So interesting I can get knowledge by u I m flute player so I get help by u I have not enough words to express thank u heartly ❤ since 3 years I listen u mam.. congratulations to u for this channel
Another gem lesson in your series to understand the minor nuances of ragas like Kedar, Hameer, Nand etc which demand careful use of Kalyan and Bilawal thaat combinations of G, m, M, P, R D.
BHaut acha smjaya ma'am 🙏♥️
Excellent lesson!!
Perfection of ofAroho&abroha is good .
So interesting I can get knowledge by u I m flute player so I get help by u I have not enough words to express thank u heartly ❤ since 3 years I listen u mam.. congratulations to u for this channel
Nice. Please upload Kafi kanhra & Pahadi
A master class of Kamod. Too good
Another gem lesson in your series to understand the minor nuances of ragas like Kedar, Hameer, Nand etc which demand careful use of Kalyan and Bilawal thaat combinations of G, m, M, P, R D.
Thank you so much yeh bohot zaruri tha thankyou
THANKS FOR EXPLAING ALL HIDDEN NUANCES VERY USEFULL FOR ALL. THANK YOU MADAM
Thank you so much 🙏
🙏🙏
ধন্যবাদ মেডাম
🙏
Very nice,please do tutorial on tilak kamod and raag pilu
I don't sing them as khayal
Pranam Ma'am 🙏 Can we use ma' pa dha pa sa besides ma' pa ni dha sa
Didi kamoder... Char de mora ancrhra ei bandish ta jodi sikhiye den.. 🙏
আশা করি আপনি শুনেছেন দুটো নজরুলগীতি 'দোলা লাগিল দখিনার বনে বনে ', আর একটা 'শুন্য এ বুকে পাখী মোর আয়'
@@AshokKar-x2j na
এই দুটো গান কামোদ রাগের উপর