I love Mendelssohn's youthful work. It has a tremendous, joyous energy about it that I don't think he fully maintained as he got older. Of course, Mendelssohn near the end of his life produced such masterpieces as the Sixth String Quartet -- eschewing all pretenses of even trying to be happy -- but my favorite pieces by Mendelssohn generally come earlier in his life.
Felix Mendelssohn’s seventh symphony closely follows the sixth, although the initial Allegro is more contained. It is a song of immense grace and delicacy that only a genius could composed. The Andante that follows is slower and more reflective but with a sublime harmony that deeply delights us when we hear it. Menuetto is more impulsive but with an amazing musical structure that wonder us when we hear it. The symphony ends with an irresistible Alegro Molto that is a logical consequence of previous movements. Thanks for this magnificent recording with music by this admirable composer from the Romantic period.
@@erronblack5015 Thankyou From A corner of Tokyo 🥋🍣💮🌸👘👺🎑⛩️🐮🎏🍡🥢🍓🍚🎍🎴🌊🍙🏹🏹🏯🐝🍥🎋👹🌾🍄🍜🍢🍱🍇🎎🎌🇯🇵 These Emoji絵文字 are things unique to Japan 🍱is bentou 🍜is Raamen拉麺🐮is Japanese beef,Wagyuu和牛肉 From ecpensive price to cheap price From 100g, 1000 Japanese Yen円to 100g, 100000Japanese yen日本円 👹is Namahage 🍇is Japanese famous delicious sweet grape Kyohou巨峰
This one is a big improvement over the first 6. much more direct, and good consistent use of motifs. Felix learned fast! Also of note, the nice effects with the pizzicatos and the sustained notes, first in the basses and cellos and then in the violins. Very good! Along with #10 in b minor this is the best of the 13 string symphonies in my opinion.
Its interesting to see how well Mendelssohn knew Bachs composing technique already. He admired him all his lifetime long (as almost all composers did :D). Mendelssohn had his unique style though. A true german hero and at the same time a cosmopolitan and modern spirit.
I love the Trio part! It's like Mendelssohn trying to be Beethoven, because it reminds me so much of the Scherzo of the 9th Symphony... Although this was composed at the same time, maybe a little before than the 9th one. So it may be a common aesthetic for both.
Indeed beautiful music but - ads in the middle of a movement, in the middle of a phrase, in the middle of a note?? You have to be kidding. Give it a miss guys unless you love hearing about the latest SUV in the middle of a note.
@@SPscorevideos They probably noticed but didn't care to comment because it's not something someone normally would take the time to write a comment about.
@@arionthedeer7372 Also "It's a tone lower!!1!!" is a comment that take time to write about, but this doesn't seem to stop people with absolute pitch from commenting every Baroque video. :D
🎶 LIKE and SUBSCRIBE for more score videos! → ruclips.net/user/StefanoPaparozzi 🎶 SUBSCRIBE to my PATREON! → patreon.com/stefanopaparozzi I. Allegro [00:00] II. Andante [5:29] III. Menuetto [11:03] - Trio [13:08] III. Allegro molto [14:51]
Look at bars 208-211 at 5:05-5:09. Then compare it to Mozart Symphony No. 40 bars 281-284. You can find it at ruclips.net/video/BfcXoB9y4rc/видео.html 5:31-5:37. You'll immediately notice the stealing.
@@SPscorevideos Harmonies the exact same just transposed. (That's what we call stealing. Stravinsky once said that "good composers borrow, great composers steal.") Stealing is the sense of transforming some rhythm or harmonic progression into their own, which I would say Mendelssohn did well here. (To be fair he was 13 yes)
@@ianlin2189 Of course the harmony is the same, it's a progression, existing well before Mozart. It's just too less material to make a solid hypothesis of derivation or inspiration. ;)
I love Mendelssohn's youthful work. It has a tremendous, joyous energy about it that I don't think he fully maintained as he got older.
Of course, Mendelssohn near the end of his life produced such masterpieces as the Sixth String Quartet -- eschewing all pretenses of even trying to be happy -- but my favorite pieces by Mendelssohn generally come earlier in his life.
Felix Mendelssohn’s seventh symphony closely follows the sixth, although the initial Allegro is more contained. It is a song of immense grace and delicacy that only a genius could composed. The Andante that follows is slower and more reflective but with a sublime harmony that deeply delights us when we hear it. Menuetto is more impulsive but with an amazing musical structure that wonder us when we hear it. The symphony ends with an irresistible Alegro Molto that is a logical consequence of previous movements. Thanks for this magnificent recording with music by this admirable composer from the Romantic period.
No.7 clears my mind and soothes my soul
Thanks to that 13 year old kiddo
@@erronblack5015
Thankyou
From
A corner of Tokyo
🥋🍣💮🌸👘👺🎑⛩️🐮🎏🍡🥢🍓🍚🎍🎴🌊🍙🏹🏹🏯🐝🍥🎋👹🌾🍄🍜🍢🍱🍇🎎🎌🇯🇵
These Emoji絵文字 are things unique to Japan
🍱is bentou
🍜is Raamen拉麺🐮is Japanese beef,Wagyuu和牛肉
From ecpensive price to cheap price
From 100g, 1000 Japanese Yen円to 100g, 100000Japanese yen日本円
👹is Namahage
🍇is Japanese famous delicious sweet grape Kyohou巨峰
@@shin-i-chikozima thanks buddy for making it noticable
This is so much Bach, but in an very positive way!!! Beautifuel
And Mozart Too! 1st movement over the others! Counterpoint in 4th one is amazing
What do you mean "'but' in a positive way"? That was implied, since you said it was Bach-y
@@T4TheTidePodMaybe one could argue that it’s not very original
@@Crew7340 That's true, but being able to perfectly replicate Bach is definitely a good thing
Fun fact: he wrote this when he was 12
You mean 13, but still very young
OMG!!! He was a prodigy
A true ling ling who practices 40 hrs a day
This one is a big improvement over the first 6. much more direct, and good consistent use of motifs. Felix learned fast! Also of note, the nice effects with the pizzicatos and the sustained notes, first in the basses and cellos and then in the violins. Very good! Along with #10 in b minor this is the best of the 13 string symphonies in my opinion.
The andante is simply beautiful.
Its interesting to see how well Mendelssohn knew Bachs composing technique already. He admired him all his lifetime long (as almost all composers did :D).
Mendelssohn had his unique style though. A true german hero and at the same time a cosmopolitan and modern spirit.
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I love the Trio part! It's like Mendelssohn trying to be Beethoven, because it reminds me so much of the Scherzo of the 9th Symphony... Although this was composed at the same time, maybe a little before than the 9th one. So it may be a common aesthetic for both.
Especially the trio it's so similar.
This is so great! Doing this for all region and this recording helps a ton
I loved it!
For anyone doing Clovis East auditions in Spring 2023
4:53
Thanks!
18:45 - 19:47
I have to assume this is too fast, no?
13:08 Trio
I HAVE TO DO AN EXERPT FROM THIS PIECE FOR A YOUTH ORCHESTRA AUDITION :( IM GONNA CRY ITS SO FAST
1:30
My practice :)
I feel that Mendelssohn is better than Beethoven and Mozart in the Strings works
Hell nahhh
Indeed beautiful music but - ads in the middle of a movement, in the middle of a phrase, in the middle of a note?? You have to be kidding. Give it a miss guys unless you love hearing about the latest SUV in the middle of a note.
Ad Block- it’s really worth it!
sounds like baroque
Sounds like vivaldi
@@comradekao8783 yes you right👌👌👏👏
3:34 just before m126
So hard 😂
Should probably re-number movement IV to "IV", rather than "III" twice over.
And no one ever noticed that after 16 months and 20,000 views... :D Thanks!
@@SPscorevideos They probably noticed but didn't care to comment because it's not something someone normally would take the time to write a comment about.
@@arionthedeer7372 Also "It's a tone lower!!1!!" is a comment that take time to write about, but this doesn't seem to stop people with absolute pitch from commenting every Baroque video. :D
3:14
16:23
18:44 gmea all state 11/12
18:45
0:02
0:01
2:35
🎶 LIKE and SUBSCRIBE for more score videos! → ruclips.net/user/StefanoPaparozzi
🎶 SUBSCRIBE to my PATREON! → patreon.com/stefanopaparozzi
I. Allegro [00:00]
II. Andante [5:29]
III. Menuetto [11:03] - Trio [13:08]
III. Allegro molto [14:51]
Look at bars 208-211 at 5:05-5:09. Then compare it to Mozart Symphony No. 40 bars 281-284. You can find it at ruclips.net/video/BfcXoB9y4rc/видео.html 5:31-5:37. You'll immediately notice the stealing.
Stealing? A simple chromatic ascension in a composition by a 13 years old composer? :)
@@SPscorevideos Haha, so true. The only thing they have in common is they are going up by a semitone each time. It isn't stealing at all.
@@SPscorevideos Harmonies the exact same just transposed. (That's what we call stealing. Stravinsky once said that "good composers borrow, great composers steal.") Stealing is the sense of transforming some rhythm or harmonic progression into their own, which I would say Mendelssohn did well here. (To be fair he was 13 yes)
@@ianlin2189 Of course the harmony is the same, it's a progression, existing well before Mozart. It's just too less material to make a solid hypothesis of derivation or inspiration. ;)
2:40
3:18
4:40