The Galliane Frog, Benoît Rolland and Yumi Okada

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  • Опубликовано: 17 окт 2024

Комментарии • 7

  • @kranjecpeter
    @kranjecpeter 2 года назад +1

    This frog completely eliminates what we actually seek to do with our bow - decide how much hair we need for playing. Also I cant imagine beginner with this bow -they are prone to tilt the bow in the opposite direction

  • @Salamlee1234
    @Salamlee1234 2 года назад

    I thought the idea of a traditional bow is that while you tilt the bow you can play it with minimal hair to achieve a piano / quiet voice. And when playing forte, you apply pressure with the bow being tilt, the hair in contact is actually wider, more than the width of the bow hair. Similar to the idea of a triangle, the diagonal side is always longer than the horizontal side.

  • @liamnevilleviolist1809
    @liamnevilleviolist1809 2 года назад +1

    1:24 "You see that... only a portion of the hair.." .... *yes* we know. That's what we want! A gentle/precise approach to the note then we can turn our wrist out or adjust our fingers slightly when we want all the hair to come into contact with the string!

  • @alexrihter
    @alexrihter Год назад

    В руках мастера любой инструмент будет звучать.

  • @stefaniamaccaferri7516
    @stefaniamaccaferri7516 5 лет назад

    Just to inform that the quantity of the hair in contact with the string depends just of the choice of the player. Quality bow has no matter. Apart of the las comment, The violinist does a great demonstration bravo!

  • @pablouuuu
    @pablouuuu 3 года назад

    What strings she use?

    • @liamnevilleviolist1809
      @liamnevilleviolist1809 2 года назад

      Brown and white striping = Passione by Pirastro. The amount of bow hair though doesn't sound great on gut strings in my opinion.... it's choking the sound a bit