At 3:19 is one of the most fascinating and elegant chords I know of [Hoping, I have not missed a note]. Within a Barbershop context, this chord can actually be argued to be one of the (formerly) 12 "contestable" chords: A9 The non-barbershop-like sound lies in the uncommon ordering of the notes - least important comes lowest, most important comes highest (pitch-wise): 7b-2-5-1-3 Depending on whether you put the bass note one octave down (as Rasmus did) or not, you can hear the high A as the root of a dominant nine chord or you hear the G as the root of a beautiful lydian 1-3-6-2-4# It's so awesome!!
Beautiful performance. You guys are amazing
This is absolutely remarkable.
At 3:19 is one of the most fascinating and elegant chords I know of [Hoping, I have not missed a note].
Within a Barbershop context, this chord can actually be argued to be one of the (formerly) 12 "contestable" chords: A9
The non-barbershop-like sound lies in the uncommon ordering of the notes - least important comes lowest, most important comes highest (pitch-wise): 7b-2-5-1-3
Depending on whether you put the bass note one octave down (as Rasmus did) or not, you can hear the high A as the root of a dominant nine chord or you hear the G as the root of a beautiful lydian 1-3-6-2-4#
It's so awesome!!
Absolutely wonderful, but why are some of the audience not clapping? It deserves to be appreciated.