📚 Learning Recommendation: amzn.to/3X95qwx The Cannonball Adderley Omnibook is my top pick for mastering Cannonball Adderley’s incredible solos. A must-have for any serious jazz musician!
@@OliverWolfe I already have it. Bought it about a year ago. To be honest, I have barely opened it. I have too many books. You know the best way to become a master? Listen and transcribe on your own. You don't even have to write the solos down actually just practice until you can play it from memory. I assume you are getting some sort of percentage if someone clicks on this link and buys the book.
So good. Cannonball is my favorite saxophone player of all time, and I just love how easily you can hear that influence in Patrick's playing yet how fresh and unique his ideas are!
I'm not sure if you're aware of this but Cannonball Adderley actually was briefly the band director of Dillard high School in Broward county Florida. Many years later guess who went to Dillard high School, Patrick Bartley.
It’s amazing that as a high schooler, I would’ve been like, even if I miss the changes, just don’t play an F natural, and I’m good. And then those are the best notes of his solo 😂
@@OliverWolfe The tragedy with that though is it doesn't always help with more modern styles. Like I've been trying to find ways to solo over more triad-based tonal progressions and while bebop can help sometimes, I'm really better off looking elsewhere.
At the last chorus these are the right chords on the chart? I dont get these extra G maj parts, is it coming from the tune, or its some "inside joke" from the scene, what i dont know? Thanks for the transcript anyway 🙏
Some changes are wrong: before the last chorus, you have written only 6 bars of the Gmaj7(#11) bridge instead of 8, so the changes for the last chorus are all written 2 bars early.
@@tioliak Are you sure you have the right timestamp? The "lick" is scale degrees 1-2-3-4-2-7-1 in minor mode, and that is nowhere to be found where you timestamped.
No one will ever be quite like Cannonball but if I were to listen to this recording blind without knowing who played it, I would assume Cannonball somehow came back to life to rip a few choruses.
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📚 Learning Recommendation: amzn.to/3X95qwx
The Cannonball Adderley Omnibook is my top pick for mastering Cannonball Adderley’s incredible solos. A must-have for any serious jazz musician!
@@OliverWolfe I already have it. Bought it about a year ago. To be honest, I have barely opened it. I have too many books. You know the best way to become a master? Listen and transcribe on your own. You don't even have to write the solos down actually just practice until you can play it from memory. I assume you are getting some sort of percentage if someone clicks on this link and buys the book.
I came for pat bartley transcriptions, i stayed for Bruce's reactions
I loved them too 😁
I personally think he is the best jazz saxophonist right now!!
He's actually one of my favourites :D
Listen to Aaron Johnson
him and joel frahm are some of my favorites right now.
Personal “bests” are okay, so long as the distinction is made from a fictitious actual “best”. That idea should leave our vocabularies.
kinda hard to top Chris Potter
bruce harris' reactions are on point
Yes, I was watching his face whilst transcribing!
The line just after 0:55 and then the slight stank face after is hysterical!
So good. Cannonball is my favorite saxophone player of all time, and I just love how easily you can hear that influence in Patrick's playing yet how fresh and unique his ideas are!
Yes!!
@@brycewalburn3926 he is pretty much a carbon copy abd VERY GOOD ONE!
The sharp edged articulation reminds me of Jackie McLean.
Me too!
With that kind of talent I just hope Patrick maintains his composure and continues to bless us all for years to come. Wow..just wow!
That blues scale at 1:18 was so greasy, and it was just the blues scale
Mind blowing , the power of simplicity
I'm not sure if you're aware of this but Cannonball Adderley actually was briefly the band director of Dillard high School in Broward county Florida. Many years later guess who went to Dillard high School, Patrick Bartley.
It’s amazing that as a high schooler, I would’ve been like, even if I miss the changes, just don’t play an F natural, and I’m good. And then those are the best notes of his solo 😂
It's all about finesse and context
He even did that one lick Cannonball played in Straight no Chaser crazy
Need to check that!
The best living saxophonist.
Cannonball did a lot of blues w/ bridge tunes as well, so even the song choice fits.
Hard serious swingin' here!
Patrick is the reincarnation of cannonball
i swear a little before 0:44 he goes into sandu
I am smiling from ear to ear! So fun!
0:56
DAMN!!!!!!!!!! You weren't kidding!!!!!
What a great transcription!
but what is this "Classic Russel"? Who is that referring to?
Love his playing style!!!
I'm with you on that. 😁😁
Awesome transcription!
Thanks!!
So accurate to compare him to Cannonball!!!
NAASTTYYYY MAN !
that was great !!!
🔥🔥
emmet cohen posted this!
It's tracks like these that make me want to do nothing but practice bebop blues
Same 😁
@@OliverWolfe The tragedy with that though is it doesn't always help with more modern styles. Like I've been trying to find ways to solo over more triad-based tonal progressions and while bebop can help sometimes, I'm really better off looking elsewhere.
OMG ! Charming
I agree!
I was having a bad evening. not anymore!
this is very good buddy
Thanks so much Tomy!
Damn son!
Quoting Marmaduke by Bird and Op. 102 No 6 by Mendelssohn here what a guy
Can you timestamp for us please?!
marmaduke head at 0:12 idk about the mendelssohn thing
I think he sounds like Patrick Bartley.
Nice, i love bruce harris faces xD Although, too strong on the downbeats to sound cannonballish,
how do you put the video and the transcription together?
I use sibelius, export to PDF then PNG and overlay onto the MP4 in Reaper daw.
Mio padre 🔥
Mine too
At the last chorus these are the right chords on the chart? I dont get these extra G maj parts, is it coming from the tune, or its some "inside joke" from the scene, what i dont know? Thanks for the transcript anyway 🙏
Yes, it's a bridge added in the composition!
hey, thanks, I will check it than!@@OliverWolfe
Could be my favorite living musician
❤ Joe Taylor ❤
❤❤
YOOOOOOOO
❤️❤️❤️❤️
❤❤
What is the name of this tune
scotch and water - a joe zawinul tune
Thank you for great transcription!
But i think some chords(every bars after GM7 vamp) are wrong.
Please can you explain the mistakes?
😎😎😎💣💣💣
❤️❤️
🎷❤🔥
Some changes are wrong: before the last chorus, you have written only 6 bars of the Gmaj7(#11) bridge instead of 8, so the changes for the last chorus are all written 2 bars early.
All the notes, articulation, comments, etc. are all good! Very good work, and an amazing solo of course by Patrick.
Thank you!
👌🎼
👌🎼👌🎼👌🎼👌🎼👌🎼
The liccc 1:19
Definitely not the lick
@@DaDarkGuyit is
@@tioliak Are you sure you have the right timestamp? The "lick" is scale degrees 1-2-3-4-2-7-1 in minor mode, and that is nowhere to be found where you timestamped.
@@DaDarkGuy the licc in dominant context
Seriously great solo, but not quite Cannonball ❤❤
I think he channels Cannonball a bit more on "Scotch and Water" from the same Emmett's Place session
@@thomashightower7881 this solo is his solo on Scotch and Water...
No one will ever be quite like Cannonball but if I were to listen to this recording blind without knowing who played it, I would assume Cannonball somehow came back to life to rip a few choruses.
@@psyarts8687I agree. That first chorus alone could literally be a cannonball solo.
This is the closest i have ever heard to actually being cannonball.
Please wear seat belts.
😅😅🤯