It's actually gonna happen so, I want Nintendo to add a multiplayer so I can play as Shadow Mario vs my father XD I also want a time trial for EVERY LEVEL where you can compete with other players x) Am I asking too much ?
I don't know what I'm doing here. I'm making a browser extension for a deadline I have in like 2 days. I found some bugs I'm not sure I can fix, and instead of working, I'm watching a 1 1/2 hour speed run for a game I haven't played since I was a teenager.
God, trying a hoverless run must take some mental fortitude. I feel like at some point, I'd forget what I've been doing and my autopilot would just hit the X button for me.
54:55 I'm doing a hoverless playthrough and this is probably the only level I'm gonna use this speedrun for, the rest will just be intuition, since this is so hard and precise movement wise.
@@stevedonahue7956 it's about the journey, not the destination. also sunshine gives you a really cool extra shirt when you talk to the shades guy with 120 shines, so there is something.
xmish16 would there be a point in doin so if all he needs to do is not use the nozzle?? Edit: Using code would delegitimize the run in a small way just like using an emulator though.
havent watched the video but how is hoverless even possible , isnt the gap between some of the platforms in bowsers stage too wide for a normal jump ? just skiped to that part , holy hell
I think a full remake/remaster of sunshine is way more plausible then a sunshine 2 i dont think it wouod make sense for people in game ro fall for it again knowing bowser jrs shenanigans
I had never even seen a shooting star before. 25 years of rotations, passes through comets' paths, and travel, and to my memory I had never witnessed burning debris scratch across the night sky. Radiohead were hunched over their instruments. Thom Yorke slowly beat on a grand piano, singing, eyes closed, into his microphone like he was trying to kiss around a big nose. Colin Greenwood tapped patiently on a double bass, waiting for his cue. White pearls of arena light swam over their faces. A lazy disco light spilled artificial constellations inside the aluminum cove of the makeshift stage. The metal skeleton of the stage ate one end of Florence's Piazza Santa Croce, on the steps of the Santa Croce Cathedral. Michelangelo's bones and cobblestone laid beneath. I stared entranced, soaking in Radiohead's new material, chiseling each sound into the best functioning parts of my brain which would be the only sound system for the material for months. The butterscotch lamps along the walls of the tight city square bled upward into the cobalt sky, which seemed as strikingly artificial and perfect as a wizard's cap. The staccato piano chords ascended repeatedly. "Black eyed angels swam at me," Yorke sang like his dying words. "There was nothing to fear, nothing to hide." The trained critical part of me marked the similarity to Coltrane's "Ole." The human part of me wept in awe. The Italians surrounding me held their breath in communion (save for the drunken few shouting "Criep!"). Suddenly, a rise of whistles and orgasmic cries swept unfittingly through the crowd. The song, "Egyptian Song," was certainly momentous, but wasn't the response more apt for, well, "Creep?" I looked up. I thought it was fireworks. A teardrop of fire shot from space and disappeared behind the church where the syrupy River Arno crawled. Radiohead had the heavens on their side. For further testament, Chip Chanko and I both suffered auto-debilitating accidents in the same week, in different parts of the country, while blasting "Airbag" in our respective Japanese imports. For months, I feared playing the song about car crashes in my car, just as I'd feared passing 18- wheelers after nearly being crushed by one in 1990. With good reason, I suspect Radiohead to possess incomprehensible powers. The evidence is only compounded with Kid A-- the rubber match in the band's legacy-- an album which completely obliterates how albums, and Radiohead themselves, will be considered. Even the heralded OK Computer has been nudged down one spot in Valhalla. Kid A makes rock and roll childish. Considerations on its merits as "rock" (i.e. its radio fodder potential, its guitar riffs, and its hooks) are pointless. Comparing this to other albums is like comparing an aquarium to blue construction paper. And not because it's jazz or fusion or ambient or electronic. Classifications don't come to mind once deep inside this expansive, hypnotic world. Ransom, the philologist hero of C.S. Lewis' Out of the Silent Planet who is kidnapped and taken to another planet, initially finds his scholarship useless in his new surroundings, and just tries to survive the beautiful new world. This is an emotional, psychological experience. Kid A sounds like a clouded brain trying to recall an alien abduction. It's the sound of a band, and its leader, losing faith in themselves, destroying themselves, and subsequently rebuilding a perfect entity. In other words, Radiohead hated being Radiohead, but ended up with the most ideal, natural Radiohead record yet. "Everything in Its Right Place" opens like Close Encounters spaceships communicating with pipe organs. As your ears decide whether the tones are coming or going, Thom Yorke's Cuisinarted voice struggles for its tongue. "Everything," Yorke belts in uplifting sighs. The first-person mantra of "There are two colors in my head" is repeated until the line between Yorke's mind and the listener's mind is erased. Skittering toy boxes open the album's title song, which, like the track "Idioteque," shows a heavy Warp Records influence. The vocoder lullaby lulls you deceivingly before the riotous "National Anthem." Mean, fuzzy bass shapes the spine as unnerving theremin choirs limn. Brash brass bursts from above like Terry Gilliam's animated foot. The horns swarm as Yorke screams, begs, "Turn it off!" It's the album's shrill peak, but just one of the incessant goosebumps raisers. After the rockets exhaust, Radiohead float in their lone orbit. "How to Disappear Completely" boils down "Let Down" and "Karma Police" to their spectral essence. The string-laden ballad comes closest to bridging Yorke's lyrical sentiment to the instrumental effect. "I float down the Liffey/ I'm not here/ This isn't happening," he sings in his trademark falsetto. The strings melt and weep as the album shifts into its underwater mode. "Treefingers," an ambient soundscape similar in sound and intent to Side B of Bowie and Eno's Low, calms after the record's emotionally strenuous first half. The primal, brooding guitar attack of "Optimistic" stomps like mating Tyrannosaurs. The lyrics seemingly taunt, "Try the best you can/ Try the best you can," before revealing the more resigned sentiment, "The best you can is good enough." For an album reportedly "lacking" in traditional Radiohead moments, this is the best summation of their former strengths. The track erodes into a light jam before morphing into "In Limbo." "I'm lost at sea," Yorke cries over clean, uneasy arpeggios. The ending flares with tractor beams as Yorke is vacuumed into nothingness. The aforementioned "Idioteque" clicks and thuds like Aphex Twin and Bjork's Homogenic, revealing brilliant new frontiers for the "band." For all the noise to this point, it's uncertain entirely who or what has created the music. There are rarely traditional arrangements in the ambiguous origin. This is part of the unique thrill of experiencing Kid A. Pulsing organs and a stuttering snare delicately propel "Morning Bell." Yorke's breath can be heard frosting over the rainy, gray jam. Words accumulate and stick in his mouth like eye crust. "Walking walking walking walking," he mumbles while Jonny Greenwood squirts whale-chant feedback from his guitar. The closing "Motion Picture Soundtrack" brings to mind The White Album, as it somehow combines the sentiment of Lennon's LP1 closer-- the ode to his dead mother, "Julia"-- with Ringo and Paul’s maudlin, yet sincere LP2 finale, "Goodnight." Pump organ and harp flutter as Yorke condones with affection, "I think you're crazy." To further emphasize your feeling at that moment and the album's overall theme, Yorke bows out with "I will see you in the next life." If you're not already there with him. The experience and emotions tied to listening to Kid A are like witnessing the stillborn birth of a child while simultaneously having the opportunity to see her play in the afterlife on Imax. It's an album of sparking paradox. It's cacophonous yet tranquil, experimental yet familiar, foreign yet womb-like, spacious yet visceral, textured yet vaporous, awakening yet dreamlike, infinite yet 48 minutes. It will cleanse your brain of those little crustaceans of worries and inferior albums clinging inside the fold of your gray matter. The harrowing sounds hit from unseen angles and emanate with inhuman genesis. When the headphones peel off, and it occurs that six men (Nigel Godrich included) created this, it's clear that Radiohead must be the greatest band alive, if not the best since you know who. Breathing people made this record! And you can't wait to dive back in and try to prove that wrong over and over.
What is the "48" corresponding to btw ? Didn't ask it in stream before I went to sleep yesterday Also 2 PB in 2 runs gg, you're getting consistent that looks good for wr
History of super mario sushine hoverless world record progression.
Eric Johnson I would prefer a WR history of 100%
OK
Maybe someday
Trey one day they're gonna remaster this game and add a god damn skip button to the cutscenes
Jesse Keenan they’re probably gonna botch the movement though :/
No they can't remaster or make a second game. Feels bad man
@@guaplaflame9217 why not
It's actually gonna happen so, I want Nintendo to add a multiplayer so I can play as Shadow Mario vs my father XD
I also want a time trial for EVERY LEVEL where you can compete with other players x)
Am I asking too much ?
they're actually remastering it. although nintendo has a history of not doing things that the community wants
I love simply listening to the game in the background while you comment and watching it if I have a chance. Congrats on your PB, u almost there
I hope hoverless really becomes a serious category to speedrun
I don't know what I'm doing here. I'm making a browser extension for a deadline I have in like 2 days. I found some bugs I'm not sure I can fix, and instead of working, I'm watching a 1 1/2 hour speed run for a game I haven't played since I was a teenager.
How did it go?
He got Firedfox.
God, trying a hoverless run must take some mental fortitude. I feel like at some point, I'd forget what I've been doing and my autopilot would just hit the X button for me.
54:55 I'm doing a hoverless playthrough and this is probably the only level I'm gonna use this speedrun for, the rest will just be intuition, since this is so hard and precise movement wise.
uses hover at 2:25 cheater
Jebaited
70 FLOGGINGS!
Hooligan Insight lol
It is a tutorial on how to use the hover, he can't avoid it.
*It's a joke* ^
That Noki 6 was the greatest thing I saw all day
I gotta play this game again.
its fun but you get nothing after getting every single star....that's bullshit….64 at least let you go onto the roof of the castle...
@@stevedonahue7956 it's about the journey, not the destination. also sunshine gives you a really cool extra shirt when you talk to the shades guy with 120 shines, so there is something.
Did you played it?
Everybody does.
You make it look so easy
wtf!!! your skills are ridiculous how many fuking times have u played this game that every move u make is perfect??? WTFF MINDBLOWN
Yo this run was awesome!! Nice job!!
Now do Hoverless 100%
Severo Cairon that's impossible
PVZBronyGod Gaming Thatsthejoke.jpg
PVZBronyGod Gaming you got woooooosh’d
not impossible people have done it
keeki from what I looked up on youtube nobody has
I love this game since i was 5.
Would a run still be valid if you use the code to disable flood and never have him on your back?
xmish16 why would he disable flood if he needs flood for the paint plant things
well, maybe a code that disables the hover nozzle
xmish16 would there be a point in doin so if all he needs to do is not use the nozzle?? Edit: Using code would delegitimize the run in a small way just like using an emulator though.
Watching this while studying for uni. Hoverless speedruns are so cool
"If you waited and were the first to do the skip you wouldn't go to jail or anything" yes because you going to jail is what happens in the cutscene
Ill never get over the Japanese version saying "shine get" when every other version just says "shine"
Over it get
havent watched the video but how is hoverless even possible , isnt the gap between some of the platforms in bowsers stage too wide for a normal jump ?
just skiped to that part , holy hell
Time-stamp please
vegans: “i’m vegan”
trey: “i’m playing on a wii”
The fact that the hover nozzle is the only saving grace the movent has just shows how miserable even a normal run like this would be.
are you gonna do a history of 120 shine progression like you did with any%
I didn't even know you could build up height with a jet
Cool stuff
Please do more, your videos are amazing
I think a full remake/remaster of sunshine is way more plausible then a sunshine 2 i dont think it wouod make sense for people in game ro fall for it again knowing bowser jrs shenanigans
Lol i missed the stream, but congrats on the pb!
ever imagined this could be possible. actually wtf
Look at that young man’s lovely head of hair…and none bearded face
I wish this game would be ported to switch
Alright you got two wishes left (ask for Mario Odyssey 2)
@@SuperSpamGuy how long were you sitting on this?
Me, knowing gelato can be skipped now 😈
1:31:00 Here's when the run ends.
Great Run Trey!
Why is hoverless a category this is great lmao.
I had never even seen a shooting star before. 25 years of rotations, passes through comets' paths, and travel, and to my memory I had never witnessed burning debris scratch across the night sky. Radiohead were hunched over their instruments. Thom Yorke slowly beat on a grand piano, singing, eyes closed, into his microphone like he was trying to kiss around a big nose. Colin Greenwood tapped patiently on a double bass, waiting for his cue. White pearls of arena light swam over their faces. A lazy disco light spilled artificial constellations inside the aluminum cove of the makeshift stage. The metal skeleton of the stage ate one end of Florence's Piazza Santa Croce, on the steps of the Santa Croce Cathedral. Michelangelo's bones and cobblestone laid beneath. I stared entranced, soaking in Radiohead's new material, chiseling each sound into the best functioning parts of my brain which would be the only sound system for the material for months.
The butterscotch lamps along the walls of the tight city square bled upward into the cobalt sky, which seemed as strikingly artificial and perfect as a wizard's cap. The staccato piano chords ascended repeatedly. "Black eyed angels swam at me," Yorke sang like his dying words. "There was nothing to fear, nothing to hide." The trained critical part of me marked the similarity to Coltrane's "Ole." The human part of me wept in awe.
The Italians surrounding me held their breath in communion (save for the drunken few shouting "Criep!"). Suddenly, a rise of whistles and orgasmic cries swept unfittingly through the crowd. The song, "Egyptian Song," was certainly momentous, but wasn't the response more apt for, well, "Creep?" I looked up. I thought it was fireworks. A teardrop of fire shot from space and disappeared behind the church where the syrupy River Arno crawled. Radiohead had the heavens on their side.
For further testament, Chip Chanko and I both suffered auto-debilitating accidents in the same week, in different parts of the country, while blasting "Airbag" in our respective Japanese imports. For months, I feared playing the song about car crashes in my car, just as I'd feared passing 18- wheelers after nearly being crushed by one in 1990. With good reason, I suspect Radiohead to possess incomprehensible powers. The evidence is only compounded with Kid A-- the rubber match in the band's legacy-- an album which completely obliterates how albums, and Radiohead themselves, will be considered.
Even the heralded OK Computer has been nudged down one spot in Valhalla. Kid A makes rock and roll childish. Considerations on its merits as "rock" (i.e. its radio fodder potential, its guitar riffs, and its hooks) are pointless. Comparing this to other albums is like comparing an aquarium to blue construction paper. And not because it's jazz or fusion or ambient or electronic. Classifications don't come to mind once deep inside this expansive, hypnotic world. Ransom, the philologist hero of C.S. Lewis' Out of the Silent Planet who is kidnapped and taken to another planet, initially finds his scholarship useless in his new surroundings, and just tries to survive the beautiful new world.
This is an emotional, psychological experience. Kid A sounds like a clouded brain trying to recall an alien abduction. It's the sound of a band, and its leader, losing faith in themselves, destroying themselves, and subsequently rebuilding a perfect entity. In other words, Radiohead hated being Radiohead, but ended up with the most ideal, natural Radiohead record yet.
"Everything in Its Right Place" opens like Close Encounters spaceships communicating with pipe organs. As your ears decide whether the tones are coming or going, Thom Yorke's Cuisinarted voice struggles for its tongue. "Everything," Yorke belts in uplifting sighs. The first-person mantra of "There are two colors in my head" is repeated until the line between Yorke's mind and the listener's mind is erased.
Skittering toy boxes open the album's title song, which, like the track "Idioteque," shows a heavy Warp Records influence. The vocoder lullaby lulls you deceivingly before the riotous "National Anthem." Mean, fuzzy bass shapes the spine as unnerving theremin choirs limn. Brash brass bursts from above like Terry Gilliam's animated foot. The horns swarm as Yorke screams, begs, "Turn it off!" It's the album's shrill peak, but just one of the incessant goosebumps raisers.
After the rockets exhaust, Radiohead float in their lone orbit. "How to Disappear Completely" boils down "Let Down" and "Karma Police" to their spectral essence. The string-laden ballad comes closest to bridging Yorke's lyrical sentiment to the instrumental effect. "I float down the Liffey/ I'm not here/ This isn't happening," he sings in his trademark falsetto. The strings melt and weep as the album shifts into its underwater mode. "Treefingers," an ambient soundscape similar in sound and intent to Side B of Bowie and Eno's Low, calms after the record's emotionally strenuous first half.
The primal, brooding guitar attack of "Optimistic" stomps like mating Tyrannosaurs. The lyrics seemingly taunt, "Try the best you can/ Try the best you can," before revealing the more resigned sentiment, "The best you can is good enough." For an album reportedly "lacking" in traditional Radiohead moments, this is the best summation of their former strengths. The track erodes into a light jam before morphing into "In Limbo." "I'm lost at sea," Yorke cries over clean, uneasy arpeggios. The ending flares with tractor beams as Yorke is vacuumed into nothingness. The aforementioned "Idioteque" clicks and thuds like Aphex Twin and Bjork's Homogenic, revealing brilliant new frontiers for the "band." For all the noise to this point, it's uncertain entirely who or what has created the music. There are rarely traditional arrangements in the ambiguous origin. This is part of the unique thrill of experiencing Kid A.
Pulsing organs and a stuttering snare delicately propel "Morning Bell." Yorke's breath can be heard frosting over the rainy, gray jam. Words accumulate and stick in his mouth like eye crust. "Walking walking walking walking," he mumbles while Jonny Greenwood squirts whale-chant feedback from his guitar. The closing "Motion Picture Soundtrack" brings to mind The White Album, as it somehow combines the sentiment of Lennon's LP1 closer-- the ode to his dead mother, "Julia"-- with Ringo and Paul’s maudlin, yet sincere LP2 finale, "Goodnight." Pump organ and harp flutter as Yorke condones with affection, "I think you're crazy." To further emphasize your feeling at that moment and the album's overall theme, Yorke bows out with "I will see you in the next life." If you're not already there with him.
The experience and emotions tied to listening to Kid A are like witnessing the stillborn birth of a child while simultaneously having the opportunity to see her play in the afterlife on Imax. It's an album of sparking paradox. It's cacophonous yet tranquil, experimental yet familiar, foreign yet womb-like, spacious yet visceral, textured yet vaporous, awakening yet dreamlike, infinite yet 48 minutes. It will cleanse your brain of those little crustaceans of worries and inferior albums clinging inside the fold of your gray matter. The harrowing sounds hit from unseen angles and emanate with inhuman genesis. When the headphones peel off, and it occurs that six men (Nigel Godrich included) created this, it's clear that Radiohead must be the greatest band alive, if not the best since you know who. Breathing people made this record! And you can't wait to dive back in and try to prove that wrong over and over.
@@charliep7112 this was a nice read
Congrats on top 3!
Corona Mountain Saves in Speedrunning awesome save and pb
Sorry I missed your stream today trey, just got a new job.
Lulu congrats dude
Hope you haven't got fired yet
Profanity the game
"Fuahk Yuu"
28:14 only the early white/black wii's play gc games. They stopped supporting backwards compatibility pretty early into the wii's lifecycle.
As far as I know that the Wii Family Edition and Wii Mini lack backwards compatibility, similar to the PS3 revisions.
It must be weird doing the secret levels hoverless.
Cant believe I lost my copy of the game...
Wow, what a great run.
nice job dude!
I never knew it was possible till I saw other people's playing runs theories about this but not everyone is good at it though!😁😃😀😊
And now everyone is doing hoverless
What is the "48" corresponding to btw ? Didn't ask it in stream before I went to sleep yesterday
Also 2 PB in 2 runs gg, you're getting consistent that looks good for wr
Pogonateur That's how many attempts he's done so far
OK thanks, that's what I thought but I wasn't sure that much so I prefered to ask
Super Mario 64; 480p eddition: it's also actually sunshine%
Men, you can go back to any%, i know you can!
Hugh Bliss brought me here.
1:01:19 just held in my breath there. Amazing!
1:27:29
Him: "Even if there is no fast Corona..."
2020: 😂
... no hovernozzle ?!
What does unlocking rico harbor then going into bianco hills before the cutscene is over do?
Amazing Mo Skips the full cutscene of Rico Harbor opening so he doesn't have to stand around and watch it.
How do you get he Japanese version? Also what does it do as a whole for speed running?
Supposedly the text loads faster in Japanese
You should go for the slowest SMS Speedrun of all time
1:30:53 baby
Good video
Nice
Invalid. Went to the bathroom for 20 minutes
32:18 I was blown away how you can get those red coins without hover WOW
How come you don't do max% hoverless ?
Ice box but no ice?!?!?!
Good vid
How did you upload the gameplay on youtube? Please tell me 😭
he probably just trimmed the twitch vod and hit youtube's upload button
This game must be horrible to speedrun watching 10 mins of cutscenes every restart
What is the purpose of waiting for the memory card?
probably has something to do with load times or dialog boxes, i'm not sure though
Why does he put the memory card in in the beginning?
Savewarp
すごい！
Early M 8:26
*_Gamechamp3000 but a speedrunner_*
What ever happened to GBS
50:20
only possible with yoshi in this category
1:25:20 that's the sound I made last night
?
the vomiting blooper
Tf
3:40 he did not wash is hand
2 peebs in a row
42:28 I cannot get this jump
25:30
lolwat
hoverless is 1:30...who the fuck knew lmao
Hey trey
1:16:30 One for GladJonas' 'Karma in Speedrunning' videos. :)
Is 100% hoverless possible?
there's 4 blue coins in the eel area of noki that u can't get hoverless, but everything else is possible
AverageTreyVG Thanks Trey
Any Bianco Bros in the comment section here?
OK so what in the hell are the gay categories?
Mino Morr gay categories? Hmm... "all episodes"
I have 1 of those wiis I also have a black one no racial
may of gay face
200th like :>