Spannende live Aufführung dieser perfekt komponierten Klaviersonate im gut phrasierten Tempo mit kräftigem Anschlag und völlig effektiver Dynamik. Einfach atemberaubend!
All three Brahms sonatas burst at the seams with so many brilliantly original ideas, you'd think they were sets of pieces and not sonatas. This is not to say they are incoherent - quite the opposite! All three, especially the second, have a masterful unity about them that belies Brahms' youth. However, this unity often goes underappreciated in most performances. Richter senses this opportunity for unity in the face of thematic complexity (has he ever failed in this regard?) and brings listeners the presence of one indomitable, fiercely-burning whole. What a shame he never recorded the 5 movement iceberg that is the third sonata...
Right. The effect is unified, though they seem segmented. Excellent, insightful observations - refreshingly so given that this forum is so overpopulated with nonsensical commentary. Fantastic performance. J Katchen gets my #1 ballot, but then this is the first time I've heard the S Richter interpretation of this work (letting it sink in;-)
such an underrated Brahms work
Spannende live Aufführung dieser perfekt komponierten Klaviersonate im gut phrasierten Tempo mit kräftigem Anschlag und völlig effektiver Dynamik. Einfach atemberaubend!
I have heard Richter live with this Sonata in the year 1985, it was breathtaking indeed!
Surely you mean 1986 since Richter never played it in 1985.But still:you are lucky to have witnessed that event!
Good for yourself!
Hallucinant...
Tank you very much so beautiful richter so great pianist, merci beaucoup pour le partage c'est très beau
All three Brahms sonatas burst at the seams with so many brilliantly original ideas, you'd think they were sets of pieces and not sonatas. This is not to say they are incoherent - quite the opposite! All three, especially the second, have a masterful unity about them that belies Brahms' youth. However, this unity often goes underappreciated in most performances. Richter senses this opportunity for unity in the face of thematic complexity (has he ever failed in this regard?) and brings listeners the presence of one indomitable, fiercely-burning whole. What a shame he never recorded the 5 movement iceberg that is the third sonata...
Right. The effect is unified, though they seem segmented. Excellent, insightful observations - refreshingly so given that this forum is so overpopulated with nonsensical commentary. Fantastic performance. J Katchen gets my #1 ballot, but then this is the first time I've heard the S Richter interpretation of this work (letting it sink in;-)
So brilliant rendition ~
Kao uragan... moje božanstvo Richter!
Stunning! Thanks for posting this gem! (and Happy anniversay to Slava!)
He'd 40y.o.! He liked to repite Music, loved him, 🎶🎵 in 30-40 years!
動人的演奏，出色的錄音 !
Oh I see this from 1959 eleven months after the famous Sofia Recordings.
2nd movement at 5:30
12:39
1. Movement reminds me of lizst Dante sonata.
This is true. Me too ...
渋沢栄一