Please , I'm a pretty good piano player who has played pieces like this. This arrangement inspires me to play again, but I'm not savvi computer wise. Please give me some advice to download this Hava Nagila arrangement from UTube. Thanks , so much.
Is this all it is to print your great music? I am wondering why you are so generous when you could be charging a lot of money for you printed books of music or sheet music. I thank you so much for allowing me to share your great talent.
6 лет назад
I'm just a self-taught amateur. Let the professionals do business with their academic knowledge.
You said that this Hava Nagila was contain 4 flats, but you play like 5 flats . Why don't you write in your partition 5 flats?
6 лет назад+1
The song is not a western scale, but a Hebrew scale. The best way to approach this scale is to use an unconventional clef. I don't know how this piece is currently written in musical notation. I took it out of my ear and it seemed like the best solution. Something interesting is that it forces you to think that something can be written in a non-traditional way and that clefs are not unbreakable shackles, as is taught in conservatories. There are thousands of possible scales that are used in different parts of the world. Western musical grammar cannot account for all the possibilities without being forced to reformulate or expand.
edgar ordóñez so that means that you play the "F" of this Ab,but use the relative minor .
6 лет назад
It makes no sense to use A flat on the clef if in fact it will always sound A natural. The characteristic sonority of this scale is the second augmented sound between G-flat and A-natural. The clef I propose leaves the A-natural, as it always sounds. The principle that justifies the clefs is to avoid to the maximum the alteration of the notes with accidental sharps and flats. I'm just trying to follow that principle.
6 лет назад
Excuse my clumsiness with the English. It's not my mother tongue.
![TRASH or PASS! Eminem ( Houdini ) [REACTION!!!]](http://i.ytimg.com/vi/cB1WrZcMwMc/mqdefault.jpg)
Wonderfully done! An excellent rendition of this piece.
Really NICE WORK!!
Fantastic arrangement!!
Wooooow. Beautiful. Thank you !
this is just incredible! Fantastic arrangement! any chance to get the sheet?
WOW, VERY NICE WORK!
thanks, Вова Ефименко
Where can I get the music sheet? It is a great arrangement. Thanks for post it!
from the screen
@@flance911 I tried this. Screen shots. Printing. It took forever. I want a proper copy of this music
Please , I'm a pretty good piano player who has played pieces like this. This arrangement inspires me to play again, but I'm not savvi computer wise. Please give me some advice to download this Hava Nagila arrangement from UTube. Thanks , so much.
What's your email?
edgar ordóñez , jcd626@gmail.com
jcd626@gmail.com
Is this all it is to print your great music? I am wondering why you are so generous when you could be charging a lot of money for you printed books of music or sheet music. I thank you so much for allowing me to share your great talent.
I'm just a self-taught amateur. Let the professionals do business with their academic knowledge.
spanish version?)
Colombian version.
You said that this Hava Nagila was contain 4 flats, but you play like 5 flats . Why don't you write in your partition 5 flats?
The song is not a western scale, but a Hebrew scale. The best way to approach this scale is to use an unconventional clef. I don't know how this piece is currently written in musical notation. I took it out of my ear and it seemed like the best solution. Something interesting is that it forces you to think that something can be written in a non-traditional way and that clefs are not unbreakable shackles, as is taught in conservatories.
There are thousands of possible scales that are used in different parts of the world. Western musical grammar cannot account for all the possibilities without being forced to reformulate or expand.
edgar ordóñez so that means that you play the "F" of this Ab,but use the relative minor .
It makes no sense to use A flat on the clef if in fact it will always sound A natural. The characteristic sonority of this scale is the second augmented sound between G-flat and A-natural. The clef I propose leaves the A-natural, as it always sounds. The principle that justifies the clefs is to avoid to the maximum the alteration of the notes with accidental sharps and flats. I'm just trying to follow that principle.
Excuse my clumsiness with the English. It's not my mother tongue.
edgar ordóñez no, your English is better than me , really!