model for free?
She's consistent which is good for testing.
Thumbs up as always.... but I am still jealous, I haven’t got Stiffany...😂
Ha ha. Amazon.
@@VisualEducationStudio thanks god you didn’t say Harmony...😎
what’s the difference between the white umbrella with no diffuser vs silver umbrella with a diffuser? I’m looking to buy but can’t decide.
If you're going to put a diffuser on it then you'd be better putting it on the white one as you would get a more homogenous result at the front.
@@VisualEducationStudio ok thank you for the prompt response! I will buy the white one. Love your channel!
Hi Karl, my question is whether an AD200 would have enough power to fill out this large of a modifier without necessarily having to shoot at full power?
Why are you worried about it on full power? If it was on full power it would be one stop weaker than a 800 lamp that was turned down one stop or a 400 lamp on full power. That's the same as just turning the ISO up one stop.
@@VisualEducationStudio I'm still relatively new to lighting, and the reason I ask is due to concerns about refresh rates. I'd love to know if I can use very large modifiers with my AD200s, and if it's not an issue I'm more than happy to try them.
Hi Erik, you'd need to check out the specifications on the refresh rates but usually lower power lights refresh quickly. Check out the 'Lighting Theory' section on my site for a full run down on all aspects of lighting and technical considerations.
thank you for the effort and the sharing. i am an appreciative subscriber. what would be your pick if you DID NOT have the height (eight foot ceiling is all i ever have!) thoughts? stay well. thumbs up.
Hi thanks, Octabox 150 if that fits or if not 90x120 rectangular softbox. If you specifially want to do beauty shots then a beauty dish (70cm silver) or a Focus 110 umbrella.
In this space, mostly corporate head shots often on white/black/grey background with a bunch of speed lights so is a beauty dish preferred or do I just stay large and soft? Once again, I am very much a fan of your YT channel. Thumbs up. 👍🏼
If it's corporate head shots stay large and soft - take a look at our Portrait section on our platform too.
Broncolor Para 222 is the best thing in the world but it's 3/4 my photography equipment🥲😂
Oh. And if you install a dish in front of the light bulb, it will accentuate the parabolic effect even more
Do you have any information to 160cm reflector umbrella?
Hi I'm afraid not. It's just a white 160cm deep umbrella.
Which produces more light shoot through umbrella or reflective umbrella or a softbox?
Great Video!
Nice video Karl. To be honest I'm very satisfied with the octabox 150 that I didn't even bother thinking of buying the 160cm as some fellow photographers suggested me. It is indeed softer that the octabox, but for my work and the portrait I shoot, I find the differences kind of pointless to make that switch. Thanks for your advices though
Yes I actually prefer the extra bite of the Octabox 150 and it's easier to handle but this video was just to demonstrate options on a budget for photographers.
@@VisualEducationStudio Wouldn't silver reflective umbrella with a diffuser provide something more similar to 150 softbox in respect of the light quality? (yeah, I know the diffuser stretches the budget ;P )
I'm aware of the fact, that we are talking here about the modifiers within a specific price tag and reflective umbrellas are hard (or impossible) to beat in respect of versatility/price, but at the same time - what makes the umbrellas versatile (changing the position of a strobe in the umbrella), sometime makes it impossible to place the light as close to the subject/model, as I would with a softbox, as I get the rod in the frame :/
I do have 165 cm deep white reflective umbrella + diffuser (which - for the price - is an awesome modifier) and apart for that rod (in most cases it's not an issue) the only downside is the lack of a grid to limit the light spread (grid is way smaller and lighter than any v-flats or so, when you need to be mobile with the equipment).
All in all - you hit the spot - if a budget is the deciding factor - go for the umbrella (as I did once ;) ). If you have the money - go for the octabox.
Actually if you had enough light power then the white one with a front diffuser would give a more homogenous result, a silver one would need another layer of internal diffusion to work as well and as homogenous as the Octabox 150. I'm not exactly sure how much the Octa is by comparison but I think it's worth the money for the space saving, ease of mobility, balance on a stand and as you mentioned easier to get closer to the subject.
Thank you for reviewing budget-friendly options as well :)
Thank Karl for the insights. It takes a lot of effort to create and share such information. Much appreciated!!
Just found your channel Karl and i am so grateful. Learning so much from your detail analysis in every video.
"Stiffany..."
I can't breathe.
Stiffany? 😂
She rules!
I caught that too 😂😂
STIFfany, that mde my day thanks for the video.
🙏🏾
Love to see you trying godox lights tooas they are cheap for beginners and hobbyist
I'll be recommending this channel to everyone.. definitely huge data to learn precisely.. loved it already..
Thank u Karl..😇👍👍🙏
Cheers.
1. When comparing the quality of light between a white umbrella and a silver umbrella of the same size, is the difference in the homogenous and soft quality of light in the former? 2. What are silver umbrellas good for? 3. Are umbrella modifiers generally suitable for automotive photography, or for shooting large objects like airplanes inside hangars?
Yes the former is the softer and more homogenous, silver ones are used more where you need greater contrast (fashion). You wouldn't use either for car or product photography. Visit my site in the link below the video to learn more about that.
I have a generic deep white umbrella in this size and appreciated the tips about adjusting the spread to get harder or softer light. One thing prospective buyers should know about these umbrellas is that (at least on the brand I bought) the ribs are fiberglass and it is possible to break them, especially if you have to carry your lighting gear around in a car boot (ask me how I know this) so handle them with care if you travel to locations with them...
Thanks for the info JL.
Great video as always, recently got the Elinchrom 105cm Deep Umbrella Portrait Kit (inc. silver and translucent) for £115
Sounds like a good deal.
this is the first my subscribed, love your works totally productive , not like others westing time , appreciate :))
Thanks and welcome
Stiffany. I lol'd
She's a legend.
Tnx Karl for your vids they are amazing and very useful
I just both the parra 133 for my new studio because of your video and your recommendations
Thanks a lot 🙏🏻
Great to hear, I'm sure you'll love it.
sir, how about 80cm octabox? does it good for portrait and food photography for general?
Hi, no it wouldn't be my choice as it's a bit on the small side which means you need to use if very close and then you have inverse square law contrast problems. If I had to choose only one softbox it would be the Octabox 150.
yes agrea Karl it comes down to understand light and how to juse it
thank you to share all this i follow you for years learn alot from you about light
it helpt many photographers all over the world gr8 work us alway's
Thanks Rene.
Awesome! Thank you! Hi from Ecuador
Welcome!
'Stiffany'... Hilarious...
Hi Karl what brand was that parabolic deep white 160cm
Hi Peter, I don't know the brand I'm afraid just a cheap one we got online from one of the UK online photo stores. It's not Parabolic though it's just a deep umbrella. They may be marketed as 'Parabolic' but that wouldn't be accurate as only actual Parabolic reflectors can be considered parabolic.
What would be the case if we had used the umbrella with silver inner, instead of white?
less homogenous
Thanks Karl. For this huge Channel and content and didactic.
My pleasure!
Lol at "Stiffany" better than Plastiqua :)
She rules!
Great and helpful
❤️ thanks so much very helpful...
Glad it was helpful!
Good class.
Thank you
Hi Karl, Thanks for sharing. after watching this video my question is I have broncolor fashion packs. I was looking at the broncolor 150 octabox as I do not have one all my other are soft boxes or strips. I also have a broncolor 150x150 square soft box its really deep. Will I gain any quality of light or control with the octabox?
You won't gain much difference in quality of light over your 150 square other than better catchlights in the eyes and easier handling. The Octa150 is a great all round workhorse and not too bulky.
@@VisualEducationStudio Thank you Sir.
Stiff-Annie! Hahaha!!
Who's the umbrella made by? Where do we find it?
To be honest I don't even know what brand this is, just some cheapy we found online. It's not difficult to find just search '160cm white reflective deep umbrella studio lighting'.
Great video and content as always. Thanks again Karl,
Glad you enjoyed it
Brilliant to see videos like this for those of us without bottomless wallets :)
Glad you enjoyed!
Brilliant! Karl knows his audience.
Ha ha actually our audience is a mix from low end to top end so we cover it all.
Hi Karl, when you have time are you up for a challenge:-)? I have an area in my kitchen which as a hobbyist, I'll be using for portrait shots... touchwood. The challenge is: This area is nothing more than an 8' foot cube! Could you please put together a RUclips video, showing just how you would approach this space issue. I'm looking to do all the classic portrait shots: Rembrandt, Paramount etc. Hope you can advise.
Hi Paul, that's covered on Karl Taylor Education site.
@@VisualEducationStudio just downloaded the free one this morning. I'll have a look. Space or the lack off, for hobbyists, is a ballache.
The free course is streaming only on our website, it may be available as a download elsewhere but we keep it as streaming because the other information on the pages are needed with the course. I'm sure you'll enjoy it but that is the Introduction to Photography course, the more advance knowledge to do with lighting is within our membership platform at just £14.
Very informative. The simplest is always the best and it just works. =)
Often the simplest is best but my favourite beauty modifier is the Para133, it is the best and it's not simple! :)
@@VisualEducationStudio That is oversimplified for Para133. =)
Product links would be nice tho ... hehehe
We don't do affiliate links or stuff like that as you can never really trust anyone who does. We like to stay independent and to be honest I don't even know what brand this is, just some cheapy we found online. It's not difficult to find just search '160cm white reflective deep umbrella studio lighting'.
That rod on the umbrella got BENT!
Yes it was crap
Fantastic information as always thanks you
Cheers.
What if your budget was really tight?
Elitist photographers: if you were successful you would "invest" in trustworthy equipment. 😒😒
When you run photography as a business you generally invest in more expensive equipment simply because it allows you to be more efficient or provide better results and make you more money. It is business after all.
@@VisualEducationStudio I still don't get the saying, "gear doesn't matter" When obviously it does but it obviously does. Either you struggle with low cost gear or upgrade to get better results.
In previous videos I've referred to 'gear not mattering' when it comes to cameras as any modern DSLR or mirrorless is capable of turning out great results. When it comes to lighting gear also matters but largely for efficiency as apart from Parabolic reflectors I can modify light myself through knowledge of lighting to create a similar result, it will just take much longer to do it. The results would be the same and as I've demonstrated in many other videos there is also so much can be done with one light if you know what you are doing.
@@VisualEducationStudio I think I've seen you illustrate that in a product photography video. It was beautiful you made your own modifier with just some slats of wood and wax paper, three or four light sources and a hand made funnel. The end result was ofc high quality.
@Karl great wideo like usually 😊
Thanks 👍
Thank you great info
Very welcome
best youtube channel
Thanks
Thank you for this.
My pleasure!
Thank you!
You're welcome!
Nice work.
Thanks!
Thank you for giving me some good information to deal with it properly rather than the price of the equipment. There is always a lot of photography study.
Your photo channel is the best.
Glad it was helpful!
Love your work, you only scare me off sometimes when you say how much some of your equipment costs...I'm a big fan of the KISS method (Keep It Simple, Stupid) not just for cost, but for simplicity. I don't have a big studio or a big budget, yet.
Thanks for your comments.