There is still an instrument called 奚琴 Xiqin in China that looks very similar to your drawing. Korean Haegeum has developed very unique cord, knobs and strings positions. Other developments include using snake skin, using coconut, bow is no longer between strings, adding a third string and even fourth string, enlargement under influence of cello, etc.
Thanks for the info, I have classified the Haegeum to the group of Huqin instruments, and to the group of silk instruments in the 8 Chinese categories. In my current research I have found about 60 different Huqin (Haegeum like) instruments (for which I have found reference pictures). Before I start rebuilding these instruments in 3D, I would like to be able to classify them by region, country, ethnic minority or religion. I just checked my list again, you are right the Xiqin is very very similar. my reference picture for the Xiqin would have to be a fiddle like in this report. kknews.cc/zh-sg/culture/kv5kx9r.html
@@michaelsmusicinstruments9980 You are welcome. The categorization of various Huqin will take some long and deep research. For example every Chinese regional opera has its own groups of Huqin. Banhu 板胡 is the Huqin for the groups of opera in Northern China from Shaanxi all the way to Manchuria. It is further divided into different types based on the pitch. I would say Erhu and Banhu are the most common Huqin in Southern China and Northern China respectively. Erhu becomes popular as it originates from Jiangnan 江南 region which includes Shanghai, and when Shanghainese musical scholars assembled Chinese Orchestra based on Western European Philharmonic Orchestra, Erhu is picked to mimic violin and new types of Huqin based on Erhu are developed to mimic viola, cello and double bass. Fujian Nanyin 福建南音 has archaic forms of Xiqin and Pipa琵琶.
@@lacrimis_solis kemancheh, a beautiful instrument, many spike fiddles and also lutes migrated from Central Asia to China and Korea via the Silk Road (dunhuang/kucha), and were adapted there. Whether the kemancheh was also one of the instruments I can't say yet, I need to do more research on the origin and morphology of the kemancheh. Most of the instruments that came to China/Korea from Central Asia can be seen on the cave paintings in Dunhuang. I am looking forward to learning more about the kemancheh, I think the kemancheh is very important in its region and has a high value.
There is still an instrument called 奚琴 Xiqin in China that looks very similar to your drawing. Korean Haegeum has developed very unique cord, knobs and strings positions. Other developments include using snake skin, using coconut, bow is no longer between strings, adding a third string and even fourth string, enlargement under influence of cello, etc.
Thanks for the info, I have classified the Haegeum to the group of Huqin instruments, and to the group of silk instruments in the 8 Chinese categories. In my current research I have found about 60 different Huqin (Haegeum like) instruments (for which I have found reference pictures). Before I start rebuilding these instruments in 3D, I would like to be able to classify them by region, country, ethnic minority or religion. I just checked my list again, you are right the Xiqin is very very similar. my reference picture for the Xiqin would have to be a fiddle like in this report.
kknews.cc/zh-sg/culture/kv5kx9r.html
@@michaelsmusicinstruments9980 You are welcome. The categorization of various Huqin will take some long and deep research. For example every Chinese regional opera has its own groups of Huqin. Banhu 板胡 is the Huqin for the groups of opera in Northern China from Shaanxi all the way to Manchuria. It is further divided into different types based on the pitch. I would say Erhu and Banhu are the most common Huqin in Southern China and Northern China respectively. Erhu becomes popular as it originates from Jiangnan 江南 region which includes Shanghai, and when Shanghainese musical scholars assembled Chinese Orchestra based on Western European Philharmonic Orchestra, Erhu is picked to mimic violin and new types of Huqin based on Erhu are developed to mimic viola, cello and double bass. Fujian Nanyin 福建南音 has archaic forms of Xiqin and Pipa琵琶.
I've seen these on Lazada, and got curious. Hehe. Shalom.
제가 알기로도 페르시아 기원이라고 들은적이 있습니다
This is the erhu that originated in the Tang Dynasty of China😊
How about the kemancheh?
Well, it DID start out as a plucked instrument, but later it was bowed with the introduction to the fiddle, right?
@@lacrimis_solis kemancheh, a beautiful instrument, many spike fiddles and also lutes migrated from Central Asia to China and Korea via the Silk Road (dunhuang/kucha), and were adapted there. Whether the kemancheh was also one of the instruments I can't say yet, I need to do more research on the origin and morphology of the kemancheh. Most of the instruments that came to China/Korea from Central Asia can be seen on the cave paintings in Dunhuang. I am looking forward to learning more about the kemancheh, I think the kemancheh is very important in its region and has a high value.
해족의 악기로 알려진 해금의 기원은 이란의 카만체. 서양의 바이올린과 첼로의 기원도 이란의 카만체
다 여기서 파생된 겁니다.
현악기 기타도 이란의 타르 혹은 시타르가 기원이구요.
I am wondering why I fell in love with this instrument...maybe my ancestors were from the extreme East.
韩国又赢了😂
- -奚族在我们境内
从中国传过去的吧、