Neo Soul Guitar Backing Track in Em (Just the Two of Us)

Neo Soul Guitar Backing Track in Em (Just the Two of Us Style) (SJT-019)
■Download Tracks → patreon.com/SamuraiJamTracks?...
If you want to use this song in your videos (youtube, instagram, etc.), you can download it on my Patreon page. (It will be used to pay for the operation of my channel).
You may use it any way you like after purchase, but please do not use it for commercial purposes.
(Also, it would be helpful if you could mention @SamuraiJamTracks in the summary section of your video!)
■Follow SJT on SNS
/ samurai_jam_tracks
/ samuraijamtrack
■ About the Channel
Hello.
This video is a backing track I made for guitar improvisation.
Please use it for your guitar practice.
I made this backing track with the aim of making it more realistic, for example, by daring to make the rhythm stagger.
I am sure you will be able to transition to the actual jamming without any discomfort.
If you like this video, please click the subscribe and like buttons!
I hope you'll write me a comment too.
■ COPYRIGHT
©All music, composition & video posted to this channel is created by and belongs exclusively to Samurai Jam Tracks.
■ Email
[e-mail]

[@CARLOLAEZZA]

Greetings to the author of this very nice very unique backing track I really like it I wanted a suggestion for improvisation when it passes the Don Major Seven chord it would be interesting to insert an E minor triad when it then passes the B seventh chord with the thirteenth flat we can use an E major chord when we then go to the E minor seventh we can use the B minor seventh while when there is then the transition to the D Minor seventh and the G seventh we can use a legato phrasing to create a melodic link what do you think ?

[@SamuraiJamTracks]

Thank you for your interesting comments.
Yes, I too feel that all the approaches you mention are valid.
Playing Em7 over Cmaj7 would result in playing Cmaj9, wouldn't it? This approach is called superimposing.
It is also interesting to interpret the B7 chord as a chord that progresses to E Major.
It is essentially a momentary modulation, so most people play the Em scale.
If it is jazz, you play the E harmonic minor scale.
Dm7-G7 is a progression called Two Five, so it is interesting to play the G Altered or Diminished scale to create a weird atmosphere.🎸🔥🔥🔥

[@DMTaber]

This jam is PLAYED OUT come uo with something original for god's sake.

[@SamuraiJamTracks]

Haha! I honestly think so too.
But I also thought I had to make one.
That's how many people are attracted to this chord progression.
Thanks for your comment!